A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgangers, and an impossible transformation inside a prison cell.

Credits: TheMovieDb.

Film Cast:

• Fred Madison: Bill Pullman
• Renee Madison / Alice Wakefield: Patricia Arquette
• Pete Dayton: Balthazar Getty
• Mystery Man: Robert Blake
• Sheila: Natasha Gregson Wagner
• Arnie: Richard Pryor
• Candace Dayton: Lucy Butler
• Andy: Michael Massee
• Phil: Jack Nance
• Guard Johnny Mack: Jack Kehler
• Guard Henry: Henry Rollins
• Steve “V”: Giovanni Ribisi
• Teddy: Scott Coffey
• Bill Dayton: Gary Busey
• Mr. Eddy / Dick Laurent: Robert Loggia
• Al: John Roselius
• Ed: Louis Eppolito
• Party Girl: Jenna Maetlind
• Guard Mike: Michael Shamus Wiles
• Forewoman: Mink Stole
• Judge: Leonard Termo
• Guard Ivory: Ivory Ocean
• Doctor Smordin: David Byrd
• Warden Clements: Gene Ross
• Captain Luneau: F. William Parker
• Prison Official #1: Guy Siner
• Prison Official #2: Alexander Folk
• Hank: Carl Sundstrom
• Lou: John Solari
• The Dog: Jack
• Carl: Al Garrett
• Lanie: Heather Stephens
• Girl #1: Amanda Anka
• Junkie Girl: Jennifer Syme
• Assistant #1: Matt Sigloch
• Assistant #2: Gilbert B. Combs
• Tail Gate Driver: Greg Travis
• Marian: Lisa Boyle
• Raquel: Leslie Bega
• Porno Star #1: Marilyn Manson
• Porno Star #2: Jeordie White
• Morgue Attendant (scenes deleted): David Lynch
• Hitman (uncredited): Metin Bereketli
• Blonde on Staircase (uncredited): Dru Berrymore
• Court Reporter (uncredited): Jan Citron
• Bartender (uncredited): Bill McAdams Jr.
• Slickster (uncredited): Lou Slaughter

Film Crew:

• Casting: Johanna Ray
• Producer: Tom Sternberg
• Unit Production Manager: Deepak Nayar
• Writer: David Lynch
• Producer: Mary Sweeney
• Original Music Composer: Angelo Badalamenti
• Production Design: Patricia Norris
• Writer: Barry Gifford
• Casting: Elaine J. Huzzar
• Production Supervisor: Sabrina S. Sutherland
• Script Supervisor: Cori Glazer
• Set Decoration: Leslie Morales
• Makeup Artist: Debbie Zoller
• Camera Operator: Paul Hughen
• First Assistant Camera: Scott Andrew Ressler
• Still Photographer: Suzanne Tenner
• Gaffer: Michael LaViolette
• Best Boy Electric: John Willis III
• Grip: Philip Sloan
• Grip: Tim Collins
• Grip: Todd Griffith
• Grip: Paul Wilkowsky
• Grip: William Roy Eckert
• Sound mixer: Susumu Tokunow
• Boom Operator: Kevin Kubota
• Location Manager: Julie Duvic
• Production Manager: Karen R. Sachs
• Production Accountant: Cynthia Wise
• Post Production Supervisor: Desmond Cannon
• Sound Re-Recording Mixer: Frank Gaeta
• Sound Re-Recording Mixer: John Ross
• ADR & Dubbing: Derek Marcil
• Sound Effects Editor: Javier Bennassar
• Sound Effects Editor: David Melhase
• Sound Effects Editor: Benjamin L. Cook
• Sound Effects Editor: Cormac Funge
• Sound Effects Editor: Elmo Weber
• Sound Effects Editor: Bill Brown
• Sound Effects Editor: Dean Hovey
• Sound Effects Editor: Frederick Howard
• Music Editor: Marc Vanocur
• Foley: Mary Erstad
• Foley: Ossama Khuluki
• Foley: Catherine Harper
• Foley: Christopher Moriana
• Foley: Ellen Heuer
• Foley Editor: Lucy Sustar
• Foley Editor: Marilyn Graf
• Foley Editor: David Mann
• Foley Editor: Laura Laird
• Foley Editor: Joshua E. Schneider
• Post Production Assistant: Cassandra King
• Special Effects: David A. Poole
• Special Effects: Michael Wilmot
• Special Effects: Bart Barber
• Sculptor: Greg Polutonovich
• Executive Consultant: Ed Morris
• Sound Engineer: Jiří Zobač
• Stunts: Bruce Paul Barbour
• Stunts: Robert Jauregui
• Stunts: Rick Seaman
• Director of Photography: Peter Deming
• Special Effects: Philip Bartko
• Dialogue Editor: Louis Creveling
• Supervising Dialogue Editor: Thomas Jones
• Dialogue Editor: David Grant
• Dialogue Editor: Susan Shin
• Dialogue Editor: Paul Longstaffe
• Property Master: Craig Sherman Hall
• Assistant Editor: Hilary Schroeder

Movie Reviews:

• Jeff_34: **Lynch’s Masterpiece.**

  This is my favorite Lynch films, hands down.

  First saw it in a theatre and the film’s lighting was so weird and disorienting that at times you weren’t sure if there was some weird exterior light source hitting the screen. Uber weird.

  More twist and turns than the highway itself 😛

  For sure it’s fun to try and nail down exactly what happened but IMHO it’s a little more fun not to know – each time you rewatch it you might see/think/feel something different.