Magically able to hear what men are thinking, a sports agent uses her newfound ability to turn the tables on her overbearing male colleagues.
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Credits: TheMovieDb.

Film Cast:

• Alison “Ali” Davis: Taraji P. Henson
• Will: Aldis Hodge
• Brandon Wallace: Josh Brener
• Sister: Erykah Badu
• Skip Davis: Richard Roundtree
• Joe ‘Dolla’ Barry: Tracy Morgan
• Olivia: Wendi McLendon-Covey
• Mari: Tamala Jones
• Ciarra: Phoebe Robinson
• Kevin Myrtle: Max Greenfield
• Ethan Fowler: Jason Jones
• Nick Ivers: Brian Bosworth
• Eddie: Chris Witaske
• Jamal Barry: Shane Paul McGhie
• Captain Fucktastic: Kellan Lutz
• John Collins: John Collins
• Shaquille O’Neal: Shaquille O’Neal
• Grant Hill: Grant Hill
• Mark Cuban: Mark Cuban
• Karl-Anthony Towns: Karl-Anthony Towns
• Lisa Leslie: Lisa Leslie
• Danny: Pete Davidson
• Ben: Auston Jon Moore
• Scott: Paul Brian Johnson
• Jenna Abbiddi: Kausar Mohammed
• Tough Boxer: Taj-Naranja Jenkines
• Kristen Ledlow: Kristen Ledlow
• Devonta Freeman: Devonta Freeman
• Valet Guy: Justin Alvarez
• Female Dancer: Desi-Ray Morris
• Female Dancer: Kyra Claxton
• Male Dancer: Marc Inniss
• Male Dancer: Christopher Alvarez
• Dr. Wilson: Charles Green
• Nurse: Denitra Isler
• Elderly Man: Jim France
• Hairdresser: Deja Dee
• Loretta: Charmin Lee
• James: Roshawn Franklin
• Waitress: Dawn Halfkenny
• Reverend Bates: Jay DeVon Johnson
• Groomsman: Antjuan Rhames
• Groomsman: Taraja Ramsess
• Gabby: Ashani Roberts
• Louis: Cristian Gonzalez
• Craig: Ben Aycrigg
• Woman in Crowd: JoAnna Lorene
• Tasha: Damita Jane Howard
• Himself: Adam Silver
• Parent: Shonda Morgan
• Coach / Trainer (uncredited): Timothy Carr

Film Crew:

• Sound Effects Editor: Doug Jackson
• Casting: Mary Vernieu
• Director of Photography: Jim Denault
• Music: Brian Tyler
• Executive Producer: Amy Sayres
• Unit Production Manager: Lenny Vullo
• Producer: William Packer
• Executive Producer: Adam Shankman
• Executive Producer: Matt Williams
• Executive Producer: David McFadzean
• Executive Producer: Taraji P. Henson
• ADR Editor: Galen Goodpaster
• Supervising Sound Editor: Mildred Iatrou
• Editor: Emma E. Hickox
• Story: Josh Goldsmith
• Story: Cathy Yuspa
• Story: Tina Gordon Chism
• Special Effects Coordinator: David Fletcher
• Chief Lighting Technician: David McLean
• Costume Design: Sekinah Brown
• Story: Diane Drake
• Screenplay: Alex Gregory
• Screenplay: Peter Huyck
• Set Decoration: Vera Mills
• Executive Producer: Dete Meserve
• Co-Executive Producer: Judd Payne
• Production Design: Mark Hutman
• Stunt Double: Joshua Lamboy
• Stunts: Kevin Waterman
• Makeup Department Head: Beverly Jo Pryor
• Construction Coordinator: Sean Clouser
• Supervising Music Editor: Joe Lisanti
• Casting Director: Chase Paris
• Casting Director: Tara Feldstein Bennett
• Foley Artist: John T. Cucci
• Dialogue Editor: Susan Dudeck
• Dialogue Editor: Susan Dawes
• Stunt Double: Jason Elwood Hanna
• Music Editor: Johnny Caruso
• Sound Re-Recording Mixer: Frank A. Montaño
• Sound Re-Recording Mixer: Jon Taylor
• Stunt Coordinator: Jennifer Badger
• Transportation Coordinator: Neil Castles Jr.
• Stunt Double: John Copeman
• Supervising Dialogue Editor: Teri E. Dorman
• “A” Camera Operator: David J. Thompson
• Hair Department Head: Melissa Forney
• Unit Publicist: Heidi Falconer
• Makeup Artist: Quintessence Patterson
• “B” Camera Operator: Jan Ruona
• Art Direction: Michael H. Ward
• Casting: Michelle Wade Byrd
• Foley Supervisor: Matthew Harrison
• Post Production Supervisor: Lisa Rodgers
• Script Supervisor: Diane Durant
• Art Direction: Rachel Block
• Orchestrator: Brad Warnaar
• Executive In Charge Of Production: Ralph Bertelle
• Assistant Sound Editor: Melissa Lytle
• First Assistant Camera: Bobby Mancuso
• Still Photographer: Jessica Miglio
• First Assistant Editor: Joshua Kirchmer
• ADR Mixer: Jeff Gomillion
• Stunt Driver: Chick Bernhard
• Camera Loader: Zach Holloran
• Stunts: Laurence Chavez
• Stunts: Marcelle Coletti
• Stunts: Crystal Hooks
• Camera Car: Grady Allen Bishop
• Casting Associate: Bret Howe
• Stunt Driver: Brionna Maria Lynch
• Stunts: Ronny Mathew
• Costume Supervisor: Shilla Benning
• Second Assistant Director: Amir R. Khan
• First Assistant Camera: Dan Turek
• ADR Mixer: Jesse Dodd
• Second Second Assistant Director: Braheeim Roberts
• Foley Mixer: Richard Duarte
• Location Manager: Gerard Averill
• Art Department Coordinator: Maria Elia Castro
• Stunt Double: Niahlah Hope
• Boom Operator: Jason Sullivan
• Tailor: Deidra Toney
• Stunts: Marcus Lewis
• Producer: James Lopez
• Casting Assistant: Geena Dioquino
• Key Makeup Artist: Ashunta Sheriff
• Hairstylist: AL Payne
• Storyboard Artist: Brian McKissick
• Production Sound Mixer: Paul Reed
• Foley Mixer: Jack Cucci
• Story: Jas Waters
• Additional Second Assistant Director: Bennett Gammon
• Production Accountant: Susan Murphy
• Production Coordinator: David Halagarda
• Second Assistant Director: Dan Short
• Property Master: Kate Forry Guanci
• Stunt Double: Tomar Boyd
• Key Hair Stylist: Eric Pagdin
• Associate Producer: Shayla Cowan
• Additional Second Assistant Director: Catherine A. Cospelich
• First Assistant Director: Spencer Jarvis
• Compositor: Chris Henryon
• Lead Costumer: Jonathan Romeo
• Stunt Driver: David Brian Martin
• Leadman: Ryan Kutch
• Assistant Production Coordinator: Lacie Collins
• Set Designer: Kristen B. Adams
• Assistant Chief Lighting Technician: Jeff Kirschner
• Production Secretary: Tiffany D. Moore
• Stunt Double: Justin Webb
• Assistant Costume Designer: Veronica James
• Key Costumer: Herman Robinson
• Production Secretary: Jessica Judge
• Transportation Captain: Samuel Wayne Beitz

Movie Reviews:

• Gimly: I knew there was a What a Women Want reboot in the works, and my interest was **zero**.

  I heard they were flipping the script a la genders, and it was still zee – row.

  Cast Taraji P. Henson in the lead and I was like: “Fuck… I’m gonna have to watch this now aren’t I?”

  And so I did. But I probably shouldn’t have.

  _Final rating:★½: – Boring/disappointing. Avoid where possible._

• Kamurai: Good watch, could watch again, and can recommend.

  While it’s potentially problematic for many of the same reasons for the Mel Gibson “What Women Want”, I think this is a much better version, and a good modernization. It’s also a good way to shift it to a “black movie”.

  Taraji P. Henson does an excellent job carrying the movie and it is full of good humor, and exciting moments.

  The movie does send a little bit of a mixed message as it seems to indicate that a woman needs to be a man in order to play in a man’s world, but it feels more like its about it not being a man’s world.

  This is a good time, my only concern is that she’s not a very likable character at the start of the movie.