A falsely accused nobleman survives years of slavery to take vengeance on his best friend who betrayed him.
- Judah Ben-Hur: Jack Huston
- Pontius Pilate: Pilou Asbæk
- Jésus Christ: Rodrigo Santoro
- Sheik Ilderim: Morgan Freeman
- Naomi Ben-Hur: Ayelet Zurer
- Messala Severus: Toby Kebbell
- Esther: Nazanin Boniadi
- Tirzah Ben-Hur: Sofia Black-D’Elia
- Druses: Marwan Kenzari
- Gestas: Moisés Arias
- Quintus Arius: James Cosmo
- Simonides: Haluk Bilginer
- Peter: Stefano Scherini
- Marcus Decimus: David Walmsley
- Jacob: Yasen Atour
- Kadeem: Francesco Scianna
- Elijah: Gabriel Farnese
- Avigail: Denise Tantucci
- Flores: Jarreth J. Merz
- Production Design: Naomi Shohan
- Casting: John Papsidera
- Editor: Dody Dorn
- Editor: Richard Francis-Bruce
- Original Music Composer: Marco Beltrami
- Producer: Duncan Henderson
- Editor: Bob Murawski
- Producer: Sean Daniel
- Novel: Lew Wallace
- Director of Photography: Oliver Wood
- Sound Effects Editor: Ezra Dweck
- Sound Re-Recording Mixer: Ron Bartlett
- Director: Timur Bekmambetov
- Set Decoration: Alessandra Querzola
- Costume Design: Varvara Avdyushko
- Screenplay: John Ridley
- Art Direction: Alessandro Santucci
- Foley Artist: Shelley Roden
- Sound Effects Editor: Albert Gasser
- Screenplay: Keith R. Clarke
- Producer: Joni Levin
- Producer: Mark Burnett
- ADR Mixer: Martin Kwok
- Supervising Sound Editor: Piero Mura
- Sound Re-Recording Mixer: Kevin O’Connell
- Supervising Art Director: Félix Larivière-Charron
- Music Editor: Mikael Sandgren
- Foley Artist: Alyson Dee Moore
- Sound Re-Recording Mixer: Aaron Glascock
- Supervising Dialogue Editor: Curt Schulkey
- Music Editor: Chris McGeary
- Art Direction: Gianpaolo Rifino
- Property Master: Sebastiano Murer
- Script Supervisor: Rachel Griffiths
- Foley Mixer: Mary Jo Lang
- Assistant Art Director: Marco Furbatto
- Art Direction: Massimo Pauletto
- Music Editor: Brian Bulman
- Dialogue Editor: Shane Hayes
- Property Master: Antonio Fraulo
- Still Photographer: Philippe Antonello
- ADR Mixer: Simon Diggins
- ADR Mixer: Judah Getz
- ADR Mixer: Jason Oliver
- ADR Mixer: Eric Gotthelf
- Art Direction: Roberto Caruso
- ADR Mixer: George Atkins
- Sound Mixer: Marco Fiumara
- Digital Compositor: Jeremy Johnson
- TopKek: Last time I watched the Ben-Hur with Charlton Heston the thought did not cross my mind that perhaps the world needed another version of the story directed by the guy who brought us Abraham Lincoln: Vampire Hunter and that weird movie where they make bullets bend.
Anyway, the Heston version is one of my favorite movies. I saw it when I was 8 and two times when I was about 20. I love it and quote it all the time.
But this is not a review of that version because (surprise!) it is not that version. This is a review of the 2016 version and I don’t feel it is fair to give this movie a bad rating simply because it was an unnecessary remake. In case you are wondering, this is the sixth version of Ben-Hur.
The story follows Judah Ben-Hur, a Jewish prince in Jerusalem at the time of Christ, and his adopted Roman brother Massala. They love each other but they get in the middle of an attempted assassination on a Roman leader and wind up on opposing sides. They both feel they are in the right, get in a very sticky situation, and thus begins an 5 year journey of survival, revenge, forgiveness.
I liked the movie. The chariot race was thrilling. I was worried about it because the trailer showed a scene which an obvious CGI horse running through the stands. To my delight that was the only part that really used a CGI horse (that I could tell, anyway). The rest of the race was intense even though I already knew how it was going to end.
The movie focuses very heavily on the relationship between Massala and Judah as well as Massala and the rest of the Hur family. Massala’s intentions and actions were understandable and he wasn’t just some evil man who betrayed his family.
The main actors and actresses do a good (not great) job. I felt Morgan Freeman may have phoned it in a little, but he delivered one of my favorite lines of the movie. My favorite actors were the slave drivers on the galley along with the drummer. They have small roles but I loved them.
I didn’t care for the Jesus scenes though. He is a hard character to portray, and I just didn’t like it when he spoke. I’m probably picky, but I would have preferred to hear him speak in King James English or not at all (like in the Heston version). I just felt something was off with the scenes and they could have been more powerful.
Overall, I felt it was a pretty good movie that succeeds in many aspects chiefly with the themes of revenge/forgiveness and delivers one exciting race. It’s not perfect but a good movie overall.
- Reno: **They’ve grown up together and later turned up to each other.**
I had seen the old film and I liked that. So remake means we expect nothing less than a visual spectacular and this film had them at its best, including many more great features, but the real stars are missing. It was a let down without any notable performances. Besides, the idea of upgrading the story was good, though not everyone going to like that. Particularly the one who loved the old film or the versions.
The length is justified. For the kind of story the film narrates, the pace was very good. So for me this is not a bad flick, but just some key features missing like I said the star value. For the first timers, like today’s generation, this film might work, but for the others most probably not. And the end was disappointing, because it felt like watching a Disney film that made for children and families.
I think the director of ‘Wanted’ did his job as it required. Definitely not an unnecessary remake, but should have been careful in the historic events. Overall, it fell short of depth. You won’t feel emotions and/or the character’s struggle. In the end it became just an entertainment product and if you expect beyond that, you are only responsible for that. So good luck with the watch if you are yet to give it a try.
- 5rJoud: **Booooooring**
As with most major productions, “Ben-Hur (2016)” gets an extra star for production value.
Bad camera, unlikable characters, ugly costumes, this film has it all.
Early on the two brothers are introduced, who will have their biblical vendetta throughout this movie. Clearly the adopted one is supposed to be the bad guy, while the viewer is encouraged to root for the Jew. But questionable decision making of the ‘hero’ paired with the comical anti-Semitism which permeates America is going to bring the audience over to the side of the scarred underdog, whose name is not in the title.
This movie would have been great, if it had ended with the arrest of the rich fool, who harbored a fanatic in his home and didn’t even have the good sense to guard him, or the variety of weapons he kept in open display.
Unfortunately it goes on and on, and no doubt “Ben-Hur” will learn a thing or two about life, love and combat during the 2 hours ordeal. But will that count as character development, and will it sway your favor back to him when he finally mounts his cart and races his brother for the final time? I don’t know, you watch this drivel, and you decide.
26 November 2016
I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.