Elastigirl springs into action to save the day, while Mr. Incredible faces his greatest challenge yet – taking care of the problems of his three children.

Credits: TheMovieDb.

Film Cast:

• Bob Parr / Mr. Incredible (voice): Craig T. Nelson
• Helen Parr / Elastigirl (voice): Holly Hunter
• Violet Parr (voice): Sarah Vowell
• Dashiell Parr (Dash) (voice): Huck Milner
• Lucius Best / Frozone (voice): Samuel L. Jackson
• Winston Deavor (voice): Bob Odenkirk
• Rick Dicker (voice): Jonathan Banks
• Evelyn Deavor (voice): Catherine Keener
• Jack-Jack Parr (voice): Eli Fucile
• Monster Jack-Jack Parr (voice): Nicholas Bird
• Screenslaver / Pizza Guy (voice): Bill Wise
• Edna “E” Mode (voice): Brad Bird
• Tony Rydinger (voice): Michael Bird
• Karen / Voyd (voice): Sophia Bush
• Krushauer / Helectrix (voice): Phil LaMarr
• Gus Burns / Reflux (voice): Paul Eiding
• Ambassador (voice): Isabella Rossellini
• Underminer (voice): John Ratzenberger
• Mayor (voice): Barry Bostwick
• Detective (voice): Adam Rodríguez
• Detective (voice): Jere Burns
• Honey Best (voice): Kimberly Adair Clark
• Valet (voice): Usher
• Chad Brentley (voice): Adam Gates
• Victor Cachet (voice): Michael B. Johnson

Film Crew:

• Executive Producer: John Lasseter
• Supervising Sound Editor: Ren Klyce
• Production Design: Ralph Eggleston
• Supervising Technical Director: Rick Sayre
• In Memory Of: Bud Luckey
• Additional Storyboarding: Nathan Stanton
• Layout: Gregg Olsson
• Storyboard Artist: Louis Gonzales
• Layout: Mark Sanford
• Supervising Animator: Alan Barillaro
• Animation: Shawn Krause
• Animation: David DeVan
• Animation: Brett Coderre
• Supervising Animator: Dave Mullins
• Story Artist: Sanjay Patel
• Animation: Michael Venturini
• Animation: Kureha Yokoo
• Animation: Ron Zorman
• Animation: Paul Mendoza
• Foley Editor: Dee Selby
• Story Consultant: Michael Arndt
• Thanks: Matthew Robbins
• Sound Effects Editor: Teresa Eckton
• Music: Michael Giacchino
• Music Editor: Stephen M. Davis
• Writer: Brad Bird
• Story Consultant: Peter Sohn
• Scoring Mixer: Joel Iwataki
• Animation: Kevin Andrus
• Foley Mixer: Scott Curtis
• Casting: Kevin Reher
• Producer: John Walker
• Editor: Stephen Schaffer
• Foley Artist: Shelley Roden
• ADR Recordist: Jeanette Browning
• Production Assistant: Chris Haynes
• Sound Effects Editor: Steve Bissinger
• Story Consultant: Mark Andrews
• Head of Production: Jonathan Null
• ADR Voice Casting: Terri Douglas
• Story Supervisor: Ted Mathot
• Storyboard Artist: Derek Thompson
• Casting: Natalie Lyon
• Musician: George Doering
• Lighting Artist: Josée Lajoie
• Orchestrator: Cameron Patrick
• Foley Artist: John Roesch
• Post Production Supervisor: Jessie Thiele
• Additional Storyboarding: Jeffrey Lynch
• Storyboard Artist: Kevin O’Brien
• Additional Storyboarding: Tony Fucile
• Animation: Alli Sadegiani
• Sound Effects Editor: Frank E. Eulner
• Animation: Michael Bidinger
• ADR Supervisor: Cheryl Nardi
• Sound Re-Recording Mixer: Michael Semanick
• Assistant Editor: Ben Morris
• Publicist: Chris Wiggum
• Stunts: Robert Alonzo
• Storyboard Artist: Joe Giampapa
• Colorist: Mark Dinicola
• Animation: James W. Brown
• Director of Photography: Erik Smitt
• Animation: Leslie Watters
• Layout: Adam Schnitzer
• Sound Effects Editor: Steve Orlando
• Digital Compositor: Nestor Benito
• Orchestrator: Jeff Kryka
• Orchestrator: Norman Ludwin
• Animation: Frank E. Abney III
• Foley Editor: Thom Brennan
• Producer: Nicole Paradis Grindle
• Animation: Royce Wesley
• Orchestrator: Brad Dechter
• Sound Effects Editor: Jonathan Borland
• Foley Mixer: Blake Collins
• Set Dressing Artist: Nick Pitera
• Story Artist: Dean Kelly
• Software Engineer: Ryan Kautzman
• Sequence Lead: Greg Gladstone
• Animation: Michal Makarewicz
• Layout: Mike Leonard
• Animation: Andrew Coats
• Modeling: Lou Hamou-Lhadj
• Production Coordinator: Amanda Deering Jones
• Visual Effects Supervisor: Bill Watral
• Animation: Adam Rodriguez
• Animation: Shaun Chacko
• Projection: John “JT” Torrijos
• Animation: Michael Stocker
• VFX Artist: Andrew Wheeler
• Set Designer: Paul Abadilla
• Story Artist: Octavio E. Rodriguez
• First Assistant Editor: C.J. Hsu
• Director of Photography: Mahyar Abousaeedi
• Layout: Matthew Silas
• Animation: Paul Diaz
• Animation: Simon Christen
• Animation: K. C. Roeyer
• Musician: Matt Chamberlain
• Animation: Don Crum
• Animation: Jean-Claude Tran
• Assistant Editor: Geoffrey Sledge
• Story Artist: Austin Madison
• Visual Effects: Aaron Conover
• Second Film Editor: Anthony J. Greenberg
• Additional Music: Mick Giacchino
• Supervising Sound Editor: Coya Elliott
• Visual Effects Technical Director: Amit Baadkar
• Visual Effects Technical Director: Jim Cody Harrington
• Story Manager: Megan Bartel
• Animation Director: Evan Bonifacio
• Animation: Jude Brownbill
• Animation: Michael Chia-Wei Chen
• Set Supervisor: Nathan Fariss
• Animation: Justin Farris
• Animation: Graham Finley
• Graphic Designer: Craig Foster
• Animation: Joey Gilbreath
• Animation: Aron Hatfield
• Animation Director: Travis Hathaway
• Animation: Tsung-Yin Hsieh
• Animation: Guilherme Sauerbronn Jacinto
• Layout: Robert Kinkead
• Digital Compositor: Mitch Kopelman
• Animation: Aaron Koressel
• Animation: Bruce Kuei
• Animation: John Chun Chiu Lee
• Animation: Holger Leihe
• Animation: Cameron Miyasaki
• Animation: Javier Moya Alonso
• Lighting Artist: Burt Peng
• Layout: Jan Pfenninger
• Shading: Kiki Mei Kee Poh
• Animation: Jayson Price
• Lighting Artist: Jordan Rempel
• Animation: Nickolas Rosario
• Animation: Allison Rutland
• Layout: Leo Santos
• Animation: Michael Sauls
• Animation: Brett Schulz
• Animation: Stefan Schumacher
• Animation: Terry Song
• Animation: Matthew Strangio
• Animation: Raphael Suter
• Animation: Jessica Torres
• Animation: Ricky Wight
• Animation: Alon Winterstein
• Animation: Tom Zach
• Shading: Maria Lee
• Assistant Editor: Christopher Zuber
• Assistant Accountant: Emily Engie
• Publicist: Briana Gardner
• Animation: Amanda Wagner
• Layout: Jahkeeli Garnett
• Musician: Mark LeVang
• Musician: Mark Gasbarro
• Production Coordinator: Gerisa Macale
• Animation: Dovi Anderson
• Animation: Claudio de Oliveira
• Animation: Jae Hyung Kim
• Animation: Dan Nguyen
• Animation: Tim Pixton
• Animation: Benjamin Su
• Thanks: Rob Rowe
• Editorial Manager: Leslie Pao
• Thanks: Becky Neiman
• Animation: Brendan Beesley
• Animation: Joshua Dai
• Animation: Mike Stern
• Lighting Artist: Andy Lin
• Production Coordinator: Jon Bryant
• Production Coordinator: Alyssa Mar
• Set Dressing Artist: Michael Rutter
• Software Engineer: Winston O. Good
• Musician: Serena McKinney
• Set Designer: Tim Evatt
• Animation: Lance Fite
• Animation: Catherine Hang-Hicks
• Animation: Ben Rush
• Animation: David Torres
• Animation Manager: Max Sachar
• Compositing Artist: Dorien Gunnels
• Lighting Artist: Farhez Rayani
• Systems Administrators & Support: Teresa Conaty
• VFX Artist: Shaun Galinak
• Animation: Tomoyuki Harashima
• Animation: Tal Shwarzman
• Animation: Adam Burke
• Animation: Doug Frankel
• Animation: Ken Kim
• Animation: Kevin O’Hara
• Animation: Rob Duquette Thompson
• Animation: Jaime Landes Roe
• Animation: Sequoia Blankenship
• Musician: Scott Hosfeld
• Score Engineer: Greg Loskorn
• Animation: Kristoff Vergne
• Animation: Manuel Zenon Rodriguez
• Animation: Nathan Wall
• Animation: Kyle Mohr
• Visual Effects Technical Director: Hiroaki Narita
• VFX Artist: Max Rodriguez
• Stereoscopic Technical Director: Erin Lehmkühl
• Logistics Coordinator: Edgar A. Ochoa
• Additional Storyboarding: Domee Shi
• Sound Re-Recording Mixer: Nathan Nance
• Shading: Weera Tom Wichitsripornkul
• Stereoscopic Technical Director: Stewart Pomeroy
• Costume Designer: Deanna Marsigliese
• Story Artist: Brian Kalin O’Connell
• Story Artist: Bobby Rubio
• Modeling: Tanja Krampfert
• Story Artist: Bill Presing
• Color Grading: Susan Brunig
• Art Direction: Josh Holtsclaw
• Story Artist: Michael Daley
• Security: Brian Rankin
• Production Coordinator: Emily Goldsborough
• Animation Coordinator: Daniel LaPook
• Assistant Editor: Jonathan Vargo
• Visual Effects Technical Director: Evan Denmark
• Layout: Ryan Heuett
• Animation: Montaque Ruffin
• Animation Manager: Hannah Ghioni
• Associate Editor: Katie Schaefer
• Production Manager: Sabine Koch O’Sullivan
• Story Artist: Melody Cisinski
• Producer’s Assistant: Samantha Gurash
• Story Manager: Kathryn Hendrickson
• Production Assistant: Mia Stapleton
• Software Engineer: David Eberle
• General Manager: Josh Lowden
• Background Designer: Emre Emin
• Modeling: Nancy Tsang
• Shading: Jacob Kuenzel
• Tailor: Mariana Galindo
• Visual Effects Technical Director: Cari Reiche
• Visual Effects Technical Director: Itamar Belson
• Stereoscopic Technical Director: Erin Onstine
• Set Dressing Artist: Tracy Lee Church
• Layout: Alexander Curtis
• Layout: Andy Grisdale
• Layout: Arjun Rihan
• Layout: Seong-Young Kim
• Animation: Christopher Chua
• Animation: Jordi Oсate Isal
• Story Artist: Rosanna Sullivan

Movie Reviews:

• r96sk: A good sequel.

  ‘Incredibles 2’ isn’t too far away from the preceding film, which is always a big plus for a follow-up. This one is definitely the more funnier of the two, there are some very amusing moments; especially with Jack-Jack (Eli Fucile/Nick Bird).

  From a plot point of view, the antagonists are better though unfortunately they do go down the obvious direction with them. I felt a few pacing issues too, it’s a slow burner. The animation is very solid, as are the voice cast.

  Speaking of the cast, all of the main lot return with the exception of Spencer Fox (Dash) – whose absence I didn’t really notice in truth. Everyone’s as good as they are in the original, while the additions of Winston (Bob Odenkirk) and Evelyn (Catherine Keener) are welcomed. There’s also a small yet nice role for Odenkirk’s ‘Better Call Saul’ co-star Jonathan Banks (Dicker).

  This does some things greater than ‘The Incredibles’, but other things less so. Nevertheless, it’s a very respectable Disney sequel.

• Gimly: Doesn’t hold a candle to the original _Incredibles_, and it’s like… **really** on the nose, but _Incredibles 2_ is still a good time.

  Final rating:★★★ – I liked it. Would personally recommend you give it a go.