Alice, now 19 years old, returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny.
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Credits: TheMovieDb.

Film Cast:

• Alice Kingsleigh: Mia Wasikowska
• The Mad Hatter: Johnny Depp
• The White Queen: Anne Hathaway
• The Red Queen: Helena Bonham Carter
• The Knave of Hearts: Crispin Glover
• Tweedledee / Tweedledum: Matt Lucas
• The Caterpillar (voice): Alan Rickman
• The Cheshire Cat (voice): Stephen Fry
• The White Rabbit (voice): Michael Sheen
• The Bloodhound (voice): Timothy Spall
• Charles Kingsleigh: Marton Csokas
• Helen Kingsleigh: Lindsay Duncan
• Lady Ascot: Geraldine James
• Lord Ascot: Tim Pigott-Smith
• Hamish Ascot: Leo Bill
• Aunt Imogene: Frances de la Tour
• The Jabberwocky (voice): Christopher Lee
• The March Hare (voice): Paul Whitehouse
• The Dormouse (voice): Barbara Windsor
• The Dodo (voice): Michael Gough
• Tall Flower Faces (voice): Imelda Staunton
• Fiona Chattaway: Eleanor Tomlinson
• Strange Woman Kisser: Rebecca Crookshank
• Margaret Kingsleigh: Jemma Powell
• Faith Chattaway: Eleanor Gecks
• Woman with Large Nose in Red Queen Court: Holly Hawkins
• Woman with Big Ears in Red Queen Court: Lucy Davenport
• Man with Large Belly in Red Queen Court: Joel Swetow
• Woman with Large Poitrine in Red Queen Court: Jessica Oyelowo
• Man with Large Chin in Red Queen Court: Ethan Cohn
• Man with Big Forehead in Red Queen Court: Richard Alonzo
• Ship Captain: Harry Taylor
• Hightopp Hat Juggler: Chris Grabher
• Party Dancer: Simone Sault
• Party Dancer: Caroline Royce
• Party Dancer: Bonnie Parker
• Red Queen’s Court (uncredited): Cortney Palm
• Hatteress (uncredited): Amy Bailey

Film Crew:

• Director of Photography: Dariusz Wolski
• Director: Tim Burton
• Original Music Composer: Danny Elfman
• Executive Producer: Chris Lebenzon
• Costume Design: Colleen Atwood
• Producer: Jennifer Todd
• Producer: Suzanne Todd
• Producer: Richard D. Zanuck
• Music Editor: Bill Abbott
• Sound Re-Recording Mixer: Tom Johnson
• Boom Operator: Cary Weitz
• Makeup Artist: Patty York
• Supervising Sound Editor: Steve Boeddeker
• Set Decoration: Karen O’Hara
• First Assistant Director: Katterli Frauenfelder
• Costume Supervisor: Donna O’Neal
• Key Hair Stylist: Paul Gooch
• Music Editor: Michael Higham
• Supervising Sound Editor: David Evans
• Special Effects Makeup Artist: Richard Alonzo
• Set Designer: Richard F. Mays
• Supervising Dialogue Editor: Stefan Henrix
• Additional Sound Re-Recording Mixer: Greg P. Russell
• Art Direction: Christina Ann Wilson
• Foley Artist: Goro Koyama
• Foley Artist: Andy Malcolm
• Producer: Joe Roth
• Makeup Designer: Valli O’Reilly
• Unit Production Manager: Peter M. Tobyansen
• Senior Visual Effects Supervisor: Ken Ralston
• Visual Effects Supervisor: Sean Phillips
• Assistant Art Director: Scott Herbertson
• Screenplay: Linda Woolverton
• Sound Mixer: William B. Kaplan
• Line Producer: Mary Richards
• Novel: Lewis Carroll
• Makeup Artist: Joel Harlow
• Chief Lighting Technician: Rafael E. Sánchez
• Sound Effects Editor: Samir Foco
• Foley Supervisor: Jonathan Null
• ADR Voice Casting: Barbara Harris
• Storyboard: Michael Schlingmann
• Hair Department Head: Terry Baliel
• Stunt Coordinator: Garrett Warren
• Supervising Art Director: Stefan Dechant
• Art Direction: Todd Cherniawsky
• Associate Producer: Derek Frey
• Sound Effects Editor: Andy Kennedy
• Production Design: Robert Stromberg
• Assistant Art Director: Kasra Farahani
• Co-Producer: Tom C. Peitzman
• Unit Production Manager: Tommy Harper
• Post Production Supervisor: Jessie Thiele
• First Assistant Editor: Christine Kim
• Stunts: Wayne Dalglish
• Script Supervisor: Luca Kouimelis
• Art Direction: Andrew L. Jones
• ADR Mixer: Robert Edwards
• Set Designer: Anne Porter
• Visual Effects Supervisor: Ben Grossmann
• Sound Effects Editor: Steve Browell
• Set Designer: Tammy S. Lee
• Steadicam Operator: P. Scott Sakamoto
• ADR Mixer: Sandy Buchanan
• Set Designer: C. Scott Baker
• Art Direction: Mike Stassi
• Construction Coordinator: John Villarino
• Property Master: Doug Harlocker
• Sound Re-Recording Mixer: Michael Semanick
• Set Designer: Jeff Markwith
• Visual Effects Supervisor: Craig Barron
• Unit Publicist: Gabriela Gutentag
• Dialogue Editor: Michelle Pazer
• Production Coordinator: Karen Jarnecke
• Visual Effects Producer: Robert E. Evans
• Sound Editor: Paul Apted
• “A” Camera Operator: Martin Schaer
• Sound Effects Editor: Geoffrey G. Rubay
• Sound Effects Editor: Jack Whittaker
• Foley Editor: Pascal Garneau
• Assistant Costume Designer: Christine L. Cantella
• Set Costumer: Brenda Donoho
• Video Assist Operator: Lizzie Kelly
• First Assistant Editor: Michel Aller
• Additional Editor: JC Bond
• ADR Mixer: Pip Norton
• Art Direction: Seth Engstrom
• Visual Effects Supervisor: Carey Villegas
• Leadman: Mark Weissenfluh
• Assistant Chief Lighting Technician: Patrick Hoeschen
• ADR Mixer: Howard London
• Lighting Artist: Michael Leung
• Animation: Joel Foster
• Layout: Adam Holmes
• Layout: Harald Kraut
• Assistant Property Master: Josh Roth
• Set Designer: Jackson Bishop
• Set Designer: David Moreau
• Second Assistant Camera: James Goldman
• Art Department Coordinator: Andrea Carter
• Sound Effects Editor: Dustin Cawood
• Second Second Assistant Director: Gregory J. Pawlik Jr.
• Assistant Set Decoration: Elizabeth Keenan
• Rigging Gaffer: Gary Dahlquist
• First Assistant Camera: Trevor Loomis
• Dialogue Editor: Jason George
• ADR Mixer: Antony Bayman
• ADR Mixer: Michael Miller
• Still Photographer: Leah Gallo
• Hairstylist: Karen Asano-Myers
• Production Accountant: Donna Glasser-Hancock
• Dialogue Editor: Iain Eyre
• Sound Engineer: Bill Banyai
• Foley Editor: Brian Chumney
• Title Designer: Robert Dawson
• Key Makeup Artist: Leslie Devlin
• Makeup Artist: Tonyia Verna
• Animation: Ian Blum
• Boom Operator: Thomas Giordano
• Makeup Artist: Debra Coleman
• Assistant Sound Editor: Dawn Gough
• Animation Supervisor: David Schaub
• Assistant Sound Editor: Tricia Linklater
• ADR Voice Casting: Louis Elman
• Second Assistant Director: Brandon Lambdin
• ADR Voice Casting: Abigail Barbier
• Key Grip: J. Michael Popovich
• Assistant Sound Editor: Phil Freudenfeld
• Storyboard Designer: Rick Newsome
• Utility Stunts: Michael Hansen
• ADR Recordist: Courtney Bishop
• Boom Operator: Peggy Names
• Compositor: Tatjana Bozinovski
• Post Production Accountant: Lara Sargent
• ADR Mixer: David Weisberg
• Costumer: Cacey Kirshner
• Finance: Michele Tandy
• Payroll Accountant: David Romano
• First Assistant Accountant: Marybeth Martin-Eck
• Software Engineer: Lisa Curtis Saunders
• Second Assistant Camera: Christopher J. Garcia
• Post Production Accountant: Marnice Wolfe

Movie Reviews:

• ohlalipop: I loved the movie. Of course it’s a Tim Burton film and Johnny Depp is in the movie so it’s already a given. Story wise, I like it that it’s different from the usual Alice in Wonderland stories. I hope they Tim Burton will make the original movie though. The montage in the movie looks nice when they did the flashback. I love the colors. Anne Hathaway is great. I felt like watching a real life Disney princess. Of course Helena Bonham Carter is magnificent. With her big head that looks really natural, it adds to her funny character. And then there’s Alan Rickman. Although he’s just a voice of the caterpillar, once you hear his voice, you’ll know it’s him and it’s a great comfort.

  My grade for this movie??? A. Wonderful story. Great cast. A movie that is pleasing to the eyes. I strongly recommend this to children, adults, and anyone in between. A great family movie.

• BiGuy: _TL:DR
  A modern sequel to a classic. Feels like it has a few narrative issues, but it wasn’t enough for me to really dislike it. (It gets a 6/10 on the Dragon-Scale, because the Jabberwocky has an amazing design and it’s walking looks so off-putting.)_

  Alice… who hasn’t heard of or watched it at some point? This is a sequel to the original, Alice is now 19 when she returns to Wonderland. Which… she has no obvious memories of, which, for an adventure with the scope she undertook when she was younger, I find a little hard to believe.

  She never acknowledges having any memories of Wonderland until the end of the movie. Which again, strikes me as odd, because even if she would write off her earlier adventure as a dream, you’d still acknowledge having seen it all before, right? Perhaps I’m just overthinking this, but even subconsciously you’d recognize some of the things you see… right?

  In any case, Wonderland has gotten a lot darker and has gotten a healthy CGI coating. Which, might not seem super today, but I think it gives everything a very ‘this is not reality’ vibe. Which works in Underland’s favor in my opinion, it’s chaotic, lacking in conventional logic and absolutely infused with magic. And it’s bizarre denizens all immediately pop out at you, with many strange shapes, weird behavioral tics and tend to defy the laws of physics.

  The story is a coming of age story, which is immediately set up in the beginning as Alice is forced into a marriage with someone she barely knows. Something not uncommon for the time it is set in. And during the movie she figures out who she is, someone who’ll do things her own way, prophecies and expectations be damned. Despite not being the easiest way, everything still falls into place eventually and the prophecy fulfills itself.

  When she comes back to her reality, she turns down her chosen fiancé, gives everyone she’s encountered at her engagement party some snappy one-liners, which, they all seem to take in stride. She then takes up her father’s passion to establish brave new trade-routes all the way to China. Which, perhaps feels a little _too_ easy. (Considering everyone was calling her father insane for his plans, which she promptly takes a step further.) But then again, this is a story with talking rabbits, a hookah smoking caterpillar and playing card knights, so perhaps I shouldn’t take it so seriously.

  All in all, a fun watch with a satisfying payoff in the end!