Advertisements
Hotel night clerk Bart Bromley is a highly intelligent young man on the Autism spectrum. When a woman is murdered during his shift, Bart becomes the prime suspect. As the police investigation closes in, Bart makes a personal connection with a beautiful guest named Andrea, but soon realises he must stop the real murderer before she becomes the next victim.
Credits: TheMovieDb.
Film Cast:
- Bart Bromley: Tye Sheridan
- Andrea Rivera: Ana de Armas
- Ethel Bromley: Helen Hunt
- Detective Espada: John Leguizamo
- Nick Perretti: Johnathon Schaech
- Karen Perretti: Jacque Gray
- Ron Benson: Joey Miyashima
- Jack Miller: Austin Archer
- Cashier: Ibrahim Quraishi
- Barber: Frantz Louizia
- Car Salesman: D.L. Walker
- Saleswoman: Pam Eichner
- Older Salesman: Walter Platz
- Woman #1: Maria Julian
- Woman #2: Ivey Lloyd
- Young Woman: Brandice Brown
- Man #1: Isaac Akers
- Camgirl #1: Cindy Perez
- Camgirl #2: Ischa Bee
- Camgirl #3: Stacey Ann Turner
- Older Woman: Dee Macaluso
- Policeman: Peter Epstein
Film Crew:
- Producer: Tye Sheridan
- Writer: Michael Cristofer
- Unit Production Manager: David M. Wulf
- Casting: Rich Delia
- Executive Producer: Robbie Brenner
- Executive Producer: Jonathan Saba
- Producer: Arianne Fraser
- Stunt Coordinator: Eliza Coleman
- Executive Producer: Dan Reardon
- Set Decoration: Leslie Smoot
- Costume Design: Jacqueline Johnson
- Co-Producer: Alana Crow
- Executive Producer: Santosh Govindaraju
- Camera Operator: Noah Greenberg
- Editor: Kristi Shimek
- Production Design: Diane Millett
- Associate Producer: Nathan Klingher
- Executive Producer: Delphine Perrier
- Original Music Composer: Erik Hall
- Stunts: Peter Epstein
- Co-Producer: Ryan Winterstern
- Executive Producer: Ness Saban
- Hair Department Head: Leslie Kidman
- Key Makeup Artist: Mikaela Kester
- Executive Producer: Shanan Becker
- Executive Producer: Henry Winterstern
- Makeup Department Head: Maika Taylor
- Executive Producer: Bill Bromiley
- Still Photographer: Natalie Cass
- Additional Still Photographer: Fred Hayes
- Extras Casting Coordinator: Terry Prather
- Key Costumer: Emily Jacobson
- Gaffer: Phil Shepherd
- Best Boy Electric: Kevin Woodward
- Key Grip: Kevin Kennedy
- Production Supervisor: Scott E. Chester
- Script Supervisor: Briana Wall
- Construction Coordinator: Shane Feulner
- Visual Effects Supervisor: Paul W. Hazen
- First Assistant Director: Marty Jedlicka
- Co-Producer: Allan M. Kassirer
- Sound Mixer: Joe Sanchez
- Sound Re-Recording Mixer: Ben Wilkins
- Sound Re-Recording Mixer: Reuben Ripley
- Sound Editor: Jed M. Dodge
- Sound Editor: Lorenzo Guitierez
- Sound Editor: Miguel Rivera
Movie Reviews:
- Gimly: In moments, _The Night Clerk_ did seem as if it had potential, but by the end, and most especially focusing on the end itself, it’s very clear that any potential it may have had was, to put it politely, squandered. There are about three things that happen over the entire runtime of this movie, and all three of them have been done far better, not even “ever”, but recently. Like, within the past two years at most. Because doing them better than _The Night Clerk_ is a very, very low bar.
- _Final rating:★★ – Had some things that appeal to me, but a poor finished product._
- r96sk: Feels like a bit of a mess, does ‘The Night Clerk’.
- I personally didn’t feel entertained by this 2020 release. Ana de Armas gives a positive performance, though Tye Sheridan is a bit hit-and-miss. The 90 minute run time goes by a little slowly, while the story of this flick doesn’t really seem all that well put together – it could’ve gone deeper, I feel. Or at least could have produced a more noteworthy ending.
- Lastly, a less serious point, but everytime Sheridan’s character said “Boy oh boy oh boy” I amusingly kept getting a memory of Dug from ‘Up’.

