In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.

Credits: TheMovieDb.

Film Cast:

• Patricia / Dennis / Hedwig / The Beast / Barry / Heinrich / Jade / Ian / Mary Reynolds / Norma / Jalin / Kat / B.T. / Kevin Wendell Crumb / Mr. Pritchard / Felida / Luke / Goddard / Samuel / Polly: James McAvoy
• David Dunn / The Overseer: Bruce Willis
• Elijah Price / Mr. Glass: Samuel L. Jackson
• Casey Cooke: Anya Taylor-Joy
• Dr. Ellie Staple: Sarah Paulson
• Joseph Dunn: Spencer Treat Clark
• Mrs. Price: Charlayne Woodard
• Pierce: Luke Kirby
• Daryl: Adam David Thompson
• Young Elijah: William Turner
• 13-Year-Old Elijah: Johnny Hiram Jamison
• 8-Year-Old Kevin: Owen Vitullo
• 10-Year-Old David: Colin Becker
• Jai: M. Night Shyamalan
• Cheerleading Girl #1: Shannon Destiny Ryan
• Cheerleading Girl #2: Diana Silvers
• Cheerleading Girl #3: Nina Wisner
• Cheerleading Girl #4: Kyli Zion
• Penelope Crumb: Rosemary Howard
• Clarence Crumb: Bryan McElroy
• Ronald, Powerful Young Man: Serge Didenko
• T, Skinny Camera Kid: Russell Posner
• Assistant Principal: Kimberly S. Fairbanks
• Woman on Train: Leslie Stefanson
• Train Engineer: Marc H. Glick
• Carnival Barker: Brick Mason
• Comic Book Counter Guy: Bostin Christopher
• News Anchor: Ukee Washington
• Security Guard in Car: Brian Anthony Wilson
• Surveillance Security Guard: Tobias Segal
• Joe, Security Guard: Joseph Thuet
• Woman Group Member: Tatiana St. Phard
• Homeless Person: Tom DiNardo
• Comic Book Geek #1: Timothy Chivalette
• Comic Book Geek #2: Jack McCafferty
• Foster Sibling #1: Darby Schlosser
• Foster Sibling #2: Jordan Coker
• Foster Sibling #3: Emma Hong
• Foster Sibling #4: Xaiver Gerald
• Patient Jimmy: Tim Duquette
• Orderly Harrison: Nathan Nauroth
• Hospital Volunteer: Ana Leonard
• Maintenance worker (uncredited): Elijah Davis
• Officer Williams (uncredited): Charles W Harris III
• College Student (uncredited): Jesse Ridgway

Film Crew:

• Costume Design: Paco Delgado
• Stunt Coordinator: Manny Siverio
• Executive Producer: Roger Birnbaum
• Executive Producer: Gary Barber
• Casting: Douglas Aibel
• Sound Re-Recording Mixer: Skip Lievsay
• Producer: M. Night Shyamalan
• Casting: Diane Heery
• Art Direction: Jesse Rosenthal
• Stunts: David Shumbris
• Unit Production Manager: Marc Bienstock
• Foley Artist: Jay Peck
• Producer: Jason Blum
• Storyboard Artist: Brick Mason
• “A” Camera Operator: Kyle Rudolph
• Executive Producer: Kevin Scott Frakes
• Stunts: Chazz Menendez
• Casting: Jason Loftus
• Stunts: Brian Donahue
• Music Co-Supervisor: Susan Jacobs
• Director of Photography: Mike Gioulakis
• Makeup Department Head: Pamela Peitzman
• Dialogue Editor: Michael Feuser
• First Assistant Director: John Rusk
• Production Design: Chris Trujillo
• Executive Producer: Steven Schneider
• Casting Associate: Stephanie Holbrook
• Editor: Blu Murray
• Producer: Ashwin Rajan
• Stunts: Christopher Jon Gombos
• Stunts: Jim Ford
• Stunts: Zoli Dora
• Stunts: Rick Kain
• Stunts: Jeff Ward
• Prosthetics Sculptor: Michael Maddi
• Set Costumer: Angeline Zeigler
• Assistant Costume Designer: Teresa Binder Westby
• Dialogue Editor: Brian Bowles
• Title Designer: Aaron Becker
• Set Designer: William Lance
• Dialogue Editor: Jac Rubenstein
• Sound Re-Recording Mixer: Sean Garnhart
• Leadman: Ray Fisher
• Underwater Director of Photography: Ian Seabrook
• Casting Associate: Deborah Maxwell Dion
• Costumer: Askia Won-Ling Jacob
• Property Master: Tim Linden
• Hairstylist: Camille Friend
• Digital Intermediate Editor: Everette Webber
• Hair Department Head: Diane Dixon
• Assistant Editor: Kevin Murray
• Prosthetic Makeup Artist: Ben Bornstein
• ADR Voice Casting: Dann Fink
• Unit Production Manager: John Burton West
• Stunts: Bryce Burke
• Post Production Supervisor: Matthew Shapiro
• Digital Intermediate Producer: Bob Peishel
• Underwater Camera: Ian S. Takahashi
• Stunts: Giuseppe Ardizzone
• Casting Associate: Henry Russell Bergstein
• First Assistant “B” Camera: Michael Leonard
• Script Supervisor: Charles S. Rowe
• Foley Editor: Igor Nikolic
• Costume Supervisor: Rita Squitiere
• Construction Coordinator: Paul Maiello
• Original Music Composer: West Dylan Thordson
• Second Second Assistant Director: Blair Howley
• Art Department Coordinator: Dave Kellom
• Special Effects Coordinator: Patrick Edward White
• First Assistant “A” Camera: Scott Johnson
• Stunts: Kenny Wong
• Key Hair Stylist: Janice Innella
• Stunts: Chris Dyer
• Assistant Music Supervisor: Jackie Mulhearn
• Set Decoration: Olivia Peebles
• Stunts: Matthew R. Staley
• Editor: Luke Ciarrocchi
• Electrician: Thomas Devine
• Chief Lighting Technician: Ryan ‘Sparks’ Lynch
• Dolly Grip: Ken McCallum
• Second Assistant “A” Camera: Leon Sanginiti
• Key Grip: Jon Sibert
• Stunts: Anthony Hoang
• Stunts: Chad Knorr
• Tailor: Kara Morasco
• Stunts: Chris Colombo
• Makeup Artist: Natalie Young
• Sound Effects Editor: Lee Salevan
• Stunts: Patrick M. Walsh
• Stunts: Anthony Mecca
• Boom Operator: Kelly Doran
• Sound Mixer: Jason Fyrberg
• Costumer: Sandi Figueroa
• Visual Effects Producer: Ryan Cunningham
• Visual Effects Producer: Katherine Soares
• ADR Editor: Lidia Tamplenizza
• Stunts: Stuart F. Wilson
• Associate Producer: Dom Catanzarite
• Location Manager: Staci Hagenbaugh
• Assistant Editor: Kathryn Cates
• Key Makeup Artist: Ray Santoleri
• Assistant Location Manager: John Galloway
• Dolly Grip: Mark Catania
• Stunts: Aaron Joshua
• Stunts: Mark Pettograsso
• Assistant Sound Editor: Rachel Wardell
• Visual Effects Producer: Jonathan Stone
• Stunts: John McEnerney
• Digital Intermediate Colorist: Chris Jensen
• Assistant Location Manager: Chris Gormley
• Editor: Renaldo Kell
• Stunts: Jason Nguyen
• Makeup Artist: Margina Dennis
• Foley Mixer: Matthew Kay
• Compositing Supervisor: Brian Houlihan
• Libra Head Technician: Jason Cortazzo
• Stunts: Peter Wallack
• Colorist: Chris Giuffrida
• Casting Assistant: Ryan Drake
• Stunts: Kimmy Suzuki
• Production Secretary: Janelle Coleman
• Grip: Caswell Cooke
• Second Assistant Director: Alison C. Rosa
• 3D Modeller: Travis Reinke
• Stunts: Stephen Mann
• Best Boy Electric: William P. Fiedler
• Video Assist Operator: Bill Vargo
• Ager/Dyer: Liza James
• Tailor: Aidan John Miller
• Costumer: Christy Guillermain
• Script Coordinator: Yusuf Hassan
• Electrician: Andrew Joffe
• Still Photographer: Jessica Kourkounis
• Costume Assistant: Kasha Meyers
• Pilot: Chris Clemens
• Compositing Supervisor: Kelly Bruce
• Compositing Supervisor: Arslan Naqvi
• Visual Effects Coordinator: Jared Levin
• Visual Effects Editor: Andreia Lucas
• Visual Effects Editor: Dan Boujoulian
• Visual Effects Editor: Rich Pernice
• Digital Intermediate Producer: Travis Avitabile
• Stunts: Zack Roberts
• Stunts: Ricky Barksdale
• Stunts: Mohammed J. Ali
• Production Coordinator: Jay Rogers
• Stunts: Michael Viola
• Music Editor: Suzanna Perić
• Best Boy Grip: Ryan Callahan
• Stunts: Wendy Gutierrez
• Stunts: Victor Chan
• Stunts: Roberto Gutierrez
• Stunts: James Ortiz
• Set Dresser: Samantha Higgins
• Grip: Sheridan Braxton
• Grip: Matthew Hanlon
• Grip: Shane Sibert
• Assistant Production Coordinator: Trish McMiniment
• Utility Sound: Ye Zhang
• Second Assistant “B” Camera: James McCann
• VFX Artist: Emily Austin Griswold
• Stunts: Earl Weathers
• Stunts: Elvis Valentino Lopez
• Stunts: Christian Dorsey
• Camera Loader: Sean Galczyk
• Art Department Assistant: Justine Frank
• Assistant Property Master: Benjamin J. Woodward
• Craft Service: Jeanene Fiedler

Movie Reviews:

• garethmb: It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.

  Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.

  Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.

  Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.

  As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.

  The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.

  One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.

  The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.

  3.5 stars out of 5

• MSB: If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂

  You all know how anxious I was about this movie. I’m a huge fan of Shyamalan, and I know how hard it is to try to defend a director who made The Last Airbender. Every time I offer undeniable proof of masterful filmmaking, I get overwhelmed with questions about his absurd twists and his cringe-worthy dialogues. Shyamalan is a bit like Kevin, he also has different personalities, depending on the films he releases. On one side, he is a phenomenal filmmaker who knows his craft better than anyone and who once was nicknamed “the second Spielberg”. A screenwriter who delivers mind-blowing plot twists and extremely captivating dialogue scenes. On the other side, there’s a guy who ruins entire movies with frustrating twists that no one asked for and with arguably horrible decisions regarding his characters. So, to each side does Shyamalan tends to in Glass?

  The first act is seamless. I love how David is introduced 19 years later and how his life is now. Kevin continues to abduct impure teenage girls, and after a few minutes in, we get the first confrontation between our hero and villain. I wasn’t expecting an action-heavy film, and I’m glad it isn’t because it would ruin the tone of the other movies. This was never intended to be a massive finale with epic CGI fights, like a Marvel or DC installment. If you’re one of those people who expected Glass to be an Infinity War-ish film, I don’t even know why are you reading this because you have no idea what this trilogy is about.

  Sarah Paulson portrays Dr. Ellie Staple, and she is responsible for treating people who think they are superheroes. So, the second act revolves around a fascinatingly engaging yet overlong narrative which leaves the main characters (and the audience) doubting if everything they did was a product of their supposedly damaged minds. There is so much to love and hate throughout this act. The interactions between these characters are as captivating as they could be, and I couldn’t take my eyes off screen. Then, there’s James McAvoy … I have no words to describe how astonishing his performance is. Portraying one character is hard. Portraying almost 20 characters is just outrageous! However, McAvoy nails each personality delivering himself to his roles in such an unbelievable way. Sometimes I chuckled because I couldn’t understand how it was possible an actor being able to do what he did, several times, in one-take sequences.

  Bruce Willis and Samuel L. Jackson return to portray David and Mr. Glass, respectively. The former is solid, and the respect he has for his character is evident. However, David is sort of left aside in this movie, but I’ll get there. SLJ, even with less screentime than the other two, has more to do, regarding moving the plot forward. He gives an extraordinary performance, as expected from such a capable actor. During this act, these four characters offer a lot of memorable scenes, but the narrative is filled with exposition, and it overextends its stay. Shyamalan wanted to show everyone that he knows what he is writing about and a lot of times he used his characters to explicitly say, well, everything the audience needed to know, without any need to.

  The third act is where everyone is going to either love or hate the film. In this genre, we all know that the “middle ground” is non-existent. Either you’re part of the group who loves it and you will defend it at all costs, or you’re part of the group who hates everything about it just due to its final moments. There is more than one Shyamalan twist during this final act. Truth is, I left a bit disappointed. It doesn’t matter what your expectations are, it doesn’t matter your preferences, at least one of the twists is always going to upset you. What disappoints me the most is that I don’t really love any of them. Unbreakable has a final plot twist that completely changes its whole story, and it comes out of nowhere. It’s literally mind-blowing! Split has the 17-year twist of it being part of the former’s universe, which made several audiences in festivals give it a stand ovation. Glass has … a bunch of twists. Period. There are no OH-MY-GOD-like reactions. There are no jaws dropped.

  Instead, we are left with an arguably questionable decision. A couple of the twists are fine. I would even call them “good twists”. However, the one that changes everything feels incredibly forced and most of all, it falls short for such a highly-anticipated trilogy’s last installment. I can’t help but wonder “is this really the best path you could have chosen Shyamalan? Of all the endings you imagined, this is the one you think is the best to finish a 19-year-in-the-making superhero trilogy?” Regarding the screenplay and the characters, I have the issue above and one associated with David Dunn. If Split didn’t have that final twist, it would be a good thriller. Way above average, but not astounding. The link to Unbreakable’s universe is what makes it a standout movie of 2017. So, I was expecting a lot of David, and I only got a small fraction of him.

  I’ll put this way:
  – if you’re expecting an Unbreakable sequel, you’ll probably leave disappointed;
  – if you’re expecting Split 2, you’ll love McAvoy’s take on almost 20 distinct personalities, and that alone is worth the price of admission;
  – if you’re expecting a formulaic superhero epic finale, filled with massive CGI fights and tremendous visual effects, all wrapped around colossal set pieces, then you are not worthy of even watching Glass, because this means you don’t have a clue what this trilogy is about.

  This is NOT a conventional comic-book trilogy. If you don’t know this by now and you’re still waiting for that last climax, you’re only setting yourself up for disappointment, when no one asked you to anticipate such unrealistic stuff. Never criticize a film for not selling you something it was never even marketed to do (it’s like expecting a horror movie to have a romantic happy ending). That said, I left disappointed with its conclusion, but there’s still so much to love and praise. Seeing how David accepted who he was and the life journey he took, experiencing Kevin’s pain and how each personality was born, understanding what Elijah’s purpose is and being blown away by his mastermind plans … These are characters so well-developed and so well-established that I can forgive some missteps here and there.

  Before diving into the technical aspects, Anya Taylor-Joy, Spencer Treat Clark (Joseph Dunn) and Charlayne Woodard (Elijah’s mother) deserve appreciation for their performances, even if they don’t have that much impact in the overall story. Anya has more to do as Casey since her character’s bond with Kevin is an explored subplot. Regarding the last two, they only serve as exposition devices which connects to one of my problems with the second act, by not helping the plot move forward in the smoothest way possible.

  Concerning M. Night Shyamalan filmmaking skills, I barely have anything negative to say. The only minor issue I have is the excessive use of POV in the action scenes (a camera attached to the actor’s body which provides a close-up of his face while fighting). Nevertheless, this film is yet another proof of how skillful this guy is behind the camera. There are so many memorable moments where the technique at display is worthy of awards. We will have to wait a few months to find such marvelous cinematography as in this film. Shyamalan and Mike Gioulakis (DP, director of photography) use our characters’ respective colors (yellow for Kevin, green for David and purple for Mr. Glass) as the background palette of each scene in glorious fashion. The gradual change in color tells the audience so much about what our characters are going through, elevating one of the best dialogue sequences in the entire movie (the pink room).

  The editing is sublime, and I love how Shyamalan uses close-ups to show how remarkable his cast is. McAvoy’s performance is one of the best this year is going to give us, but part of it is even better due to the camera work. The unfocused background stunt work in a character’s close-up is the art of filmmaking at his very best, and Shyamalan knows how to film it beautifully. The score is not as memorable as Unbreakable’s, but the sound design is on point. Even with a low budget (compared to the other superhero movies), Shyamalan is able to produce a technical showdown of all his attributes as a sensational filmmaker. And this, my fellow readers, I will defend until the end of his career.

  All in all, Glass doesn’t live up to my extremely high expectations, but it does more than enough for me to enjoy it. I can’t help but feel disappointed with the way everything ends and the path that Shyamalan chose, but there’s still so much to love. James McAvoy offers you a performance worthy of any price of admission. Watching him portray over 15 characters is something you won’t experience maybe ever again. Going through the layers of suspense, disbelief and mystery that the screenplay is structured by is itself an adventure filled with twists and turns which grabbed my attention until the very end.

  An almost flawless first act delves into an overextended second act where the story lacks consistency and even logic, at times. However, the performances and the main thread of the film keeps everyone enthralled until the polarizing third and final act, where the significant plot twists occur. How can a movie be so fascinating and frustrating at the same time? Shyamalan, ladies and gentlemen. This masterful filmmaker lends all his skills to the film, and technically it’s close to perfection. Disappointing? Yes. Frustrating? Yes. Does it ruin the franchise? No, not even close. This isn’t The Matrix Revolutions, but it’s not Return of the King, as well. It’s a good ending to a superhero trilogy that might not be the best of all-time, but it’s up there, and it’s definitely unique, imaginative and the closest to what our real world would be like if superheroes were a real thing.

  If you’re a comic-book fan, this trilogy is mandatory. If you love Marvel or DC, don’t you dare use the word “grounded” without watching this saga first. Shyamalan, see you around!

  Rating: B+

• esam.mosbah: It’s a very good movie
• Peter89Spencer: Wow! It was just…wow!
  M. Night Shyamalan finally made a worthwhile film, especially in a trilogy.
• Martha: I love these characters. I love the cast. I did not love the ending but… Eh, can’t have everything. James McAvoy is so damn awesome with the multiple personalities his character has. And to me, this is one of Samuel L Jackson’s best roles. Bruce Willis always delivers his bad ass persona in a way relateable by all who watch his films.