Adèle’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

Credits: TheMovieDb.

Film Cast:

• Adèle: Adèle Exarchopoulos
• Emma: Léa Seydoux
• Samir: Salim Kechiouche
• Adèle’s Father: Aurélien Recoing
• Adèle’s Mother: Catherine Salée
• Antoine: Benjamin Siksou
• Lise: Mona Walravens
• Thomas: Jérémie Laheurte
• Béatrice: Alma Jodorowsky
• Mère Emma: Anne Loiret
• Beau Père Emma: Benoît Pilot
• Valentin: Sandor Funtek
• Amélie: Fanny Maurin
• Laetitia: Maelys Cabezon
• Samir: Samir Bella
• Pierre: Tom Hurier
• Manon: Manon Piette
• Eli: Quentin Médrinal
• Meryem: Baya Rehaz
• Camille: Camille Rutherford
• Lucie (voice): Judith Hoersch
• Peter: Peter Assogbavi
• Wisdom: Wisdom Ayanou
• Prof de Français ‘Marivaux’: Philippe Potier
• Prof de Français ‘Antigone’: Virginie Morgny
• Joachim: Stéphane Mercoyrol
• Lucie: Lucie Bibal
• Marilyne: Marilyne Chanaud
• Mika: Michael Skal
• Piou-Piou: Sandrine Paraire
• Justine: Justine Nissart
• Flavie: Flavie De Murat
• Vince: Vincent Gaeta
• Elizabeth: Elizabeth Craig
• Kader: Karim Saidi
• Sabine: Aurelie Lemanceau
• Audrey: Audrey Deswarte
• …: Mejdi Ben Nasr
• …: Hichem Ben Nasr
• …: Janine Pillot
• …: Antoinette Sarrazin
• …: Alain Duclos
• …: Éric Paul
• …: Catherine Gilleron
• …: Leila D’Issernio
• …: Jean Luc D’Isserno
• …: Selim Boukerfat
• …: Oscar Pinelli
• …: Léa Berkat
• …: Nicolas Bourgasser
• …: Camille Ayoras
• …: Frédéric Wolsztyniak
• …: Halima Slimani
• …: Viktor Poisson
• …: Utrillo
• …: Radhouane El Meddeb
• …: Julien Bucci
• …: Alika Del Sol
• …: Maud Wyler
• …: Marc Schaegis
• …: Olivier Verseau
• …: Manou Poret
• …: Klaim Nivaux
• …: Chloé Malih
• …: Ilyès Qada
• …: Bouraouïa Marzouk

Film Crew:

• Producer: Vincent Maraval
• Producer: Abdellatif Kechiche
• First Assistant Director: Monya Galbi
• Editorial Staff: Sophie Brunet
• Producer: Brahim Chioua
• Editor: Camille Toubkis
• Production Manager: Benoît Pilot
• Director of Photography: Sofian El Fani
• Editor: Ghalya Lacroix
• Editor: Albertine Lastera
• Associate Producer: François Guerrar
• Dialogue Editor: François Fripiat
• Editor: Jean-Marie Lengelle
• Sound Editor: Renaud Guillaumin
• Sound Editor: Mélanie Blouin
• Sound Editor: Caroline Reynaud
• Second Assistant Director: Bahijja El Amrani
• Casting: Sophie Blanvillain
• Costume Supervisor: Dorothée Lissac
• Publicist: Phil Symes
• Costume Design: Paloma Garcia Martens
• Camera Operator: Sébastien Goepfert
• Supervising Sound Editor: Fabien Pochet
• Casting: Judith Chalier
• Assistant Editor: Sarah Zaanoun
• Co-Producer: Laurence Clerc
• Line Producer: Olivier Théry-Lapiney
• Music Supervisor: Elise Luguern
• Set Decoration: Julia Lemaire
• Sound Mixer: Jérôme Chenevoy
• Assistant Director: Frédéric Alexandre
• Assistant Director: Antoine Fromental
• First Assistant Director: Auriane Lacince
• Assistant Director: Nicolas Turek
• Assistant Set Dresser: Coline Débée
• Boom Operator: Romain Cadilhac
• Boom Operator: Milène Chave
• Sound: Denis Martin
• Boom Operator: Xavier Remy
• Boom Operator: Clément Trahard
• Dialogue Editor: Joey van Impe
• Supervising Dialogue Editor: Roland Voglaire
• Foley Editor: Jean-Louis Viroux
• Camera Operator: Serge Hannecart
• Additional Camera: Nicolaos Zafiriou
• Assistant Editor: Marcela Figueroa
• Assistant Editor: Kévin Laperrière
• Post Production Assistant: Alissa Doubrovitskaïa
• Post Production Assistant: Adélaïde Basson
• Location Manager: Kader Bouallaga
• Post Production Assistant: Gaëtan Hugnet
• Production Accountant: Martin Neufkens
• Thanks: Etienne Grandou
• VFX Artist: Laurent Launes
• Story: Julie Maroh

Movie Reviews:

• kineticandroid: Apart from the NC-17 sex scenes, the buzz of this film made me think it was going to be about the two people on the poster. But from the first frame, it’s really just about one — Adele. So much film is spent focused on her face that it’s easy to lose contact with other characters and the world around her. But in doing so, I felt very drawn into her thought process, which made the story of her romance to Emma that much more powerful, despite the language barrier and the relationship’s keen specificities. Being so drawn in proved very helpful during the breakup scene. On it’s own, you see a woman scorned and the sad stupidity of her unfaithful lover fighting a lost cause. But because we know so much about that unfaithful lover, I felt worse, because I know what led her to this place and was sad she couldn’t articulate it in the moment. It added to what I think is the film’s major achievement — showing how an ecstatic love like Emma’s and Adele’s can end up feeling so isolating.
• tmdb47633491: I became obsessed with Adele Exarchopoulos after seeing this. Didn’t even have to look up that spelling. I ordered a custom-made 32″ x 48″ ish sized poster of her for my apartment that’s still around somewhere. I’m pretty sure I tried to find her on snapchat. Thanks for reading.