When a group of college students finds a mysterious book and recording in the old wilderness cabin they’ve rented for the weekend, they unwittingly unleash a demonic force from the surrounding forest.
- Ashley ‘Ash’ J. Williams: Bruce Campbell
- Cheryl: Ellen Sandweiss
- Scott: Richard DeManincor
- Linda: Betsy Baker
- Shelly: Theresa Tilly
- Fake Shemp: Philip A. Gillis
- Fake Shemp: Dorothy Tapert
- Fake Shemp: Cheryl Guttridge
- Fake Shemp: Barbara Carey
- Fake Shemp: David Horton
- Fake Shemp: Wendall Thomas
- Fake Shemp: Don Long
- Fake Shemp: Stu Smith
- Fake Shemp: Kurt Rauf
- Fake Shemp: Ted Raimi
- Fake Shemp: Ivan Raimi
- Fake Shemp: Bill Vincent
- Fake Shemp: Mary Beth Tapert
- Fake Shemp: Scott Spiegel
- Fake Shemp: John Cameron
- Fake Shemp: Joanne Kruse
- Fake Shemp: Gwen Cochanski
- Fake Shemp: Debie Jarczewski
- Hitchhiking Fisherman / Evil Force (uncredited): Sam Raimi
- Car Shemp (uncredited): Josh Becker
- Person on Recorder (voice) (uncredited): Bob Dorian
- Demon Hands (uncredited): Tom Sullivan
- Local Yokel (uncredited): Robert Tapert
- Assistant Editor: Joel Coen
- Executive Producer: Sam Raimi
- Executive Producer: Bruce Campbell
- Executive Producer: Robert Tapert
- Producer: Gary Holt
- Original Music Composer: Joseph LoDuca
- Director of Photography: Tim Philo
- Editor: Edna Ruth Paul
- Makeup Artist: Tom Sullivan
- Supervising Sound Editor: Joe Masefield
- Wuchak: RELEASED IN 1981 (but not until April, 1983, in the USA) and written & directed by Sam Raimi, “The Evil Dead” chronicles events when five Michigan State students travel to a remote cabin in western Tennessee for spring break wherein they discover a copy of the Book of the Dead and an audiotape whose incantations resurrect demons in the woods. Havoc ensues.
This is a cult classic movie and the famous director’s first full-length feature. It only cost $350,000 to make and was shot in 1979, as well as the first weeks of 1980. Bruce Campbell makes for a quality protagonist and there’s a good trio of girl-next-door types (Ellen Sandweiss, Theresa Tilly and Betsy Baker), but Raimi only really takes advantage of these feminine resources with Sandweiss as Cheryl.
The first half of the movie is great, which involves the five students’ arrival to the cabin and the initial possession/attack sequences. It’s atmospheric, well executed and compelling. The second half, however, is redundant. While each new attack ups the ante it’s basically more of the same in the same setting (the cabin). Don’t get me wrong, the second half is effective chaotic & chilling horror with loads of cartoony gore, but it’s too one-dimensional with no meaty subtext to chew on. It’s just people being attacked by hideous creatures, one after the other.
This simplistic approach CAN work, as witnessed by 1972’s “Gargoyles,” but in that movie the initial gargoyle attacks led to a captivating confrontation in their hellish cave complex in the last act. The latter half of “The Evil Dead,” by contrast, is just one attack after another in the same general setting. But the latter half of “The Evil Dead” is just one attack after another in the same general setting. This might work for 11-14 year-olds who are wowed by cartoonish gore and constant diabolic thrills, but it doesn’t work for more mature people who require some element of mindfood or, at least, variation to keep interested. Another negative is the final gory sequence which is decidedly low-budget and cartoony, albeit creatively and expertly done on a film student level.
THE FILM RUNS 1 hour & 25 minutes and was shot in Morristown, Tennessee, with additional work done in Michigan.
- Kamurai: Decent watch at best, probably won’t watch again, and can’t recommend unless you just love classic gore practical effects.
I’m honestly confused why this was such a bit hit at the time. Maybe it was just part of the trends, maybe the 1980s was just when people wanted to see horrific gore, and there was a lack of options.
Don’t get me wrong, I don’t think it’s bad. I don’t feel like we get a proper explanation of what the hell is happening, so no expectations is really built to be subverted, but I certainly wouldn’t want this movie to explain anymore than it did.
I’m honestly not sure exactly what to say about it: it’s a “don’t mess with dark forces you can’t possibly understand” trope with a bunch of blood, gore, and weirdly designed possession.
Part of what I enjoy about (even paranormal) survival situations like this is the idea that their is / was a way out of it, if the characters can figure it out. This is more of just someone blew up a dam, and now we’re going to die from a flood.
I just feel like this movie could have been a lot more, and I’m not going to remember this, but I had a good enough time watching it.