Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock ‘n’ roll band Queen in 1970. Hit songs become instant classics. When Mercury’s increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.

Credits: TheMovieDb.

Film Cast:

• Freddie Mercury: Rami Malek
• Brian May: Gwilym Lee
• Roger Taylor: Ben Hardy
• John Deacon: Joseph Mazzello
• Mary Austin: Lucy Boynton
• John Reid: Aidan Gillen
• Paul Prenter: Allen Leech
• Jim Beach: Tom Hollander
• Ray Foster: Mike Myers
• Jim Hutton: Aaron McCusker
• Jer Bulsara: Meneka Das
• Bomi Bulsara: Ace Bhatti
• Kashmira Bulsara: Priya Blackburn
• David: Max Bennett
• Bob Geldof: Dermot Murphy
• Kenny Everett: Dickie Beau
• Tim Staffell: Jack Roth
• Mr. Austin: Neil Fox-Roberts
• Cheryl: Jess Radomska
• Shelley Stern: Michelle Duncan
• Reporter 1: Ross Green
• Reporter 2: Bruce Mackinnon
• Reporter 3: Joshua Higgott
• Reporter 4: Pat Lally
• Reporter 5: William Owen
• Reinhold Mack: Philip Andrew
• RT Baker: Tim Plester
• Brazilian Crewman: Felipe Bejarano
• Heathrow Baggage Handler: Kieran Hardcastle
• German TV Journalist: Martin Oelbermann
• Hospital Doctor: Ian Gabriel Dumdum
• Young Man at Clinic: Matt Greenwood
• TV Director: Royce Cronin
• A & R Man: James MacLaren
• Smile Audience Member: Andrew Bowerman
• Live Aid Organiser: Drew P.
• Roger’s Girlfriend 1: Haf Gibson
• Roger’s Girlfriend 2: Honor Hellon
• Dominique: Rosy Benjamin
• Chrissie: Leila Crerar
• Veronica: Katherine Newman
• Young Farrokh Bulsara: Adam Rauf
• Engineer at Studio: Peter Howe
• Live TV Director: John Ottman
• Technical Director: James Wallace
• Larry Mullen Jr. (uncredited): Matthew Houston
• Steve (uncredited): Scott Morrison Watson
• Floor Manager (uncredited): Devlin Lloyd
• Video Producer (uncredited): Stefan Kopiecki
• Voice Doctor (uncredited): Garry Summers
• Freddie’s Lover (uncredited): Matthew Fredricks
• Freddie’s Former Lover (uncredited): Ian Jareth Williamson
• Raver (uncredited): Adam Lazarus
• VIP Party Guest (uncredited): Johanna Thea
• Man at Truck Stop (uncredited): Adam Lambert
• Live Aid Volunteer (uncredited): Andreea Helen David
• Munich Guitarist (uncredited): Jason Lines

Film Crew:

• Executive Producer: Arnon Milchan
• Producer: Robert De Niro
• Executive Producer: Dexter Fletcher
• Casting: Susie Figgis
• Executive Producer: Jane Rosenthal
• Producer: Bryan Singer
• Editor: John Ottman
• Director of Photography: Newton Thomas Sigel
• Foley Artist: Peter Burgis
• Story: Peter Morgan
• Producer: Graham King
• Production Executive: Michael Schaefer
• Camera Operator: Hamish Doyne-Ditmas
• Costume Design: Julian Day
• Sound Re-Recording Mixer: Paul Massey
• Set Decoration: Anna Lynch-Robinson
• Costume Supervisor: Sian Evans
• Executive Producer: Denis O’Sullivan
• ADR Mixer: Mark DeSimone
• Music Producer: Roger Taylor
• Producer: Jim Beach
• Music Producer: Brian May
• Co-Producer: Richard Hewitt
• Prosthetic Makeup Artist: Eva von Bahr
• Sound Effects Editor: Andy Kennedy
• Special Effects Supervisor: Mark Holt
• Second Unit Director of Photography: Nanu Segal
• Story: Anthony McCarten
• ADR Mixer: Linda Brenon
• Second Assistant Director: Gayle Dickie
• Key Hair Stylist: Julio Parodi
• Still Photographer: Alex Bailey
• Production Design: Aaron Haye
• Wardrobe Supervisor: Yanika Waters
• Music Editor: Neil Stemp
• Sound Effects Editor: Alastair Sirkett
• Supervising Art Director: David Hindle
• Dialect Coach: William Conacher
• Art Direction: Hannah Moseley
• Sound Effects Editor: Alistair Hawkins
• Supervising Music Editor: John Warhurst
• Visual Effects Producer: Carl Grinter
• Visual Effects Supervisor: Paul Norris
• Additional Sound Re-Recording Mixer: Niv Adiri
• Foley Mixer: Glen Gathard
• Art Direction: Marco Anton Restivo
• Visual Effects Producer: Tim Field
• Visual Effects Producer: Becky Roberts
• Steadicam Operator: Peter Robertson
• Unit Publicist: Moira Houlihan
• Sound Re-Recording Mixer: Tim Cavagin
• Supervising Dialogue Editor: Nina Hartstone
• Location Manager: Charlotte Wright
• Makeup & Hair: Natasha Nikolic
• Set Costumer: Kate Laver
• Makeup Designer: Jan Sewell
• Property Master: Terry Woods
• Prosthetic Supervisor: Mark Coulier
• Focus Puller: Michael Green
• Prosthetic Makeup Artist: David Malinowski
• Gaffer: Lee Walters
• Script Supervisor: Cathy Doubleday
• Script Supervisor: Rowena Ladbury
• Dialogue Editor: Jens Rosenlund Petersen
• Visual Effects Producer: Jenny Basen
• Prosthetic Makeup Artist: Love Larson
• ADR Mixer: Mark Appleby
• Construction Manager: Jo Hawthorne
• Pre-Visualization Supervisor: Jason McDonald
• Second Unit Director of Photography: Rina Yang
• Color Assistant: Jonas Jangvad
• Makeup & Hair: Louie Zakarian
• Hair Supervisor: Rebecca Cole
• Visual Effects Editor: Joseph Farrant
• Electrician: Ionut Apetroae
• Armorer: Jon Baker
• Makeup & Hair: Charlie Hounslow
• Hair Supervisor: Renata Gilbert
• Visual Effects Coordinator: Simona De Angelis
• Best Boy Grip: Nick Ray
• Associate Editor: Sascha Dhillon
• Art Direction: Alice Sutton
• Armorer: Dino Fazzani
• ADR Voice Casting: Vanessa Baker
• Libra Head Technician: Sean Rogers
• Assistant Sound Editor: Louise Burton
• Prosthetic Makeup Artist: Valter Casotto
• First Assistant Camera: Ryan Taggart
• Storyboard Artist: Douglas Ingram
• Production Accountant: Paul B. Gibbs
• Music Supervisor: Becky Bentham
• Armorer: Liam McCartney
• Title Designer: Matt Curtis
• Casting Associate: Kirsty Kinnear
• Production Sound Mixer: John Casali
• Foley Artist: Zoe Freed
• Visual Effects Production Manager: Balendu Kurup
• Visual Effects Editor: Phil Eldridge
• ADR Recordist: Kristin Catuogno
• Additional Second Assistant Camera: Russel Torode
• Costumer: Sarah Dutton
• ADR Mixer: Rory de Carteret
• Key Grip: Gary Hutchings
• ADR Mixer: Mike Tehrani
• Armorer: Sam Dormer
• Additional First Assistant Camera: Sacha Jones
• First Assistant Director: Jack Ravenscroft
• Third Assistant Director: Claire Frayn
• Costume Assistant: Talulah Mason
• Animation: Thomas Phillips-Howard
• Makeup Artist: Marzenna Fus-Mickiewicz
• Dolly Grip: Andy Edridge
• Aerial Camera: Adam Sculthorp
• Drone Pilot: Dani Rose
• Music Coordinator: Jonathan Connaught
• First Assistant Camera: Ian Coffey
• Foley Mixer: Jemma Riley-Tolch
• Second Unit First Assistant Director: Tom White
• Grip: Callum Watt
• Visual Effects Editor: James Noorani
• Visual Effects Coordinator: Paige Andrews
• Costume Assistant: Charles Gillies
• 2D Supervisor: Ben Hicks
• Lighting Technician: Jamie Bruce
• Producer: Peter Oberth
• Costume Assistant: Daniela Cazmal
• ADR Mixer: George Atkins
• Art Direction: Claire Shakespeare
• Digital Imaging Technician: Dan Carling
• Digital Imaging Technician: Oliver Hadlow-Martin
• Digital Imaging Technician: Chris Belcher
• Color Assistant: Chris Francis
• Dailies Technician: Jonathan Smiles
• Standby Art Director: Rachel Aulton
• Matte Painter: Sullivan Richard
• Special Effects Technician: Thomas Lloyd
• Special Effects Technician: Adrian Bennett
• Carpenter: Mark Wilkinson
• Assistant Property Master: Warren Parkinson
• VFX Director of Photography: Chris Clarke
• Electrician: Seth Crosby
• Second Assistant Director: Sam Rook
• Second Assistant Camera: James Paul Thomas
• Online Editor: Gareth Parry
• Standby Painter: Simon Hutchings
• First Assistant Camera: Francesco Ferrari
• Assistant Accountant: Catherine Francis
• Foley Editor: Adam Bourne
• Special Effects Technician: Mark Weatherbe
• First Assistant Accountant: Alex Kerr
• Production Secretary: Danielle Rogers
• Color Assistant: Lucie Barbier
• ADR Recordist: Lottie Wade
• Assistant Art Director: Charlotte Hutchings
• Assistant Art Director: Olly Williams
• Assistant Music Supervisor: Madison Westwood
• Production Coordinator: Charlotte Michel
• Dailies Operator: Aaron Coot
• Production Accountant: Fraser Grant
• Costume Assistant: James Shuttleworth
• Principal Costumer: Nadia Merabti
• Art Department Coordinator: Valentina Romano
• Electrician: Tom Campbell
• Electrician: Alice Stevens
• Makeup & Hair: Luisa Ridge
• Costumer: Emma Stokes
• Colorist: Greg Fisher
• Colorist: Doychin Margoevski
• First Assistant Editor: Danielle El-Hendi
• Music Consultant: John W. Wheatley
• Assistant Accountant: Maria Fernanda Llamosa
• Assistant Production Coordinator: Hayleigh Roberts
• Assistant Production Coordinator: Valerie Rose
• Assistant Production Coordinator: Iona Westlake
• Dialect Coach: Hugh O’Shea
• Dialect Coach: Nick Trumble
• Payroll Accountant: Sarah Lyall
• Payroll Accountant: Maryllis Gonzalez
• Production Assistant: Oliver Brown
• Production Assistant: Carmen Marina
• Production Assistant: Charles Redif
• Production Assistant: Dougal Mackenzie Smith
• Production Assistant: Josephina van Leeuwen
• Production Coordinator: Adele Steward
• Production Secretary: Nicola Bisello
• Production Secretary: Jo Seager
• Researcher: Dennis Eleveld
• Unit Medic: Avril Kiss
• 3D Artist: Karnati Avinash
• 3D Artist: Imran Ahmed Raichuri
• 3D Modeller: Vishnu Simha
• Lighting Supervisor: Akshay Vichare
• Matchmove Supervisor: Wesley Vet
• Modeling: Neha Singh
• Modeling: Ankur Singh
• Visual Effects Coordinator: Georgia Benjamin
• Visual Effects Coordinator: Keerthinivasan Krishnamurthy
• Visual Effects Coordinator: Nell Lloyd-Malcolm
• Visual Effects Editor: Halley Docherty
• Visual Effects Production Manager: Vasilis Karatziva
• Visual Effects Production Assistant: Victoria Rank
• Visual Effects Supervisor: Ana Grgic
• Digital Intermediate: Leigh Myers
• ADR Coordinator: Lizzie Campbell-Kelly
• Production Coordinator: Jannika Öberg
• Sound Mix Technician: Tom Melling
• ADR Recordist: Harry Jones
• Second Unit First Assistant Director: Zoe Liang
• Set Decoration: Lucy Howe
• Hairstylist: Madlen Mierzwiak
• Graphic Designer: Hannah Kons
• Supervising Carpenter: James Waddingham
• Second Assistant Camera: Maiya Rose
• Costume Assistant: Stacey Clare Richards
• Graphic Designer: Carly Mason
• Sound Mix Technician: William Miller
• Sound Mixer: Alan MacFeely
• Costume Assistant: Kieron Stone
• Assistant Director: Katrina Mense-Chase
• Dailies Operator: John A. Maltby
• Costume Assistant: Grace Clark
• Costume Assistant: Chloe Holland
• Painter: Paul Gunner
• Art Department Assistant: Neneh Lucia
• Art Department Assistant: Imogen McGrath
• ADR Mixer: Gibran Farrah
• Hairstylist: Kirsty Martin
• Costume Assistant: Veridiana Ferraz
• Costume Assistant: Rosie Stoward
• Costumer: Maria Smith
• Color Assistant: Shing Hong Chan
• Assistant Camera: Ashlea Tamara Downes
• BTS Photographer: James Cronin
• Art Department Assistant: Tara Kelleher
• Assistant Set Decoration: Dalia Gellert
• Assistant Set Decoration: Lotty Sanna
• Carpenter: Toby Bellchambers
• Carpenter: Marcus Ehren
• Greensman: Christopher Waugh
• Painter: Gary Dempsey
• Props: James Flanagan
• Props: Lee Illingworth
• Props: Luke A.D. Saele
• Set Dresser: Conor Maclay
• Supervising Carpenter: Frank Collins
• Set Decoration: Sarah White
• Special Effects Technician: Emily Fisher
• Special Effects Technician: Tim Hampton
• Compositing Supervisor: Milos Milosevic
• Third Assistant Director: Jamie Graham
• Set Production Assistant: Melisa Rodop
• Set Production Assistant: Grace James
• Translator: Bárbara Morelos-Zaragoza

Movie Reviews:

• Gimly: If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don’t get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he’s been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I’ll never know, because I have no interest in re-watching this.

  _Final rating:★★ – Had some things that appeal to me, but a poor finished product._

• Gimly: If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don’t get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he’s been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I’ll never know, because I have no interest in re-watching this.

  Final rating:★★ – Had some things that appeal to me, but a poor finished product.

• Richard Kirk: Bohemian Rhapsody is not a biography of Freddie Mercury, nor a biopic of Queen. It’s a story based on a selection of key events occurring between the formation of the band and their appearance at Live Aid.
  As a Queen fan I found this film utterly engrossing and enjoyable. The acting brilliantly invokes the characters in the band and the music provides a thumping rhythm to carry the story along.
  Queen aficionados may be affronted by the out of sequence music performances and the highly selective approach to the story telling but if you can see past that, you’ll enjoy a storming film with a spine-tingling conclusion as the Live Aid performance is brilliantly recreated.