Not only is Jessica Spencer the most popular girl in school — she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.

Credits: TheMovieDb.

Film Cast:

• Clive Maxtone / Jessica Spencer: Rob Schneider
• Jessica Spencer / Clive Maxtone: Rachel McAdams
• April: Anna Faris
• Billy: Matthew Lawrence
• Jake: Eric Christian Olsen
• Stan: Robert Davi
• Carol Spencer: Melora Hardin
• Lulu: Alexandra Holden
• Keecia: Maritza Murray
• Mrs. Thomas: Fay Hauser
• Korean Mother: Jodi Long
• Venetia: Tia Mowry-Hardrict
• Sissy: Tamera Mowry-Housley
• Vice Principal Bernard: Lee Garlington
• Madame Mambuza: Angie Stone
• Booger: Matt Weinberg
• Julie: Leila Kenzle
• DJ: Michelle Branch
• Richie: Michael O’Keefe
• Eden: Sam Doumit
• Hildenburg: Megan Kuhlmann
• Monique: Ashlee Simpson
• Bianca: Maria-Elena Laas
• Bathroom Attendant: Dick Gregory
• Mambuza Bongo Guy: Adam Sandler
• Pole Cat Stripper: Katie Lohmann
• Night Club Bartender: Scott Dolezal
• Palace Girl: Rebecca Lin
• Stripper: Berglind Icey
• Pole Cat Bar Patron: Louis Lombardi
• Hip Hop Freestyle Dancer: Teresa Espinosa
• Security Guard: Michael Papajohn

Film Crew:

• Original Music Composer: John Debney
• Director of Photography: Tim Suhrstedt
• Writer: Rob Schneider
• Special Effects Coordinator: John Hartigan
• Hairstylist: Emjay Olson
• Set Decoration: Jon Danniells
• Executive Producer: Adam Sandler
• Executive Producer: Jack Giarraputo
• Production Design: Marc Fisichella
• Editor: Peck Prior
• Casting: Marcia Ross
• Executive Producer: Guy Riedel
• Costume Design: Alix Friedberg
• Music Supervisor: Peter Afterman
• First Assistant Editor: Sandy S. Solowitz
• Casting: Gail Goldberg
• Casting Coordinator: Kate Lacey
• Writer: Tom Brady
• Producer: John Schneider
• Supervising Sound Editor: David Bach
• Makeup Artist: Corrina Duran
• Rigging Grip: R. Michael Stringer
• Stunt Double: Christopher ‘Critter’ Antonucci
• Scenic Artist: Eric Reichardt
• Stunts: Marijane Cole
• Hair Department Head: Larry Waggoner
• Unit Production Manager: Udi Nedivi
• Second Assistant Director: John P. Aguirre
• Musician: George Doering
• Casting: Donna Morong
• Production Secretary: Bryan S. Sexton
• Production Coordinator: Kelly Moran-Brown
• Co-Producer: Ian Maxtone-Graham
• Sound Re-Recording Mixer: Keith Rogers
• Art Direction: Tom Frohling
• Boom Operator: Tom Hartig
• Key Makeup Artist: Carme Tenuta
• Music Editor: Dan DiPrima
• Studio Teachers: Lisa Nichols
• Production Accountant: John C. Kruize
• Set Decoration Buyer: Peggy Casey
• First Assistant Sound Editor: Clayton Weber
• Visual Effects Supervisor: Ray McIntyre Jr.
• Dialogue Editor: Robert Jackson
• Foley Artist: Monique Reymond
• Transportation Coordinator: James Lowder
• Camera Operator: Jeffrey Greeley
• Steadicam Operator: Lawrence Karman
• Picture Car Coordinator: Jim Moores
• Costume Supervisor: Deborah Hall
• CG Supervisor: Mike Hardison
• ADR Editor: Cameron Steenhagen
• Digital Effects Supervisor: Reid Paul
• Leadman: Shane Reed
• Second Unit Director: Gregg Smrz
• Sound Effects Editor: Orada Jusatayanond
• Makeup Department Head: Rose Librizzi
• Ager/Dyer: Tyra Youland
• Producer: Carr D’Angelo
• Associate Producer: Robin Mulcahy Fisichella
• Co-Producer: Nathan Talbert Reimann
• Casting Associate: Nicole Hilliard-Forde
• First Assistant Director: Cara Giallanza
• Propmaker: Cesar Orozco
• Second Assistant Camera: Chris Cuevas
• Choreographer: Tony Gonzalez
• Construction Coordinator: Erich W. Schultz
• Color Timer: Jeff Smithwick
• Production Sound Mixer: Mark Ulano
• Property Master: Max E. Brehme
• Key Hair Stylist: K.G. Ramsey
• Unit Publicist: Deborah Simmrin
• Driver: J. Armin Garza II
• Orchestrator: Frank Bennett
• Electrician: Shane Buttle
• Production Assistant: Angela Athayde
• Art Department Coordinator: Ivonne Olguin
• Painter: Paulette Fox
• Sculptor: James Van Houten
• Set Designer: Camille M. Bratkowski
• First Assistant Camera: Mark Figueroa
• Key Grip: Darwin Montana Browne
• Set Dresser: Tim Fassino
• Camera Loader: Michael D. Alvarez
• Set Medic: Alex Barnoya
• Sound Recordist: Randolph Saucedo
• Stand In: Cashalà L’Shauntyelle
• Transportation Captain: Krister C. Johnson
• Video Assist Operator: Scott Crabbe
• Assistant Director: Hope Garrison
• Editorial Production Assistant: Julian Smirke
• Best Boy Electric: Matt Bardocz
• Gaffer: Paul McIlvaine
• Lighting Technician: John Bratlien
• Rigging Gaffer: Brian Cantrell
• Location Manager: Paul Schreiber
• Sound Editor: Josh Egnew
• 24 Frame Playback: Ralph Merzbach
• Visual Effects: Clay Dale
• Visual Effects Coordinator: Jana Spotts
• Storyboard Artist: Robin Richesson
• Casting Assistant: Nadia Aleyd
• Dolly Grip: Bill Daimant
• Assistant Property Master: Scott W. Leslie
• Grip: Josh Denering
• Assistant Production Coordinator: Christopher K. Grap
• Utility Sound: Adam Blantz
• Music Coordinator: Jessica Clements
• Digital Compositor: Patrick Flanagan
• Assistant Editor: Jeff Williams
• ADR Recordist: David Yonson
• Utility Stunts: Jim Stephan
• Assistant Camera: Andrew Osborne
• Costumer: Celeste LaChance
• Additional Second Assistant Director: Mark Avery
• Decorator: Sharon Speller
• Special Effects Technician: Jerry Miscevich
• Post Production Coordinator: Matt Evans
• Extras Casting: David Anthony
• First Assistant Accountant: Tiffany Fraser
• Key Rigging Grip: Mark Vollmer
• Payroll Accountant: Timber Kislan
• Second Assistant Accountant: Rudy Coblentz Jr.

Movie Reviews:

• Kamurai: Decent watch, might watch again, but I don’t think I can whole-heartedly recommend it.

  This “body swap” trope is dealing with both sex swapping and age swapping, but not parent-child swapping, so a lot of things come with that in this silly dirt comedy. I’m not even sure you could make this movie in 2020, there would be too much heat from online communities. Just a “30 year old man” hanging around high schoolers, let alone young women, let alone young women that attract attention like these rich little brats do.

  The writing is a lot of plot convenience, not only do they not immediately end up in jail, there are neglectful parents, school faculty, and far too many people to know about the situation and believe it. With the ratio of people that accept it, she could just live openly as a “girl in a mans body”.

  I do enjoy that the medium in this version is a pair of earrings, they make sense and keep you from thinking about it for too long.

  Weirdly, they do manage to shift focus by writing in weird distractions all over the place, and it surprisingly helps with transitions: Adam Sandler a a fake rastafarian (I think at one point they agreed to always play racist roles in each others movies), a weird, but positive, racial identity plot, and even a dance club sequence that felt rather unecessary.

  Now the point is that it’s a comedy, and it should be funny, and it is, at times, but using potentially serious issues as comedy really distracts from the “I’m just having a good time” of it all, even when it’s legitimately funny.

  It’s not that it’s all bad, or that I don’t like it, or like I won’t watch it again, eventually, but there are a lot of movies to watch, and no one is missing anything from skipping this one.