When an attack on the Kingsman headquarters takes place and a new villain rises, Eggsy and Merlin are forced to work together with the American agency known as the Statesman to save the world.
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Credits: TheMovieDb.

Film Cast:

• Harry Hart: Colin Firth
• Poppy: Julianne Moore
• Eggsy: Taron Egerton
• Merlin: Mark Strong
• Ginger: Halle Berry
• Whiskey: Pedro Pascal
• Charlie: Edward Holcroft
• Princess Tilde: Hanna Alström
• Chief of Staff Fox: Emily Watson
• Roxy: Sophie Cookson
• Self: Elton John
• Tequila: Channing Tatum
• Champ: Jeff Bridges
• Arthur: Michael Gambon
• President of the United States: Bruce Greenwood
• Liam: Thomas Turgoose
• Brandon: Calvin Demba
• Jamal: Tobi Bakare
• Kingsman’s Cab Driver: Gordon Alexander
• Charles: Keith Allen
• Angel: Tom Benedict Knight
• The King of Sweden: Björn Granath
• The Queen of Sweden: Lena Endre
• Tour Guide: Samantha Coughlan
• Glastonbury Guard: Martyn Ford
• Clara: Poppy Delevingne
• Hotel Receptionist: Grant Gillespie
• Kentucky Barmaid: Tara Hugo
• Very Drunk Redneck: Nicholas Colicos
• Patient One: Jordan Mifsud
• Patient Two: Kaye Brown
• Patient Three: Paul Giddings
• Poppy’s Antidote Doctor: Iain McKee
• General McCoy: Mark Arnold
• FOX News Anchor: Shannon Bream
• Harvard Professor: James Carroll Jordan
• FOX News Anchor: Bill Hemmer
• Hospital Doctor: Stacey Swift
• Cable Car Attendant: Alessandro De Marco
• Confused Guard: Antonio Magro
• Elderly Patient 1: Stephen Schreiber
• Elderly Patient 2: Count Prince Miller
• Poppy’s Attorney: Jeff Ricketts
• Poppy’s Security Gate Guard: Joe Gallina
• Agent Whiskey’s Wife: Ammara Niwaz
• First Burly Guard: Mingus Johnston
• Michelle: Samantha Womack
• Kingsman Knight: James Clayton
• Kingsman Knight: Bimbo Hart
• Kingsman Knight: Chester King
• Kingsman Knight: Alastair MacIntosh
• Kingsman Knight: Max Macintosh
• Kingsman Knight: Tom Parker Bowles
• Kingsman Knight: Carlos Peres

Film Crew:

• Writer: Matthew Vaughn
• Sound Effects Editor: Martin Cantwell
• Visual Effects Supervisor: Angus Bickerton
• Set Decoration: Rosemary Brandenburg
• Production Manager: Marco Greco
• Writer: Jane Goldman
• Costume Design: Arianne Phillips
• Editor: Eddie Hamilton
• Producer: Adam Bohling
• Supervising Art Director: Grant Armstrong
• Still Photographer: Giles Keyte
• Characters: Dave Gibbons
• Key Grip: Emmet Cahill
• Still Photographer: Nick Wall
• Hair Designer: Lisa Tomblin
• Characters: Mark Millar
• Stunt Coordinator: Bradley James Allan
• Producer: David Reid
• Music: Henry Jackman
• Production Design: Darren Gilford
• Visual Effects Supervisor: Pierre Buffin
• Art Department Coordinator: Julia Castle
• Music: Matthew Margeson
• Director of Photography: George Richmond
• Casting: Reg Poerscout-Edgerton
• Still Photographer: Alex Bailey
• Second Unit Director of Photography: Tim Wooster
• Art Direction: David E. Scott
• Stunts: Stephanie Carey
• Art Direction: Joe Howard
• Property Master: Ty Teiger
• Art Direction: Tarnia Nicol
• Art Direction: Gary Jopling
• Construction Coordinator: Nicky Ackland-Snow
• Supervising Sound Editor: Matthew Collinge
• Foley: Dan O’Connell
• Foley: John T. Cucci
• Gaffer: Michael Chambers
• Dialogue Editor: Matt Davies
• Stunts: James Embree
• Visual Effects Producer: Barrie Hemsley
• Sound Re-Recording Mixer: Mike Prestwood Smith
• Camera Operator: Mitch Dubin
• Visual Effects Supervisor: Mark Breakspear
• Visual Effects Producer: Paula Pope
• Aerial Director of Photography: Adam Dale
• Rigging Gaffer: Wayne Leach
• Dialogue Editor: Michael Maroussas
• Supervising Sound Editor: Danny Sheehan
• Sound Effects Editor: Paul Carter
• Aerial Director of Photography: Mark Gerasimenko
• Visual Effects Producer: Nicolas Bonnell
• Additional Camera: Oliver Loncraine
• Hairstylist: Annette Field
• Visual Effects Producer: Chris Anderson
• CG Supervisor: Fabio Zangla
• Script Supervisor: Lucy Ward
• Animation Supervisor: Nathan McConnel
• Hairstylist: Francesca Crowder
• Visual Effects Supervisor: Chris Lawrence
• CG Supervisor: Harry Bardak
• Assistant Art Director: Kristen Maloney
• Conceptual Illustrator: Craig Shoji
• Pre-Visualization Supervisor: Jason McDonald
• Hairstylist: Mandy Lyons
• Visual Effects Producer: Rob Shears
• Visual Effects Supervisor: Geoffrey Niquet
• Makeup Artist: Susan Reilly LeHane
• Casting Associate: Lillie Jeffrey
• Visual Effects Supervisor: Martin Waters
• Key Hair Stylist: Andrew Simonin
• Music Editor: Jack Dolman
• Gaffer: Stefano Marino
• Unit Production Manager: David Cain
• Assistant Art Director: Oliver Benson
• Pilot: Marc Wolff
• Key Grip: David Appleby
• Animation Director: Max Tyrie
• Supervising Animator: Craig McPherson
• Steadicam Operator: Stamos Triantafyllos
• VFX Supervisor: Alex Guri
• Rigging Gaffer: Sam Kite
• Steadicam Operator: Benjamin Treplin
• Foley: Roberto Dominguez Alegria
• Aerial Coordinator: Lucia Foster Found
• Russian Arm Operator: Toby Plaskitt
• Casting Assistant: Katy Covell
• Art Direction: James Morrall
• Production Manager: Michael Killoren
• Assistant Director: Harry Minter
• First Assistant Director: Jack Ravenscroft
• Assistant Sound Editor: Oskar von Unge
• Casting Assistant: Tamsyn Manson
• Assistant Editor: Christopher Frith
• Drone Operator: Gareth Harfoot
• Gaffer: Shawn White
• Key Grip: Giampaolo Bagala
• Stunt Double: Rick English
• Sound Designer: Rob Prynne
• Armorer: Paul Biddiss
• Aerial Camera: Adam Sculthorp
• Drone Operator: Angus Benson-Blair
• Drone Operator: Dani Rose
• Gaffer: Terry Robb
• Aerial Camera: Leo Bund
• Additional Camera: Chris Bain
• Sound Recordist: Chloe Banham
• Sound Recordist: Jonathan Connaught
• Assistant Art Director: Patrick Harris
• Assistant Art Director: Jane Harwood
• Assistant Property Master: Martin Kingsley
• Propmaker: Wasili Angelopoulos
• 2D Supervisor: Neil Alford
• CG Supervisor: Dominic Alderson
• Matchmove Supervisor: Tom Schultz
• Pre-Visualization Supervisor: Karl Rapley
• Sequence Supervisor: Félix Pirritano
• VFX Artist: Tyler Halle
• VFX Artist: Troy Summersett
• Visual Effects Producer: Bryce Nielsen
• Visual Effects Producer: Julien Cimino
• Visual Effects Technical Director: Simone Ciliani
• Visual Effects Technical Director: Achraf Ayadi
• Health and Safety: Daniel Rogers
• Transportation Captain: Matteo Leurini

Movie Reviews:

• Gimly: This _Kingsman_ sequel might not be an outright terrible movie, but it is a **massive** disappointment. Virtually every enjoyable aspect of the first movie has been either turned down to and unsatisfyingly low level, or blasted way the fuck up into the realm of off-putting nonsense. _The Golden Circle_ somehow manages to both underserve all of its elements, while still feeling far too long. A couple of good fights, nice suits and maybe a single laugh can be found throughout the movie, but it does not do the original one iota of justice.

  _Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._

• Per Gunnar Jonsson: This is indeed a silly, even childish at time, movie but to me it was also a really really fun movie to watch.

  The movie starts by the Kingsman organisation getting screwed over royally by the psychopathic Poppy Adams which forces what remains of the organisation, all two people, to work with their counterpart in the United States. Just as the Kingsmen are parodies on the stiff upper lip British gentleman the Statesmen are parodies of the southern US gentleman (if you can actually call them that) only even more so. Maybe it is my European heritage but I personally feel the Kingsmen are fairly cool where the drawling Statesmen are more on the silly side.

  Once again Eggsy is the main character although I have to say that I personally like Harry, the original Galahad, much more. He has much more charisma, elegans and smarts. Since he is portrayed on the movie posters I guess it is not much of a spoiler when I say that, to my delight, the rumors of his death were greatly exaggerated. Unfortunately Eggsy is sometimes quite cool and plays his British gentleman role quite well and sometimes he is just dumb as a doornail.

  Poppy Adams is okay but she is bordering on the ludicrous too much for my taste. The we have a certain English artist, a Sir no less. I do not know how much they had to pay to get him to take part in this movie but I am fairly sure I would consider it too much. He was just silly as far as I am concerned.

  The movie is of course loaded with gadgets, most of them of the variety that makes noises of varying levels of loudness usually resulting in one or more bad guys biting the dust. It is almost gadget overload but I really liked. Sometimes this amount of totally unbelievable gadgets is dragging down the movie more than anything but in this one it was mostly a success. To me Harry and the gadgetry is what makes this movie.

  Given that I am originally from Sweden I have mixed feelings about Eggsy’s girlfriend and the Swedish royalties. I guess those parts were okay but I could have been without them as well. At least I feel that however wrote the scene with the “royal” dinner could have read up on Swedish etiquette. Knocking on a glass with your spoon, knife or fork means you are about to give a speech, NOT that you want the plates to be changed. A professional servant, and the Swedish royalty DO have professional servants, do not need to be told when to change plates.

  The actual story is, well it is original at least but I would not rate it any higher than okay. It served as a vehicle for stringing together all the stunts and jokes so it served its purpose. The worst part of the story was that I was actually finding myself agreeing with the president. This might perhaps shock some people but I am sorry, if you are dumb enough to ingest that crap, which is also highly illegal, then I have no sympathy for you.

  If you get upset about stupid plot details and plot holes then be prepared to be upset. There are plenty of them in this movie. To me it did not matter too much since this is not really a thriller or drama. It is a spy parody / comedy. Having said that it did piss me off a bit that this advanced organisation did not have brains enough to deal with the piece of equipment left in the London cab at the beginning of the movie. I mean, it was just soo obvious what would happen.

  Anyway, on the whole this movie was great fun to watch. I hope we get another sequel. Perhaps one with a Japanese version of the Kingsmen? There ought to be plenty of cultural stereotypes to play on there.