Captain Jean-Luc Picard and the crew of the Enterprise-D find themselves at odds with the renegade scientist Soran who is destroying entire star systems. Only one man can help Picard stop Soran’s scheme…and he’s been dead for seventy-eight years.

Credits: TheMovieDb.

Film Cast:

• Captain Jean-Luc Picard: Patrick Stewart
• Commander William T. Riker: Jonathan Frakes
• Lt. Commander Data: Brent Spiner
• Lt. Commander Geordi La Forge: LeVar Burton
• Lt. Commander Worf: Michael Dorn
• Dr. Beverly Crusher: Gates McFadden
• Counselor Deanna Troi: Marina Sirtis
• Captain James T. Kirk: William Shatner
• Dr. Tolian Soran: Malcolm McDowell
• Captain Montgomery “Scotty” Scott: James Doohan
• Commander Pavel Chekov: Walter Koenig
• Captain John Harriman: Alan Ruck
• Picard’s Kid: Thomas Dekker
• Ensign Kellogg: Cameron Oppenheimer
• Science Officer: Jenette Goldstein
• Lieutenant: Tim Russ
• Klingon Helm: Brian Thompson
• Nurse Ogawa: Patti Yasutake
• Demora Sulu: Jacqueline Kim
• Com Officer: Thomas Kopache
• Navigator: Glenn Morshower
• Ensign Hayes: Michael Mack
• Lieutenant Farrell: Dendrie Taylor
• Transporter Chief: Granville Ames
• Lursa: Barbara March
• B’Etor: Gwynyth Walsh
• Picard’s Wife: Kim Braden
• Picard’s Nephew: Christopher James Miller
• Computer (voice): Majel Barrett
• El Aurian Survivor: Kristopher Logan
• Guinan (uncredited): Whoopi Goldberg

Film Crew:

• Director: David Carson
• Producer: Peter Lauritson
• Unit Production Manager: Bernard Williams
• Director of Photography: John A. Alonzo
• Art Direction: Sandy Veneziano
• Set Decoration: John M. Dwyer
• Costume Design: Robert Blackman
• Original Music Composer: Dennis McCarthy
• Production Design: Herman F. Zimmerman
• Casting: Junie Lowry-Johnson
• Casting: Ron Surma
• Editor: Peter E. Berger
• Modeling: Mark Anderson
• Story: Rick Berman
• Stunt Double: Patricia Tallman
• Makeup Artist: Michael Key
• Visual Effects Supervisor: John Knoll
• Writer: Ronald D. Moore
• Writer: Brannon Braga
• Hairstylist: Laura Connolly
• Hairstylist: Carolyn Elias
• Makeup Artist: Starr Jones
• Hairstylist: Patricia Miller
• Makeup Artist: Gilbert A. Mosko
• Makeup Artist: Thomas E. Surprenant
• Makeup Artist: June Westmore
• Special Effects Key Makeup Artist: Michael Westmore
• Key Hair Stylist: Joy Zapata
• Makeup Artist: Debbie Zoller
• Unit Production Manager: Robert Grand
• Production Supervisor: Michelle Wright
• First Assistant Director: Yudi Bennett
• Second Unit First Assistant Director: Linda Brachman
• Second Second Assistant Director: Arlene Fukai
• Second Assistant Director: Daniel Silverberg
• First Assistant Director: Chris Soldo
• Construction Coordinator: Thomas J. Arp
• Assistant Property Master: Bill Cancienne
• Construction Foreman: Larry Clark
• Leadman: William K. Dolan
• Set Designer: Robert Fechtman
• Property Master: Douglas Fox
• Set Designer: Dianne Wager
• Set Designer: Ron Wilkinson
• ADR Mixer: Bob Baron
• Foley Editor: Pamela Bentkowski
• Boom Operator: Joseph F. Brennan
• Sound Effects Editor: Sean Callery
• Sound Mixer: Thomas Causey
• Dialogue Editor: Richard Corwin
• Dialogue Editor: Gloria D’Alessandro
• Foley Artist: Ken Dufva
• Foley Artist: David Lee Fein
• Assistant Sound Editor: Scott G.G. Haller
• Dialogue Editor: Kevin Hearst
• Supervising Dialogue Editor: Joseph A. Ippolito
• Sound Re-Recording Mixer: Adam Jenkins
• Sound Re-Recording Mixer: Chris Jenkins
• Sound Effects Editor: Jon Johnson
• ADR Editor: Nicholas Korda
• ADR Editor: Lee Lemont
• Foley Editor: Jim Likowski
• Foley Editor: Jeffrey R. Payne
• Sound Effects Editor: Jeffrey L. Sandler
• Foley Mixer: Randy Singer
• Assistant Sound Editor: Thomas W. Small
• Supervising ADR Editor: Becky Sullivan
• Sound Effects Editor: Masanobu ‘Tomi’ Tomita
• Supervising Sound Editor: James Wolvington
• Special Effects Supervisor: Terry D. Frazee
• Stunt Coordinator: Bud Davis
• Steadicam Operator: George Billinger III
• First Assistant Camera: Alan Gitlin
• First Assistant Camera: Jeffrey Greeley
• Dolly Grip: John Harmon
• Still Photographer: Elliott Marks
• First Assistant Camera: Michael P. May
• Camera Operator: Krishna Rao
• First Assistant Camera: Gregory W. Smith
• Chief Lighting Technician: Stuart A. Spohn
• Second Assistant Camera: Jorge Sánchez
• Camera Operator: Pernell Youngblood Tyus
• Assistant Chief Lighting Technician: Francis X. Valdez III
• Costume Supervisor: Elaine Ramires
• Assistant Editor: Jonathan Cates
• Assistant Editor: John Coniglio
• Color Timer: Terry Hager
• Assistant Editor: Martin November
• Negative Cutter: Theresa Repola Mohammed
• Location Manager: Christine Bonnem
• Music Editor: Stephen M. Rowe
• Script Supervisor: Judi Brown
• Dialect Coach: Sophia Lansky
• Unit Publicist: Don Levy
• Production Coordinator: Kelley Wood
• Animation: Rob Coleman
• Stunts: Randy Hall
• Stunts: John Nowak
• Stunts: Don Pulford
• Stunts: Erik Stabenau
• Stunts: Bernie Pock
• Stunt Double: Joni Avery
• Stunt Double: Jane Austin
• Stunts: Jay Caputo
• Stunts: Eugene Collier
• Stunts: Merritt Yohnka
• Stunts: Jeff Mosley
• Stunt Double: Mark Riccardi
• Conceptual Illustrator: George Hull

Movie Reviews:

• Wuchak: _**Ambitious and High-Concept Sci-Fi (for Grown-Ups only)**_
• I can see WHY some don’t like “Generations” (1994) or don’t ‘get’ it: This seventh Star Trek film has some (false) plot holes and some things aren’t spelled-out or explained very well (So what? Doesn’t mystery intrinsically come with the territory of space adventure?); plus the story is a bit convoluted, particularly for those not familiar with Star Trek up to this point, both generations.
• Regardless, “Generations” is ambitious, high-concept sci-fi of the highest order; it leaves the viewer with many interesting questions to ponder long afterwards. Although the Nexus has been criticized as a mere gimmick to get Kirk and Picard together, I find the concept utterly fascinating: No matter how much we want it, an illusory paradise is just that, an illusion. As far as I’m concerned, the concept of the Nexus and its implementation into the storyline is nothing short of brilliant. Who created the Nexus? Why, who else but the Talosians, the ‘antagonists’ of Trek’s very first episode, “The Cage”! Think about it.
• Besides this, there are multiple highlights (some SPOILERS follow): The usual Trek humor, Data’s amusing experiences with the emotion chip, Malcolm McDowell’s outstanding performance as the Soran, his believable obsession and justifications, B’Etor & Lursa and their “wild bunch” Klingons, the startling obliteration of them and their vessel, the thrilling crash-landing of the Enterprise-D, the meeting of Kirk and Picard in the Nexus, the final showdown with Soran and Kirk’s death. Needless to say, “Generations” does far more than offer mere juvenile space battles.
• BIGGEST PLOT HOLE (OR MAYBE NOT): Picard’s purpose in leaving the Nexus is to stop Soran from annihilating the Enerprise-D crew and the entire Veridian solar system, including the 230 million people that live on Veridian IV. Since Picard can leave the Nexus and “go anywhere any time,” as Guinan pointed out earlier, why go to Veridian III about A MINUTE before Soran launches his rocket? Why not go back to when Soran was a guest on the Enterprise-D and apprehend him then and there? Writer Ronald D. Moore defended Picard’s decision on the grounds that he didn’t want to risk the dangerous and unexpected consequences that can occur when tampering with the timeline; hence, his journey back in time from the Nexus is only a matter of a minute or so. It’s a good explanation.
• Speaking of explanations, some have criticized the fact that Guinan is simultaneously present in the real world and in the Nexus. How could this be? It’s simple: It is repeatedly established that the reality experienced in the Nexus is not real; one experiences what they desire in the Nexus, not what is necessarily real. For instance, Picard has no children in the real world, but because he DESIRED to have them he was able to experience them in the Nexus. Hence, the ‘Guinan’ portrayed in the Nexus may walk, talk and act precisely like Guinan, but she’s not real. She’s only there because Picard desires her to be there for the purpose of explaining the nature of the Nexus. That said, many of the people in the Nexus are real, like Picard and Kirk.
• COMMENTARY ON THE NEXUS: Although the Nexus should simply be taken at face value as a strange space phenomenon (likely created by the Talosians), you can also regard it as an analogy. At first glance the viewer might get the impression that the Nexus is a type of heaven, but this can’t be so since it is repeatedly emphasized in the film that the people and events experienced in the Nexus are NOT real (for the most part). ‘Heaven,’ a term theologians and ministers traditionally use to refer to the eternal abode of the redeemed (technically referred to as “the new heavens and new earth” in the bible, as shown in 2 Peter 3:13), is always depicted as real in the bible, not an illusory paradise. If the Nexus is not analogous of heaven, what could it be a type of? The Nexus corresponds to any addiction a person “tastes” and embraces to escape reality (e.g. pipe dreams, drugs, alcohol, computer games, TV, porn, fishing, shopping, golf, etc.). Some, like Soran, are unable to flee its clutches and waste their lives and talents OBSESSED by it. Others, like Picard and Kirk, are able to see the truth and escape; they therefore “make a difference” in real life.
• BOTTOM LINE: This “passing-of-the-torch” installment requires an attention span and an appreciation for high-concept sci-fi; it will likely bore those for whom Star Trek only means neato spacecrafts and superficial space dogfights (don’t get me wrong, they each have their place in Trek). “Generations” has the courage to make bold changes — killing off an iconic character, and fairly prominent support characters as well, not to mention destroying the Enterprise-D. In short, “Generations” is science-fiction for grown-ups and youth with advanced cerebral development. All others should stick with juvenile space fantasy flicks (giggle).
• The film runs 1 hour, 57 minutes.
• GRADE: A
• GenerationofSwine: I’ll be honest, I really hated Star Trek The Motion Picture. I mean, I REALLY hated it and I am a Star Trek fan…
• … so it’s sort of fitting that I hate Generations as well.
• I mean, it doesn’t do the first generation or the Next Generation justice at all does it? Kirk shouldn’t have been in it. The OG Enterprise crew shouldn’t have been in it.
• It felt like it robbed TNG of their first outing on the big screen while insulting the original crew of the Enterprise.
• JPV852: I’ve seen this one a few times over the years and while not great and the plot was something akin to a two-part episode of TNG, I still was mildly entertained even if Malcolm McDowell’s role was underdeveloped with us being told of his motivations with the death of his family versus being shown it via flashbacks. But the selling point was seeing the two iconic Captains together, even if only for 25-minutes. **3.0/5**
• CinemaSerf: A pretty lame attempt to synthesise the old and the new as “Capt. Kirk” (William Shatner) and “Mr. Scott” (James Doohan) are invited to the maiden voyage of the latest USS Enterprise. Needless to say, it all goes wrong as they encounter an enormous energy ribbon that strikes the ship and mayhem ensues. Jump forward several years and “Capt. Picard” (Patrick Stewart) is now in charge of the ship and the TNG crew have to deal with Roddy McDowell, the mad scientist determined to recreate that sequence of events so he can reunite with his lost wife. “Picard” is reunited with “Kirk” in a sort of parallel timeline as they combine to try to defeat their foe. Sadly, we have now entered into the realms of “Star Trek” with “holodecks”, “prime directives” and Gilbert & Sullivan – the fun, tongue-in-cheek elements are gone and it starts to take itself far too seriously. McDowell always did manage to carry off the “slightly deranged” roles well, but otherwise this runs out of steam for me after 15 minutes…