101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic’s departure through to its death—on its first and last voyage—on April 15, 1912.
Credits: TheMovieDb.
Film Cast:
- Jack Dawson: Leonardo DiCaprio
- Rose DeWitt Bukater: Kate Winslet
- Cal Hockley: Billy Zane
- Molly Brown: Kathy Bates
- Ruth Dewitt Bukater: Frances Fisher
- Old Rose: Gloria Stuart
- Brock Lovett: Bill Paxton
- Edward Smith: Bernard Hill
- Spicer Lovejoy: David Warner
- Thomas Andrews: Victor Garber
- Bruce Ismay: Jonathan Hyde
- Lewis Bodine: Lewis Abernathy
- Lizzy Calvert: Suzy Amis
- Bobby Buell: Nicholas Cascone
- Fabrizio: Danny Nucci
- Tommy Ryan: Jason Barry
- Isidor Straus: Lew Palter
- John Astor: Eric Braeden
- First Officer Murdoch: Ewan Stewart
- Archibald Gracie: Bernard Fox
- Fifth Officer Lowe: Ioan Gruffudd
- Second Officer Lightoller: Jonny Phillips
- Sixth Officer Moody: Edward Fletcher
- Frederick Fleet: Scott G. Anderson
- Reginald Lee: Martin East
- Jack Phillips: Gregory Cooke
- Cora Cartmell: Alexandrea Owens
- Three-Year-Old Boy: Seth Adkins
- Benjamin Guggenheim: Michael Ensign
- Anatoly Milkailavich: Anatoly M. Sagalevitch
- Slovakian Father: Martin Hub
- Chief Officer Wilde: Mark Lindsay Chapman
- Quartermaster Rowe: Richard Graham
- Quartermaster Hichens: Paul Brightwell
- Harold Bride: Craig Kelly
- Master at Arms: Ron Donachie
- Madeleine Astor: Charlotte Chatton
- Madame Aubert: Fannie Brett
- Irish Mommy: Jenette Goldstein
- Helga Dahl: Camilla Overbye Roos
- Third Class Woman: Linda Kerns
- Trudy Bolt: Amy Gaipa
- Duff Gordon: Martin Jarvis
- Lady Duff Gordon: Rosalind Ayres
- Countess of Rothes: Rochelle Rose
- Wallace Hartley: Jonathan Evans-Jones
- Bert Cartmell: Rocky Taylor
- Chief Baker Joughin: Liam Tuohy
- Fourth Officer Boxhall: Simon Crane
- Father Byles: James Lancaster
- Ida Strauss: Elsa Raven
- Irish Little Boy: Reece P. Thompson III
- Irish Little Girl: Laramie Landis
- Yaley: Mark Rafael Truitt
- First Class Husband: John Walcutt
- Chief Engineer Bell: Terry Forrestal
- Leading Stoker Barrett: Derek Lea
- John Hutchinson: Richard Ashton
- Elevator Operator: Sean Nepita
- Scotland Road Steward: Brendan Connolly
- Crewman: David Cronnelly
- First Class Waiter: Garth Wilton
- Steward #1: Richard Fox
- Steward #2: Nick Meaney
- Steward #3: Kevin Owers
- Steward #4: Mark Capri
- Hold Steward #1: Marc Cass
- Hold Steward #2: Paul Herbert
- First Class Steward: Emmett James
- Stairwell Steward: Chris Byrne
- Steward Barnes: Oliver Page
- Porter: James Garrett
- Olaf Dahl: Erik Holland
- Bjorn Gunderson: Jari Kinnunen
- Olaus Gunderson: Anders Falk
- Praying Man: Barry Dennen
- Man in Water: Vern Urich
- Mother at Stern: Rebecca Klingler
- Woman: Tricia O’Neil
- Woman in Water: Kathleen S. Dunn
- Syrian Man: Romeo Francis
- Syrian Woman: Mandana Marino
- Chinese Man: Van Ling
- Olaf: Bjørn Olsen
- Sven: Dan Pettersson
- Pubkeeper: Shay Duffin
- Carpathia Steward: Greg Ellis
- News Reporter: Diana Morgan
- Dancer: Kris Andersson
- Dancer: Bobbie Bates
- Dancer: Aaron James Cash
- Dancer: Anne Fletcher
- Dancer: Edmond Alan Forsyth
- Dancer: Andie Hicks
- Dancer: Scott Hislop
- Dancer: Stan Mazin
- Dancer: Lisa Ratzin
- Dancer: Julene Renee
- Irish Man: Brian Walsh
- First Class Woman (uncredited): Alexandra Boyd
- Steerage Dancer (uncredited): James Cameron
- Musician / Baker (uncredited): Mike Butters
- First Class Man (uncredited): Bruno Campolo
- Third Officer Pitman (uncredited): Kevin De La Noy
- Deckhand (uncredited): Tony Kenny
- Charles Hendrickson (uncredited): Sean Lawlor
- Frederick Spedden (uncredited): Don Lynch
- Rescue Boat Crewman (uncredited): Johnny Martin
- Second Class Passenger / Engine Room Crewman (uncredited): Ryan McClurkin
- First Class Passenger (uncredited): Meghan McLeod
- Engine Room Crewman (uncredited): Mike O’Neal
- Button Accordionist (uncredited): Phil Parlapiano
- Engine Room Crewman (uncredited): Steven Quale
- Drowning Man (uncredited): R. Gern Trowbridge
- Mary Marvin (uncredited): Olivia Rosewood
- Ohio Man (uncredited): John Slade
Film Crew:
- Sound Re-Recording Mixer: Christopher Boyes
- Casting: Mali Finn
- Original Music Composer: James Horner
- Sound Re-Recording Mixer: Gary Rydstrom
- Producer: James Cameron
- Production Design: Peter Lamont
- Editor: Richard A. Harris
- Editor: Conrad Buff IV
- Sound Re-Recording Mixer: Tom Johnson
- Theme Song Performance: Céline Dion
- First Assistant Director: Josh McLaglen
- Director of Photography: Russell Carpenter
- Art Direction: Martin Laing
- Set Decoration: Michael Ford
- Costume Design: Deborah Lynn Scott
- Co-Producer: Grant Hill
- Unit Production Manager: Jon Landau
- Unit Production Manager: Sharon Mann
- Unit Production Manager: Anna Roth
- Post Production Supervisor: Lisa Dennis
- Production Supervisor: Giedra Rackauskas
- Set Designer: Marco Niro
- Set Designer: Peter Francis
- Supervising Art Director: Charles Dwight Lee
- Gaffer: John Buckley
- Visual Effects Supervisor: Mat Beck
- Pilot: Charles A. Tamburro
- Steadicam Operator: J. Michael Muro
- Executive Producer: Rae Sanchini
- Casting Associate: Emily Schweber
- Assistant Art Director: Héctor Romero
- Visual Effects Supervisor: Van Ling
- Camera Operator: Guillermo Rosas
- Makeup Effects: Greg Cannom
- Foley Editor: Scott Curtis
- Visual Effects: John Bruno
- Second Unit Director of Photography: Aaron Schneider
- Assistant Costume Designer: Lahly Poore
- Second Unit Director: Steven Quale
- Co-Producer: Al Giddings
- Visual Effects Supervisor: Robert Skotak
- Key Hair Stylist: Kay Georgiou
- ADR Editor: Cindy Marty
- Camera Operator: Guy Norman Bee
- Visual Effects: Jamie Dixon
- Stunt Coordinator: Simon Crane
- Dialogue Editor: John H. Arrufat
- Supervising Sound Editor: Tom Bellfort
- Key Set Costumer: Leigh Leverett
- Second Unit Director of Photography: John M. Stephens
- Underwater Gaffer: J.P. Gabriel
- Makeup Artist: Michael Mosher
- Stunts: Tim Rigby
- Foley: Robin Harlan
- Casting Associate: Rudy Joffroy
- Costume Supervisor: Sarah Touaibi
- Costume Supervisor: Adolfo Ramírez
- Sound Re-Recording Mixer: Lora Hirschberg
- Key Set Costumer: Ismael Jardon
- Set Designer: Dominic Masters
- Special Effects Coordinator: Scott R. Fisher
- Foley: Sarah Monat
- Visual Effects Supervisor: Richard E. Hollander
- Dialogue Editor: Gwendolyn Yates Whittle
- Still Photographer: Merie Weismiller Wallace
- Sound Effects Editor: Ethan van der Ryn
- Second Unit Director of Photography: Roy Unger
- Dialogue Editor: Richard Quinn
- Music Editor: Joe E. Rand
- Visual Effects Supervisor: Craig Barron
- Sound Effects Editor: David C. Hughes
- Visual Effects Producer: Krystyna Demkowicz
- Camera Operator: Kurt E. Soderling
- Supervising ADR Editor: Hugh Waddell
- Sound Effects Editor: Christopher Scarabosio
- Visual Effects Producer: Joyce Cox
- Visual Effects Supervisor: Robert Legato
- Visual Effects Producer: Andrea D’Amico
- Camera Operator: Steve Koster
- Visual Effects: Rebecca Marie
- Camera Operator: John Trapman
- Visual Effects Editor: Chris O’Connell
- ADR Editor: Sue Fox
- Sound Recordist: Darren McQuade
- Key Makeup Artist: Tina Earnshaw
- Makeup Artist: Rebecca Lafford
- Sound Effects Editor: Scott Guitteau
- Visual Effects Producer: John Kilkenny
- Key Hair Stylist: Simon Thompson
- ADR Editor: Richard Corwin
- Visual Effects Producer: Casey Cannon
- Makeup Artist: Sian Grigg
- Sound Re-Recording Mixer: Gary Summers
- Steadicam Operator: Marcis Cole
- Visual Effects Producer: Crystal Dowd
- Visual Effects Producer: Camille Cellucci
- Visual Effects Supervisor: Dave Carson
- Visual Effects: Thad Beier
- Dialogue Editor: Claire Sanfilippo
- ADR Editor: Lee Lemont
- Gaffer: Scotty Allan
- Compositors: Brian N. Bentley
- Additional Photography: John Paszkiewicz
- Associate Producer: Pamela Easley
- Script Supervisor: Shelley Crawford
- Rigging Gaffer: Mike Amorelli
- Music Supervisor: Randy Gerston
- Camera Operator: Harald Ortenburger
- Assistant Costume Designer: David Le Vey
- Foley Editor: Tammy Fearing
- Sound Mixer: Mark Ulano
- Visual Effects Supervisor: Ken Jones
- Makeup Artist: Vincenzo Mastrantonio
- Marine Coordinator: Lance Julian
- Stunts: George Fisher
- Key Makeup Artist: Laura Borselli
- Makeup Artist: Polly Earnshaw
- Construction Coordinator: Tony Graysmark
- Art Department Coordinator: Charlotte Harper
- Art Department Coordinator: Amanda Sallybanks
- Construction Coordinator: William Les Collins
- Construction Coordinator: Scott MacFarlane
- Casting Associate: Magui Jimenez
- Casting Associate: Gemma Joffroy
- Casting Associate: Jesus Ignacio Santana
- Key Set Costumer: Murray Lantz
- Seamstress: Fabiola Perez Luna
- Key Set Costumer: Amy Arnold
- Key Hair Stylist: Annie Townsend
- Boom Operator: Reynald Trudel
- Art Direction: Bill Rea
- Visual Effects Producer: Tom Kennedy
- Makeup Artist: Lisa McDevitt
- Foley Editor: David L. Horton Jr.
- Sound Designer: David Abrahamsen
- Sound Recordist: Ann Hadsell
- Visual Effects: Fred Simon
- Gaffer: Mark Goodwin
- Gaffer: Jim MacCammon
- Rigging Gaffer: Todd Murchie
- Marine Coordinator: Richard Fraser
- ADR Editor: Harriet Fidlow
- Sound Recordist: Joan Chamberlain
- Sound Recordist: Cary Stratton
- Special Effects Supervisor: Donald Pennington
- Storyboard Designer: Rick Newsome
- First Assistant Camera: Mark R. Jackson
- Makeup Artist: Giulio Pezza
- Set Dresser: John Bratton
- Costume Supervisor: Tom Numbers
- Best Boy Electrician: Paul Bolton
Movie Reviews:
- John Chard: Beautiful Romance – Tragedy Unbound.
It has kind of become the popular thing to kick Titanic, the film and its achievements. It’s like the love it garnered on release and the colossal waves it made in the history of cinema, never happened, or as some want you to believe, doesn’t matter. I can tell you now that many of my macho fuelled friends will privately, under the influence of liquid refreshments, admit to having affection for the film, but socially in a circle environment? Not a bit of it! I have no such problems admitting my love for the film, I love it as much now as I approach 50, as I did when I sat there in awe at the cinema in 1997.
You jump – I jump.
Titanic is far from flawless, where even now with the advancements in technology the effects over 15 years later look a touch creaky. While it’s true as well that away from Rose and Jack the characterisations are thin on the ground. But this is Rose and Jack’s story, fully fleshed out for an hour and half and then framed by the terrible tragedy that unfolds for the next hour and half. The tie-in to the present day is superbly constructed by James Cameron – the search for the diamond – the real life filming of the Titanic wreckage – and the flashback telling of the story by a delightful Gloria Stuart as old Rose, and the sinking of the ship and its aftermath is stunning and heart breaking in equal measure.
Never let go.
So may scenes and dialogue exchanges stay in the memory for ever. The band playing on, the captain awaiting his fate, the mother ushering her children to sleep before the sea comes to take them, the old boy drinking his brandy as the water rushes in, or just Jack and Rose, polar opposites in society’s class structure, making love, making art or just professing that neither will ever let go. It’s what makes Titanic the wonderful piece of cinema it is, where beauty and tragedy merge to create something forever memorable. A film that deserved all the accolades and cash till ringing that it once did have. 9/10