With the nation of Panem in a full scale war, Katniss confronts President Snow in the final showdown. Teamed with a group of her closest friends – including Gale, Finnick, and Peeta – Katniss goes off on a mission with the unit from District 13 as they risk their lives to stage an assassination attempt on President Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral choices that await Katniss will challenge her more than any arena she faced in The Hunger Games.
- Katniss Everdeen: Jennifer Lawrence
- Peeta Mellark: Josh Hutcherson
- Gale Hawthorne: Liam Hemsworth
- Haymitch Abernathy: Woody Harrelson
- Effie Trinket: Elizabeth Banks
- President Alma Coin: Julianne Moore
- Plutarch Heavensbee: Philip Seymour Hoffman
- Beetee: Jeffrey Wright
- Caesar Flickerman: Stanley Tucci
- President Snow: Donald Sutherland
- Primrose Everdeen: Willow Shields
- Finnick Odair: Sam Claflin
- Johanna Mason: Jena Malone
- Boggs: Mahershala Ali
- Cressida: Natalie Dormer
- Castor: Wes Chatham
- Lieutenant Jackson: Michelle Forbes
- Pollux: Elden Henson
- Commander Paylor: Patina Miller
- Messalla: Evan Ross
- Mrs. Everdeen: Paula Malcomson
- Tigris: Eugenie Bondurant
- Egeria: Sarita Choudhury
- Annie Cresta: Stef Dawson
- Enobaria: Meta Golding
- Homes: Omid Abtahi
- Mitchell: Joe Chrest
- Leeg #1: Misty Ormiston
- Leeg #2: Kim Ormiston
- Commander Lyme: Gwendoline Christie
- Antonius: Robert Knepper
- D4 Officiant: Mark Jeffrey Miller
- Doctor Aurelius: April Grace
- Greenhouse Guard #1: David Hallyday
- Injured Career: Linds Edwards
- Rebel Sniper: Thomas Blake Jr.
- Pugnax: Cameron MacConomy
- Commander of D5: Desmond Phillips
- Girl in Lemon Yellow Coat: Elle Graham
- Rebel Nurse: Lacy Dmitriew
- Capitol Girl: Kate Rachesky
- Katniss’s Father: Phillip Troy Linger
- Everdeen Child #1: Bear Lawrence
- Everdeen Child #2: Theodore Lawrence
- District 13 Civilian: Brandon Cyrus
- Claudius Templesmith: Toby Jones
- District 7 Rebel (uncredited): Gary Sievers
- Capitol Citizen (uncredited): Emma Elle Roberts
- District 13 Citizen (uncredited): Alexander Yassin
- District 8 Hospital Patient (uncredited): Jasmine Ahnie
- District 8 (uncredited): Sue-Lynn Ansari
- Peacekeeper (uncredited): Scott Hunter
- Peacekeeper (uncredited): Sam Hargrave
- Peacekeeper (uncredited): R. A. Rondell
- Casting: Debra Zane
- Original Music Composer: James Newton Howard
- Production Design: Philip Messina
- Producer: Jon Kilik
- Co-Producer: John Bernard
- Director: Francis Lawrence
- Sound Re-Recording Mixer: Skip Lievsay
- Costume Supervisor: Mark Peterson
- Co-Producer: Henning Molfenter
- Co-Producer: Charlie Woebcken
- Art Department Coordinator: Roxy Konrad
- Rigging Gaffer: Dietmar Haupt
- Makeup Department Head: Petra Schaumann
- Line Producer: Miki Emmrich
- Supervising Art Director: Dan Webster
- Music Editor: Jim Weidman
- Set Decoration: Larry Dias
- Executive Producer: Joseph Drake
- Director of Photography: Jo Willems
- Screenplay: Danny Strong
- Art Direction: Lauren E. Polizzi
- Art Direction: Andrew Max Cahn
- Assistant Costume Designer: Lisa Tomczeszyn
- Associate Producer: Jeffrey Harlacker
- Editor: Alan Edward Bell
- Editor: Mark Yoshikawa
- Executive In Charge Of Production: Donna Sloan
- Unit Production Manager: Jan Foster
- Makeup Department Head: Nikoletta Skarlatos
- Stunts: Marco Albrecht
- Adaptation: Suzanne Collins
- Screenplay: Peter Craig
- Visual Effects Production Manager: Brice R. Parker
- Makeup Designer: Ve Neill
- Hair Department Head: Valeska Schitthelm
- Producer: Nina Jacobson
- Art Direction: Priscilla Elliott
- Supervising Art Director: David Scheunemann
- Set Decoration: Mark Rosinski
- Executive Producer: Allison Shearmur
- Art Direction: Steve Summersgill
- Co-Producer: Christoph Fisser
- Art Direction: Wolfgang Metschan
- Costume Supervisor: Patricia Colin
- Foley: John Joseph Thomas
- Special Effects Coordinator: Steve Cremin
- Makeup Effects: Lee Grimes
- Property Master: Andrew Petrotta
- Costume Supervisor: Meike Schlegel
- Set Costumer: Theresa Anna Luther
- Construction Coordinator: Chris Snyder
- Script Supervisor: Ana Maria Quintana
- Dialogue Editor: Ralph Osborn
- Set Costumer: Melanie Mascioli
- Stunts: Vincent Haquin
- Property Master: Frank Pitussi
- Special Effects Makeup Artist: Travis Pates
- Gaffer: Helmut Prein
- Supervising Sound Editor: Jeremy Peirson
- Still Photographer: Murray Close
- Helicopter Camera: Hans Bjerno
- Set Costumer: Valentina Aulisi
- Helicopter Camera: David B. Nowell
- Leadman: Brett C. Smith
- Makeup Artist: Conor McCullagh
- Gaffer: Jean-François Drigeard
- Makeup Effects: Jonah Levy
- Set Costumer: Scott R. Hankins
- Art Direction: Stefan Speth
- Key Hair Stylist: Vincent Gideon
- Animation Director: Shaun Friedberg
- Animation Supervisor: Eric Reynolds
- Assistant Art Director: Carine Demongueres
- Steadicam Operator: David J. Thompson
- Hair Department Head: Camille Friend
- Property Master: Till Sennhenn
- Art Department Coordinator: Wylie Griffin
- Assistant Art Director: Sean Ryan Jennings
- Assistant Art Director: Alice Leconte
- Assistant Art Director: Justin O’Neal Miller
- Construction Coordinator: Dierk Grahlow
- Greensman: T.J. Rottenberg
- Second Unit Director: Charles Gibson
- Camera Operator: Josh Medak
- Associate Producer: Cameron MacConomy
- Gaffer: Walter Bithell
- Animation Director: Jade Mansueto
- Animation Director: Marlene Chazot
- Makeup Effects: Glenn Hetrick
- Camera Operator: Denise Bailie
- Special Effects Supervisor: Gerd Nefzer
- Animation Supervisor: Greg Fisher
- Seamstress: Myra N. Foy
- Assistant Costume Designer: Alexandra Casey
- Co-Producer: Bryan Unkeless
- Makeup Department Head: Selena Evans-Miller
- Visual Effects Coordinator: Devika Kawle
- Armorer: Mario Uy
- Visual Effects Coordinator: Chloe Feodoroff
- Assistant Art Director: Gunnar Zimmer
- Casting Associate: Shayna Markowitz
- Choreographer: Seth Tepfer
- Researcher: KiKi Yoshimoto
- Seamstress: Jessica R. Lawson
- Hair Designer: Jerome Allen
- Makeup Effects: Brad Palmer
- First Assistant Camera: Jessica Lakoff
- VFX Editor: Barbara Holmes
- VFX Editor: Dan Bartolucci
- Visual Effects Coordinator: James Chang
- First Assistant Editor: Lara Khachooni
- Stunts: Thomas Hacikoglu
- First Assistant Director: Christopher Surgent
- Stunt Double: Jackson Spidell
- Utility Stunts: Daniel Hargrave
- Stunt Double: Sarah Reagin
- Stunts: Serge Crozon-Cazin
- Second Assistant Director: Douglas Plasse
- Costume Assistant: Grant McCord
- Animation: Ronan Binding
- Costume Design: Kurt Swanson
- Costume Design: Bart Mueller
- Frank Ochieng: The Hunger Games creator and mastermind Suzanne Collins has brought to life the explosive and resilient heroine Katniss Everdeen (not to mention the resourceful actress stepping into her action-oriented shoes and consciousness in the form of Oscar-winning actress Jennifer Lawrence). Now with the conclusive The Hunger Games: Mockingjay–Part 2 ardent and casual fans of this imaginative and charged film franchise will get a chance to soak in the cinematic experience that has carried them through this durable trilogy. However, the question remains: does Mockingjay–Part 2 fulfill the adventurous swagger of its previous predecessors as it demonstrates its furious farewell in moodiness and mischievousness? Well, the answer is a resounding YES but some will still address the concept of the film’s emotional and psychological leanings as merely serviceable to a string of feisty films that invited such passion, pronouncement and promise in its commentary on class struggle and societal survival means as a whole.
The Hunger Games cinematic installments (and of course Collins’s riveting literary outlets) have always been a solid and secure movie-going moment because it offered what so few action-packed features entailed: a perceptive and honest if not hedonistic look at the politics in the human psyche set aside from the rough-and-tumble sequences of action and suspense. The Games that were played in the minds of the audience were intriguing, thoughtful, compelling and smart about its wits and wisdom. All The Hunger Games editions were message-driven and presented a special kind of indescribable opulence and openness that was refreshing. Sure, there are the highs and lows that comes with the territory when mapping out a showcase of sequels bound to stumble on its lapses in story and characterization. Still, for the most part The Hunger Games: Mockingjay–Part 2 leaves the viewers wanting more but being compliant with what amounts to be the swan song for courageous cutie Katniss Everdeen’s big screen legacy.
It is quite clear that The Hunger Games: Mockingjay–Part 2 and its previous outings has carved a decisive niche into the Young Adult film fiction genre as one of the most successful and consistently received chapters that sparkled in its over-glow of gallant gumption and soul-searching turmoil. Indeed, Mockingjay–Part 2 does add its measurement of tension, radiance, redemption and resolution. Importantly, Mockingjay–Part 2 maintains its reflective and steady balance of hope and rebellious vibes and Lawrence has not lost a single ounce of momentum in the few years since she donned the respectable defiance of the roguish Katniss out to settle a continuous score with the controlling powers-that-be. Instinctively, labeling The Hunger Games motivating movie series as a pop cultural phenom would not risk the intention of sounding overdramatic because for the most part this film franchise has been a saving grace to the aforementioned Young Adult film fiction craze that has offered cemented substance in comparison to the soapy sentiments of the immense Twilight umbrella that spread like wildfire in the unguarded woods years before.
As one can imagine Mockingjay–Part 2 picks up where the first Mockingjay left off in its initial premise. Director Francis Lawrence (back at the helm) starts his narrative rather slow and plodding but builds up the sassy momentum as his on-screen victorious vixen Katniss Everdeen pounces on her latest exploits to expose and agitate the corruptible Capitol and its lead manipulator in the likes of the diabolical President Snow (Donald Sutherland). The good news is that the determined Katniss is finally reunited with her former Games companion and romantic partner Peeta Mellark (Josh Hutcherson). The bad news is that poor Peeta has been manipulated and convinced to view Katniss as an enemy courtesy of Snow’s menacing minions. Automatically, this is the difficult wedge that puts a damper on Katniss’s ability to go after Snow and his vile followers with Peeta serving as their brainwashed Boy Wonder with the forced hatred in tact.
So now the course is set for Katniss Everdeen to follow as she decides to pursue her intentions of gradually taking down the governmental negligence of Snow and his abominable administration. Naturally, Katniss needs the assistance of the rebels under the tutelage of District 13’s President Alma Coin (Oscar-winner Julianne Moore) as well as the input from wily gamemaster Plutarch Heavensbee (late Oscar-winner Phillip Seymour Hoffman) to take down the dangerous and devious Snow and his governmental criminal cronies. Politically, the opportunistic Coin wants Katniss in her camp for the mere promotion of propaganda…something that just does not sit well with the feminine avenger.
The stakes are understandably high but Katniss is in company with the likes of her childhood sweetie pie Gale (Liam Hemsworth) and old-time buddy Finnick Odair (Sam Claflin) as they join forces to combat the evil clutched of the Capitol. The bottom line: the venomous President Snow needs to be cut down in his treacherous tracks…plain and simple.
Quite frankly, the beleaguered Katniss is caught up in the complicated web of a couple of political powerhouses in the insufferable Snow (that wants to destroy her) and Coin (that wants to use her reputation for marketing purposes) willing to go at it while using Katniss’s exposed neck as the sacrificial pawn to determine their sense of twisted greatness. For the most part, The Hunger Games: Mockingjay–Part 2 does present a skillful display of confusion and identity and Lawrence’s death-dodging diva Katniss Everdeen is the epitome of a Girl on Fire with flames of indecision and doubt burning all around her. Who can she trust? Who has the fortitude to stick with the plan and ensure that the tedious target of Snow is silenced for sure? Can Katniss overcome the obstacles of her great love Peeta’s perverse distaste for her while battling one narcissistic leader as another one she is joined at the hip exploits her presence? There seems to be a constant continuity for conflict in warfare and wounded souls that elevates Mockingjay–Part 2 as a boisterous board game of physical and psychological movement. As usual, Lawrence’s Katniss carries the animated strife on her dainty yet athletic shoulders with bouncy boldness.
After four exhilarating films, The Hunger Games empire does not crumble but comes to a full scale halt as it understands the allegory claims for the distrusting contemporary times we all live in regarding the cynicism, abuse of privilege and the underestimation of the weary masses being led astray by the controlling elite of unassuming movers and shakers. The audacity of The Hunger Games odyssey was to get down and dirty about the give-and-take tendencies of a global society willing to challenge the authoritative scrutiny or kneel at its merciless ankles. Perhaps Mockingjay–Part 2 should not be perceived so deeply in its final revelation. Nevertheless, the effort in trying to do so should be acknowledged for an actioner that dared to approach such thought-provoking fodder within its bombastic boundaries.
The Hunger Games: Mockingjay–Part 2 (2015)
2 hrs. 17 mins.
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Julianne Moore, Willow Shields, Sam Claflin, Elisabeth Banks, Mahershala Ali, Jena Malone, Jeffrey Wright, Paula Malcomson, Stanley Tucci, Michelle Forbes
Directed by: Francis Lawrence
MPAA Rating: PG-13
Genre: Science Fiction and Fantasy/Action and Adventure
Critic’s rating: *** stars (out of 4 stars)
(c) Frank Ochieng 2015
- Andres Gomez: The movie is not bad directed and the cast does a decent job. Actually, the script is a good adaptation of the book.
The problem is that the story of the book is already quite bad and has gone down the sink by now so the whole movie just doesn’t work.
- Reno: > A necessary finishing touch with an unnecessary lag.
If the single book ‘The Hobbit’ was extended to three movies, then that’s alright, because that was a large concept with hundreds of unique characters which can take the stretch in narration. But for this series, lucky to be the first film to get away with a big hit, mainly because of teen audience.
Honestly, I liked the 2nd film very much, but the third movie was a letdown, especially this one was utterly useless. Because the 80% of the story ended in the previous part and in this, it was a necessary finishing touch with an unnecessary lag.
Might have been a better film if the ‘Mockingjay’ was a single movie. Nowadays there are many strange ways to make money, the art of storytelling in the movies is slowing vanishing while adapting a book for the silver screen by splitting them into two and/or three. This culture has to stop, the book fans are enjoying the original masterpiece, while film fanatic like me is suffering a setback. In this 2 hour long movie there are lots of scenes that simply wastes time to bring sufficient runtime.
Due to the circumstances that I mentioned, the flow was disturbed, mainly because of the release gap between the last two films. Emotions are not felt, actions were weakened, you could only recognise it rushing towards the conclusion. And that section should have been the ultimatum, what comes later is what we call ‘happily ever after or the other way’ should have been very brief, but in here it was not. Like a new beginning of a new story, it went on too far.
From the screenwriter’s perspective that has to be done. I had seen the split movies like ‘Twilight’, ‘Harry Potter’ and others, but this one was the worst among them. Even if you try all the four movies in a single sitting, the first two will be the best you can get and the followed two would surely disappoint you because of the slowness.
- Per Gunnar Jonsson: Well, that was rather disappointing unfortunately. Not that I can say that I am very surprised though. The first installment in the series started off being “okayish” and the rest of them slid downwards towards mediocrity. This, the final installment, is a notch below mediocre as far as I am concerned. I really cannot understand all the hype about these movies. None of them really shines even if you try to look at them as young adult movies which they really are.
This one was downright boring. There were numerous scenes where Katniss or some other character was just dreaming away or sitting around brooding. It took quite a while for anything to start happening in the movie.
When something started happening it was the same mess of political, unbelievably stupid, propaganda, messy and unintelligent fight scenes, Katniss walking around looking, I do not really known, disconcerted, sad, disturbed, whatever.
How the chief villains (yes plural) was one could figure out without too much effort. The moment the flyer came into the picture and started to fly over the refuges and the children not only I but all of my kids as well guessed who had sent it.
There is really only two things that I liked about this movie. One is that Donald Sutherland was really good. The other is the ending which, although being 100% predictable, was quite satisfying. Well, that scene (everyone having seen the movie knows which scene I am referring to) is where I consider the movie to have ended. After that it was only boring filler scenes remaining.
- CinemaSerf: So, finally – we reach the denouement. The ambitious and devious President “Coin” (Julianne Moore) thinks that the District 13 rebels have the upper hand, and so using “Katniss” (Jennifer Lawrence) as their poster girl, sets off to storm the very heart of the Capitol and depose the now very much weakened “Snow” (Donald Sutherland) who is, clearly, not in the best of health. What now ensues are a series of set-piece, occasionally morale-building but entirely predictable escapades that I have to say by now, I had really lost interest in. Who did what to whom in this overlong and really pretty procedural franchise was really beginning to matter less and less. What made the characterisations interesting and quirky at the beginning now just makes them rather dull. “Peeta” (Josh Hutcherson) features sparingly as he needs rescuing from the nasty government who are clearly drugging him up to his eyeballs and using as their Lord Haw Haw figure whilst hunky “Gale” (Liam Hemsworth) has little more to do than outrun some rather clunky special effects, some extras from an as yet unmade “Alien” film and look good wet – a task he manages well enough now and again. It’s an action movie, so no point trying to scrutinise the merits of the dialogue. Otherwise, this was more of a relief than an enjoyment. At last the series could take a much deserved cat-nap.