The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It’s up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.

Credits: TheMovieDb.

Film Cast:

• Henry Harold ‘H’ Humphries: Samuel L. Jackson
• Agent Helen Brody: Carrie-Anne Moss
• Steven Arthur Younger: Michael Sheen
• Charles Thompson: Stephen Root
• Rina Humphries: Lora Kojovic
• Jack Saunders: Martin Donovan
• Agent Vincent: Gil Bellows
• Agent Leandro: Vincent Laresca
• Agent D.J Jackson: Brandon Routh
• Agent Phillips: Joshua Harto
• General Paulson: Holmes Osborne
• Col. Kerkmejian: Michael Rose
• Mr. Bradley: Randy Oglesby
• Alvarez: Benito Martinez
• Lubitchich: Sasha Roiz
• Winston: Dayo Ade
• Katie: Yara Shahidi
• Peter Humphries: Sayeed Shahidi
• Jehan Younger: Necar Zadegan
• Samura Younger: Jillian Bruno
• Ali Younger: Coby Seyrafi
• Major Pierce: Chris McGarry
• CNN Announcer: Angela Martinez
• ESPN Host: David E. Willis
• Young Sergent: Geoff Meed
• Observer: Kirk B.R. Woller
• TV News Announcer: Kelly Vaughn
• Announcer #2: Bill A. Jones
• Soldier: Phil Somerville
• Bomb Disposal Expert: Austin Nichols
• Pedestrian with Child: Delaine Yates

Film Crew:

• Casting: John Papsidera
• Music: Graeme Revell
• Stunt Coordinator: Charles Croughwell
• Producer: Bill Perkins
• Producer: Marco Weber
• Director of Photography: Oliver Stapleton
• Line Producer: Samson Mucke
• Writer: Peter Woodward
• Visual Effects: Chris Ervin
• Key Hair Stylist: Robert L. Stevenson
• Producer: Caldecot Chubb
• Producer: Vanessa Coifman
• Editor: Scott Chestnut
• Director: Gregor Jordan
• Production Design: Steven Jones-Evans
• Key Makeup Artist: Francisco X. Pérez
• Makeup Department Head: Allan A. Apone
• Digital Intermediate: Keith Shaw
• Still Photographer: Dale Robinette
• Camera Operator: Chris Lombardi
• Art Direction: Nick Ralbovsky
• Visual Effects: Lucas Krost
• Costume Design: Danielle Hollowell
• Executive Producer: Vince Cirrincione
• Executive Producer: Rachel Rose
• Set Decoration: Amber Haley
• Gaffer: Jack English
• Costume Supervisor: Marisa Aboitiz
• Supervising Sound Editor: Chad J. Hughes
• ADR Supervisor: Angela Hemingway
• Sound Re-Recording Mixer: Jonathan Wales
• Music Editor: Ashley Revell
• Property Master: Guillaume DeLouche
• Special Effects Coordinator: William Dawson
• Script Supervisor: Tracy Scott
• Dolly Grip: Sam Stewart
• First Assistant Camera: Patrick McArdle
• Digital Intermediate: Brian Beard
• Key Grip: Patrick R. Heffernan
• Casting Associate: Jennifer Cram
• Lighting Technician: Jesse Mather
• Lighting Technician: Simone Perusse
• Prosthetic Makeup Artist: Brad Look
• Digital Intermediate: James Ahern
• Dolly Grip: Jeff Smith
• Construction Coordinator: Lars Petersen

Movie Reviews:

• DoryDarko: Unthinkable raises a question which has been an issue for many people all over the world for a very long time, and especially since 9/11. This question is, is it ever justified to torture an individual to save the lives of many? And if the answer is yes, how far can you go?

  This issue is indeed a very sensitive subject and I think it takes guts for any filmmaker to put it out there in the open like Gregor Jordan did. Add to that the clever fact that he doesn’t actually make a choice, but rather lets the audience decide on whatever they want to think and feel, and you have a pretty gutsy and controversial concept.

  In a nutshell, this film is about a man of American descent who has become a Muslim and has now, as an act of terrorism, planted 3 nuclear bombs in 3 major American cities which will go off in four days. Screenwriter Peter Woodward made some very tactical decisions considering the characters in the story. They are all somewhat stereotypical, but this is no bother because they’re all there for a reason. Carrie-Anne Moss, as an FBI investigator, represents the conscience, the sensitivity and the struggle to make the right decision. Samuel L. Jackson is her polar opposite; the brutal, rational, stone cold “interrogator” who does what he does because he’s the only one who can and willing to do it. The means he is willing to go to in order to get his subject to talk are almost as unwatchable as they are unthinkable. This is quite possibly the most gruesome film I have ever seen, but that mostly has to do with the fact that the things you see are in fact very real. This stuff does happen, and it’s way harder to stomach than any slasher horror movie because it sucks you in emotionally. Intelligence agencies and secret services the world over DO use these techniques, whether we like to believe it or not.

  All of this sounds like a great opportunity to address a major issue and stimulate people to really think about it, doesn’t it? One would like to think so, alas there is one big problem: bad writing. As hard as they try, the filmmakers do not, at any point, manage to evoke sympathy on either side of the fence. Not with the terrorist, for the complete lack of background and motivation, but neither with the people who try to stop him from executing his horrible plans that could claim the lives of millions of people. Especially Carrie-Anne Moss’ character, Brody, is quite a pain in the butt because even though her struggle is understandable, quite simply because she’s a decent human being, she comes off as kind of naive because she – from a professional point of view – is unwilling to sacrifice the life of one to save millions. Her constant interference gradually becomes increasingly annoying, up to the point that you just want her to get out of the way. However, Jackson’s character H. turns out to be such a volatile psycho that you almost start to feel sorry for the terrorist! There is one scene in particular which throws you off so badly that you really don’t know what to think anymore. I’ll only say that it involves the terrorist’s wife, and as much as I would like to warn you, I don’t want to give any spoilers, but you can take it as a warning anyway… It’ll make your skin crawl.

  The rest of the characters are about as lively and relevant as cardboard-cut-outs, I’ve already forgotten about most of them, but they don’t really matter to the story anyway. However, all of this could have still turned into a decent film, if it wasn’t for one major flaw: the horrible ending. It’s so incredibly hollow and unsatisfactory that it leaves you wondering why the hell you just spent an hour and a half watching a man being tortured, if there was absolutely no point to it?! It could have been worthwhile if only the filmmakers had any resolve to offer, but there is none. Why did the terrorist do what he did? We don’t know. Did the agents accomplish anything? Not really. So what’s the point? There is no point. It’s just 90 minutes of torture, bad decisions and failure. That’s it.

  Overall, it’s not all bad. There is some really good dialogue and despite aforementioned flaws and inconsistencies in the script, there are a few really good scenes which do involve one into the minds of the people on screen. The actors do the best they can with what they’re given, Samuel L. Jackson is as reliable as ever and Carrie-Anne Moss is convincing in her role, which makes me sad to think that since The Matrix and Memento, she hasn’t really had any memorable roles, and that’s too bad because she is a good actress. Michael Sheen as the terrorist is good too, though it’s hard for him to make his character a 3-dimensional human being because the writers offered him no history or character development whatsoever, but he definitely makes his character’s “in-the-moment emotions” work from scene to scene.

  So, final conclusion. I wouldn’t really dissuade anyone from watching this film, you now know what to expect and it does offer some interesting food for thought here and there, but you should really understand that this film is pretty challenging, mentally as much as physically. And don’t watch this if you’re under 18. Seriously.
  _(November 2013)_