During World War II, Steve Rogers is a sickly man from Brooklyn who’s transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler’s ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
Credits: TheMovieDb.
Film Cast:
- Steve Rogers / Captain America: Chris Evans
- Colonel Chester Phillips: Tommy Lee Jones
- Johann Schmidt / Red Skull: Hugo Weaving
- Peggy Carter: Hayley Atwell
- James Buchanan ‘Bucky’ Barnes: Sebastian Stan
- Howard Stark: Dominic Cooper
- Dr. Arnim Zola: Toby Jones
- Timothy ‘Dum Dum’ Dugan: Neal McDonough
- Gabe Jones: Derek Luke
- Jacques Dernier: Bruno Ricci
- James Montgomery Falsworth: JJ Feild
- Jim Morita: Kenneth Choi
- Heinz Kruger: Richard Armitage
- Abraham Erskine: Stanley Tucci
- Nick Fury: Samuel L. Jackson
- Gilmore Hodge: Lex Shrapnel
- Senator Brandt: Michael Brandon
- Brandt’s Aide: Martin Sherman
- Private Lorraine: Natalie Dormer
- Search Team Leader: Oscar Pearce
- SHIELD Lieutenant: William Hope
- SHIELD Tech: Nicholas Pinnock
- Jan: Marek Oravec
- Tower Keeper: David Bradley
- Barman: Leander Deeny
- Nervous Recruit: Sam Hoare
- 4F Doctor: Simon Kunz
- Loud Jerk: Kieran O’Connor
- Connie: Jenna Coleman
- Bonnie: Sophie Colquhoun
- Young Doctor: Doug Cockle
- Enlistment Office MP: Ben Batt
- Stark Girl: Mollie Fitzgerald
- Sergeant Duffy: Damon Driver
- Johann Schmidt’s Artist: David McKail
- Antique Store Owner: Amanda Walker
- SSR Doctor: Richard Freeman
- Project Rebirth Nurse: Katherine Press
- Kruger’s Aide: Sergio Covino
- Undercover Bum: Marcello Walton
- Roeder: Anatole Taubman
- Hutter: Jan Pohl
- Schneider: Erich Redman
- The Star Spangled Singer: Rosanna Hoult
- The Star Spangled Singer: Naomi Slights
- The Star Spangled Singer: Kirsty Mather
- Autograph Seeker: Laura Haddock
- ‘Adolph Hitler’: James Payton
- Army Heckler: Ronan Raftery
- Army Heckler: Nick Hendrix
- Army Heckler: Luke Allen-Gale
- Army Heckler: Jack Gordon
- HYDRA Guard / HYDRA Pilot: Ben Uttley
- Manager Velt: Patrick Monckeberg
- SHIELD Agent: Amanda Righetti
- General (uncredited): Stan Lee
- Kruger’s Driver: Fabrizio Santino
- USO Dancer: Caroline Royce
Film Crew:
- Original Music Composer: Alan Silvestri
- Production Design: Rick Heinrichs
- Additional Editor: Michael McCusker
- Supervising Art Director: John Dexter
- Stunts: Kim McGarrity
- Casting: Priscilla John
- Principal Costumer: Liz Dann
- Set Costumer: Reese Spensley
- Casting: Sarah Halley Finn
- Executive Producer: Joe Johnston
- Director of Photography: Shelly Johnson
- Editor: Robert Dalva
- ADR Editor: Anthony J. Ciccolini III
- Screenplay: Christopher Markus
- Screenplay: Stephen McFeely
- Costume Design: Anna B. Sheppard
- Executive Producer: Stan Lee
- Producer: Kevin Feige
- Sound Designer: Shannon Mills
- Executive Producer: Nigel Gostelow
- Production Manager: Suzie F. Wiesmann
- Stunt Double: Peter Pedrero
- Utility Stunts: Jeff Habberstad
- Foley Artist: Vincent Guisetti
- Makeup & Hair: Carmel Jackson
- Utility Stunts: Joey Box
- Supervising Art Director: Andy Nicholson
- Stunts: David Cronnelly
- Stunt Coordinator: Rob Inch
- Stunts: James O’Donnell
- Stunts: Andy Smart
- Stunts: Matthew Stirling
- Concept Artist: James Hegedus
- Utility Stunts: Mike Mukatis
- Colorist: Ben Estrada
- Utility Stunts: Erik Stabenau
- Stunts: Scott Brady
- Utility Stunts: Keith Campbell
- Editor: Jeffrey Ford
- Dialect Coach: Francine Segal
- Utility Stunts: Allan Graf
- Art Direction: Phil Harvey
- Casting: Randi Hiller
- Supervising Art Director: Chris Lowe
- Draughtsman: Roxana Alexandru
- Stunts: Nick Hobbs
- Music Supervisor: Dave Jordan
- Stunts: Roy Taylor
- Utility Stunts: Chris Palermo
- Utility Stunts: Jeff Wolfe
- Graphic Designer: Ted Haigh
- ADR Recordist: David Lucarelli
- Utility Stunts: Steve DeCastro
- Unit Production Manager: Louis D’Esposito
- Additional Editor: Peter S. Elliot
- Utility Stunts: Clay Cullen
- Focus Puller: Julian Bucknall
- Stunt Double: Mike Ian Lambert
- Executive Producer: Alan Fine
- Executive Producer: David Maisel
- Co-Producer: Victoria Alonso
- Set Decoration: John Bush
- Utility Stunts: Keith Woulard
- Utility Stunts: Rick Avery
- First Assistant Director: Glen Trotiner
- Conceptual Illustrator: Henrik Tamm
- Grip: Tony Rowland
- Stunts: Freddie Joe Farnsworth
- Sound Effects Editor: Albert Gasser
- Utility Stunts: Derek Graf
- Utility Stunts: Rob Mars
- Matte Painter: Christian Cardona
- Stunts: Ray Nicholas
- Utility Stunts: Jeremy Fitzgerald
- Stunt Coordinator: Doug Coleman
- Utility Stunts: Corey Michael Eubanks
- Utility Stunts: Merritt Yohnka
- Utility Stunts: Freddy Bouciegues
- Utility Stunts: Brian Simpson
- Fight Choreographer: Marcus Young
- ADR Voice Casting: Barbara Harris
- ADR Recordist: Greg Zimmerman
- Utility Stunts: Carrick O’Quinn
- Sound Designer: Stephen Hunter Flick
- Props: David Johnson
- Stunts: Master Lee
- Art Direction: Jason Knox-Johnston
- Art Direction: Dean Clegg
- Standby Art Director: Neal Callow
- Makeup Designer: Lisa Westcott
- Utility Stunts: Terry Jackson
- Utility Stunts: Jeff Chumas
- Fight Choreographer: C.C. Smiff
- Utility Stunts: Tim Connolly
- Casting Associate: Tamara Hunter
- Associate Producer: Mitchell Bell
- Co-Producer: Stephen Broussard
- First Assistant Director: Richard Whelan
- Utility Stunts: Joey Anaya
- Stunts: David Garrick
- Concept Artist: Paul Catling
- Stunts: Nick McKinless
- Visual Effects Production Assistant: Alexandra Michael
- Utility Stunts: Darrell Davis
- First Assistant Editor: Kiran Pallegadda
- Utility Stunts: Brett A. Jones
- 3D Editor: Peter Gvozdas
- Unit Production Manager: Stratton Leopold
- Utility Stunts: Jef Groff
- Stunts: Damien Walters
- Assistant Costume Designer: Maja Meschede
- Steadicam Operator: Jeff Muhlstock
- Utility Stunts: David Hugghins
- Visual Effects Editor: Gian Ganziano
- Second Assistant Camera: Joe Alexander
- Stunts: Kai Martin
- Stunts: Nick Chopping
- Assistant Costume Designer: Joe Hobbs
- Costume Supervisor: Ken Crouch
- Utility Stunts: Kurt D. Lott
- Visual Effects Supervisor: Vincent Cirelli
- Visual Effects Supervisor: Jonathan Fawkner
- Costume Illustrator: Christian Cordella
- Art Direction: Phil Sims
- Construction Coordinator: Randy L. Childs
- Property Master: Barry Gibbs
- Sculptor: Martin Gaskell
- Costume Coordinator: Sarah Robinson
- Art Department Coordinator: Katie Gabriel
- Draughtsman: Andrew Bennett
- Sculptor: Darren Fitzsimons
- Concept Artist: Emmanuel Shiu
- Visual Effects Supervisor: Florian Gellinger
- Utility Stunts: Ray Siegle
- Assistant Art Director: Richard Selway
- Sound Re-Recording Mixer: Scott Millan
- Location Manager: Tyson Bidner
- Utility Stunts: Colin Follenweider
- Makeup Artist: Denise Kum
- Utility Stunts: Timothy Eulich
- Script Supervisor: Lisa Vick
- Set Designer: Mike Stassi
- ADR Editor: Susan Dudeck
- Set Designer: Patricia Klawonn
- VFX Supervisor: Alessandro Cioffi
- Still Photographer: Jay Maidment
- Stunts: Bobby Holland Hanton
- Visual Effects Coordinator: Max Leonard
- Utility Stunts: Trevor Habberstad
- Stunt Coordinator: Steve Dent
- Stunt Coordinator: Rowley Irlam
- Focus Puller: John Gamble
- Assistant Art Director: Helen Xenopoulos
- Stunts: James Embree
- Dialogue Editor: Larry Kemp
- Still Photographer: Susie Allnutt
- Principal Costumer: Philip Goldsworthy
- Visual Effects Producer: Thomas Nittmann
- Visual Effects Supervisor: Edson Williams
- Visual Effects Supervisor: Daniel P. Rosen
- Sound Effects Editor: Jon Johnson
- Visual Effects Supervisor: Craig Barron
- Greensman: Ian Whiteford
- Lighting Technician: John Higgins
- Visual Effects Editor: John Berri
- Music Editor: Barbara McDermott
- Camera Operator: George Peters
- Sound Designer: Daniel Pagan
- Visual Effects Supervisor: Richard Higham
- Production Manager: Sam Breckman
- Visual Effects Producer: Felix Crawshaw
- Visual Effects Editor: Cameron Sharp
- Publicist: Ruben Malaret
- Stunts: Graeme Crowther
- Aerial Director of Photography: John Marzano
- Visual Effects Supervisor: Paul Stemmer
- Hairstylist: Nadia Stacey
- ADR Mixer: Greg Steele
- Foley Artist: Pamela Kahn
- Transportation Coordinator: Brian Baverstock
- Supervising Sound Editor: Howell Gibbens
- First Assistant Camera: Jon Webb
- Visual Effects Producer: Steve Griffith
- Sound Re-Recording Mixer: David Parker
- Key Hair Stylist: Cheryl Eckert
- Hair Department Head: Linda D. Flowers
- Art Department Coordinator: Shari Ratliff
- Sculptor: Monika Schellenberge
- Set Designer: Jean Harter
- Greensman: Blake Maslin
- Greensman: Craig Whiteford
- Sound Designer: Jason W. Jennings
- Sound Effects Editor: Suhail Kafity
- Dialogue Editor: David A. Arnold
- ADR Editor: Lisa J. Levine
- Special Effects Coordinator: Beverly Austin
- Visual Effects Supervisor: Jonathan Harb
- Visual Effects Editor: Aaron Rhodes
- Visual Effects Editor: Kosta Saric
- Visual Effects Supervisor: Kathy Siegel
- Visual Effects Editor: Rob Woiwod
- Visual Effects Supervisor: Christopher Townsend
- Visual Effects Producer: Melinka Thompson-Godoy
- Visual Effects Producer: Robert Pinnow
- CG Supervisor: Votch Levi
- Visual Effects Producer: Alexandra Daunt Watney
- CG Supervisor: Douglas Bloom
- CG Supervisor: Pete Bebb
- CG Supervisor: Thomas Baber
- VFX Supervisor: Casey Allen
- CG Supervisor: Pouyan Navid
- CG Supervisor: Pavel Pranevsky
- Stunt Coordinator: Matthew Sampson
- Steadicam Operator: Pete Cavaciuti
- Camera Operator: David Richert
- Steadicam Operator: Henry Tirl
- Camera Operator: Des Whelan
- Additional Camera: David Knox
- Gaffer: Dan Riffel
- Best Boy Electric: Kevin Edland
- Rigging Gaffer: Wayne Leach
- First Assistant Editor: Emma McCleave
- First Assistant Editor: Thomas Calderon
- Script Supervisor: Brenda K. Wachel
- Location Manager: Ali James
- Unit Publicist: Kathryn Donovan
- Location Manager: Tom Crooke
- Location Manager: Emma Pill
- Visual Effects Supervisor: Charlie Noble
- Stunts: Ben Dimmock
- Visual Effects Supervisor: Dave Morley
- Stunt Double: Mark Mottram
- Makeup & Hair: Maralyn Sherman
- Greensman: David Corral
- Second Assistant Camera: Richard Copeman
- Visual Effects Editor: Chris O’Connell
- Visual Effects Coordinator: Samantha Tracey
- Makeup Artist: Anita Brabec
- Utility Stunts: Mark Vanselow
- 2D Supervisor: Andrew Lockley
- Sequence Supervisor: Alison Wortman
- Sequence Supervisor: Maxx Wai In Leong
- Visual Effects Supervisor: Sean Andrew Faden
- Utility Stunts: Brady Romberg
- Costumer: Kate Laver
- Storyboard Artist: Brent Boates
- Second Unit Director: Jonathan Taylor
- Costume Assistant: June Suepunpuck
- Stunts: Ryan Stuart
- Makeup & Hair: Mark English
- Makeup & Hair: Jacqueline Bhavnani
- Prosthetic Makeup Artist: Josh Weston
- Visual Effects Production Manager: Sumriti Bhogal
- Foley Mixer: Kyle Rochlin
- Stunts: Tony Lucken
- Supervising ADR Editor: Joe Dorn
- Stunt Double: Adam Hart
- Visual Effects Producer: Mark G. Soper
- Sequence Supervisor: Dan Neal
- Makeup & Hair: Sarah Grispo
- Visual Effects: Scott F. Johnston
- Utility Stunts: Eddie Davenport
- Storyboard Artist: Martin Asbury
- 3D Animator: Andy Fraser
- Stereoscopic Supervisor: Wesley Sewell
- Compositors: Brian N. Bentley
- Makeup & Hair: Carolyn Cousins
- ADR Mixer: Mark Appleby
- Props: Peter Lee
- Visual Effects Coordinator: Virginia Wilson
- Utility Stunts: Whitney Coleman
- Utility Stunts: Eliza Coleman
- Makeup & Hair: Julie Dartnell
- Grip: Chris Salamone
- Art Department Assistant: Sophie Worley
- Costumer: Emma Rees
- Assistant Costume Designer: Jane Clive
- Utility Stunts: Alex Chansky
- Supervising Dialogue Editor: Elizabeth Kenton
- Second Assistant “A” Camera: Gavin Fernandez
- Stunt Double: Gary Arthurs
- Makeup & Hair: Rebecca Cole
- Clapper Loader: Russell Kennedy
- Casting Assistant: Karen Maxwell
- Assistant Costume Designer: Terry Anderson
- Utility Stunts: Dan Brown
- Lighting Technician: Dean Foard
- 3D Editor: Eric Osmond
- Wigmaker: Bob Kretschmer
- Costumer: Amber Jordyn
- Visual Effects Coordinator: Michael Perdew
- Key Rigging Grip: Joseph Graham
- Stunts: Todd Schneider
- Gaffer: Steve Costello
- Costumer: Gaia Cozzi
- Makeup & Hair: Kathryn Fa
- Hairdresser: Andrew Simonin
- Stunts: Thomas J. Larsen
- Visual Effects Supervisor: Gray Marshall
- Gaffer: Brian Bartolini
- Supervising Carpenter: Paul Duff
- Art Department Assistant: Liam Georgensen
- Visual Effects Coordinator: Rachel Faith Hanson
- Utility Stunts: Brian Avery
- Utility Stunts: Nick Brett
- ADR Mixer: Billy Theriot
- Armorer: Dan Osborne
- Supervising Armorer: Nick Jeffries
- Stunts: Maurice Lee
- Stunts: Brian Nickels
- Assistant Set Decoration: Michael Standish
- Costumer: Kevin Pratten
- Pilot: Marc Wolff
- Visual Effects Coordinator: Nicholas Elwell
- Utility Stunts: Craig Baxley Jr
- Storyboard Artist: Darrin Denlinger
- Animation Supervisor: Simone Kraus Townsend
- Visual Effects Coordinator: Matthew Lloyd
- Visual Effects Production Manager: Jen Underdahl
- Key Grip: Kenneth Atherfold
- Makeup & Hair: Liz Michie
- 3D Artist: Philip Borg
- Lighting Technician: Aaron Keating
- Makeup & Hair: Karen Cohen
- Stunts: Jo McLaren
- Concept Artist: James Carson
- Utility Stunts: Mark Aaron Wagner
- Utility Stunts: Paul Darnell
- Utility Stunts: Jeremy Fry
- Prosthetic Designer: David White
- Stunt Driver: Lee Millham
- Utility Stunts: Dane Farwell
- Storyboard Artist: Federico D’Alessandro
- Stunts: Curtis Rivers
- Graphic Designer: Karen Teneyck
- Digital Imaging Technician: Raul Riveros
- Second Unit First Assistant Director: Terry Madden
- Stunts: Vincent Wang
- Supervising Carpenter: Peter N. Brown
- Stunts: Steen Young
- Grip: Terry Williams
- Costumer: Matthew Jerome
- Makeup & Hair: Julie Kendrick
- Construction Manager: John Bohan
- First Assistant “B” Camera: Louie DeMarco
- Utility Stunts: Brycen Counts
- Costumer: Vicente Parada
- Dolly Grip: Richard L. Carden
- Assistant Editor: Derek Drouin
- Conceptual Illustrator: Andy Park
- Stunts: Holly Lumsden
- Key Grip: Jim Shelton
- Utility Stunts: Justin Riemer
- Costume Illustrator: Darrell Warner
- Utility Stunts: Richard Epper
- Makeup Artist: Paul Boyce
- Key Grip: Gary Hymns
- Utility Stunts: Tim James
- Clapper Loader: Sacha Jones
- Stunts: Mens-Sana Tamakloe
- Sequence Supervisor: James Benson
- 3D Animator: Adam Coglan
- Stunts: Tom Hallahan
- Focus Puller: Spencer Murray
- Stunts: Tom Rodgers
- Grip: Jesse Beaird
- Stunts: Andy Pilgrim
- Stunts: Chris Pollard
- Lighting Technician: Neil Munro
- Utility Stunts: Allen Robinson
- Grip: Adam Sudtell
- Second Assistant “A” Camera: Lewis Hume
- Utility Stunts: Jerry T. Adams
- Stunts: Rob Jarman
- Second Assistant Camera: Luke Cairns
- Stunt Double: Rick English
- Makeup & Hair: Helen Barrett
- Armorer: Tony Didio Jr.
- Dressing Prop: Garry Dawson
- Armorer: John Fisher
- Principal Costumer: Charlotte-Rose Armstrong
- Stunts: Stephanie Lelievre
- Conceptual Illustrator: Rodney Fuentebella
- Digital Effects Supervisor: Justin Johnson
- Visual Development: Ryan Meinerding
- Construction Buyer: Tracy Low
- Assistant Property Master: Darryl Paterson
- Matchmove Supervisor: Simon Pynn
- Armorer: Damian Mitchell
- Prosthetics Sculptor: Julian Murray
- Costumer: Joanna Campbell Lynch
- Lighting Technician: Jamie Garside
- Stunt Double: Jan Petřina
- Lighting Technician: Genki McClure
- Hairdresser: Adam James Phillips
- Utility Stunts: Rico Burgos
- Makeup & Hair: Lois McIntosh
- Casting Associate: Leslie-Ann Reale
- Visual Effects Coordinator: Katie Godwin
- Draughtsman: Emma Vane
- Editorial Production Assistant: Carolina Cedres
- 3D Artist: Yuji Yagasaki
- Concept Artist: Adam Brockbank
- Assistant Editor: Michael Rostker
- Second Assistant Camera: Jacob Barrie
- Stunts: Charlie Estepp
- Assistant Costume Designer: Leighton Bowers
- Utility Stunts: Jess King
- Makeup Artist: Jenny Hammond
- Visual Effects Coordinator: Natalie Lovatt
- Draughtsman: Mary Mackenzie
- Assistant Art Director: Charlotte Leatherland
- Supervising Carpenter: John Casey
- Supervising Carpenter: Bernie Mayor
- Visual Effects Production Assistant: Emma Moffat
- Visual Effects Coordinator: Miles Friedman
- Contact Lens Technician: Richard Glass
- Special Effects Makeup Artist: Victoria Holt
- Costumer: Lex Wood
- Wardrobe Master: Mark Holmes
- Visual Effects Coordinator: Amielia Williams
- Visual Effects Coordinator: Erin Eunsung Kim
- Utility Stunts: Kevin Derr
- ADR Recordist: Emmet O’Donnell
- Draughtsman: Alice Biddle
- Epk Camera Operator: Jeremy Emerman
- Stunts: Julian Lightwing
- Lighting Technician: Sol Saihati
- Visual Effects Coordinator: Ruheene Masand
- Storyboard Artist: James Doh
- Libra Head Technician: Mario Spanna
- Set Dresser: Randy Severino
- Digital Imaging Technician: Peter Marsden
- Extras Casting Assistant: Darren Baba
- Storyboard Artist: Rusty Gilligan
- Props: Dougie Lankston
- Props: Kate Murray
- Utility Stunts: Pete Turner
- Compositing Supervisor: Brandon McNaughton
- Stunts: Donna Williams
- Grip: Malcolm McGilchrist
- Stunts: Bean Peel
- Stunts: Arran Topham
- Storyboard Artist: Charles Ratteray
- Compositing Supervisor: James Pina
- Matchmove Supervisor: Joey Harris
- Stunts: Bradley Farmer
- Modelling Supervisor: Miguel A. Guerrero
- Sequence Supervisor: Vanessa Gratton
- Stunts: Tony van Silva
- Second Assistant Camera: Francesco Ferrari
- Matte Painter: Robert Olsson
- Stunts: Rob Hunt
- Visual Effects Coordinator: Beverly Abbott
- Clapper Loader: Dean Morris
- Libra Head Technician: Tim Dean
- Visual Effects Production Assistant: Ben Aghdami
- Stunts: Tony Smart
- Lighting Technician: Damian Cooper
- Stunts: Pete Ford
- Costumer: Emily Dominguez
- Stunts: Gary Kane
- Stunts: Rob Cooper
- Utility Stunts: Rick Marcus
- Stunt Double: Kelly Dent
- Stunts: David R. Grant
- Costumer: Chris Newlander
- Stunts: Dominic Preece
- Digital Imaging Technician: Alex Carr
- Textile Artist: Kaniez Braganza
- First Assistant “A” Camera: Michael Martino
- Stunt Double: Michael Byrch
- Stunts: Baz Karbouris
- Production Assistant: Trinh Tran
- Gaffer: Annabelle Nutt
- Supervising Carpenter: Geoff Nolan
- Utility Stunts: David M. Morizot
- Utility Stunts: Thomas Dewier
- Hairstylist: Madlen Mierzwiak
- Libra Head Technician: Michael Buxton
- Makeup Artist: Brian Waltsak
- 3D Supervisor: Michael Capton
- Props: Rob Mear
- Utility Stunts: Heather Arthur
- Supervising Carpenter: Peter Brown
- Art Department Manager: Mark Levin
- CG Artist: Luis Hernandez
- Assistant Property Master: T. Scott Elliott
- Utility Stunts: Greg Dela Riva
- Animation Supervisor: Raphael A. Pimentel
- Compositing Supervisor: Sam Cole
- Lighting Technician: Aldo Camilleri
- Gaffer: Brendon Phillips
- Costumer: Dougie Hawkes
- Visual Development: Charlie Wen
- Utility Stunts: Norb Phillips
- Stunts: Charles Ramsay
- Second Assistant Director: Samar Pollitt
- Art Department Assistant: Zoe Byrne
- Dailies Operator: Christopher McDonald
- Fight Choreographer: Rudolf Vrba
- Stunts: Martin Wilde
- Stunts: Mark Slaughter
- Digital Imaging Technician: Peter Welch
- Stunt Double: Ben Wright
- CG Artist: Ariel Loza
- Visual Effects Coordinator: Barry R. Tuttle
- Stunts: Andrew L Phillips
- Stunt Double: Andy Godbold
- Stunts: Dan Whitby
- Stunts: Daniel Vernan
- Stunts: Olly Rowland
- Utility Stunts: Gregg Preston
- Stunts: Arran Powley
- Stunts: Eric Petch
- Utility Stunts: Michael McGuire
- Stunts: Richard Holmes
- Stunt Double: Paul Hanks
- Stunts: Jimmy Green
- Stunts: Samson Eaton
- Utility Stunts: Craig Conaway
- Storyboard Artist: Jonathan Maris
- Standby Carpenter: David Newell
- Makeup & Hair: Cathy Burczak
- Makeup & Hair: Louise Luxton
- Prosthetics Sculptor: Colin Shulver
- Costume Assistant: Morgan Hall
- Costume Assistant: Rachel Lilley
- Costume Illustrator: Russell Dauterman
- Costumer: Paul Colford
- Costumer: Nina De Palma
- Costumer: Terry Facer
- Costumer: Aimee Lisby
- Costumer: Tom Sanderson
- Casting Assistant: Philip Walton
- Extras Casting: Travis Otsuji
- Aerial Camera Technician: Remi Epron
- Assistant Camera: Alexander Bayne
- Digital Imaging Technician: Danny Gagatt
- Focus Puller: John Jordan
- Generator Operator: Ricky Davies
- Grip: Mario Casarez
- Grip: Lorcan Dunne
- Grip: Benjamin Kilmer
- Second Assistant Camera: Phoebe Fraser
- Second Assistant Camera: Susan MacDonald
- 3D Coordinator: Maria Walker
- CG Artist: Naoko Kinoshita
- Sequence Supervisor: Phil Johnson
- Sequence Supervisor: Jordan Kirk
- Sequence Supervisor: Rebecca Waters
- Compositing Supervisor: Patrick Ferguson
- Matchmove Supervisor: Matt Sadler
- Matte Painter: Dudley Birch
- Stereoscopic Supervisor: Nickolas Stevens
- Visual Effects Coordinator: Lucie Ostrer
- Visual Effects Coordinator: Emily Pearce
- Visual Effects Coordinator: Jon Keene
- Visual Effects Production Assistant: Ron Underdahl
- Visual Effects Production Assistant: Aaron Walker
- Visual Effects Production Assistant: Sophie Russell
- Visual Effects Production Assistant: Alex Boyle
- Visual Effects Production Manager: Claudia Lecaros
- Visual Effects Production Manager: Malcolm Angell
- Visual Effects Technical Director: Adrian Lee
- Visual Effects Technical Director: Ross Krothe
- Assistant Picture Car Coordinator: Alex King
- Concept Artist: Andrew Williamson
- Props: Steve Dring
- Props: Paul Robinson
- Standby Carpenter: Barry Smalls
- Standby Painter: Nick Bowen
- Supervising Carpenter: Philip Smith
- Visual Development: Jacob Johnston
- Storyboard Artist: Jane Wu
Movie Reviews:
- xenocast: True to “Captain America,” this is the modern (comic book) version of the All American movie. Good guys versus bad guys without a lot of ambiguity. _**NOTHING WRONG WITH THAT**_.
This movie is pretty much perfection for the genre. Entertaining A to Z story with high-end Hollywood professional movie making throughout.
- Gimly: **This is a long form review initially published in 2011:**
Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was.
Chris Evans was an interesting choice as the titular role of Captain America, given that he’s already played American sweetheart Marvel Super Hero “The Human Torch” in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn’t Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great.
So far in the Marvel Cinematic Universe, I’d slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40’s, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it’s fuckin’ smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Nazis, that’s how.
It may seem strange, but I actually enjoyed the opening of _Captain America_ the most, which he spends a a meek, asthmatic Steve Rogers, yet to undergo the Deus Ex Machina Super Serum. It really showed the best of Evans acting ability, as well as the writing of Christopher Markus and Stephen McFeely whom together wrote _You Kill Me_ and The _The Chronicles of Narnia_ Trilogy.
I watched it in 3D, which was more bearable than usual. As the films of MCU progress, each of them becomes more and more a prequel to _The Avengers_, _Captain America_ being the most to date. Despite its almost-entire lack of _Avenger_ cameos, this more than previous films felt like a prequel for what’s to come, which is not strictly speaking a good thing.
I had plenty of minor issues with _Captain America_, and though their was quite a number of them, all were minor, and ultimately, the only part of me that regrets watching it was the part that keeps thinking “My fucking God, I have to wait a YEAR before _Avengers_ comes out?!”
79%
-Gimly
- PolyWogg: PLOT
Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way — a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier.
WHAT I LIKED
The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He’s already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn’t want him, he’s just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don’t react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later.
I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we’d see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddle to the hero.
WHAT I DIDN’T LIKE
The challenge with a lot of American movies of the war is that it is as if they are the only actors in the war, no allies, just them, and that level of nationalistic narrowmindedness is a bit grating. That may be a small gripe when the show is called CAPTAIN AMERICA, not CAPTAIN OF WORKING WITH ALLIES, but still, it’s annoying. I also was disappointed there wasn’t a lot more on Red Skull. His history, his abilities, other pursuits, all of it was left basically unreferenced. Sure, some of it shows up elsewhere in the Marvel universe, but a bit more crosswalk would have been nice. I felt he really wasn’t that well-fleshed out as the uber villain he could have been.
THE BOTTOM LINE / TWEET
As an origin story, it lacks pizazz
- tmdb44006625: Definitely the most underrated of all the MCU films, Captain America: The First Avenger is a great war film done comic book style about a little guy making a big difference. Red Skull is one of the better villains simply because of how fantastic Hugo Weaving is. Peggy Carter is a great heroine and Hayley Atwell’s performance is an absolute joy. Also, Tommy Lee Jones and Stanley Tucci light up the screen whenever they’re on.
With strong action scenes, nicely developed characters, and seamless CGI, Captain America: The First Avenger is perfectly fine as a stand alone film. Shameful that so many audiences were just going out of obligation for The Avengers, because this movie has a lot to offer.
- JPV852: Probably only my third time viewing and first in at least 8 years and while it’s not great, I did find it to be pretty entertaining and Chris Evans embodies the role so well. Red Skull and the heavy prosthetic they placed on Hugo Weaving still was pretty silly looking, however, making him one of many weak villains in the MCU. **3.25/5**
- r96sk: I had a great time with this, it narrowly surpasses ‘Iron Man’ for me.
‘Captain America: The First Avenger’ is thoroughly entertaining. I absolutely enjoyed the story and how it is told, while the 1940s style is done fantastically – love the settings and costumes. The only negative I have is about the body double effect of skinny Captain America – which looks, honestly, ridiculous… in an amusing way, at least.
This is, possibly, the most I’ve enjoyed the overall cast for an MCU film so far. Chris Evans is fun to watch in the lead role, he does a grand job. Behind him, the likes of Tommy Lee Jones, Hayley Atwell and Hugo Weaving are enjoyable too.
A very pleasant experience, this. Good fun.