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Pirates of the Caribbean: Dead Men Tell No Tales

Thrust into an all-new adventure, a down-on-his-luck Capt. Jack Sparrow feels the winds of ill-fortune blowing even more strongly when deadly ghost sailors led by his old nemesis, the evil Capt. Salazar, escape from the Devil’s Triangle. Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer and a headstrong young man in the British navy.
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Credits: TheMovieDb.

Film Cast:

  • Captain Jack Sparrow: Johnny Depp
  • Captain Armando Salazar: Javier Bardem
  • Captain Hector Barbossa: Geoffrey Rush
  • Henry Turner: Brenton Thwaites
  • Carina Smyth: Kaya Scodelario
  • Joshamee Gibbs: Kevin McNally
  • Shansa: Golshifteh Farahani
  • Scarfield: David Wenham
  • Scrum: Stephen Graham
  • Mullroy: Angus Barnett
  • Marty: Martin Klebba
  • Cremble: Adam Brown
  • Murtogg: Giles New
  • Will Turner: Orlando Bloom
  • Elizabeth Swann: Keira Knightley
  • Uncle Jack: Paul McCartney
  • Pike: Delroy Atkinson
  • Bollard: Danny Kirrane
  • Lieutenant Lesaro: Juan Carlos Vellido
  • Officer Madga: Rodney Afif
  • Officer Santos: Rupert Raineri
  • Officer Moss: Stephen Lopez
  • Spanish Officer: Nico Cortez
  • Spanish Soldier: Mahesh Jadu
  • Mayor Dix: Bruce Spence
  • Mr. Krill: Justin Smith
  • Mr. Swift: John Leary
  • Young Jack Sparrow: Anthony De La Torre
  • Young Pirate Jeff: Finn Ireland
  • Maddox: James Mackay
  • Bowen: Bryan Probets
  • Pirate in Flashback: Will Ward
  • Young Henry Turner: Lewis McGowan
  • Young Captain Teague: Alexander Scheer
  • Captain Toms: Richard Piper
  • First Officer Wade: Michael Dorman
  • Officer Cole: Rohan Nichol
  • Old Pirate: Paul Armstrong
  • Grimes: Robert Morgan
  • Pirate Captain: Andreas Sobik
  • Pirate with Broom: Goran D. Kleut
  • British Officer: Scott G. Anderson
  • British Soldier: Travis Jeffery
  • British Soldier: Andrew Fraser
  • British Soldier: Akos Armont
  • British Soldier: Sean Lynch
  • British Soldier: Ben O’Toole
  • Young Monarch Soldier: Dakota Askew
  • Young Monarch Soldier: Jamie Carter
  • Young Monarch Soldier: Joe Klocek
  • Woman: Derani Scarr
  • Mayor’s Wife: Zoe Ventoura
  • Fisherman: Lenny Firth
  • CG Ghost Soldier: Akshay Caplash
  • CG Ghost Soldier: Jordan Fulleylove
  • CG Ghost Soldier: Mivon Prince-Leyva
  • CG Ghost Soldier: Rafael Torrijos
  • Young Greenhorn: James Fraser
  • Pig Kelly: Ken Radley
  • Beatrice: Hannah Walters
  • Priest: Jonathan Elsom
  • Captain Morgan: K. Todd Freeman
  • Confessional Priest: Matthew Walker
  • Uncle Jack’s Cellmate: Darcy Laurie
  • Jail Guard: James Lawson
  • Upper Class Lady (uncredited): Brooke Chamberlain
  • Townswoman (uncredited): Jessica Green
  • Townswoman (uncredited): Haley Madison
  • Townschild (uncredited): Kiara Freeman
  • Townschild (uncredited): Piper Nairn
  • Townsperson (uncredited): Suzanne Dervish-Ali
  • Townsperson (uncredited): Donnie Baxter
  • Maid (uncredited): Winnie Mzembe
  • Greenwich Village Upper Class Lady (uncredited): Christie-Lee Britten
  • Twin Middle Class Lady (uncredited): Mollie McGregor
  • Twin Middle Class Lady (uncredited): Sophia McGregor
  • Ghost Soldier / Red Coat Soldier (uncredited): Garreth Hadfield

Film Crew:

  • Producer: Jerry Bruckheimer
  • Characters: Ted Elliott
  • Story: Terry Rossio
  • Characters: Stuart Beattie
  • Characters: Jay Wolpert
  • Casting: Ronna Kress
  • Executive Producer: Mike Stenson
  • Executive Producer: Chad Oman
  • Art Direction: John Dexter
  • Sound Re-Recording Mixer: Christopher Boyes
  • Casting: Susie Figgis
  • Story: Jeff Nathanson
  • Costume Design: Penny Rose
  • Executive Producer: Joseph M. Caracciolo Jr.
  • Foley Editor: E.J. Holowicki
  • Production Design: Nigel Phelps
  • Editor: Roger Barton
  • ADR Supervisor: Anna MacKenzie
  • Director of Photography: Paul Cameron
  • Original Music Composer: Geoff Zanelli
  • Art Direction: Ian Gracie
  • Director: Joachim Rønning
  • Director: Espen Sandberg
  • Makeup Designer: Peter Swords King
  • Hair Department Head: Rick Findlater
  • Casting: Nikki Barrett
  • Property Master: Richie Dehne
  • Art Direction: Michael Turner
  • Sound Re-Recording Mixer: Paul Massey
  • Costume Supervisor: Lorraine Carson
  • Art Direction: Tom Nursey
  • Digital Intermediate: Stefan Sonnenfeld
  • Additional Still Photographer: Giles Keyte
  • Makeup Department Head: Joel Harlow
  • Gaffer: Rafael E. Sánchez
  • Sound Effects Editor: Tormod Ringnes
  • ADR Editor: Kimberly Harris
  • Second Unit Director of Photography: Brad Shield
  • Lead Animator: Johnny Spinelli
  • Sound Effects Editor: Justin Doyle
  • Editor: Leigh Folsom Boyd
  • Key Hair Stylist: Robert A. Pandini
  • Costume Supervisor: Stacy Horn
  • Set Costumer: Roberta Shaw
  • Music Editor: Peter Oso Snell
  • Foley: Dan O’Connell
  • Sound Re-Recording Mixer: Scott Millan
  • Stunts: Angela Moore
  • Visual Effects Supervisor: Martin Lipmann
  • Foley: John T. Cucci
  • Makeup Artist: Ken Niederbaumer
  • Visual Effects Supervisor: Gary Brozenich
  • ADR Editor: Cheryl Nardi
  • ADR Editor: Marshall Winn
  • Additional Photography: Stephen S. Campanelli
  • Pilot: Craig Hosking
  • Visual Effects Editor: Mark Carr
  • Visual Effects Producer: Max Leonard
  • Sound Effects Editor: David Chrastka
  • Additional Photography: John Gamble
  • Visual Effects Supervisor: Trent Claus
  • Art Department Coordinator: Tricia McInally
  • Art Direction: Jacinta Leong
  • Gaffer: Reg Garside
  • Still Photographer: Peter Mountain
  • Visual Effects Editor: George McCarthy
  • Underwater Camera: Ian Seabrook
  • Aerial Director of Photography: Hans Bjerno
  • Sound Effects Editor: David C. Hughes
  • Steadicam Operator: Chris Haarhoff
  • Gaffer: Shaun Conway
  • Digital Intermediate: Ron Barr
  • Camera Operator: Calum McFarlane
  • Camera Operator: Darrin Keough
  • Aerial Director of Photography: David B. Nowell
  • Digital Intermediate: Erik Rogers
  • ADR Editor: Stephanie Flack
  • Aerial Director of Photography: Steve Koster
  • Visual Effects Producer: Tamara Watts Kent
  • Supervising Sound Editor: Jack Whittaker
  • Hairstylist: Gloria Pasqua Casny
  • Gaffer: Jonathan Spencer
  • Foley Editor: Luke Dunn Gielmuda
  • Visual Effects Producer: Julie Cardinal
  • Sound Effects Editor: Scott Guitteau
  • Foley Editor: Malcolm Fife
  • Visual Effects Supervisor: Bill Kent
  • First Assistant Editor: Tommy Aagaard
  • Visual Effects Supervisor: Ryan Tudhope
  • Camera Operator: Richard Bradshaw
  • Visual Effects Producer: Eric Bruneau
  • Script Supervisor: Joecy Shepherd
  • Conceptual Design: Seth Engstrom
  • Set Decoration: Shannon Gottlieb
  • Animation Supervisor: Catherine Mullan
  • Sound Effects Editor: Baard H. Ingebretsen
  • Visual Effects Supervisor: Arne Kaupang
  • ADR Supervisor: Sandra Portman
  • Set Costumer: Samantha Walker
  • ADR Supervisor: Katy Wood
  • Script Supervisor: Carolina Häggström
  • Dolly Grip: Jason Talbert
  • Casting Associate: Hannah d’Angerio
  • Script Supervisor: Victoria Sullivan
  • Visual Effects Producer: Christina Graham
  • Animation Supervisor: Mike Beaulieu
  • First Assistant Editor: Kenny G. Krauss
  • VFX Supervisor: Cliff Welsh
  • First Assistant Editor: Jonny Winograd
  • Property Master: Kris Peck
  • Visual Effects Supervisor: Laurent Spillemaecker
  • Visual Effects Supervisor: Patrick Ledda
  • Rigging Grip: Rod Haney
  • Steadicam Operator: Andrew AJ Johnson
  • Art Department Coordinator: Jourdan Henderson
  • Visual Effects Editor: Christopher Raiche
  • Visual Effects Producer: Korey J. Cauchon
  • Prosthetic Makeup Artist: Alice Baueris
  • Prosthetic Makeup Artist: Colin Ware
  • Prosthetic Makeup Artist: Damian Martin
  • Executive Producer: Brigham Taylor
  • Dolly Grip: Chris Hansford
  • Aerial Camera Technician: Peter Beeh
  • Visual Effects Editor: Joseph Hart Green
  • Visual Effects Editor: Céline Zapater
  • Casting Associate: Lucy Rands
  • Casting Associate: Kirsty Kinnear
  • Pilot: David Paris
  • CG Supervisor: Richard Clegg
  • Dolly Grip: Mal Booth
  • Key Grip: Toby Copping
  • Animation Supervisor: Alexandre Ronco
  • Special Effects Supervisor: Dan Oliver
  • Set Costumer: Dan Owen
  • Key Costumer: Carol Quiroz
  • Rigging Grip: David Thomson
  • Costume Illustrator: Darrell Warner
  • Associate Producer: Melissa Reid
  • Assistant Costume Designer: Melody Koerber
  • Visual Effects Editor: Hero Chev
  • Visual Effects Producer: Kim Menaster
  • Assistant Costume Designer: Lucy Bowring
  • Assistant Editor: Sharia Lynn Davis
  • Dialogue Editor: Jacob Riehle
  • VFX Editor: Leah Jones
  • Marine Coordinator: Robert Wong
  • VFX Director of Photography: Robert Bock
  • Marine Coordinator: Rick Hicks
  • Pilot: Scott Menzies
  • Key Grip: J. Michael Popovich
  • Lead Animator: Sebastian Trujillo
  • Armorer: Matthew Wollaston
  • Animal Coordinator: Paul Jasper
  • Gaffer: Jeff Kuzyk
  • Dolly Grip: Michael Vivian
  • Key Grip: Greg Tidman
  • Costume Coordinator: Rosie McArthur
  • Set Costumer: Saascha Wiki Kessell
  • Set Costumer: Tanya Woelfle
  • Prosthetic Makeup Artist: Nikola Davis
  • Prosthetic Makeup Artist: Emily James
  • Prosthetic Makeup Artist: Amy Vaughan
  • CG Supervisor: Axel Akesson
  • 2D Supervisor: Zameer Hussain
  • VFX Editor: Luke Dhand
  • VFX Editor: Wes Walcott
  • VFX Production Coordinator: Yogesh Chautel
  • Visual Effects Editor: Jack Runyon
  • Visual Effects Editor: David Forest
  • Visual Effects Producer: Annie Normandin
  • Visual Effects Producer: Rebecca Scott
  • Visual Effects Supervisor: Sheldon Stopsack
  • Boom Operator: Paradox Delilah
  • Boom Operator: David Butcherine
  • Utility Stunts: Michael Hansen
  • Camera Operator: Stephen Oh
  • Digital Compositor: Jeremy Johnson
  • Set Decoration: Beverley Dunn
  • Stunts: Chantelle Slee
  • Stunts: Mike Snow
  • Stunts: Daniel Nelson
  • Stunts: Jack Kingsley
  • Stunts: Brittany Morris

Movie Reviews:

  • Simon Foster: “[An] ugly skyscraper of a film; to build it must have been a monumental undertaking (that cost Disney a reported $230million), but what, if anything of merit is the outcome…?”

    Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/24/pirates-of-the-caribbean-dead-men-tell-no-tales.html

  • Gimly: There has never been a truly awful, **awful** entry in the _Pirates of the Caribbean_ franchise. But there’s only ever been one that was truly any good. _Dead Men Tell No Tales_ does nothing to alter these assertions.

    I would not begrudge anybody who enjoyed their time with this latest _Pirates_ movie, particularly anyone who saw it on the big screen, there’s the zany action romps that the series has been famous for from the get go (and that started wearing thin on me after the second one) and some truly spectacular visuals including shiny rocks and zombie sharks (which I will refrain from making a joke about jumping). But where _Dead Men Tell No Tales_ fails harder than anywhere else is in its dialogue. Virtually every line is uncomfortable to hear delivered, and I can’t see myself looking forward to the inevitable sixth instalment.

    _Final rating:★★ – Had some things that appeal to me, but a poor finished product._

  • CinemaSerf: If only we could recycle our waste as efficiently as Disney appear to be able to recycle this theme! Once again, we find “Jack Sparrow” (Johnny Depp) in a bit of bother from someone from his past. This time it is Javier Bardem (“Salazar”) who has escaped from his purgatory in the “Devil’s Triangle” to avenge himself on his arch-enemy. Meantime, the young “Henry Turner” (Brenton Thwaites) seeks help to track down Poseidon’s Trident which will empower him to take control of the seas, and to reunite with his father – the original “Bootstrap” (Orlando Bloom). There’s no doubt that this is a great looking film, the effects are spectacular but the story is little better than a regurgitation of voyages gone by. The cuties that were Bloom and Kiera Knightley have been succeeded by the handsome, boyish Thwaites and his feisty astronomer pal “Carina” (Kaya Scodelario) but otherwise, it is another pretty formulaic prolongation of this colourful adventure franchise. It has some humour, there’s a tiny cameo from Sir Paul McCartney that raises a smile (if only because you are never entirely sure if it is actually him); Geoffrey Rush still manages to inject oodles of charisma as “Barbossa”, and Bardem offers a bit of menace – but Depp can only get away with that hail-fellow-well-met meets a drunk persona so often before he becomes a parody of his own characterisation. It’s fun to watch, for a time, but after a while I was just bored. The format offers unlimited opportunity for fantasy and adventure, but maybe it is time for the “Black Pearl” to join the “Queen Mary” and HMY “Britannia” and just settle down as a respectable old lady of the sea – and a tourist attraction!

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