In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.
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Credits: TheMovieDb.

Film Cast:

• Evey Hammond: Natalie Portman
• William Rookwood / V: Hugo Weaving
• Chief Inspector Eric Finch: Stephen Rea
• Gordon Deitrich: Stephen Fry
• Chancellor Adam Sutler: John Hurt
• Creedy: Tim Pigott-Smith
• Valerie Page: Natasha Wightman
• Dominic: Rupert Graves
• Lewis Prothero: Roger Allam
• Dascomb: Ben Miles
• Delia Surridge: Sinéad Cusack
• Etheridge: Eddie Marsan
• Bishop Lilliman: John Standing
• Young Valerie Page: Imogen Poots
• Guy Fawkes: Clive Ashborn
• Guy Fawkes Lover: Emma Field-Rayner
• Tweed Coat Fingerman: Ian Burfield
• Willy Fingerman: Mark Phoenix
• Baldy Fingerman: Alister Mazzotti
• Little Glasses Girl: Billie Cook
• Heyer: Guy Henry
• Patricia: Cosima Shaw
• BTN News Poppet: Megan Gay
• BTN News Poppet: Roderic Culver
• Fred: Andy Rashleigh
• Storm Saxon: Chad Stahelski
• Laser Lass: Antje Rau
• Wardrobe Mistress: Amelda Brown
• Security Guard: Richard Campbell
• Little Glasses Girl Dad: Mark Longhurst
• Barfly: Charles Cork
• Old Man: John Ringham
• Old Man: Oliver Bradshaw
• Middle Class Mum: Juliet Howland
• Jones: Joseph Rye
• Major Wilson: Malcolm Sinclair
• Young Evey: Madeleine Rakic-Platt
• Evey’s Mother: Selina Giles
• Evey’s Father: Carsten Hayes
• Bureaucrat: Derek Hutchinson
• Denis: Martin Savage
• Operator: Grant Burgin
• Operator: Greg Donaldson
• Biology Teacher: Jason Griffiths
• Sarah: Laura Greenwood
• Valerie’s Father: Paul Antony-Barber
• Valerie’s Mother: Anna Farnworth
• Ruth: Mary Stockley
• Tube Station News Poppet: Simon Newby
• Young Man: David Merheb
• Civil War News Poppet: Dulcie Smart
• Water Shortage News Poppet: Ben Posener
• Avian Flu News Poppet: Ian T. Dickinson
• Three Waters News Poppet: Julie Brown
• Surveillance Man: Eamon Geoghegan
• Finch’s Fedco Man: Matthew Bates
• Convenience Store V: David Leitch
• Little Glasses Girl Fingerman: Matt Wilkinson
• Victoria Station Fingerman: Martin McGlade
• Parliament Lieutenant: Richard Laing
• Parliament General: Michael Simkins
• Radio Man: William Tapley
• Soldier (uncredited): Tony Cook
• V Follower (uncredited): Lee Asquith-Coe
• V Follower (uncredited): Christopher Fosh
• V Follower (uncredited): Keith How
• V Follower (uncredited): Norman Campbell Rees
• Soldier (uncredited): Andy Callaghan
• Soldier (uncredited): Forbes KB
• Soldier (uncredited): João Costa Menezes
• Soldier (uncredited): Chris Wilson
• Marshal (uncredited): Nicolas de Pruyssenaere
• V Street Vigilante (uncredited): David Decio
• V Army Member (uncredited): Rami Hilmi
• Bodyguard (uncredited): Mathis Landwehr
• Policeman (uncredited): Jason Oettle
• Creedy Guard (uncredited): Wolfgang Stegemann

Film Crew:

• Casting: Lucinda Syson
• Supervising Art Director: Kevin Phipps
• Producer: Joel Silver
• Draughtsman: Udo Kramer
• Executive Producer: Ben Waisbren
• Stunt Driver: Adam Kirley
• Producer: Lorne Orleans
• In Memory Of: Adrian Biddle
• Unit Production Manager: Grant Hill
• Producer: Lilly Wachowski
• Producer: Lana Wachowski
• Production Design: Owen Paterson
• Makeup Designer: Paul Engelen
• Editor: Martin Walsh
• Director: James McTeigue
• Associate Producer: Jessica Alan
• Co-Producer: Roberto Malerba
• Co-Producer: Henning Molfenter
• Co-Producer: Charlie Woebcken
• Original Music Composer: Dario Marianelli
• Set Decoration: Peter Walpole
• Costume Design: Sammy Sheldon
• Art Direction: Marco Bittner Rosser
• Art Direction: Sarah Horton
• Art Direction: Sebastian T. Krawinkel
• First Assistant Director: Terry Needham
• Stunts: Alister Mazzotti
• Stunts Coordinator: Chad Stahelski
• Stunt Coordinator: Antje Rau
• Stunts Coordinator: David Leitch
• Stunts: Jan Böhme
• Stunts: Daniel Bohn
• Stunts: Michael Bornhütter
• Stunts: Stuart Clark
• Stunts: Talila Craig
• Stunts: David Cronnelly
• Stunts: Nicolas de Pruyssenaere
• Stunts: Ivonne Dietzel
• Stunts: Oliver Fritsche
• Stunts: Michael Gast
• Stunts: Thorsten Gliewe
• Stunts: Eduart Geber
• Stunts: Sascha Girndt
• Stunts: Uwe Gösche
• Stunts: Wanja Götz
• Stunts: Siegfried Gordes
• Stunts: Matthias Günther
• Stunts: Alexander Hardt
• Stunts: Udo Harnach
• Stunts: Cyrille Hertel
• Stunts: Timo Honsa
• Stunts: Eunice Huthart
• Stunts: Rob Inch
• Stunts: Tomas Jester
• Stunts: Heiko Kiesow
• Stunts: Mathis Landwehr
• Stunts: Stefan Langel
• Stunts: Wolfgang Lindner
• Stunts: Udo Lüttich
• Stunts: Mike Luft
• Stunts: Alexandra Nazahn
• Stunts: James O’Donnell
• Stunts: Jason Oettle
• Stunts: Markus Papiernek
• Stunts: Thorsten Rapst
• Stunts: Christian Petersson
• Stunts: Swen Raschka
• Stunts: Katja Richter
• Stunts: Armin Sauer
• Stunts: Matthias Schendel
• Stunts: Babette Schimanek
• Stunts: Bernhard Schirmer
• Stunts: Karsten Schmidt
• Stunts: Rene Schobes
• Stunts: Katrin Schrake
• Stunts: Andreas Schulz
• Stunts: Thierry Saelens
• Stunts: Andy Smart
• Stunts: Mark Southworth
• Stunts: Wolfgang Stegemann
• Stunts: Matthew Stirling
• Stunts: Rocky Taylor
• Stunts: Steve Thiede
• Stunts: Andreas Tietz
• Stunts: Ralf Tillmann
• Stunts: Vladimir Vilanov
• Stunts: Rainer Werner
• Stunts: Oliver Wiesner
• Second Unit Director: Harvey Harrison
• Dialect Coach: Barbara Berkery
• Script Supervisor: Jean Bourne
• Art Direction: Stephen Bream
• Assistant Art Director: Stephan O. Gessler
• Assistant Art Director: Cornelia Ott
• Assistant Art Director: Christian Schaefer
• Art Department Coordinator: Roxy Konrad
• Set Decoration Buyer: Ulli Isfort
• Set Decoration Buyer: Uli Fischer
• Conceptual Design: Peter Popken
• Conceptual Design: Dermot Power
• Storyboard Artist: Axel Eichhorst
• Picture Car Coordinator: Simon-Julien Boucherie
• Standby Painter: Edgar Konkoll
• Art Department Assistant: Katja Fischer
• Art Department Assistant: Maren Hollje
• Property Master: Axel Kahnt
• Camera Operator: David Worley
• Additional Camera: Jörg Widmer
• Additional Camera: Gerd Breiter
• Production Sound Mixer: David Stephenson
• Boom Operator: Gary Dodkin
• Cableman: Benjamin Dunker
• Key Set Production Assistant: Sarah Meyer
• Video Assist Operator: John Bowman
• Gaffer: Albrecht Silberberger
• Best Boy Electrician: Roland Patzelt
• Electrician: Stefan Förster
• Electrician: Peter Kramer
• Electrician: Jens Makeldey
• Electrician: Götz Schmidt zu Nedde
• Electrician: Jürgen Ruge
• Electrician: Stephan Schneider
• Electrician: Axel Scholz
• Electrician: Volker Vahl
• Electrician: Felix Weddige
• Rigging Gaffer: Dietmar Haupt
• Key Grip: Heiko Jörke
• Grip: Daniel Alvermann
• Grip: Helko Klünder
• Grip: Brian ‘Joker’ Mulvey
• Dolly Grip: Christian Scheibe
• Unit Publicist: Bronwyn Preston
• Still Photographer: David Appleby
• Set Costumer: Anna Isabell Logen
• Dresser: Dietke Brandt
• Hairstylist: Jeremy Woodhead
• Hairstylist: Petra Schaumann
• Special Effects Coordinator: Klaus Mielich
• First Assistant Editor: Alison Carter
• Assistant Editor: Mark Cullis
• Post Production Assistant: Adam Cocker
• Supervising Sound Editor: Glenn Freemantle
• Sound Designer: Tom Sayers
• Sound Effects Editor: Andrew Wilkinson
• Dialogue Editor: Gillian Dodders
• ADR Editor: Lee Herrick
• Foley Editor: Hugo Adams
• Foley: Ben Barker
• Assistant Sound Editor: Adam Daniel
• Sound Re-Recording Mixer: John Hayward
• Sound Re-Recording Mixer: Richard Pryke
• ADR & Dubbing: Robert Farr
• Foley: Andie Derrick
• Foley Artist: Peter Burgis
• Foley Mixer: Kevin Tayler
• Music: Benjamin Wallfisch
• Conductor: Hilary Skewes
• Music Editor: Peter Clarke
• Location Manager: Markus Bensch
• Location Coordinator: Nina Hueskes
• Location Scout: Friederike von Rauch
• Production Manager: Marcus Loges
• Production Coordinator: Damian Anderson
• Production Manager: Anja Wedell
• Assistant Production Coordinator: Katharina Gapski
• Production Accountant: Neil Chaplin
• Production Accountant: Kristov Brändli
• Extras Casting: Iris Müller
• Set Medic: Monika Klatt
• Set Medic: Thomas Rucks
• Stand In: Matt Curtis
• Stand In: Jens Grulke
• Stand In: Natascha Gutschmidt
• Stand In: Nils Lange
• Stand In: Sandrine Loisy
• Stand In: Ian Mitchell
• Stand In: Sarah Penger
• Stand In: Glenn West
• Transportation Coordinator: Sebastian Neitsch
• Transportation Captain: Inga Meissner
• Second Unit: Miki Emmrich
• Graphic Novel: Alan Moore
• Leadman: Andreas Brandt
• Hairstylist: Lesley Smith
• Stunts: Martin Goeres
• Costume Supervisor: Rosemary Burrows
• Assistant Director: Alex Kirby
• Hairstylist: Valeska Schitthelm
• Production Assistant: Jerry Adams
• Music Programmer: Jody Jenkins
• Armorer: Simon Atherton
• Painter: Mike Peel
• Costume Assistant: Camille Benda
• Art Department Production Assistant: Patrick Herzberg
• Concept Artist: George Hull
• Digital Effects Supervisor: Tom Debenham
• Additional Colorist: Adam Inglis
• Special Props: Niels Müller
• Camera Operator: Sebastian Meuschel
• Script Supervisor: Julie Brown
• Steadicam Operator: Tony Jackson
• Gaffer: Kevin Day
• Aerial Director of Photography: Jeremy Braben
• ADR Mixer: Paul Carr
• Stunt Coordinator: Mark Mottram
• Digital Intermediate Producer: Marcus Alexander
• Visual Effects Editor: Derek Burgess
• VFX Editor: Christopher Learmonth
• Location Manager: Nick Daubeny
• Set Costumer: Sabine Groh
• Construction Manager: Dierk Grahlow
• Makeup Artist: Melissa Lackersteen
• ADR Recordist: Mark Appleby
• CG Supervisor: Thrain Shadbolt
• Tailor: Eike Neumann
• Supervising Armorer: Tommy Dunne
• Sequence Supervisor: Mark Bakowski
• Color Timer: Terry Claborn
• Special Effects: Jeremy King
• Special Effects Supervisor: Uli Nefzer
• Visual Effects Supervisor: Huseyin Caner
• Assistant Camera: Marc Atherfold
• Lighting Technician: Gary Hedges
• VFX Artist: Oliver Faldo
• Sound Engineer: Jake Jackson
• Camera Trainee: Alfie Biddle
• Grip: Jan Brun
• Key Accountant: Nicole Furia
• Musician: Mark Berrow
• Negative Cutter: Steve Farman
• Costumer: Sabin Gröflin
• ADR Voice Casting: Louis Elman
• Second Assistant Director: Paul Goldsmith
• Construction Buyer: Robert Allen
• Assistant Costume Designer: Charlotte-Rose Armstrong
• Props: Christoph Kettenring
• Compositor: Jacques Dell
• Digital Colorist: Adam Glasman
• Electrician: Martin Cox
• Carpenter: Lee Biggs
• Production Illustrator: David Lloyd
• Floor Runner: Darren O’Connell
• Clapper Loader: Rafael Jeneral
• Visual Effects Producer: Sarah Dowland
• Digital Compositor: Susanne Becker
• Assistant Accountant: Karen Bicknell
• Special Effects Technician: Michael Fox
• Second Assistant Camera: Viviane Bendjus
• Catering: Robin Demetriou
• Location Production Assistant: Dirk Hannemann
• Third Assistant Director: Tobias Asam
• Standby Painter: John Hersey
• Title Designer: Toby Glover
• Special Effects Assistant: John Cluff
• Colorist: Lee Twohey
• Health and Safety: Leah Chalk
• Production Executive: Kevin Trehy
• Location Assistant: Karen Betteridge
• Sound Engineer: Janusz Tokarzewski
• Digital Intermediate Data Wrangler: Charlie Habanananda
• Location Scout: Petra Ringleb
• Driver: Jimmy Adams
• Security: Peter Conners
• Set Production Assistant: Sven Jenuwein
• Sound Mixer: Colin Codner
• Visual Effects: Mike Bell
• Projection: James Walsh
• Visual Effects Coordinator: Alexandra Day
• Second Second Assistant Director: Kim Whittaker
• First Assistant Camera: Franz-Xaver Kringer
• Dressing Prop: Wolfgang Hein
• Supervising Carpenter: André Brüggemann
• Stunt Double: Rich Mixsell
• Casting Assistant: Amie Stephenson
• Assistant Location Manager: Rebecca Chambers
• Payroll Accountant: Karsten Piel
• Production Driver: Marcel De Lamotte
• Pyrotechnician: Ana-Lucia Limbrick
• Script Editor: Harvey Price

Movie Reviews:

• schoosskyler: With the litany of comic book films being made in 2017, it’s hard to understand the role V for Vendetta has played in ‘Comic Book Movie’ culture. This was one of the early successes of the genre and it continues to shine today in ways other movies (I’m looking at you, Marvel) have not.

  The grittiness of the story cannot be understated, this story is DARK. However, the message of the story is one of hope, and hope is a difficult thing to capture. This film captures both, with the help of excellent cinematography and slow-motion action cuts.

  I get the sense when I watch this film that something bigger is happening around me, and honestly in 2017, this movie feels more relevant than ever. Themes of state-run media empires, government corruption of the highest order, and the suffocation of all that is ‘other’ permeates the fabric of this film, and everything is captured beautifully in a noir-esque nightmarescape of future, facist London.

  I can honestly say that more than a decade later, this film still shines as one of the great comic book movies and its themes will continue to ring true as long as we have people in the world who exist to limit others. Let’s just hope that someday this world does not feel any more real than it does now.

• JPV852: V for Vendetta movie isn’t a movie I really ever loved when I first saw it back in 2006 and again I think when it came out on DVD or Blu-ray some years ago, and after re-viewing this time… I pretty much feel the same way. It features some good performances from Hugo Weaving (commendable since it was almost completely behind a mask) and Natalie Portman. However, it is a bit heavy handed and too on the nose (perhaps that is in keeping with the graphic novel), and I didn’t really have an emotional connection with the characters or story. There’s also nothing that really stands out from scene to scene. **3.5/5**