Autobots and Decepticons are at war, with humans on the sidelines. Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth.
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Credits: TheMovieDb.

Film Cast:

• Cade Yeager: Mark Wahlberg
• Col. William Lennox: Josh Duhamel
• Merlin: Stanley Tucci
• Sir Edmund Burton: Anthony Hopkins
• Vivian Wembley: Laura Haddock
• Jimmy: Jerrod Carmichael
• Izabella: Isabela Merced
• Santos: Santiago Cabrera
• Young Viviane: Minti Gorne
• Seymour Simmons: John Turturro
• General Morshower: Glenn Morshower
• King Arthur: Liam Garrigan
• TRF Group Leader: Mitch Pileggi
• JPL Engineer: Tony Hale
• Chief Sherman: Gil Birmingham
• Tessa Yeager (voice): Nicola Peltz
• Optimus Prime (voice): Peter Cullen
• Quintessa: Gemma Chan
• Megatron (voice): Frank Welker
• Bumblebee (voice): Erik Aadahl
• Cogman (voice): Jim Carter
• Hot Rod (voice): Omar Sy
• Drift (voice): Ken Watanabe
• Hound (voice): John Goodman
• Crosshairs / Nitro Zeus (voice): John DiMaggio
• Sqweeks / Mohawk (voice): Reno Wilson
• Barricade (voice): Jess Harnell
• Wheelie (voice): Tom Kenny
• Daytrader (voice): Steve Buscemi
• Volleybot (voice): Steven Barr
• Lieutenant / Bulldog (voice): Mark Ryan
• Darcy: Sophia Myles
• Colonel #2: Barbara Eve Harris
• Kid: Benjamin Flores Jr.
• TRF Group Leader: Kevin Kent
• Lawyer: Andy Bean
• American Serviceman: Walles Hamonde
• Lancelot: Martin McCreadie
• Tristan: John Hollingworth
• Lawyer: Aisha Kabia
• High Society Woman: Elizabeth Croft
• Viviane’s Father: Stephen Hogan
• Military Attache: Dan Warner
• Kid: Juliocesar Chavez
• Saebert: Daniel Adegboyega
• JPL Director: Claude Knowlton
• CNN News Reporter: Phill Langhorne
• Lawyer: Sam Yim
• Scientist: Christina Tam
• Percival: Rob Witcomb
• Gawain: Marcus Fraser
• Hengist: Ben Webb
• Young JPL Engineer: Jacob Zachar
• Viviane’s Grandmum: Maggie Steed
• Viviane’s Mum: Sara Stewart
• Aunt Helen: Phoebe Nicholls
• Aunt Marie: Rebecca Front
• Kid: Samuel Parker
• Kid: Daniel Iturriaga
• U.K. Prime Minister: Mark Dexter
• Downing Street Policeman: Rob Jarvis
• Polo Player: Tim Downie
• High Society Woman: Emily Tierney
• Saxon Knight: Wolfgang Young
• Scientist: Nicholas Khan
• Scientist: Leighton Sharpe
• Scientist: Aiyaz Ahmed
• Female Researcher: Pauline McLynn
• Student: Matthew Castle
• Student: Mia Maria
• Student: Poppy Carter
• News Reporter: Seeta Indrani
• News Reporter: Simon Harrison
• Submarine Ticket Agent: Wendy Albiston
• Pentagon Colonel: John Burke
• Pentagon Official: Granville Ames
• Government Suit: Jim Wisniewski
• TRF Lieutenant: Remi Adeleke
• TRF Operator: Perry Yee
• TRF Operator: Brian William Price
• TRF Operator: Vincent Jerome
• F-35 Pilot: Alan Pietruszewski
• F-16 Pilot: Christoper Vasquez
• Osprey Pilot: Krista Schaeffer
• Military Attache: Tom Wright
• Namibian Scientist: Charlie Bouguenon
• Namibian Scientist: Jandre le Roux
• Namibian Scientist: Michael Richard
• F-16 Pilot: Drew Waters
• German Soldier (uncredited): Jude Poyer
• Saxon Warrior (uncredited): Eddie Hall
• Hengist: Benjamin Maurice Webb

Film Crew:

• Casting: Denise Chamian
• Producer: Steven Spielberg
• Executive Producer: Michael Bay
• Producer: Don Murphy
• Casting: Priscilla John
• Special Effects Supervisor: John Frazier
• First Assistant Director: K.C. Hodenfield
• Story: Akiva Goldsman
• Producer: Ian Bryce
• Producer: Lorenzo Di Bonaventura
• Production Design: Jeffrey Beecroft
• Set Decoration: Richard Roberts
• Foley: Christopher Moriana
• Sound Recordist: James Mather
• Editor: Roger Barton
• Director of Photography: Jonathan Sela
• Editor: Debra Neil-Fisher
• Gaffer: John Buckley
• Art Direction: Hugo Santiago
• Story: Ken Nolan
• Set Designer: Robert Woodruff
• Key Makeup Artist: Diane Heller
• Sound Re-Recording Mixer: Greg P. Russell
• Original Music Composer: Steve Jablonsky
• Story: Art Marcum
• Story: Matt Holloway
• Executive Producer: Brian Goldner
• Second Unit Director of Photography: Peter Lyons Collister
• Key Makeup Artist: Nicola Buck
• Set Designer: Scott Herbertson
• Orchestrator: Peter Rotter
• Production Supervisor: Daren Hicks
• Second Unit Director of Photography: Igor Meglic
• Co-Producer: Ricardo Del Río
• Editor: John Refoua
• Casting: Faith Hibbs-Clark
• Co-Producer: Matthew Cohan
• Supervising Art Director: Tom Reta
• Dialogue Editor: David Bach
• Makeup Artist: Howard Berger
• Aerial Director of Photography: Michael Kelem
• Assistant Property Master: Nick Milner
• Property Master: Graeme Purdy
• Set Decoration: Andrew McCarthy
• Conceptual Design: Ed Natividad
• Art Direction: Todd Cherniawsky
• Supervising Art Director: Jason Knox-Johnston
• Art Direction: Sebastian Schroder
• Editor: Mark Sanger
• Camera Operator: Coy Aune
• Casting Associate: Orla Maxwell
• Steadicam Operator: Jacques Jouffret
• Costume Supervisor: Deborah Zimmerman
• Art Direction: David E. Scott
• Art Direction: Scott David Winn
• Sound Effects Editor: Brandon Jones
• Assistant Costume Designer: Michael Mooney
• Set Designer: Erick Donaldson
• Costume Design: Lisa Lovaas
• Makeup Department Head: Edouard F. Henriques
• Art Direction: Mark Walters
• Art Direction: Geoffrey S. Grimsman
• Editor: Adam Gerstel
• Sound Effects Editor: Chris Diebold
• Sound Recordist: Eilam Hoffman
• Set Designer: Kevin Cross
• Sound Re-Recording Mixer: Jeffrey J. Haboush
• Sound Effects Editor: Jon Title
• Musician: Bart Samolis
• Dialogue Editor: Ralph Osborn
• Sound Designer: Tobias Poppe
• Sound Effects Editor: Tim Walston
• Set Designer: Robert Andrew Johnson
• Set Designer: Mike Stassi
• Visual Effects Supervisor: Scott Farrar
• Sound Designer: Erik Aadahl
• Supervising Sound Editor: Ethan van der Ryn
• VFX Supervisor: Jeff Capogreco
• Assistant Art Director: Marco Anton Restivo
• Art Direction: Anthony Caron-Delion
• Set Designer: Bria Kinter
• Construction Coordinator: Jonas Kirk
• Art Department Coordinator: Leah Palen
• Still Photographer: Andrew Cooper
• Key Set Costumer: Jeanie Baker
• Visual Effects Producer: Christoph Roth
• Camera Operator: Frank Buono
• Foley: Alyson Dee Moore
• Underwater Director of Photography: Pete Romano
• Hair Department Head: Yolanda Toussieng
• Visual Effects Editor: Lorelei David
• Camera Operator: Łukasz Bielan
• VFX Supervisor: Rick Lupton
• Digital Intermediate: Erik Rogers
• Dialogue Editor: Thomas Jones
• Hairstylist: Johnny Villanueva
• Sound Designer: Jason W. Jennings
• Visual Effects Producer: Ryan Wiederkehr
• Property Master: Guillaume DeLouche
• Dialogue Editor: Russell Farmarco
• Assistant Costume Designer: Dani Phelps
• Rigging Gaffer: Marc Wostak
• Assistant Art Director: Anna Bregman
• Visual Effects Supervisor: Julian Foddy
• Music Editor: Jason Ruder
• Sound Re-Recording Mixer: Gary Summers
• Camera Operator: Oliver Loncraine
• Special Effects Coordinator: Jim Schwalm
• Camera Operator: Onofrio Nino Pansini
• Co-Producer: Michael Kase
• Animation Supervisor: Rick O’Connor
• Drone Operator: Eric Dvorsky
• Rigging Gaffer: Jason C. Fitzgerald
• Writer: Lindsey Beer
• Creature Technical Director: Seong Joon Lee
• Casting Associate: Liz Ludwitzke
• Animation Supervisor: Paul Kavanagh
• Aerial Camera: Richard Roles
• Editor: Calvin Wimmer
• Script Supervisor: Kris Smith
• Supervising Sound Editor: Joel Erickson
• Makeup Artist: Robin Fredriksz
• Armorer: David Fencl
• Visual Effects Art Director: Ryan Church
• Key Costumer: Chrissy Callan
• Gaffer: Brian Bartolini
• Armorer: Greg Corke
• Armorer: Dan Osborne
• Gaffer: Rick Thomas
• Boom Operator: Kevin Cerchiai
• Special Effects Supervisor: Terry Glass
• Assistant Art Director: Jourdan Henderson
• Camera Operator: Davide Tiraboschi
• Set Decoration: Karen Frick
• Special Effects Coordinator: Zuzana Milfort
• Visual Effects Editor: Jonas Kluger
• Line Producer: Arturo del Río
• Score Engineer: Tom Strahle
• Visual Effects Supervisor: Jason Smith
• Visual Effects Editor: Steve Bobertz
• Visual Effects Supervisor: Berter Orpak
• Stunts: Liang Yang
• Dolly Grip: Ryan Busscher
• Foley Editor: Michael Dressel
• Set Designer: Julien Pougnier
• Sound Effects Editor: Randy Torres
• Aerial Camera Technician: Jared Slater
• Aerial Coordinator: Frédéric North
• Animal Coordinator: Cris Rankin
• First Assistant Director: Jeff Okabayashi
• Assistant Art Director: Jennifer Bash
• Casting Associate: Francesca Bradley
• Aerial Camera Technician: Peter Graf
• Draughtsman: Thomas Goodwin
• Creature Technical Director: Amy Taylor
• Draughtsman: Laura Miller
• CG Supervisor: Laurent Taillefer
• Visual Effects Editor: Christopher Kowal
• Assistant Editor: Robert Sealey
• Camera Operator: Nikhil Paniz
• CG Supervisor: Leah Beevers
• VFX Editor: Leah Jones
• Camera Operator: Matthew Pebler
• Armory Coordinator: Adam Goodall
• CG Supervisor: Walid Mouawad
• Visual Effects Producer: Julie Kubbillun
• VFX Editor: Luke Dhand
• VFX Editor: Wes Walcott
• Visual Effects Producer: Annie Normandin
• Visual Effects Supervisor: Sheldon Stopsack
• CG Supervisor: Timothy Brakensiek
• Drone Operator: Dionys Frei
• Ager/Dyer: John Ringhoff
• Costume Coordinator: Jennie Murphy
• Set Costumer: Michelle Victoria McGrath
• Armorer: Paul Biddiss
• Armorer: Francis Smith
• Key Hair Stylist: Yiotis Panayiotou
• Dolly Grip: Sean Devine
• Gaffer: Martin Smith
• Gaffer: Wesley Alley
• Rigging Grip: Chris Leidholdt
• Russian Arm Operator: Jonathan Dennis
• Animation Supervisor: Peta Bayley
• CG Supervisor: Dominic Drane
• CG Supervisor: Jeremy Bloch
• CG Supervisor: Douglas Smythe
• Creature Technical Director: Josh Methven
• Creature Technical Director: Tanner Scott
• Creature Technical Director: Nimoul Nims Bun
• Creature Technical Director: Sam Gutentag
• Creature Technical Director: Panat Thamrongsombutsakul
• Pre-Visualization Supervisor: Mike Makara
• Pre-Visualization Supervisor: Steve Yamamoto
• Creature Technical Director: David Richard Nelson
• Creature Technical Director: Nico Sanghrajka
• Visual Effects Art Director: Thang Le
• Visual Effects Supervisor: Antoine Whyte
• Boom Operator: Brendan-John Allen
• Sound Effects Editor: Malte Bieler
• First Assistant Director: Reymel Delgado
• Art Department Coordinator: Michelle Thieme
• Assistant Art Director: Matthew Horan
• Assistant Art Director: Rudie Schaefer
• Health and Safety: Daniel Rogers
• Sound Designer: Matt Lange

Movie Reviews:

• Gimly: The _Transformers_ franchise has never been good. Some say that the series is “Dumb fun with good action and cool explosions. To me, that could maybe be used to describe only the third movie. The first one is promising and has a certain “child-like-wonder” appeal. But neither of them are truly **good**. The second _Transformers_ is meaningless garbage.

  But when _Age of Extinction_ was released in 2014, the franchise hit new, abysmal lows. Watching _Transformers_ wasn’t just a chore, it wasn’t just boring, it was excruciating. It was so bad I felt nauseous. I was aggravated to the point of brimming with feelings of genuine anger. They say that if a film makes you feel something, that is a victory in itself. Be it sadness, excitement, intrigue, joy, hope, nostalgia, hysteria, love, fear, warmth – whatever – I tend to agree with that statement. What I felt in _Age of Extinction_ was not a victory. It was a failure. A Guinness Book of World Records level failure.

  _Transformers: The Last Knight_, is at least that bad again.

  Arguably worse.

  I guess it didn’t dedicate an entire character to being a justification for paedophilia, so it has that up on its predecessor.

  _Final rating:½ – So bad it’s offensive. I may never fully recover._

• Per Gunnar Jonsson: Not surprisingly I expected this, the fifth installment, of the Transformers franchise to be pretty much crap. Especially after the abysmal fourth installment. To my great surprise I found it to be much less crappy than I expected.

  I honestly do not understand why so many people seems to think this is one of the worst movies ever. The critics sure, especially the ones at Rotten Tomatoes, but I do not really care about those self proclaimed “critics”. Ordinary viewers is another matter.

  I mean, this is a transformers movie and it is directed by Michael Bay. That pretty much defines the movie from the start so what the heck did all those people complaining actually expect? That Michael Bay should suddenly care about things like script and stuff or anything else except big robots, special effects and explosions?

  Personally I quite enjoyed this movie. Well, enjoyed in the context of watching a Transformers movie that is. I enjoyed the special effects, the robots, even the lousy jokes.

  I did enjoy the tie in to the Pendragon myth and I thought the somewhat bizarre Sir Edmund Burton and his even more bizarre robot butler was great fun.

  I laughed outright when I saw the World War 1 tank transformer. I was expecting the submarine transformer to actually transform though.

  Maybe all those detractors of this movie are missing the bimbo with two and a half brain cells (yes I am being generous now) that used to be the lead female character in the Transformers movies but personally I quite liked that the leads in this movie was much more mature and actually showed some evidence of intelligence.

  The story? Well, for a Transformers movie it is quite good. In any other context it would be somewhat…lacking. It did screw quite a bit with the Transformers timeline established in the first movies though. Oh, and for some nitpicking, the maximum operating altitude of those airplanes they used is 21 000 feet, not 12 000 feet.

  Bottom line, I had great fun when watching this movie. With my low, and I mean LOW, initial expectations I was very pleasantly surprised. It is definitely a huge improvement over the fourth instalment.

• 40w2000: Soulless garbage. Must have been written in less then 15 minutes. How hard can it be to write an entertaining film about transforming alien robots? If you’re Michael Bay, very hard indeed. And the jokes. Wow. The jokes. I cringed after each and everyone. So many attempts at humour falling flat on their faces and smashing all of their teeth on the floor. The makers of this movie should be forced into exile.