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John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Credits: TheMovieDb.
Film Cast:
- John Constantine: Keanu Reeves
- Angela Dodson / Isabel Dodson: Rachel Weisz
- Chas Kramer: Shia LaBeouf
- Midnite: Djimon Hounsou
- Beeman: Max Baker
- Father Hennessy: Pruitt Taylor Vince
- Balthazar: Gavin Rossdale
- Gabriel: Tilda Swinton
- Lucifer: Peter Stormare
- Scavenger: Jesse Ramirez
- Detective Weiss: José Zúñiga
- Dr. Leslie Archer: April Grace
- Vermin Man: Larry Cedar
- Father Garret: Francis Guinan
- Mother: Suzanne Whang
- Possessed Girl: Jhoanna Trias
- Old Woman: Alice Lo
- Church Attendant: Nicholas Downs
- Midnite Bouncer: Tanoai Reed
- 10 Year-Old Constantine: Quinn Buniel
- Old Woman on Bus: Ann Ryerson
- Molly’s Server: Stephanie Fabian
- Teenage Constantine: Connor Dylan Wryn
- Morgue Security Guard: Laz Alonso
- Liquor Store Clerk Nico: Jeremy Ray Valdez
- Scavenger #2: Jose Molina
- Old Woman on Bus (Demon): Barbara Pilavin
- Korean Man: C.W. Pyun
- Female Tenant: Sharon Omi
- Liquor Store Clerk: Edward J. Rosen
- Smoking Man: John Gipson
- Police Officer: Roberto Kawata
- Ellie (uncredited): Michelle Monaghan
- Man in Jeep (uncredited): R. A. Rondell
Film Crew:
- Production Design: Naomi Shohan
- Art Direction: David Lazan
- Original Music Composer: Klaus Badelt
- Casting: Denise Chamian
- Director of Photography: Philippe Rousselot
- Costume Design: Louise Frogley
- Special Effects Makeup Artist: Christopher Allen Nelson
- Producer: Akiva Goldsman
- Visual Effects Supervisor: Colin Strause
- Visual Effects Supervisor: Greg Strause
- Conductor: Brian Tyler
- Producer: Lauren Shuler Donner
- Director: Francis Lawrence
- Story: Kevin Brodbin
- Screenplay: Frank A. Cappello
- Producer: Michael Uslan
- Producer: Erwin Stoff
- Producer: Benjamin Melniker
- Producer: Lorenzo Di Bonaventura
- Executive Producer: Gilbert Adler
- Executive Producer: Michael Aguilar
- Co-Producer: Cherylanne Martin
- First Assistant Director: Josh McLaglen
- Editor: Wayne Wahrman
- Set Decoration: Douglas A. Mowat
- Assistant Art Director: Robert Fechtman
- Makeup Artist: Barney Burman
- Stunts: Kenny Alexander
- Supervising Sound Editor: Skip Lievsay
- Sound Effects Editor: Craig Berkey
- Fight Choreographer: Chad Stahelski
- Characters: Alan Moore
- Stunt Coordinator: R. A. Rondell
- Production Supervisor: Matthew J. Birch
- Visual Effects Editor: Randy Bricker
- ADR Voice Casting: Caitlin McKenna-Wilkinson
- Additional Photography: Jeff Cutter
- Special Effects Makeup Artist: Stan Winston
- Assistant Art Director: Jason Sweers
- Makeup Artist: Steve Artmont
- Set Dresser: David Loitz
- Stunt Double: Casey O’Neill
- Additional Music: Wolfram de Marco
- Key Makeup Artist: Joel Harlow
- Dialect Coach: Susan Hegarty
- Best Boy Electric: Brian Crane
- ADR Mixer: Troy Porter
- Music Editor: Gary Krause
- Makeup Artist: Robin Slater
- Visual Effects: Aaron Cohen
- Set Designer: Steven Schwartz
- Makeup Department Head: Ve Neill
- Sound Effects Editor: Stephen Hunter Flick
- Sound Designer: Charles Maynes
- Hair Department Head: Susan Germaine
- Assistant Art Director: Suzan Wexler
- Casting Associate: Scout Masterson
- Production Illustrator: Harald Belker
- Art Department Assistant: Thomas S. Hammock
- Foley Artist: John Roesch
- Creative Producer: Enfys Dickinson
- Post Production Supervisor: Ilyse A. Reutlinger
- Creature Design: Anthony Leonardi III
- Stunts: Tim Rigby
- Foley Supervisor: John Joseph Thomas
- Gaffer: Jack English
- Makeup Supervisor: John Rosengrant
- Key Costumer: Garet Reilly
- Costume Supervisor: Robert Q. Mathews
- Concept Artist: George Hull
- Music Editor: Daryl B. Kell
- Sound Effects Editor: Patricio A. Libenson
- Propmaker: Ray Maxwell
- Sound Re-Recording Mixer: David E. Campbell
- Sound Re-Recording Mixer: Gregg Rudloff
- VFX Artist: Nicholas Brooks
- Sound Re-Recording Mixer: John T. Reitz
- Music Editor: Joe Lisanti
- Dialect Coach: Brooks Baldwin
- Sculptor: Cuitlahuac Morales Velazquez
- Assistant Set Decoration: Susannah Carradine
- Assistant Property Master: Andrew M. Siegel
- Special Effects Coordinator: Allen Hall
- Foley Artist: Michael J. Broomberg
- Construction Coordinator: Joe Ondrejko
- Dialogue Editor: Susan Dudeck
- Set Designer: Stan Tropp
- Sound Designer: Jeremy Peirson
- Sound Effects Editor: John P. Fasal
- Visual Effects Supervisor: Ian Hunter
- Visual Effects Producer: Michael Meagher
- Set Costumer: Bob Moore Jr.
- Location Manager: Molly Allen
- Utility Stunts: Mike Justus
- Digital Effects Supervisor: Gregory D. Liegey
- Still Photographer: Richard Foreman Jr.
- Key Grip: Andrew Taylor
- Foley Artist: Alyson Dee Moore
- Picture Car Coordinator: Craig Lietzke
- Aerial Director of Photography: Hans Bjerno
- Set Designer: William J. Law III
- Visual Effects Coordinator: Julia Neighly
- Key Hair Stylist: Candace Neal
- Second Unit Director of Photography: Neal Norton
- Costumer: Monica Haynes
- Set Dresser: Brett C. Smith
- Digital Intermediate Producer: Erik Rogers
- Conceptual Design: Constantine Sekeris
- Visual Effects Supervisor: Craig Hayes
- Second Unit Director: Michael L. Fink
- Digital Intermediate Editor: Nicholas Hasson
- Rigging Grip: Huston Beaumont
- Visual Effects Producer: Denise Davis
- Studio Teachers: Judith Jennings
- Painter: Charles Kern
- Animation: William Groebe
- Sound Recordist: Mark Johnston
- Key Costumer: Richard Schoen
- Hairstylist: Ginger Damon
- Art Department Coordinator: Carla S. Nemec
- Construction Foreman: William Gideon
- Property Master: Kirk Corwin
- Dialogue Editor: Ulrika Akander
- Sound Effects Editor: James Morioka
- ADR Supervisor: Michael J. Benavente
- Animation Supervisor: Simon Allen
- CG Supervisor: Mark Shoaf
- Visual Effects Supervisor: Greg Juby
- Visual Effects Supervisor: David Lingenfelser
- Visual Effects Producer: Janet Yale
- Visual Effects Producer: Jason Heapy
- Visual Effects Producer: Amy Hollywood Wixson
- Visual Effects Producer: Donna Langston
- Visual Effects Producer: Tiffany Smith
- Visual Effects Producer: Ann Podlozny
- Visual Development: Demetrius Leal
- Camera Operator: Timothy Roarke
- Camera Operator: Michael-Ryan Fletchall
- Steadicam Operator: Mark La Bonge
- Additional Camera: Seth Kotok
- Gaffer: Jarred Waldron
- Gaffer: Juan Morse
- Rigging Gaffer: Dennis J. Lootens
- Set Costumer: Marina Marit
- Set Costumer: Nancy Smytka
- First Assistant Editor: Gordon Antell
- Transportation Coordinator: Bernice Culbertson
- Transportation Coordinator: Dan Marrow
- Location Manager: Kristin Dehnert
- Location Manager: Douglas S. McClintock II
- Unit Publicist: Paulette Osorio
- Production Accountant: Jackie Brady Baugh
- Set Dresser: Eric Ramirez
- First Assistant Sound Editor: Joel Dougherty
- Assistant Sound Editor: Greg ten Bosch
- Lead Animator: Joel Sevilla
- CG Artist: Chris Ryan
- ADR Editor: Joe Dorn
- Hairstylist: Teressa Hill
- CG Artist: Eric Pender
- Animation: Chuck Duke
- Lighting Technician: Howard R. Campbell
- Animation: James W. Brown
- Animation: Brian Mendenhall
- Digital Effects Supervisor: Randy Goux
- Orchestrator: Robert Elhai
- Foley Mixer: Mary Jo Lang
- Costumer: Sandra Bojin-Sedlik
- Special Effects Technician: Lawrence Decker
- Creative Director: Kent Demaine
- Visual Effects Technical Director: Ryan Hopkins
- Visual Effects: Chris F. Moore
- Electrician: Bryan Booth
- Rigging Grip: Eddie G. Gutierrez
- Visual Effects: Robert Spurlock
- Stunt Driver: Mike Massa
- Costumer: Catherine Liebig
- Pyrotechnician: Frank Toro
- Special Effects Technician: Jeff Khachadoorian
- Special Effects Technician: Jeff Ogg
- Visual Effects Coordinator: Mark Edwards
- Costumer: Ellen Falguiere
- Swing: Paul Luther Jackson
- Sound Mixer: Willie D. Burton
- Assistant Production Coordinator: J. Elizabeth Ingram
- Electrician: Paul Postal
- Production Coordinator: Ralph Bertelle
- Casting Assistant: Dena Berman
- Craft Service: Raymond Bulinski
- Assistant Chief Lighting Technician: James Babineaux
- CG Artist: John Cassella
- I/O Supervisor: Nathan Abbot
- Researcher: Greg Abbas
- Set Dresser: Paul Detlefson
- Executive In Charge Of Production: Mark Scoon
- First Assistant Camera: Michael Cassidy
- VFX Director of Photography: Christopher Warren
- Rigging Grip: John S. Campbell
- Telecine Colorist: Eric Putz
- Visual Effects Coordinator: James D. Tittle
- Modelling Supervisor: Yoshiya Yamada
- CG Artist: Amy Garback
- Lead Painter: Leigh-Alexandra Jacob
- Makeup Supervisor: Shane Mahan
- Compositing Supervisor: Dan Cayer
- Set Production Assistant: Elizabeth C. Camp
- Propmaker: Bobby Mara
- Visual Effects: Chris Haney
- Grip: R. Dana Harlow
- Costumer: Valerie Laven-Cooper
- Libra Head Technician: Kelly Diehl
- Set Painter: Joey Genitempo
- Assistant Sound Editor: Sarah Bourgeois
- Animation Supervisor: Joe Henke
- Visual Effects: Patrick Phillips
- Matte Painter: Jamie Baxter
- Rigging Grip: Michael Dronge
- Set Medic: Lance Mancuso
- Visual Effects Coordinator: Adam Lisagor
- Video Assist Operator: Luciano Blotta
- Set Dresser: Rich Andrade
- Storyboard Artist: Trevor Goring
- Negative Cutter: Mo Henry
- Electrician: Stephen Thorp
- Dolly Grip: Darryl Humber
- Key Grip: C. Alan Rawlins
- Second Unit First Assistant Director: Darin Rivetti
- Matchmove Supervisor: Chris Paizis
- Second Assistant Director: Rick Kelly
- Lead Animator: Gary Abrahamian
- Art Department Assistant: Lindsey Gary
- Carpenter: Daragh Byrne
- Chef: Robert Lamkin
- Driver: Mark Valdez
- Post Production Assistant: Laraine Moniz
- Stand In: Rob McCabe
- Transportation Captain: Randy Burke
- Transportation Co-Captain: Chad Moore
- Color Timer: Dave Hussey
- Lighting Artist: Haskell Friedman
- Production Manager: Brian Brecht
- Boom Operator: Rob Cunningham
- 24 Frame Playback: Jared Rosen
- Digital Compositors: John R.A. Benson
- Special Effects Supervisor: James Reedy
- Mechanical Designer: Matt Heimlich
- Grip: Pat O’Mara
- Key Costumer: Valerie T. O’Brien
- Propmaker: Fred O’Connor
- Extras Casting: Tracy Dixon
- Key Rigging Grip: Robert J. Reilly
- Grip: Eric Budlong
- Stunts: Karin Silvestri
- Techno Crane Operator: Bryan Fletchall
- VFX Artist: Ryan Lastimosa
- Rigging Grip: Frank R. Sims
- Animation: James Straus
- ADR Mixer: Eric Gotthelf
- ADR Mixer: Thomas J. O’Connell
- Lead Animator: Dovi Anderson
- Modeling: John ‘JD’ Daniel
- Visual Effects Coordinator: Stephanie C. Lee
- Animation: Michael Kitchen
- Special Effects Technician: Ante Dugandzic
- Set Dresser: Steven Ladish
- Set Dresser: James L. Eddy
- Production Assistant: Natasha Delahunt
- Electrician: Michael Franco
- Second Second Assistant Director: Maria Battle Campbell
- Best Boy Grip: Riko Schatke
- VFX Artist: Brian Ducharme
- Visual Effects Technical Director: Kevin Romond
- Modeling: Jose Samson
- Animation: Todd Labonte
- Visual Effects: Anthony Lucero
- Costumer: Nina Padovano
- Special Effects Technician: Michael Kay
- Assistant Camera: Xiomara Comrie
- Head of Production: Alonzo Ruvalcaba
- General Manager: Donald Fly
- Data Wrangler: Deborah Thomas
- Extras Casting Assistant: Vesper Burnett
- Payroll Accountant: Taffy Schweickhardt
- Matte Painter: Ron Crabb
- Production Secretary: Michael P. Twombly
- Special Effects Technician: Parry Willard
- Assistant Location Manager: Rachel Swenson
- Music Consultant: Jeffrey Pollack
- Second Assistant Accountant: Kami Calevro
- Costume Illustrator: Jamie Rama
- Special Effects Assistant: Pamela Elliott
- Character Designer: Jim Charmatz
- Assistant Editor: Bronwyn Shields
- Executive Assistant: Kathy Liska
- Key Set Production Assistant: Michael Lagnese
- Production Assistant: Lee Hahn
- Rotoscoping Artist: Kane Brassington
- Lead Animator: Joshua Cordes
- Camera Loader: April Kelley
- Production Assistant: Zachary Kamen
- Electrician: Gene Hara
- Music: A Perfect Circle
- Art Department Assistant: Zack Heath
- Sound Engineer: Janusz Tokarzewski
- Special Effects Assistant: Csaba László Eröss
- Electrician: Erik A. Erichsen
- Greensman: Frank Musitelle
- Modeling: Dan Dixon
- Visual Effects Coordinator: Chris hall
- Animation Supervisor: Rick Glenn
- Rigging Grip: Thomas E. Lee
- Production Assistant: Gregg Kawecki
- Assistant Camera: Pamela Rittelmeyer
- Electrician: Gary Lowrance
- Compositing Supervisor: Sean O’Connor
- Art Department Assistant: Brian Johnson
- Propmaker: Jim Meyer
- Electrician: David A. Parks
- Grip: Chis Rountree
- Rigging Grip: Vince Onken
- Makeup Artist: Janice Kavanagh
- Animation: Jason Armstrong
- CG Artist: Kyle Yamamoto
- Compositing Supervisor: John Stillman
- CG Supervisor: David ‘Grue’ Debry
- Modeling: Christopher J. Eng
- Modeling: Jericho Green
- Modeling: Paul Zinnes
- Rotoscoping Artist: Ross Nakamura
- VFX Artist: Scott Kinsey
- Visual Effects Coordinator: Beth Howe
- Visual Effects Coordinator: Kristy King
- Special Effects Technician: Jack Jennings
- Production Assistant: Jack Dubnicek
- Production Assistant: Juliana FauntLeRoy
- Production Assistant: Nate Ruegger
Movie Reviews:
- markuspm: Somehow I feel this movie in a way focuses more than others on feet. I know it sounds strange and I might be alone in my perception but hey this might be useful information for someone.

