Lorraine and Ed Warren travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

Credits: TheMovieDb.

Film Cast:

• Ed Warren: Patrick Wilson
• Lorraine Warren: Vera Farmiga
• Janet Hodgson: Madison Wolfe
• Peggy Hodgson: Frances O’Connor
• Maurice Grosse: Simon McBurney
• Judy Warren: Sterling Jerins
• Margaret Hodgson: Lauren Esposito
• Peggy Nottingham: Maria Doyle Kennedy
• Billy Hodgson: Benjamin Haigh
• Johnny Hodgson: Patrick McAuley
• Vic Nottingham: Simon Delaney
• Anita Gregory: Franka Potente
• Bill Wilkins: Bob Adrian
• Father Gordon: Steve Coulter
• Graham Morris: Chris Royds
• Harry Whitmark: Abhi Sinha
• Kent Allen: Daniel Wolfe
• Constable Heeps: Annie Young
• Constable Peterson: Elliot Joseph
• Stephen Kaplan: Cory English
• Camilla: Emily Tasker
• Mrs. More: Kate Cook
• Drew Thomas: Shannon Kook
• Peter: Thomas Harrison
• Louise Defeo: Jennifer Collins
• Demon Nun: Bonnie Aarons
• Crooked Man: Javier Botet
• Demon: Joseph Bishara
• Woman Walking Dog: Nancy DeMars
• Bill Wilkins (voice): Robin Atkin Downes
• Crooked Man Shadow (uncredited): Jason Liles

Film Crew:

• Director of Photography: Don Burgess
• Story: James Wan
• Visual Effects Supervisor: Colin Strause
• Casting: Anne McCarthy
• Stunts: Paul Weston
• Stunts: Andy Smart
• Stunt Coordinator: Joel Kramer
• Producer: Rob Cowan
• Story: Carey Hayes
• Story: Chad Hayes
• Executive Producer: Toby Emmerich
• Makeup Artist: Konnie Daniel
• Set Decoration: Liz Griffiths
• Executive Producer: Walter Hamada
• Producer: Peter Safran
• Sound Mixer: William B. Kaplan
• Executive Producer: Richard Brener
• Stunts: Bonnie Morgan
• Editor: Kirk M. Morri
• Stunts: Dorian Kingi
• Music: Joseph Bishara
• Music Supervisor: Dana Sano
• Production Design: Julie Berghoff
• Screenplay: David Leslie Johnson-McGoldrick
• Stunts: Tim Trella
• Stunts: Anthony Molinari
• Sound Re-Recording Mixer: Steve Maslow
• Art Direction: Andrew Rothschild
• Executive Producer: Dave Neustadter
• Unit Production Manager: Jenny Hinkey
• Still Photographer: Matt Kennedy
• Stunts: David Garrick
• Makeup Artist: JoJo Myers Proud
• Costume Design: Kristin M. Burke
• Production Accountant: Vicki L. Sawyer
• Casting: Kellie Roy
• Makeup Artist: Hugo Villasenor
• Supervising Sound Editor: Joe Dzuban
• Dialogue Editor: Justin Dzuban
• Makeup Department Head: Eleanor Sabaduquia
• Set Decoration: Sophie Neudorfer
• Casting: Rose Wicksteed
• Foley Artist: John Sievert
• Sound Re-Recording Mixer: Gregg Landaker
• Costume Supervisor: Sandy Kenyon
• Art Direction: A. Todd Holland
• Construction Coordinator: Anthony Syracuse
• Transportation Captain: James Waitkus
• Stunts: Tree O’Toole
• Stunts: Emily Brobst
• Dialect Coach: Francie Brown
• Script Supervisor: Jody Blose
• Stunts: Ray De-Haan
• Music Editor: Julie Pearce
• Music Editor: Lise Richardson
• Art Department Coordinator: Michelle Collier
• Visual Effects Supervisor: Ariel Velasco-Shaw
• Assistant Costume Designer: Janet Ingram
• Makeup Artist: Martina Kohl
• Key Hair Stylist: Tijen Osman
• Art Direction: Fiona Gavin
• Hairstylist: Kim M. Ferry
• Property Master: Douglas Fox
• Sound Effects Editor: Peter Staubli
• Foley Artist: Rob Bertola
• Hairstylist: Roddy Stayton
• Hair Department Head: Yesim ‘Shimmy’ Osman
• Unit Publicist: James Ferrera
• Makeup Artist: Anthony Gordon
• Location Manager: Curtis Collins
• “A” Camera Operator: Matthew Moriarty
• Visual Effects Editor: Rolf Fleischmann
• Rigging Gaffer: Charlie McIntyre
• Chief Lighting Technician: Michael Bauman
• Supervising Dialogue Editor: Lauren Hadaway
• Executive Producer: Steven Mnuchin
• Makeup Artist: Sian Wilson
• Assistant Sound Editor: Pernell L. Salinas
• Stunt Coordinator: John Rottger
• Stunts: Kelli Barksdale
• Digital Intermediate Producer: Jeff Halsey
• Lighting Technician: Michael Lyon
• Makeup Artist: Brigitte Hennech
• Set Costumer: Amber Jordyn
• Craft Service: Jeff Winn
• First Assistant “A” Camera: Don Steinberg
• Sound Effects Editor: Eliot Connors
• Hairstylist: Robert Wilson
• Set Costumer: Jason M. Moore
• Special Effects Supervisor: Matt Kutcher
• Stunts: Brian Nickels
• Rigging Gaffer: Ross Grainger
• Visual Effects Coordinator: Nicholas Elwell
• Casting Associate: Morgan Robbins
• Art Department Assistant: Adrienne Garcia
• Assistant Art Director: Michael Pybus
• Special Effects Supervisor: Chris Reynolds
• Hairstylist: Leila Mauro
• Stunts: Lee Millham
• First Assistant Director: Albert Cho
• Lighting Technician: Thomas M. Dangcil
• Stunts: Lloyd Bass
• Key Grip: Michael J. Coo
• Makeup Artist: Maha
• Sound Effects Editor: Charlie Campagna
• Set Dresser: Jefferson Murff
• Set Dresser: Perry Batchelor
• Key Set Costumer: Valerie T. O’Brien
• Hairstylist: Marc Boyle
• Lighting Technician: Mike Visencio
• Post Production Supervisor: Darin Read
• Lighting Technician: Mike Gerzevitz
• Second Assistant Director: Conte Mark Matal
• Digital Intermediate Producer: Pamela Scott-Farr
• Digital Intermediate Colorist: Mark Griffith
• Stunts: Ian Pead
• Stunts: Belinda McGinley
• Stunts: Rob Jarman
• Digital Imaging Technician: Mark Gilmer
• ADR Mixer: Thomas J. O’Connell
• Second Assistant “B” Camera: Craig Bauer
• First Assistant Editor: Todd Zongker
• Stunts: Natasha Paul
• Contact Lens Technician: Sean Kenney
• Assistant Chief Lighting Technician: Mike Bonnaud
• Grip: Timothy Jipping
• Second Assistant “A” Camera: Daniel Wurschl
• Grip: Ben Giacometti
• Graphic Designer: Jason Perrine
• Grip: Daisuke Dice Miyake
• Stunts: Rob Hunt
• Stunts: Juliana Potter
• Stunts: Kelly Dent
• Best Boy Grip: Craig Kohtala
• Leadman: Brett Von Shirley
• Makeup Artist: Elizabeth Mbousia
• “B” Camera Operator: Michael Burgess
• Stunts: Nic Goodey
• Music Coordinator: Hillary Holmes
• Stunt Coordinator: Norb Phillips
• Studio Teacher: Millie Hirsch
• Stunts: Andy Godbold
• First Assistant Editor: Liz Calandrello
• VFX Artist: Daniel Edery
• Production Consultant: Tony Spera

Movie Reviews:

• Reno: **This time a London family struggle in their haunted house.**

  First of all, I am not a big fan of the first film, but I liked that. Now this sequel was not bad either. This time it takes us to the London. But the film reminded me the 80s film ‘Poltergeist’, particularly the second part. So don’t assume it is exactly the same, only the scenes involving house seems similar, but the story was different. It is another true story based film, that’s what they said in the opening statement. You’re not forced to believe that, if you’re here for an entertainment, you will get that if you put your logics away for the two hours.

  A family of four young children and their mother living in a house in the London witness some serious paranormal activities lately. Particularly the eleven year old girl affected the most with the spirit the house possessed. So the American couple from the first film are brought in to do their best to help the family. When they try to contact the spirit, they won’t get what they were looking for. Instead, an unexpected blame goes for the girl and soon the family loses confidence in them. The overcoming those misunderstanding, particularly realising the truth brings a twist before concluding the tale.

  The one twenty minute never looked too long. Because there’s always something keeps happening, so the audience to keep engaged with. Probably this is won’t be your best horror film of the years, but being a horror themed film, it had good form of those contents. Not too scary, at a time those clichés were used in a good way to bring freshness in the scenes. I will credit the writers for that. Besides, the actors were undoubtedly good, including those little ones. For me this is a better horror film and I definitely look for another sequel. I hope this one would stand up to your expectations.

  _7.5/10_

• Gimly: I know I’m in the minority on this, but I actually preferred it to the original.

  _Final rating:★★★ – I personally recommend you give it a go._

• Sheldon Nylander: I’m giving this half a star more than I gave the first movie. As a horror film in its own rite, it’s competently made, although somewhat predictable as it follows most of the traditional haunted house film tropes. But it is better than the first one in that it’s a more cohesive film, with such corrections as how the background “monster” actually does play a part in the story, whereas in the first film Annabelle was shoehorned in but had nothing to do with the main story and served only as a distraction.

  Ultimately, the reason I can’t rate this film higher is because it’s about the Warrens, who were a couple of charlatans that took advantage of vulnerable and desperate people. While this is touched on briefly, it’s done more in the context of people who don’t believe them are all mean and unsympathetic.

  Again, it’s a competently made horror film that’s better than its predecessor, if a little predictable, but don’t look at it as being based on a true story. Take it with a massive grain of salt.

• JPV852: Really solid sequel, and a re-watch before seeing the third film, in fact probably liked this one slightly better, with some good scares but better, a nice heart at the center with the relationship between Ed and Lorraine, played wonderfully by Patrick Wilson and Vera Farmiga. Once again, craft-fully directed by James Wan, a style missing from the others in the ‘Conjuring Universe’, though the plots didn’t help matters. **4.0/5**