With only three weeks left in his three year contract, Sam Bell is getting anxious to finally return to Earth. He is the only occupant of a Moon-based manufacturing facility along with his computer and assistant, GERTY. When he has an accident however, he wakens to find that he is not alone.
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Credits: TheMovieDb.

Film Cast:

• Sam Bell: Sam Rockwell
• GERTY (voice): Kevin Spacey
• Tess Bell: Dominique McElligott
• Little Eve: Rosie Shaw
• Nanny: Adrienne Shaw
• Eve: Kaya Scodelario
• Thompson: Benedict Wong
• Overmeyers: Matt Berry
• Technician: Malcolm Stewart
• Sam Bell Clone (double): Robin Chalk

Film Crew:

• Compositor: Aleksandar Jovanović
• Music Producer: Clint Mansell
• First Assistant Director: Guy Travers
• Casting: Jeremy Zimmermann
• Production Design: Tony Noble
• Costume Design: Jane Petrie
• Producer: Steve Milne
• Producer: Mark Foligno
• Editor: Nicolas Gaster
• Casting: Manuel Puro
• Executive Producer: Michael Henry
• Story: Duncan Jones
• Screenplay: Nathan Parker
• Producer: Trudie Styler
• Director of Photography: Gary Shaw
• Dialogue Editor: Kevin Brazier
• Floor Runner: Ella Harris
• Music: Chesney Hawkes
• Producer: Stuart Fenegan
• Executive Producer: Bill Zysblat
• Executive Producer: Trevor Beattie
• Executive Producer: Bil Bungay
• Producer: Alex Francis
• Stunt Coordinator: Rod Woodruff
• Line Producer: Julia Valentine
• Producer: Nicky Bentham
• Producer: Deepak Sikka
• Producer: Justin Lanchbury
• Musician: Carly Paradis
• Foley Artist: Jason Swanscott
• Visual Effects Producer: Shanaullah Umerji
• Post-Production Manager: Katie Shahrokh
• Visual Effects Supervisor: Simon Stanley-Clamp
• Electrician: Pete Carrier
• Visual Effects Producer: Angie Wills
• Post Production Supervisor: Dan Bentham
• Visual Effects Producer: Paul Edwards
• Production Manager: Imogen Bell
• Production Sound Mixer: Patrick Owen
• Script Supervisor: Jo Beckett
• Dolby Consultant: Richard Stockdale
• ADR Mixer: Darren McQuade
• Foley Artist: Ted Swanscott
• Sound Re-Recording Mixer: Scott Jones
• Executive Visual Effects Producer: Antony Hunt
• Scenic Artist: Howard Weaver
• Sound Effects Editor: Marc Lawes
• Makeup Designer: Karen Dawson
• Visual Effects Supervisor: Gavin Rothery
• Gaffer: Ewan Cassidy
• First Assistant Camera: David Penfold
• Compositor: Chris Elson
• Online Editor: Nick Anderson
• Additional First Assistant Camera: Mihalis Margaritis
• Still Photographer: Mark Tillie
• Hairstylist: Richard Muller
• Focus Puller: Barny Crocker
• Storyboard Artist: Douglas Ingram
• Scoring Mixer: Geoff Foster
• Online Editor: Justin Eely
• Art Direction: Hideki Arichi
• First Assistant Director: Mick Ward
• Additional First Assistant Camera: Fran Weston
• Compositing Lead: Alex Smith
• Camera Operator: Alex Howe
• Set Dresser: Sophie Bridgman
• Compositor: Abigail Scollay
• Second Assistant Director: Simon Downes
• Costume Supervisor: Lucy Donowho
• Visual Effects Production Manager: Daniel Pettipher
• Grip: Garth Sewell
• Visual Effects: Molinare
• Production Accountant: Robin Green
• Compositor: Dylan Owen
• Compositor: Ben Hicks
• Draughtsman: Andrew Proctor
• Foley Mixer: Simon Epstein
• Foley Editor: Paul William Edwards
• Compositor: Lewis Saunders
• Senior Colorist: Tim Waller
• Loader: Tim Morris
• Compositor: Sam Bassett
• Video Assist Operator: Peter Hodgson
• Foley Mixer: Trevor Swanscott
• Grip: Dan Garlick
• Digital Compositor: John Slattery
• Compositor: Ryan Hutchings
• Additional Third Assistant Director: Henry Forsyth
• Executive Visual Effects Producer: Courtney Vanderslice
• Thanks: Paul W. Baker
• Thanks: Eddie Dias
• Thanks: Rob Garvie
• Thanks: Noel Tovey
• Assistant Accountant: Richard North
• Additional Second Assistant Camera: Ray Moody
• Third Assistant Director: Alex Kaye-Besley
• Assistant Art Director: Peter Ryan
• Assistant Editor: Richard Smither
• Producer’s Assistant: Becky Page
• Camera Trainee: Alex Kruszelnicki
• Catering: Francesca Cooper
• Catering: Peter Scholes
• Chaperone: Katia Scodelario
• Draughtsman: Maia Sautelet
• Driver: James Chambers
• Driver: Jeff Hudson
• Driver: Steve Rivenell
• Electrician: Dave Glazier
• Electrician: George Haldsworth
• Electrician: Susanne Salavati
• Graphic Designer: Julian Walker
• Grip: Tony Shults
• Musician: Mike Fonte
• Production Accountant: Roisin Byrne
• Production Assistant: Emily Manthorpe
• Production Coordinator: Livia Burton
• Production Manager: Jeremy Burnage
• Property Master: Simon Bailey
• Props: Kevin Scarrott
• Publicist: Daniel Bee
• Standby Rigger: Tony Moore
• Second Assistant Camera: Jimmy Ward
• Second Assistant Camera: Mark Dempsey
• Standby Painter: Richard Boyton
• Standby Painter: Steven Nix
• Storyboard Artist: Graham Wyn Jones
• Title Designer: Simon Kilroe
• Compositor: Guy Elson
• Compositor: Ian Plumb
• Compositor: Karen Wand
• Compositor: Sandro Henriques
• Compositor: Anthony Webb
• Compositor: David Emeny
• Compositing Lead: Dan Harrod
• Compositing Lead: David Sewell
• Visual Effects Coordinator: Lee Chidwick
• Visual Effects Editor: Barrett Heathcote

Movie Reviews:

• John Chard: Gerty, we’re not programmed. We’re people, do you understand?

  Directed by Duncan Jones and starring Sam Rockwell, Moon finds Rockwell as Sam Bell who is coming to the end of his three year contract on a lunar station working for Lunar Industries. His only companion is an intelligent computer named GERTY (voiced by Kevin Spacey). When Sam has an accident he awakens to find he is now not alone and all he thought and believed in is just not as it seems.

  Forget any fears about a low budget and any plot similarity to 2001: A Space Odyssey, for this is a cracker jack of a science fiction picture. Film quickly fills us in on Sam Bell the man and his function up there on the lunar station. His relationship with GERTY the computer grabs our interest whilst the production design has a sort of medicinal sheen to it. Once Sam’s solitude is established, the minimal contact with Earth explained, the pic then spins into another dimension, dragging both Sam and us viewers into the vortex.

  To say more would be churlish, but this is adult science fiction, clever in existential whiles and scathing with observations on corporate shenanigans. Narratively it’s evocative in its telling, even haunting and philosophical, where a brilliant Rockwell nails every inch of Bell’s search for being, and crucially, the truth. It’s all building towards a finale of some devilish substance, no cop outs or easy fed answers, just a pertinent question asked of the viewers. Moon comes highly recommended to sci-fi fans who are after a bit more than mere sparkly fluff and robotic chaos. 9/10

• Kamurai: Great watch, would watch again, and do recommend.

  Sam Rockwell no only carries the movie, but he’s literally the only person in the movie that isn’t on a screen.

  He plays off himself amazingly well and really balances the struggles of both the individual and the clone to clone interaction. The struggle feels like how someone would react to the situation, and Rockwell adds his own special flair to it.

  The setting of Luna is amazing, granted it’s mostly in the small station, but it makes me jealous that we haven’t established moon colonies. Space madness might be a real thing, but it is because someone is alone and not part of a group.

  I want more movies like this for every reason: more Sam Rockwell, more Luna settings, more clone movies, more isolation theory, more, “OMG, MY ENTIRE LIFE IS A LIE, WHAT IS HAPPENING!”.

• AstroNoud: A quiet, psychological sci-fi thriller with a grim atmosphere, ‘Moon’ is carried by a greatly nuanced performance by Rockwell.

  8/10