A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician.

Credits: TheMovieDb.

Film Cast:

• Lisa Reisert: Rachel McAdams
• Jackson Rippner: Cillian Murphy
• Joe Reisert: Brian Cox
• Cynthia: Jayma Mays
• Charles Keefe: Jack Scalia
• Bob Taylor: Robert Pine
• Marianne Taylor: Terry Press
• Rebecca: Brittany Oaks
• Blonde Woman: Laura Johnson
• Headphone Kid: Max Kasch
• Headphone Kid’s Brother: Kyle Gallner
• Nice Lady: Angela Paton
• Irate Passenger: Loren Lester
• Senior Flight Attendant: Suzie Plakson
• Junior Flight Attendant: Monica McSwain
• Hit Man at Dad’s House: Dane Farwell
• Lydia Keefe: Beth Toussaint
• Keefe’s Son: Adam Gobble
• Keefe’s Daughter: Megan Crawford
• Taxi Driver: Carl Gilliard
• Airline Representative: Mary Kathleen Gordon
• Dallas Ticket Agent: Philip Pavel
• Dallas Ticket Agent: Amber Mead
• Dallas Gate Agent: Dey Young
• Passenger with Iced Mocha: Jeanine Jackson
• Airline Passenger (uncredited): Carmen Gloria
• Keefe’s Head Bodyguard: Colby Donaldson
• Keefe’s Assistant: Jennie Baek
• Flight Attendant: Amanda Young
• Man on Fishing Boat: Jim Lemley
• Coffee Shop Girl: Jenny Wade
• Airline Passenger (uncredited): Wes Craven

Film Crew:

• Producer: Chris Bender
• Casting: Lisa Beach
• Casting: Sarah Katzman
• Executive Producer: Bonnie Curtis
• Original Music Composer: Marco Beltrami
• Director: Wes Craven
• Director of Photography: Robert D. Yeoman
• Production Design: Bruce Alan Miller
• Stunt Coordinator: Joel Kramer
• Assistant Art Director: Austin Gorg
• Executive Producer: J.C. Spink
• Executive Producer: Jim Lemley
• Editor: Stuart Levy
• Producer: Marianne Maddalena
• Editor: Patrick Lussier
• Art Direction: Andrew Max Cahn
• Costume Design: Mary Claire Hannan
• Executive Producer: Mason Novick
• Story: Carl Ellsworth
• Supervising Sound Editor: Chuck Michael
• Stunt Double: Danny Downey
• Sound Editor: John Kwiatkowski
• Supervising Sound Editor: Todd Toon
• Stunts: Artie Malesci
• Sound Editor: Charles W. Ritter
• Sound Re-Recording Mixer: David E. Fluhr
• Sound Editor: David Kern
• Assistant Art Director: Richard Fojo
• Stunts: Jay Amor
• Makeup Department Head: Christina Smith
• Set Decoration: Maggie Martin
• Stunt Double: Tracy Keehn-Dashnaw
• Stunts: Tom Elliott
• Makeup Artist: Jane English
• Stunt Driver: Debbie Evans
• Costume Supervisor: Christi K. Work
• Hair Department Head: Barbara Lorenz
• Set Designer: Mick Cukurs
• Utility Stunts: Jennifer Badger
• Visual Effects Supervisor: Jerry Pooler
• Script Supervisor: Sheila Waldron
• Sound Editor: David A. Arnold
• Visual Effects Supervisor: John E. Sullivan
• Visual Effects Supervisor: David Lingenfelser
• Visual Effects Producer: Tiffany Smith
• Sound Effects Editor: Adam Kopald
• Special Effects Coordinator: Ron Bolanowski
• Floor Runner: Donald Dowd
• Costume Supervisor: Hope Slepak
• Utility Stunts: Lane Leavitt
• Stunts: Scott Leva
• Makeup Artist: June Brickman
• Makeup Artist: Cynthia Barr
• Key Hair Stylist: Susan Carol Schwary
• Hairstylist: Carol McCoo
• Hairstylist: Pinky Babajian
• Art Department Coordinator: Beatriz Kerti
• Seamstress: Sara Auhagen
• Set Costumer: Jamelle Flowers
• Set Costumer: Jalene Murphy
• First Assistant Editor: Jonny Winograd
• Stunts: Dane Farwell
• Set Dresser: Paul ‘Eel’ Anderson
• Stunts: Jane Austin
• Stunt Double: Jake Dashnaw
• Set Dresser: Keith Sale
• Story: Dan Foos

Movie Reviews:

• CinemaSerf: “Lisa” (Rachel McAdams) is chatting away to her fellow passenger on an aircraft when suddenly things all start to take a bit of a menacing turn. It turns out that “Rippner” (Cillian Murphy) needs her to contact the hotel in which she works and get them to move a visiting – and important – family to a new suite. Should she not acquiesce to this perfectly reasonable request, then he has a pal on the ground who is all set to bump off her father “Joe” (Brian Cox). For the first half an hour, this is quite an effective thriller – the dynamic between the two, with her hemmed into her increasingly claustrophobic airline seat, helps build quite a decent sense of peril. Sadly, though, as she begins to fight back the scenario begins to lose it’s potency. His complete control of the situation begins to become more and more compromised as serendipity takes just bit too much of an interest in the story for my liking. That’s not to say that “Lisa” need be a shrinking violet in the face of her psychological oppressor, it’s just that the fightback is all just a bit far-fetched, before a rather messy and unsatisfying ending that you just know is going to happen. Murphy can be quite an edgy character actor – he is an attractive man with a hint of something underhand (I think he’d make a good “Bond” villain) and McAdams is confident and competent – it’s just the originality of the story that peters out and becomes predictably mediocre.