Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of late 1990s New York City, forced to navigate a treacherous underworld he never imagined.

Credits: TheMovieDb.

Film Cast:

• Hank Thompson: Austin Butler
• Detective Roman: Regina King
• Yvonne: Zoë Kravitz
• Russ: Matt Smith
• Lipa: Liev Schreiber
• Shmully: Vincent D’Onofrio
• Paul: Griffin Dunne
• Pavel: Nikita Kukushkin
• Aleksei: Yuri Kolokolnikov
• Colorado: Bad Bunny
• Duane: George Abud
• Jason: Will Brill
• Dale: D’Pharaoh Woon-A-Tai
• Amtrak: Action Bronson
• Lisa: Natassia Dreams
• SPO: Shaun O’Hagan
• College Kid: Jake Bentley Young
• Miss Kitty: Kitty Lawrence
• Mike: Mike Francesa
• Mad Dog: Chris ‘Mad Dog’ Russo
• Oleg: Oleg Prudius
• Officer Runz: Gregg Bello
• Eddie: Eddie De Harp
• Macy: Macy Rodman
• Nu Ka Ki: Nu Ka Ki
• Renee: Renee Asofsky
• Chinatown Bartender: Henry Wong
• 1010WINS: Lee Harris
• 1010WINS: Judy de Angelis
• Mister Creamie: Matt Gauland
• Hungry Mets Fan: Dave Weisz
• Brooklyn Dodgers Fan: Stanley B. Herman
• Bubbe: Carol Kane
• Stickball Kid: Arishel Ramirez
• Airline Agent: Janelle McDermoth
• Tulum Bartender: Tenoch Huerta Mejía
• Hank’s Mom (uncredited): Laura Dern
• Hero Batter (uncredited): McKinzie Scott
• Bud: Tonic the Cat
• Baseball Fan (uncredited): Octavian Reccy

Film Crew:

• Producer: Darren Aronofsky
• Producer: Ari Handel
• Executive Producer: Ari Haas
• Camera Technician: Jason Velez
• Location Manager: Ronnie Kupferwasser
• Construction Coordinator: Joe Alfieri
• Construction Grip: Kevin Martin
• Art Department Production Assistant: Toby Rivera
• Charge Scenic Artist: Elizabeth Linn
• Carpenter: Frank Boccia
• Casting Associate: Benjamin Bermudez
• Key Grip: Lamont Crawford
• First Assistant Director: Peter Thorell
• Set Production Assistant: Beba Zilkic
• Production Controller: Derek Yip
• Animal Wrangler: Kelly Whitlock
• Animal Wrangler: Courtney Voth
• Casting Coordinator: Lizzie Talbot
• Animal Wrangler: Kaitlynn Purchase
• Production Coordinator: Joseph Perron-Kozar
• Set Production Assistant: Amy Muniz
• Dialect Coach: Tim Monich
• Animal Coordinator: Melissa Millett
• Editor: Andrew Weisblum
• Production Design: Mark Friedberg
• Supervising Art Director: Laura Ballinger
• Art Direction: Michael Simmons
• Set Decoration: Lisa Scoppa
• Costume Design: Amy Westcott
• Key Makeup Artist: Mandy Bisesti
• Makeup Artist: Kathleen Brown
• Second Assistant Director: Alex Scricco
• Sound Mixer: Drew Kunin
• Boom Operator: Gideon Jensen
• Script Supervisor: Alexandra Torterotot
• Key Hair Stylist: Hailei Call
• Stunts: Emily Tung
• Concept Artist: Hugh Sicotte
• Second Unit Director: Brian Machleit
• Supervising Sound Editor: Craig Henighan
• Makeup Department Head: Judy Chin
• Special Effects Makeup Artist: Lindsay Gelfand
• Prosthetic Makeup Artist: Greg Pikulski
• Prosthetic Makeup Artist: Brett Schmidt
• Hairstylist: Oscar Campisi
• Hair Department Head: Jon Carter
• Hairstylist: Greg Cooper-Spencer
• Hairstylist: Jennifer Lord
• Hairstylist: Toni Roman-Grimm
• Second Unit Director: Jeremy Dawson
• Producer: Dylan Golden
• Set Designer: Jurasama Arunchai
• Assistant Art Director: Michael Auszura
• Assistant Art Director: Grace Laubacher
• Set Dresser: Hannah Rothfield
• Visual Effects Supervisor: Dan Schrecker
• Special Effects Technician: Kevin Delatorre-Yanez
• Special Effects Technician: Ryan Nordin
• Special Effects Technician: Joseph Sacco
• Second Unit Cinematographer: Lukasz Jogalla
• “A” Camera Operator: Chris Aran
• Gaffer: Nic Jones
• Gaffer: John G. Velez
• Stunts: Airon Armstrong
• Stunt Double: Richard Buckman
• Stunt Driver: Jared Burke
• Stunts: John Cenatiempo
• Stunts: Quentin Pardee Collins
• Stunts: George B. Colucci Jr.
• Stunt Double: Jefferson Cox
• Stunt Double: Andre Da Silva
• Stunts: Peter Epstein
• Stunt Driver: Roy Farfel
• Stunt Double: Riley Giacomazzi
• Stunt Double: Justice Hedenberg
• Stunts: Scott Hoffman
• Stunts: Stephen Izzi
• Stunts: Crista Marie Jackson
• Stunts: Floyd Anthony Johns Jr.
• Stunts: Julian Malenda
• Stunts: Alexa Marcigliano
• Stunts: Jason Mello
• Stunts: Mick O’Rourke
• Stunt Driver: Allan Padelford
• Stunts: Charlie Picerni
• Stunts: Christopher Place
• Stunts: Drew Reade
• Stunts: Buster Reeves
• Stunt Driver: Kevin Rogers
• Stunt Driver: Damali Ross
• Stunt Driver: Derrick Simmons
• Stunt Driver: Brett Smrz
• Stunt Double: Travis Staton-Marrero
• Stunts: Evan Dane Taylor
• Stunt Driver: Vesselin Todorov-Vinnie
• Stunts: Nancy Young
• Hairstylist: Jason J Dougherty
• Unit Production Manager: Ann Ruark
• Director of Photography: Matthew Libatique
• Screenplay: Charlie Huston
• Original Music Composer: Rob Simonsen
• Marine Coordinator: Chris Barnes
• Lighting Technician: Ben Mead
• Other: Joe Fugallo
• Executive Producer: Tarak Ben Ammar
• Executive Producer: Mohannad Malas
• Casting: Mary Vernieu
• Songs: Adam ‘Dev’ Devonshire
• Songs: Joe Talbot
• Songs: Mark Bowen
• Songs: Lee Kiernan
• Songs: Jon Beavis
• Associate Producer: Nevy Di Salvatore
• Associate Producer: Cat Hobbs
• Associate Producer: Justin A. Gonçalves
• Lighting Technician: Brooks Lockwood
• Lighting Technician: Sheldon J. Walker
• Sound Re-Recording Mixer: Skip Lievsay
• Sound Effects Editor: Coll Anderson
• Sound Effects Editor: Igor Nikolic
• Foley Artist: Steve Baine
• Foley Recordist: Peter Persaud
• Title Designer: Teddy Blanks
• Visual Effects Supervisor: Kevin Yuille
• Visual Effects Supervisor: Craig Crawford
• Visual Effects Producer: Jeremy Beadell
• Visual Effects Supervisor: Chris Smallfield
• Visual Effects Supervisor: Dan Bornstein
• Visual Effects Supervisor: Colin Strause
• Visual Effects Producer: Greg Strause
• Visual Effects Producer: Margaux Mackay
• Visual Effects Supervisor: Yabin Morales
• Visual Effects Supervisor: Raúl Prado
• Visual Effects Producer: Liz Christofaro
• Visual Effects Supervisor: Richard Friedlander
• Visual Effects Producer: Glenn Allen
• Executive Music Producer: Spring Aspers
• Unit Production Manager: Gwen Bialic
• Post Production Supervisor: Leslie J. Converse
• Set Designer: Yemil Aquino
• Scenic Artist: Mylon Domican
• Graphic Designer: Erica Hohf
• Set Decoration Buyer: Klara Jogalla
• Graphic Designer: Dan-ah Kim
• Assistant Set Decoration: Melissa Nikki Reid
• Art Department Coordinator: Jin Rhim
• Extras Casting: Alma Andrade
• Casting Associate: Rebecca Birstock
• Casting Assistant: Mary-Ellen Libatique
• Extras Casting Assistant: Franco Pho
• Extras Casting: Jaclyn Silvestri
• Assistant Costume Designer: Moria Sine Clinton
• Costume Coordinator: Bree Dills
• Assistant Costume Designer: Min Ji Kim
• Assistant Costume Designer: Christopher Metzger
• First Assistant Editor: John Scott Cook
• Assistant Editor: Jake Lemmen
• Assistant Editor: Emma Swider
• Location Scout: Aaron Hurvitz
• Location Scout: Gine Lui
• Assistant Location Manager: Elektra Oates
• Assistant Location Manager: Daniel Tresca
• Location Coordinator: Gilani Sumida-Moiseff
• Location Scout: Dennis Voskov
• Location Scout: Matthew H. Wiesner
• Music Editor: Nancy Allen
• Music Editor: Francesco Le Metre
• Music Supervisor: Jen Malone
• Music Editor: Andrew Silver
• Production Assistant: Yuwen Zhang
• Location Casting: Findley Davidson
• Executive Consultant: Daniel Finkelman

Movie Reviews:

• Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://fandomwire.com/caught-stealing-review/
• “Caught Stealing is the kind of cinema that provokes reactions. Darren Aronofsky once again demonstrates that he’s a master of creating experiences that don’t digest easily and continue to echo long after the credits roll.
• Austin Butler delivers an unforgettable performance, charged with magnetism and intensity, capable of elevating every scene to a rare level of authenticity. While some narrative choices are less satisfying, they don’t diminish the value of a film that remains an emotionally devastating, compelling journey into the heart of a man torn apart by life.
• It’s an imperfect but powerful story, one that deserves to be seen and discussed with the same passion Aronofsky pours into every project.”
• Rating: B+
• Brent Marchant: When filmmakers seek to stretch their creative juices by working on projects that aren’t typical of their normal output, they need to get their ducks in a row first if they hope to succeed in these new ventures. In tackling such productions, some have brilliantly broadened their ranges, while others have regrettably failed miserably. Rarely, however, do they fall somewhere in the middle, but such is the case with director Darren Aronofsky’s latest, a comedy/crime thriller that gets some things right and others not so much. Set in 1998, the picture follows the story of a once-promising baseball prospect, Hank Thompson (Austin Butler), whose chances of going pro were ruined by a severe knee injury, forcing him to settle for a routine job as a New York City bartender. It may not be everything he hoped for, but it pays the bills and provides him with a steady supply of his other passion, alcohol. However, his relatively mundane life takes a bizarre left turn one night when his shady, punked-out neighbor, Russ (Matt Smith), asks him to babysit his cat when a family emergency calls him home to London. It’s a favor that unwittingly draws Hank into the underbelly of his neighbor’s sordid, crime-ridden life. And, before he knows it, Hank is unexpectedly caught up in a web of theft, murder, mayhem and crooked cops, leaving him surrounded by an array of corpses and impending threats, with all implications pointing toward him as the perpetrator. He’s thus forced to take desperate measures to stay alive and ahead of the law, all the while struggling to protect his feline companion. The premise here is an intriguing one that gets progressively better as the film unfolds. However, it’s somewhat slow to start and features a profoundly dark narrative in the opening act, leaving one to wonder where the alleged comedy of this offering lurks. As the picture progresses, though, the promised (and often-inspired) humor gradually emerges, providing the much-needed comic relief called for to offset the story’s more sinister and decidedly edgier aspects. This welcome development genuinely helps to save the film from itself, a change in tone that’s significantly enhanced by a coterie of colorful supporting characters superbly portrayed by an excellent ensemble featuring the likes of Regina King, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Carol Kane, George Abud, and, of course, Tonic the cat. The film also offers up a fine re-creation of life in 1990s New York down to the finest of details. When these elements are considered collectively, it’s easy to see how the director’s efforts at expanding his vision hit the mark on some points and not on others. In that regard, this offering shows the filmmaker’s promise for tackling projects beyond his typical fare, but a few more ducks need to fall into line before he can truly claim success when embarking on ventures into new territory.
• CinemaSerf: When “Russ” (Matt Smith) asks his bartending, hard-living, pal “Hank” (Austin Butler) to mind his cat whilst he returns to London to look after his sickening dad, he’s narked but agrees. Little does he realise that “Russ” has been involved with some ne’er-do-wells in the city and so fairly swiftly “Hank” is having to develop an whole new pain threshold as first the Russians, then the Hebrews lay into him. The cops are soon involved and his paramedic girlfriend “Yvonne” (Zoë Kravitz) has to find new ways of stitching a wound – and all for what? “Hank” hasn’t a clue who they are, what they want, or where what they want might actually be? It’s only when the spikey-haired British geezer makes a reappearance that things might start to make some sense – but I wouldn’t bet on it! Now despite the fact that Butler is almost always being beaten up – often clad only in his Calvins – he manages to exude loads of charisma into this daft crime caper. Certainly, it plays fast and loose with medical science and serendipity does intervene once or twice more often than you could realistically expect, but it’s a solid action-adventure feature that is bloody, violent but still darkly entertaining. The scene-stealing Hasidic Hebrews (Liev Schreiber and Vincent D’Onofrio) won’t drive on the sabbath, but gun-toting? Well that appears to be allowed? There’s a manic enforcer who has traits reminiscent of an angry chimpanzee and there’s duplicity at every turn before a denouement that is fairly predictable, but nonetheless enjoyable to savour as the calamities accumulate and the initially gullible “Hank” discovers he and “John Wick” must be distant relatives. There’s a cat, and a bandage – but an American Humane Society disclaimer at the end, so clearly it can act too. It is a bit derivative but it doesn’t hang around and it shows us clearly than Butler isn’t just a pretty face.
• misubisu: **Score: 8/10 — A Dark, Gritty, and Surprisingly Touching Neo-Noir**
• Darren Aronofsky’s *Caught Stealing* is a welcome return to form a lean, mean, and unexpectedly funny crime thriller that proves the director hasn’t lost his touch. Based on Charlie Huston’s novel, it follows Hank Thompson (Austin Butler), a washed up former baseball prospect whose simple favour; watching his neighbour’s cat, plunges him into a blood soaked war between Russian mobsters, Hasidic gangsters, and corrupt cops. What emerges is a film that **skillfully mixes tragedy and comedy**, never losing its balance even at its darkest.
• **The Tragidy/Comic Balance**
• The film’s tonal tightrope walk is its greatest achievement. One moment you’re wincing at brutal violence; the next, you’re laughing at the absurdity of it all. Nowhere is this more evident than in the handling of Yvonne (Zoë Kravitz). Her character is warm, grounded, and deeply likeable, which makes her sudden, senseless execution all the more devastating. Yet the film’s genius is that **when Yvonne is executed, and Hank has to get on with business**, the narrative doesn’t wallow. It pushes forward, forcing both Hank and the audience to process grief while the chaos continues to escalate. This isn’t callousness; it’s the harsh reality of a world where sentiment is a luxury criminals can’t afford.
• **A Very Well-Paced Story**
• At 105–107 minutes, *Caught Stealing* moves like a bullet train . Aronofsky and screenwriter Huston understand that the best thrillers aren’t just about what happens, but how relentlessly it happens. The plot unfolds with a propulsive energy that never lets up, yet never feels rushed. Each new player from Matt Smith’s punk-rock coward Russ to Vincent D’Onofrio and Liev Schreiber’s memorably affable Hasidic gangsters—arrives with perfect timing, adding layers without overloading the narrative.
• **The Performances**
• Butler is a revelation. He embodies Hank’s quiet desperation and hidden resilience with a lived-in authenticity that makes the absurd premise feel grounded . The supporting cast is uniformly excellent, with special mention to D’Onofrio and Schreiber, whose Lipa and Shmully are simultaneously terrifying and oddly endearing. Regina King brings steel as the crooked Detective Roman, and Bad Bunny’s Colorado is a genuinely unsettling presence.
• **The Verdict**
• *Caught Stealing* is a satisfyingly sharp thriller that proves Aronofsky can do lean and mean as effectively as operatic and intense. It’s violent, darkly hilarious, and unexpectedly poignant anchored by a star making turn from Butler and a script that knows exactly when to twist the knife and when to let you breathe. A very strong **8/10**.
• **Watch if:** You love Coen Brothers style dark comedies, gritty New York crime dramas, or simply want to see Austin Butler prove he’s the real deal.
  **Skip if:** You’re squeamish about sudden violence or prefer your thrillers with clean moral lines. This one lives in the grey.