A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.

Credits: TheMovieDb.

Film Cast:

• Tiana (voice): Anika Noni Rose
• Prince Naveen (voice): Bruno Campos
• Dr. Facilier (voice): Keith David
• Louis (voice): Michael-Leon Wooley
• Charlotte (voice): Jennifer Cody
• Ray (voice): Jim Cummings
• Lawrence (voice): Peter Bartlett
• Mama Odie (voice): Jenifer Lewis
• Eudora (voice): Oprah Winfrey
• James (voice): Terrence Howard
• “Big Daddy” La Bouff (voice): John Goodman
• Young Tiana (voice): Elizabeth Dampier
• Young Charlotte (voice): Breanna Brooks
• Reggie (voice): Ritchie Montgomery
• Darnell (voice): Don Hall
• Two Fingers (voice): Paul Briggs
• Mr. Henry Fenner (voice): Jerry Kernion
• Mr. Harvey Fenner (voice): Corey Burton
• Buford (voice): Michael Colyar
• Marlon the Gator (voice): Emeril Lagasse
• Ian the Gator (voice): Kevin Michael Richardson
• Cousin Randy (voice): Randy Newman
• Louis’ Trumpet Playing (voice): Terence Blanchard
• Travis (voice): Mick Wingert
• Additional Voices (voice): John Kassir
• Additional Voices (voice): Fred Tatasciore
• Additional Voices (voice): John Musker

Film Crew:

• Executive Producer: John Lasseter
• Songs: Randy Newman
• Visual Development: Douglas Rogers
• Story: Ron Clements
• Story: John Musker
• Supervising Animator: Bruce W. Smith
• Supervising Sound Editor: Odin Benitez
• Screenplay: Rob Edwards
• Casting: Jen Rudin
• Casting: Mark Fincannon
• Producer: Peter Del Vecho
• Art Direction: Ian Gooding
• Supervising Animator: Eric Goldberg
• Supervising Animator: Andreas Deja
• Layout: Robert St. Pierre
• Story: Greg Erb
• Background Designer: Gregory Miller
• Casting: Curtis A. Koller
• Sound Re-Recording Mixer: Dean A. Zupancic
• Sound Re-Recording Mixer: David E. Fluhr
• Supervising Animator: Mark Henn
• Visual Development: Stevie Wermers
• Story: Don Hall
• Production Manager: Monica Lago-Kaytis
• Post Production Supervisor: Brent W. Hall
• Background Designer: James Gallego
• Executive Music Producer: Chris Montan
• Editor: Jeff Draheim
• Characters: Tom Ellery
• Music Supervisor: Tom MacDougall
• Supervising Animator: Nik Ranieri
• Storyboard: Nicole Mitchell
• Associate Producer: Craig Sost
• Characters: Rick Maki
• Supervising Animator: Anthony DeRosa
• Background Designer: Sunny Apinchapong
• Layout: Alfred Cruz
• Background Designer: Donna Prince
• Background Designer: Leonard Robledo
• Layout: Chung Sup Yoon
• Layout: Jennifer Yuan
• Characters: Bill Schwab
• Compositors: Claire Williams
• Compositors: Maria Gonzalez
• Layout: Peter J. Deluca
• Layout: James P. Alles
• Layout: Julio Leon
• Layout: Allen Tam
• Background Designer: Kelly McGraw
• Visual Development: Doug Walker
• Visual Development: Chris Appelhans
• Compositors: Sylvia Filcak
• Background Designer: Michael Humphries
• Production Manager: Lisa Marie Webster
• Visual Effects Supervisor: Kyle Odermatt
• Visual Development: Lorelay Bove
• Supervising Animator: Ruben A. Aquino
• Layout: Rasoul Azadani
• Background Designer: Doug Ball
• Layout: Jason Hand
• Supervising Animator: Randy Haycock
• Layout: Lam Hoang
• Layout: Daniel Hu
• Background Designer: Lisa Keene
• Layout: Benoît Le Pennec
• Layout: Jean-Christophe Poulain
• Background Designer: Dan Read
• Visual Development: Jim Martin
• Visual Development: Craig Elliott
• Executive In Charge Of Post Production: Bérénice Robinson
• Background Designer: Sai Ping Lok
• Production Supervisor: Michele Mazzano
• Visual Development: Armand Baltazar
• Supervising Animator: Duncan Marjoribanks
• Supervising Animator: Mike Surrey
• Visual Development: Sue C. Nichols
• Story: Jason Oremland
• Technical Supervisor: Kimberly W. Keech
• Original Story: E.D. Baker
• Executive Producer: Aghi Koh
• Visual Development: James Aaron Finch
• Visual Development: Ed Li
• Characters: Kevin Gollaher
• Layout: Ashley Lenz
• Layout: Yong Zhong
• Background Designer: Ann Lee
• Background Designer: Jerry Loveland
• Background Designer: Wei M. Zhao
• Animation: Jin Kim

Movie Reviews:

• tiailds: After the third attempt to watch this film, I finally got through the first 15 minutes and am glad I did. There always seemed to be something to stop me from getting too far in. So, what did I think?

  “Is it entertaining?” Yes. For the most part, the songs were enjoyable and the animation was fine. The pacing could be improved somewhat, mostly by eliminated 2-3 songs. 2 out of 3

  “Is it interesting?” Yes. The character backgrounds and the story development were easily above the average kids movie. The plot was a tad predictable and the moral seemed to meander some. 2 out of 3

  “Is it memorable?” Somewhat. The most unique thing were the character types. While the animation was fine, some of the human facial expressions were just off enough to be slightly creepy. I am glad most of the movie had some of the main characters as animals. 1.5 out of 3

  Start with 1.
  1+2+2+1.5=6.5
  I will round up for the overall enjoyment of the time spent.
  7 stars.

• Gimly: I have some questions, I have some comments, both of which may come across as moderately hostile, but I still enjoyed _The Princess and the Frog_. I’m not too sure why though. I won’t be coming back for the soundtrack, which is generally one of the biggest appeals of these Princess deals, and certain things are so *yawn* Disney that you can call them before you press play, but at least it’s a little different.

  _Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._

• r96sk: Solid.

  ‘The Princess and the Frog’ makes for a good time. It’s nothing incredibly different from the studio’s other animated princess films, but still produces what you’d want from a film of this type.

  Anika Noni Rose works well in the lead role as Tiana, while it’s pleasant to hear John Goodman as Big Daddy; albeit not as a major character. Keith David (Shadow Man) and Oprah Winfrey (Eudora), meanwhile, are welcomed cast members.

  The music is rather forgettable, though the (traditional) animation is nice. There’s a few moments where it drags its heels slightly, but the pacing is mostly fine. It all comes down to whether you enjoy princess stories, given how predictable and formulaic they are. I’m nonplussed about them, to be honest.

  Mid-range Disney, for me.