Mary Poppins returns to the Banks family and helps them evade grave dangers by taking them on magical, musical adventures.

Credits: TheMovieDb.

Film Cast:

• Mary Poppins: Emily Blunt
• Jack: Lin-Manuel Miranda
• Michael Banks: Ben Whishaw
• Jane Banks: Emily Mortimer
• Annabel: Pixie Davies
• John: Nathanael Saleh
• Georgie: Joel Dawson
• Ellen: Julie Walters
• Cousin Topsy: Meryl Streep
• Wilkins / Wolf (voice): Colin Firth
• Gooding / Badger (voice): Jeremy Swift
• Frye / Weasel (voice): Kobna Holdbrook-Smith
• Mr. Dawes Jr.: Dick Van Dyke
• Balloon Lady: Angela Lansbury
• Admiral Boom: David Warner
• Mr. Binnacle: Jim Norton
• Miss Penny Farthing: Noma Dumezweni
• Angus: Tarik Frimpong
• Miss Lark: Sudha Bhuchar
• Park Keeper: Steve Nicolson
• The Milkman: Christian Dixon
• Information Desk Clerk: Christopher Godwin
• Courier: John Dagleish
• Elegant Woman: Karen Dotrice
• Pub Landlord: Ian Conningham
• Street Urchin: Billy Barratt
• Street Urchin: Felix Collar
• Street Urchin: Kate Attwell
• Shamus the Coachman (voice): Chris O’Dowd
• Clyde the Horse (voice): Mark Addy
• Parrot Umbrella (voice): Edward Hibbert
• Willoughby: Ash
• Leerie: Shay Barclay
• Leerie: Ashley Birchall
• Leerie: Johnny Bishop
• Leerie: Michael Carroll
• Leerie: Jon-Scott Clark
• Leerie: Leon Cooke
• Leerie: Jack Harrison-Cooper
• Leerie: Sean Corrie
• Leerie: Momar Diagne
• Leerie: Antony Edwards
• Leerie: Aston Newman Hannington
• Leerie: Jake Moyle
• Leerie: Marlon Pelayo
• Leerie: James Revell
• Leerie: Ted Rogers
• Leerie: Charles Ruhrmund
• Leerie: Christopher Scott
• Leerie: Zac Smith
• Leerie: Craig Stein
• Leerie: Alex J Sturman
• Leerie: Jahrel Thomas
• Leerie: Johnny White
• Female Dancer: Teneisha Bonner
• Female Dancer: Lavinia Fitzpatrick
• Female Dancer: Tara Nicole Hughes
• Female Dancer: Hannah Kenna-Thomas
• Female Dancer: Jennifer Leung
• Female Dancer: Rachel Muldoon
• Female Dancer: Cassie Rogers
• Female Dancer: Lorraine Stewart
• Leerie (uncredited): Calvin Chen
• Fairground Attendee (uncredited): Johanna Thea
• Boy (uncredited): Antonio Raul Corbo
• Bank Customer (uncredited): Raj Awasti
• Homeless Soup kitchen (uncredited): Fran Targ
• Bank Customer 110 (uncredited): Jeremy Azis
• Bank Customer (uncredited): Nina Kumar
• Corporate Internal Bank Customer (uncredited): Jag Patel
• Banker (uncredited): Martyn Mayger
• Tramp (uncredited): Steve Carroll
• Fair Ground Attendee (uncredited): David Gambier

Film Crew:

• Story: Rob Marshall
• Story: David Magee
• Novel: P.L. Travers
• Producer: Marc Platt
• Hair Designer: Peter King
• Executive Producer: Callum McDougall
• Production Supervisor: Bertie Spiegelberg
• Editor: Wyatt Smith
• Casting: Tiffany Little Canfield
• Casting: Francine Maisler
• Production Manager: Hannah Godwin
• First Assistant Director: Ben Howarth
• Co-Producer: Michael Zimmer
• Art Direction: Steve Carter
• Makeup Artist: Tamsin Dorling
• Art Direction: Simon Elsley
• Production Design: John Myhre
• Art Direction: Vicki Stevenson
• Makeup Artist: Georgie Whittle
• Producer: John DeLuca
• Casting: Bernard Telsey
• Art Direction: Elaine Kusmishko
• Art Direction: Amanda Dazely
• Third Assistant Director: Grant Butler
• Supervising Art Director: Niall Moroney
• Unit Production Manager: Angus More Gordon
• Costume Design: Sandy Powell
• Production Manager: Alex D. da Silva
• Set Decorating Coordinator: Claire Grainger
• Art Department Assistant: Lottie McDowell
• Draughtsman: Jamie Burrows
• Greensman: Jake Corney
• Special Effects Supervisor: Robin Beavis
• Art Department Assistant: Grace Taylor
• Property Master: Ty Teiger
• Assistant Art Director: Sarah Ginn
• Post Production Supervisor: Jennifer Lane
• Lyricist: Marc Shaiman
• Draughtsman: Rosie Hardwick
• Greensman: Bethany Spence
• Rigging Supervisor: Scott Hillier
• Modeling: Caitlin Murray Jones
• Draughtsman: Kira Kemble
• Draughtsman: Lotta Wolgers
• Production Sound Mixer: Simon Hayes
• Set Dresser: Laura Collins
• Draughtsman: Candice White
• Supervising Sound Editor: Renée Tondelli
• Carpenter: James Cullane
• Conceptual Illustrator: Simon Gustafsson
• Assistant Art Director: Richard Hardy
• Art Department Coordinator: Sarah Iovino
• Set Dresser: Josh Sales
• Assistant Art Director: Lauren Briggs-Miller
• Greensman: Jon Marson
• Draughtsman: Dominique Pace
• Greensman: Angus Hale
• VFX Supervisor: Christian Kaestner
• Visual Effects Coordinator: Michelle Roll
• First Assistant Camera: Alan Hall
• Visual Effects Editor: Shawn Broes
• Digital Compositors: Camille Paleni
• Stunts: Leo Keenan
• Best Boy Electrician: Billy Gamble
• Second Unit Director of Photography: Alan Stewart
• Compositors: Andrew Barry
• Digital Compositors: Sam Horgan
• Digital Compositors: Gabriel Naveau
• Digital Compositors: Brock J. Stearn
• Visual Effects Coordinator: Sara Woomer
• Stunts: Toby Oliver
• Stunts: Ian Pead
• First Assistant Camera: Tobias Eedy
• Drone Operator: Gareth Harfoot
• Visual Effects: Michael Huber
• Stunts: Gary Arthurs
• Stunts: Kieran Clarke
• Stunts: Paul Howell
• Dolly Grip: Alex Fraser
• Steadicam Operator: Peter Robertson
• Special Effects Supervisor: Steven Warner
• First Assistant Camera: David Cozens
• Dolly Grip: Jack Flemming
• Electrician: Harry Langston
• First Assistant Camera: David Penfold
• Animation Supervisor: Jim Capobianco
• Visual Effects Producer: Leslie Lerman
• Compositors: Joshua Toonen
• Stunts: Cristian Knight
• Stunt Coordinator: Mark Mottram
• Video Assist Operator: Adam McGrady
• Rigging Supervisor: Ben Wilson
• Production Manager: Talia Felber
• VFX Supervisor: Jack Hughes
• Digital Compositors: Leo Pean de Ponfilly
• Casting Associate: Conrad Woolfe
• Digital Compositors: Stephane Brisson
• CG Supervisor: Jason Quintana
• Stunts: Leo Woodruff
• Drone Operator: Angus Benson-Blair
• Steadicam Operator: Robert Stoneman
• VFX Supervisor: Christian Irles
• Camera Operator: Damien Beebe
• First Assistant Camera: Julian Bucknall
• Gaffer: David Smith
• Animation Production Assistant: Stasia Fong
• Visual Effects Technical Director: Thomas Dotheij
• Animation Supervisor: Eric Guaglione
• Digital Compositors: Patrick Hall
• Digital Compositors: Jason Pethtel
• Character Designer: James Woods
• Visual Effects Producer: Laurence Berkani
• Visual Effects Coordinator: Carolina Cedres
• Visual Effects Editor: Maxime Sirven
• Stunts: Nick Chopping
• Aerial Camera: Adam Sculthorp
• Casting Associate: Sarah Trevis
• Stunts: Daniel Dow
• Aerial Camera Technician: Andrew Bradley
• Animation Department Coordinator: Brandon Brocker
• Digital Compositors: Tracie Donais
• Stunts: Annabelle Fordham
• Stunts: Gabriella Harman
• First Assistant Camera: Harry Gamble
• Line Producer: Amanda Barrios
• Compositors: Russell Hopwood
• Camera Operator: John Gamble
• Still Photographer: Jay Maidment
• Drone Operator: Dani Rose
• Casting Assistant: Rachel Nadler
• Special Effects: Neil Toddy Todd
• Visual Effects Coordinator: Zaid Babeel
• VFX Supervisor: Matt Johnson
• Digital Compositors: Ricky Leach
• Visual Effects Technical Director: Phoenix Woung-Bi Lee
• Digital Compositors: Jorge Sanchez Fresno
• Visual Effects Editor: Kent Blocher
• Animation Manager: Tyler Cordova
• Production Manager: Stewart Probert
• Lead Animator: Brett Schroeder
• Stunts: Justin Pearson
• Video Assist Operator: Dominic Rau
• Location Manager: Charlie Hayes
• Musician: Mark Berrow
• Music Editor: Jim Bruening
• Transportation Captain: Phil Allchin
• Driver: Michael Kirkman
• Driver: Rob Lloyd
• Security: Luke Keeley
• Production Office Assistant: Taro Smith
• Set Costumer: Anna Cavaliere
• Production Accountant: Susan Chika Anisiobi
• Dialect Coach: Jill McCullough
• Driver: Peter Trotman
• Assistant Production Coordinator: Monique Brown
• Publicist: Rachel Kennedy
• Location Manager: Rob Campbell-Bell
• Costume Supervisor: Yvonne Duckett
• Assistant Costume Designer: Oliver Garcia
• Tailor: Mariette Hendriks
• Assistant Costume Designer: Charlotte Law
• First Assistant Editor: Meagan Costello
• Musician: Steve Mair
• Musician: Richard Pryce
• Set Costumer: Ian Foweraker
• Assistant Costume Designer: Courtney McClain
• Location Manager: Eleanor Downey
• Driver: Ted Leaning
• Location Manager: Ali James
• Key Set Costumer: Lara Newman
• Music Supervisor: Michael Higham
• Music Editor: Lewis Morison
• Musician: Rachel Bolt
• Costume Supervisor: David Davenport
• Key Set Costumer: Carlos Fontanarrosa
• Musician: Roger Linley
• Transportation Coordinator: Katerina Ruskova
• Driver: David Rosenbaum Jr.
• Set Costumer: Cynthia Black
• Costume Coordinator: Caroline Fallon
• Driver: Clive Shaw
• Script Supervisor: Lisa Vick
• Key Set Costumer: Anthony Brookman
• Assistant Costume Designer: Debbie Scott
• Driver: Emma Savin
• Production Office Assistant: Elliott Cobley
• Assistant Property Master: Martin Kingsley
• Conceptual Illustrator: Josue Clotaire Fleurimond
• Key Makeup Artist: Paula Price
• Set Decoration: Gordon Sim
• Director of Photography: Dion Beebe
• Storyboard Artist: James S. Baker
• Stunts: George Kirby
• Assistant Editor: Alexander Johnson
• Orchestrator: Jeff Atmajian
• Conductor: Paul Gemignani
• Orchestrator: Michael Starobin
• Transportation Coordinator: Jeni Meredith
• Carpenter: Jeff Woodbridge
• Lyricist: Scott Wittman
• Second Unit Director: Thomas Napper
• Stunt Double: Jessica Hooker
• Stunts: Lucy Allen
• Title Designer: Garson Yu

Movie Reviews:

• Per Gunnar Jonsson: The original Mary Poppins was one of my favorite movies when I was a kid and it kind of still is. Thus I was indeed a bit worried when I sat down to watch this one with the kids yesterday. After all there is really so many ways a incompetent writer could have screwed this one up. Especially one with an agenda.
• Luckily this was not the case and I have to say that I quite liked this movie. Disney actually managed to keep the ambiance of the original movie and it actually felt like a Disney movie from the good old days. The days before every easily offended retard tried to make every movie into a preaching mouth piece for their personal crusade.
• I think I liked the first half of the movie best. It was an explosion of song, magic and, for me, nostalgia. Apart from the hugely improved technology this movie had available to make the magic bits it actually felt like it could have been made back to back with the original. They really managed to capture the atmosphere from back then.
• If I had to compare the two directly I would still go with the original as the best one. It was more imaginative and it just felt a bit better two me.
• The story is a bit of a rehash of the original. They could have come up with something more original. Also, the second movie seemed to fizzle out a bit compared to the first half. I would have liked to see some more Mary Poppins coolness and magic, like we saw in the first half of the movie, instead of, mostly, conventional stuff. Also the take down of the bad guy was a bit underwhelming.
• Apart from that I think sequel was not bad at all.
• Peter McGinn: I enjoyed this movie just as I love the original Mary Poppins. I think it is largely a thankless task doing sequels for beloved films: Christopher Robin and Hook had to pass through a crucible of dislike by lovers of similar original flicks. Remakes are similarly unpopular, perhaps for better reason, in my opinion. O
• The makers of Mary Poppins Returns aren’t trying to reinvent the wheel, just entertain by using a bit of imagination to bring the original tale to a more savvy modern audience. No reason for us to rhetorically throw our toys out of the sandbox. Okay, I may not watch this new offering as often as I have the original, but it was entertaining without being rude, profane, crude or violent. Kind of rare, that.
• Andre Gonzales: Not any where close to as entertaining as the original. The storyline was the only good thing. Otherwise the movie was actually disappointing.