Chloe, a teenager who is confined to a wheelchair, is homeschooled by her mother, Diane. Chloe soon becomes suspicious of her mother and begins to suspect that she may be harboring a dark secret.
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Credits: TheMovieDb.

Film Cast:

• Mother / Diane: Sarah Paulson
• Daughter / Chloe: Kiera Allen
• Mailman: Pat Healy
• Nurse: Sara Sohn
• Doctor: Erik Athavale
• Meeting Leader: B. J. Harrison
• Pharmacist: Sharon Bajer
• Crying Hands: Onalee Ames
• Security Guard (Corrections): Joanne Rodriguez
• Security Guard (Hospital): Ernie Foort
• Obstetrician: Bradley Sawatzky
• Person in Line: Cory Wojcik
• Brooklyn Boy: Tony Revolori
• Nivea Boy (uncredited): Carter Heintz
• Doctor (uncredited): Steve Pacaud
• Nurse (uncredited): Derek James Trapp
• Elizabeth (uncredited): Emma Jonnz

Film Crew:

• Music Editor: Richard Henderson
• Co-Producer: Rhonda Baker
• Set Decoration: Sara McCudden
• Location Production Assistant: Chris Sigurdson
• Stunt Driver: Sean Skene
• Makeup Department Head: Doug Morrow
• Sound Re-Recording Mixer: Richard Kitting
• Director of Photography: Hillary Spera
• Second Unit First Assistant Director: Roman Buchok
• First Assistant “B” Camera: Pascal Boisvert
• Casting: Rich Delia
• Assistant Editor: Andrea Bottigliero
• Local Casting: Carmen Kotyk
• Production Design: Jean-Andre Carriere
• Stunt Coordinator: Rick Skene
• Dailies Technician: Carson Mauthe
• Costume Design: Heather Neale
• First Assistant Director: Reed Makayev
• Hair Department Head: Pina Robinson
• Assistant Costume Designer: Paula Dunfield
• Assistant Set Decoration: C. Summer Holmes
• Sound Effects Editor: Andrew Twite
• Title Designer: Aaron Becker
• Special Effects Coordinator: Marc Reichel
• Visual Effects Producer: Raoul Bolognini
• Dialogue Editor: Jim Brookshire
• Dialogue Editor: Polly McKinnon
• Temp Music Editor: Terry Wilson
• Digital Intermediate Producer: Vanessa Galvez
• “B” Camera Operator: Len Peterson
• Special Effects Technician: George Tucci
• Gaffer: Tom Starnes
• “A” Camera Operator: Junichi Hosoi
• Makeup Artist: Eryn Krueger Mekash
• Supervising Sound Editor: P.K. Hooker
• Dialogue Editor: Ryan Cole
• Ager/Dyer: Meg McMillan
• First Assistant Makeup Artist: Kristy Greig
• Foley Mixer: Rustam Gimadiyev
• First Assistant “A” Camera: Doug Lavender
• Producer: Natalie Qasabian
• Art Department Coordinator: Asuka Sugiyama
• Visual Effects Compositor: Dan Bartolucci
• ADR Voice Casting: Fabiana Arrastia
• Writer: Sev Ohanian
• Original Music Composer: Torin Borrowdale
• Stunt Double: Kristen Sawatzky
• Casting Associate: Coco Kleppinger
• Sound Re-Recording Mixer: Nick Offord
• Production Sound Mixer: Russ Dyck
• Boom Operator: Sacha Rosen
• Still Photographer: Allen Fraser
• Line Producer: Ellen Rutter
• Second Assistant “A” Camera: Aaron Mallin
• Script Supervisor: Nanouk Martel
• Property Master: Jason Gibbs
• Foley Artist: Bogdan Zavarzin
• Second Unit Director: Douglas Mitchell
• Sound Effects Editor: Matt Yocum
• Assistant Editor: Daniel Morfesis
• Extras Casting: Kari Rieger
• On Set Dresser: Skye Rolick
• Set Production Assistant: Liam Karp
• Writer: Aneesh Chaganty
• Location Production Assistant: Nicholas Christie
• ADR Editor: David Butler
• Security Coordinator: Tony Braga
• Lead Set Dresser: Remi Verfaillie
• Assistant Property Master: Ashley Toews
• Editor: Nicholas D. Johnson
• Editor: Will Merrick
• Construction Coordinator: Chris Sol
• Set Dresser: Lindsey Bart
• Set Dresser: Steve Benson
• Grip: Christophe Nachtigall
• Grip: Andrew Szumilak
• Production Accountant: Timothy Clarkin
• Producer’s Assistant: Dezi Gallegos
• Hairstylist: Michelle Ceglia
• Graphic Designer: Gary Barringer
• Location Manager: Neal Baksh
• Head Carpenter: Dave Potter
• Assistant Art Director: Brent Bell
• Dolly Grip: Robert Thomson
• Stand In: Alexis Erickson-Sliboda
• Post Production Accountant: Erica Kolsrud
• Digital Intermediate Editor: Jennifer Raymond
• Key Scenic Artist: Paul Zacharias
• Digital Imaging Technician: Daniel Quesnel
• Transportation Captain: Ron Mymryk
• Best Boy Electric: Jeremiah Milmine
• Rigging Gaffer: Julian Saray
• Set Production Assistant: Veronica Tulloch
• Post Production Supervisor: Renee Minasian
• Extras Casting Assistant: Leah Erum
• Key Grip: Bill Mills
• Foley Editor: Sergey Timoschuk
• Grip: Jaspen Fryza
• Color Assistant: Lily Henry
• Imaging Science: Michael Kannard
• Foley Editor: Andrey Medvedkov
• Scoring Mixer: Jason LaRocca
• Second Assistant Director: Cody McCullough
• Stand In: Kerri Webster
• Stand In: Sydney Sabiston
• Second Assistant “B” Camera: Perry F. Thompson
• Additional First Assistant Camera: Shane Baker
• Assistant Editor: Jason Sacharoff
• Boom Operator: Ryan Wall
• Best Boy Grip: Paul Skirzyk
• Grip: Mitchell White
• Grip: Joe Dodd
• Grip: Cyril Karwa
• Grip: Shawn MacTavish
• Grip: Benedict Moyer
• Key Rigging Grip: Derek Hedley
• Rigging Grip: Russell Farley
• Electrician: Ami Buhler
• Electrician: Greg Wood
• Electrician: Mark A. Couke
• Generator Operator: Thayer Kopchuk
• Storyboard Artist: George Freeman
• Set Dresser: Heather Arabsky
• Set Dresser: Kathryn Slessor
• Set Dresser: Destiny Odway
• Set Dresser: JD Ormond
• Props: Chad Evans
• Set Supervisor: Casey Downes
• Truck Costumer: Brenda Zachanowich
• Assistant Hairstylist: Jill Hadfield
• Assistant Hairstylist: Jasmine Kroeker
• Casting Assistant: Celia Rosenthal
• Assistant Location Manager: Mike Black
• Location Scout: Rochelle Barthelette-Hykawy
• Location Production Assistant: Damian Frazee
• Location Production Assistant: Luke Annand
• Location Production Assistant: Delf Gravert
• Location Production Assistant: Kirsten Klueckmann
• Location Production Assistant: Thorsten Klueckmann
• Location Production Assistant: Noah Cyr
• Location Production Assistant: Andrew Schulz
• Payroll Accountant: Arlene DeMarinis
• Second Assistant Accountant: Carrie Wilkins
• Production Coordinator: Pam Simons
• Assistant Production Coordinator: Boeseya Petra
• Production Office Assistant: Agnija Ozolina
• Production Office Assistant: John Daniel Cochon
• Third Assistant Director: Tamara Harland
• Set Production Assistant: Cara Denyer
• Set Production Assistant: Kyle Wong
• Actor’s Assistant: Britt Tumpletter
• Medical Consultant: Dr. Austin Morgan Quinn
• Medical Consultant: Dr. Noam Katz
• Medical Consultant: Dr. Georgia Lefas
• Head Carpenter: Taavo Sults
• Scenic Artist: Christian Procter
• Scenic Artist: Julie Slessor
• Scenic Artist: Alex Stearns
• Scenic Artist: Andrea Steingrimsdottir
• Scenic Artist: Chelsea Wladyka
• Transportation Coordinator: Ernest Buck
• Picture Car Coordinator: Jonathan Thomas Lane
• Driver: Jason Kane
• Driver: Isaac Friesen
• Driver: Kevin M. Anderson
• Driver: Ron Burrows
• Driver: Robert Dion
• Driver: Kennah Hspahic
• Driver: Darrell Kroeker
• Driver: Kevin A. Lesage
• Driver: Bernie Martins
• Driver: Roger Neumann
• Driver: Anthony Perrone
• Driver: Eddie Radivojevic
• Driver: Monique Slota
• Driver: Greg Strempler
• Driver: Wayne Statkewich
• Driver: Derek Dupont
• Driver: Dean Baker
• Driver: Bob Chopey
• Driver: Patrick Doyle
• Driver: Ryan Jones
• Driver: David Lamont
• Driver: Marie J. Lewis
• Driver: Ken McKeen
• Driver: Terry Oster
• Driver: Bennett Podolsky
• Driver: Muhammad Akram Rana
• Driver: Norm Smith
• Driver: John Christopher Wade Tessier
• Driver: Ryan Kulbaba
• Driver: Jeff Zaporzan
• Driver: Mike Bjornsson
• Driver: Dean Chyzy
• Driver: John E. Harrison
• Driver: Dennis A. Kaleta
• Driver: Michael Lander
• Driver: Greg Marlow
• Driver: Jason Miller
• Driver: Raymond Perron
• Driver: Elliott Podolsky
• Driver: Ervin S. Schaaf
• Driver: Bob Spicer
• Driver: Theresa Walz
• Catering Head Chef: Rouan J. Robb
• Assistant Chef: Chris Lesany
• Craft Service: Raven Carriere
• Assistant Craft Service: Sarah Goodman
• Set Medic: Andrea Mensforth
• Unit Publicist: Steven M. Beeman
• Epk Producer: Kevin Kuhia
• Epk Camera Operator: Dennis Packer
• Dailies Manager: Helena Fleger
• Title Designer: Hsien Lun Su
• Visual Effects Production Manager: Kylan Huacuja
• Visual Effects Compositor: Jason Melcher

Movie Reviews:

• MSB: If you enjoy reading my Spoiler-Free reviews, please follow my blog @
  https://www.msbreviews.com

  Aneesh Chaganty’s Searching was enough to add its debutant director-screenwriter to my list of “filmmakers to follow closely”. Run solidifies Chaganty’s place in Hollywood as one of the most technically impressive directors working today. His undeniable talent allows him to effortlessly generate incredible suspense throughout the movie’s entire runtime, and his second feature-film is no exception.

  Possessing the type of premise I enjoy the most in thrillers, Chaganty and Sev Ohanian’s screenplay is packed with excruciatingly long takes, filled with extremely tense dialogues, shocking developments, and a brutal amount of pain. All are enormously elevated by one of the most physically-demanding, emotionally powerful performances I’ve seen in the last few years: Kiera Allen, who uses a wheelchair for mobility in real-life, turns her acting debut into a genuine, realistic display of the challenging obstacles people with her condition have to overcome daily.

  Sarah Paulson continues her trend of playing truly evil characters, and I advise her to keep following this dark path of phenomenal interpretations. Her interactions with Kiera are remarkably intense. Story-wise, even though the constant revelations are narratively shocking, most of the script’s developments are somewhat predictable. However, the “movie logic” problems stretch believability to a point beyond my limit, ultimately becoming one of those films people will either deeply enjoy or really hate depending on how nitpicky they choose to be.

  I’m as moderate as I can be, and the truth is, I didn’t really think about these logical issues during the actual viewing. Having in mind Run’s brilliant technical attributes (notably Nick Johnson and Will Merrick’s editing, and Torin Borrowdale’s score), its two impressive lead performances, and its endless suspenseful atmosphere, I can’t help but recommend it to every fan of the genre.

  Rating: B+

• Tejas Nair: I watched a lot of movies and it had been a long time (over the pandemic year/s) since I have seen such a gripping thriller involving a family. In Run, a mother and a daughter’s relationship starts to strain when the latter suspects her mother is doing ill on her. As you continue to guess what it might be, Run takes you by surprise. It delivers the goods and it keeps you hooked till the last second. Go, watch it already!