A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to be falling apart with shady consequences.
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Credits: TheMovieDb.

Film Cast:

• Eloise Turner: Thomasin McKenzie
• Sandie: Anya Taylor-Joy
• Jack: Matt Smith
• Peggy Turner: Rita Tushingham
• John: Michael Ajao
• Jocasta: Synnøve Karlsen
• Carol: Pauline McLynn
• Silver-Haired Gentleman: Terence Stamp
• Ms. Collins: Diana Rigg
• Eloise’s Mother: Aimée Cassettari
• Taxi Driver #1: Colin Mace
• Lara: Jessie Mei Li
• Cami: Kassius Nelson
• Ashley: Rebecca Harrod
• Toucan Bartender: Alan Mahon
• Drunk Student: Connor Calland
• Student at Party: Josh Zaré
• College Administrator: Jacqui-Lee Pryce
• Ms. Tobin: Elizabeth Berrington
• Cloakroom Attendant: James Phelps
• Cloakroom Attendant: Oliver Phelps
• Cilla Black: Beth Singh
• Cubby: Paul Brightwell
• Café de Paris Bartender: Will Rogers
• Rialto Club Owner: Terence Frisch
• Shop Assistant: Celeste Dring
• Marionetta: Jeanie Wishes
• Mr. Pointer: Andrew Bicknell
• Toucan Drunk: Adam Sopp
• Toucan Drunk’s Mate: Richard Corgan
• Punter #1: Michael Mears
• Punter #2: Tom Hartwell
• Punter #3: Paul Hamilton
• Punter #4: Wayne Cater
• Punter #5: Sam Claflin
• Punter #6: Sam Parks
• Punter #7: Alan Ruscoe
• Sage Barmaid: Margaret Nolan
• Additional Punter: Christopher Carrico
• Additional Punter: Kent Goldfinch
• Additional Punter: Ian Harrod
• Additional Punter: Ian Hartley
• Additional Punter: Luke Hope
• Additional Punter: Daniel Maggott
• Additional Punter: Richard O’Sullivan
• Male Detective: Michael Jibson
• Female Detective: Lisa McGrillis
• Librarian: Al Roberts
• Taxi Driver #2: Derek Lea
• Soho Passerby (uncredited): Lati Gbaja
• Rialto Punter (uncredited): Richard Price
• Train Passenger (uncredited): Paul Riddell
• Burlesque Dancer (uncredited): Katrina Vasilieva

Film Crew:

• Producer: Tim Bevan
• Producer: Eric Fellner
• Makeup Designer: Elizabeth Yianni-Georgiou
• Stunts: Tina Maskell
• Director of Photography: Jeong Jeong-hun
• Stunts: Paul Weston
• Story: Edgar Wright
• Producer: Nira Park
• Stunts: Steve Emerson
• Sound Effects Editor: Arthur Graley
• Casting: Nina Gold
• Original Music Composer: Steven Price
• Second Unit Director of Photography: Oliver Curtis
• Costume Design: Odile Dicks-Mireaux
• Prosthetic Designer: Barrie Gower
• Production Design: Marcus Rowland
• Executive Producer: Ollie Madden
• Foley Artist: Adrian Medhurst
• Stunt Coordinator: David Forman
• Second Unit Director: Jeremy Lovering
• Sculptor: Colin Jackman
• Sound Effects Editor: Samir Foco
• Colorist: Asa Shoul
• Sound Re-Recording Mixer: Julian Slater
• Editor: Paul Machliss
• Standby Art Director: Oli van der Vijver
• Stunts: Marcus Shakesheff
• Supervising Art Director: Tim Blake
• Executive Producer: James Biddle
• Stunts: David Anders
• Associate Producer: Leo Thompson
• Costume Supervisor: Alex Watherston
• Set Decoration: Judy Farr
• Script Supervisor: Paula Casarin
• Property Master: Adam McCreight
• Foley Supervisor: Paul Pirola
• Gaffer: Mark Clayton
• Sound Designer: Ben Meechan
• Supervising Dialogue Editor: Dan Morgan
• Sound Designer: Jeremy Price
• Stunts: Ray De-Haan
• Unit Publicist: Stacy Mann
• Makeup Artist: Tapio Salmi
• Executive Producer: Rachael Prior
• Hairstylist: Alexis Continente
• Still Photographer: Parisa Taghizadeh
• Casting: Martin Ware
• Orchestrator: David Butterworth
• Stunts: Gary Hoptrough
• Art Direction: Katie Money
• Assistant Costume Designer: Ellen Crawshaw
• Researcher: Lucy Pardee
• Stunts: Levan Doran
• Post Production Supervisor: Miranda Jones
• Production Sound Mixer: Colin Nicolson
• Screenplay: Krysty Wilson-Cairns
• Visual Effects Supervisor: Thomas Proctor
• Hairstylist: Bella Ava Georgiou
• Special Effects Supervisor: Stephen Hutchinson
• Hairstylist: Hanna Canfor
• Stunt Double: William Willoughby
• ADR Recordist: Mike Tehrani
• Stunts: Andy Pilgrim
• First Assistant “A” Camera: Lewis Hume
• Stunts: Tony Christian
• First Assistant Director: Richard Graysmark
• Key Grip: Jim Philpott
• “A” Camera Operator: Chris Bain
• Executive Producer: Daniel Battsek
• Stunts: Erol Mehmet
• Stunts: Seon Rogers
• Location Manager: Cat Ho
• Visual Effects Editor: Russell Pawson
• Art Direction: Victoria Allwood
• First Assistant “B” Camera: Will Morris
• ADR Recordist: Tristan Rose
• Visual Effects: Chetan Gaur
• Digital Imaging Technician: Tom Gough
• Foley Editor: Brendan Croxon
• Foley Recordist: Duncan Campbell
• Concept Artist: Paul Threadgold
• Storyboard Artist: Tracey Wilson
• Stunts: Chris Newton
• Stunts: Arran Topham
• Production Coordinator: Craig Jamieson
• Stunts: Maxine Whittaker
• Stunts: Annabel Wood
• Unit Production Manager: Jeremy Burnage
• Stunts: Peter White
• Researcher: Rebecca Cronshey
• Production Accountant: Ana Stichini
• Costume Coordinator: Rebecca Tredget
• Conceptual Design: Oscar Wright
• Stunts: Paul Bailey
• Stunt Double: Elizabeth Donker Curtius
• Music Supervisor: Kirsten Lane
• Hairstylist: Nisha Aulum
• Stunts: Matt Sherren
• Stunts: Josie Forman
• Wardrobe Master: Charlotte Ashworth
• Storyboard Artist: John Greaves
• Stunts: Dan Griffiths
• Stunts: Robbie Keane
• Graphic Designer: Sophie Powell
• Storyboard Artist: Soren Bendt Aaboe Pedersen
• Stunts: Guy List
• Additional Sound Re-Recording Mixer: William Miller
• First Assistant Editor: Jerry Ramsbottom
• Art Direction: Emily Norris
• Second Assistant Director: Paul Cathie
• ADR Recordist: Rob Searl
• Visual Effects Producer: Danny Huerta
• Casting Assistant: Sacha Garrett
• Transportation Captain: Barrie Williams
• Art Department Coordinator: Lauren Perry
• Associate Producer: Laura Richardson
• Stunts: Andy Godbold
• Stunt Double: Denise Ryan
• Assistant Location Manager: Jack Leary
• Mix Technician: Dan Turner
• Stunts: George Harris
• Visual Effects Coordinator: Issy Haylett
• Visual Effects Coordinator: Alankit Thapa
• Visual Effects Coordinator: Danielle Dunster
• Visual Effects Coordinator: Disha Patel
• Visual Effects: Oliver Cordwell
• Visual Effects Producer: Anshul Gattani
• Visual Effects: Daniel Hazeltine
• Visual Effects: Jamie Hearing
• Visual Effects Producer: Karl Kuehn
• Stunt Double: Varpu Kronholm
• Second Assistant “B” Camera: Ali Youssef
• Construction Coordinator: Sandra Waddington-Wilson
• Choreographer: Jennifer White
• Music Editor: Bradley Farmer
• Stunt Double: Paul Joseph
• Second Assistant “A” Camera: Archie Muller
• Best Boy Grip: Tino Liverton
• Assistant Property Master: Neil Hornshaw
• Location Manager: Calum Green
• Assistant Location Manager: Florence Cleverdon
• Assistant Location Manager: Danny Potts
• Production Supervisor: Lisa Curry
• Third Assistant Director: Olivia Fitzroy
• Assistant Production Coordinator: Alistair Steele
• First Assistant Accountant: Jordan Garland
• Assistant Sound Editor: Jacob Stripp

Movie Reviews:

• Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/last-night-in-soho-spoiler-free-review

  “Last Night in Soho is incredibly captivating throughout the entire runtime, but Edgar Wright’s all-in in the insane third act is definitely going to generate a divisive response.

  Story-wise, the compelling protagonists – brilliantly interpreted by Thomasin McKenzie and Anya Taylor-Joy – follow intriguing arcs holding unexpected revelations that ultimately make sense with the overall narrative. Stunning cinematography and production design come together to create a visually jaw-dropping 1960s London, which becomes an even more entertaining place to visit due to Steve Price’s addictive music.

  However, the last act feels a sudden hurry to tie every knot through overwhelming editing, hasty pacing, and careless transitions, which work against what the film had been until that point.

  I commend Wright’s commitment and extreme dedication to his vision, but the restraint shown previously should have also been part of the conclusion.”

  Rating: B+

• JPV852: Not a big fan of Edgar Wright compared to some (fine filmmaker but don’t get excited when a project of his is announced; and to be fair, same really goes for Christopher Nolan as well lately), but this one does feature some good 1960s-era music and the performances from both Thomasin McKenzie and Anya Taylor-Joy (whom I am a big fan of) were great and some fun mind-twisting scenery and visuals, though in the end felt it was fine as whole. Worthy of a watch, though. **3.5/5**