Four former harlots try to leave the wild west (Colorado, to be exact) and head north to make a better life for themselves. Unfortunately someone from Cody’s past won’t let it happen that easily.

Credits: TheMovieDb.

Film Cast:

• Cody Zamora: Madeleine Stowe
• Anita Crown: Mary Stuart Masterson
• Eileen Spenser: Andie MacDowell
• Lily Laronette: Drew Barrymore
• Kid Jarrett: James Russo
• William Tucker: James Le Gros
• Frank Jarrett: Robert Loggia
• Josh McCoy: Dermot Mulroney
• Pinkerton Detective Graves: Jim Beaver
• Pinkerton Detective O’Brady: Nick Chinlund
• Ned, Jarrett Gang: Neil Summers
• Roberto, Jarrett Gang: Daniel O’Haco
• Rico, Jarrett Gang: Richard Reyes
• Yuma, Jarrett Gang: Alex Kubik
• Colonel Clayborne: Will MacMillan
• Preacher: Harry Northup
• Echo City Sheriff: Don Hood
• Station Master: Donald L. Montoya
• Widow Clayborne: Zoaunne LeRoy
• Surrey Driver: Jimmy Lewis Jr.
• Widow’s Maid: Millie Weddles
• Apparel Clerk: Vince Davis
• Rich Citizen: Blue Deckert
• Agua Dulce Bank Manager: Rodger Boyce
• Aqua Dulce Marshal: Nik Hagler
• Teller: Mark Feltch
• Boy in Bank: Max Bode
• Deputy Earl: Cooper Huckabee
• Posse Member: Richard Robbins
• Chinese Herbalist: Beulah Quo
• Wagon Driver Jack: Rick Lundin
• Lawyer Lurie: Mark Carlton
• Laughing Woman: Amber Leigh
• Covered Wagon Driver: Chuck Bennett
• Tector: R.C. Bates

Film Crew:

• Story: Charles Finch
• Screenplay: Ken Friedman
• Director: Jonathan Kaplan
• Director of Photography: Ralf D. Bode
• Original Music Composer: Jerry Goldsmith
• Editor: Jane Kurson
• Casting: Mike Fenton
• Casting: Julie Selzer
• Casting: Julie Ashton
• Costume Designer: Susie DeSanto
• Production Design: Guy Barnes
• Co-Producer: William Fay
• Executive Producer: Lynda Obst
• Producer: Albert S. Ruddy
• Story: Gray Frederickson
• Screenplay: Yolande Turner
• Producer: Andre Morgan
• Art Direction: M. Nord Haggerty
• Set Decoration: Michael Taylor
• Hair Department Head: Barbara Olvera
• Makeup Artist: Monika Blunder
• Hairstylist: Edward St. George
• Makeup Department Head: Patty York
• Makeup Artist: Lucienne Zammit
• First Assistant Director: Jules Lichtman
• Assistant Editor: Jennifer Jean Cacavas
• Stunts: Julie Adair
• Second Unit Director: Walter Scott
• Stunts: Denise Lynne Roberts
• Stunts: Bonnie Happy Hock
• Stunts: Gwynn Turnbull Weaver
• Stunts: Jennifer Watson-Johnston
• Stunts: Anthony De Longis
• Stunts: Will Cascio
• Stunts: Kerrie Cullen
• Stunts: Tony Lee Boggs
• Stunts: Shawn Howell
• Stunts: Marguerite Happy
• Stunts: Mark Warrack
• Stunts: Debbie Lynn Ross
• Stunts: Ben Scott
• Stunts: David Rowden
• Stunts: Clifford Happy
• Stunts: Robert Jauregui
• Stunts: Bill Erickson
• Special Effects: John C. Hartigan
• Second Assistant Director: Nunzio Fazio
• Still Photographer: Merrick Morton
• Gaffer: Jay Fortune
• Camera Operator: Mitchell Amundsen
• Second Unit Director of Photography: Jamie Anderson
• Second Unit Director of Photography: Daniel L. Turrett
• Second Unit Director of Photography: Philip C. Pfeiffer
• Driver: Cody Frost

Movie Reviews:

• John Chard: Gunslingerettes line up for the atrocity exhibition.
• Bad Girls is directed by Jonathan Kaplan from a screenplay by Ken Friedman and Yolande Turner. It stars Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell and Drew Barrymore. The plot sees the four girl actors playing prostitutes on the run following a justifiable homicide and a hanging escape. Suffice to say that they get into scrapes & double crosses whilst being pursued by the Pinkertons.
• Being asked to suspend disbelief is one thing, being force fed drivel masquerading as pro-feminism is entirely another. Bad Girls is a mess of a movie, an insult to the Western genre, to the fans of the lady actors, to the lady actors themselves, who simply deserve much much better and arguably worst of all – to women in general. The script is laughable, serving only as an excuse for the gals to sling those guns and hips when possible, whilst being abused and saved by “men”, while the plotting is by the numbers as everything falls into place readily. There’s even slow-mo shots where they serve no purpose of enhancement. Throw into the mix that three of the ladies look nothing like on the run outlaws, all shine and span and make up with nice hair (Masterson the exception as she has a modicum of believability about her), well it’s rather a depressing experience all told. Sure, as a red blooded guy I’m not going to be turned off by Barrymore’s shapely thighs adorned in white stockings, or Stowe’s truly gorgeous face, but when the highlights of a “girl” Western is something that’s only aesthetically sexy for men, then they clearly have got it wrong.
• So what’s the justification for it being so bad? Well the back story offers up the answer. Film was meant to be directed by a woman, Tamra Davis (erm-Billy Madison & Crossroads), but she was jettisoned a couple of weeks into production. The plan with Davis at the helm was for it to be a Western told from a female point of view. However, Kaplan (The Accused/Unlawful Entry) was brought in quickly and the screenplay rewritten in a hurry. And boy does it show. Technically it’s a duffer too, Jerry Goldsmith’s score is cheap in texture and Jane Kurson’s editing is choppy to say the least. There’s no eye catching cinematography (Ralf D. Bode), while the acting away from the script hindered girls (ie: the men), is either a waste of time them being in it (Nick Chinlund) or badly directed (James Russo). While Dermot Mulroney seems only to exist as being a link to Young Guns – the “boy” version that this is clearly trying to ride the coat tails in on. If you want a good Western about the girls fighting the good fight then seek out George Marshall’s 1957 film The Guns Of Fort Petticoat. It’s a fun movie that at least has believable women fighting back under duress. Bad Girls, tho, is just bad in every department. 2/10
• Wuchak: _**Not so bad cowgirls**_
• In 1891, four prostitutes in Echo City, Colorado (Madeleine Stowe, Andie MacDowell, Mary Stuart Masterson and Drew Barrymore), flee the law with Pinkertons hot on their trail. Eventually they have to tangle with a band of Hispanic outlaws to retrieve some money.
• “Bad Girls” (1994) is a Western with cowgirls as the protagonists rather than cowboys. It combines the tone of “Silverado” (1985) and the later “The Mask of Zorro” (1998) so anyone who likes those flicks will probably like this one even if it’s arguably the least of ’em.
• The Western staples are checked with a saloon brouhaha, a lynch mob, a posse, Pinkerton detectives, a swimmin’ hole scene, steam locomotives, a handsome hero (Dermot Mulroney), magnificent Western vistas, a bank robbery, a mirthful Latino bandit (James Russo) and the four heroes grimly walking side-by-side to the showdown. Yet there are a few original elements as well if you look closely.
• While all four of the stars are beautiful in their unique way, young Drew stands out and is just stunning. Speaking of the females, occupations & freedom were limited to women in the Old West, and the movie effectively drives this home.
• People usually cite the available professions as marriage, school-marming, prostitution and old biddy-hood. But what about clerking of one manner or another? What about entertainment, like at local saloons, traveling troupes and Old West Shows? What about writing, like Harriet Beecher Stowe? What about ranch-owning? In other words, there were more options, but women had to use their imagination and take a bold step. The four heroines in “Bad Girls” are up to the task.
• Like the two Westerns noted above, this one takes the larger-than-life, mythmaking approach rather than shoot for anything very believable. If you can roll with that, it fills the bill, just not as well as “The Mask of Zorro” or “American Outlaws” (2001).
• The opening act wrongly paints the Christians marching in Echo City as enemies when, in real life, they would be the very people trying to help the protagonists out of the miserable bondage of prostitution, which all four wanted free from in the first place. While I understand people’s issues with life-stifling legalists, depicting the trampling of the Bible is gross ignorance.
• The movie runs 1 hour, 39 minutes, and was shot at Alamo Village, Brackettville, Texas , and nearby Del Rio, as well as Red Hills Ranch, Sonora, California, and nearby Sierra Railroad, Jamestown.
• GRADE: C+