When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man’s sword to his family in Nottingham. There, he assumes Robert’s identity; romances his widow, Marion; and draws the ire of the town’s sheriff and King John’s henchman, Godfrey.
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Credits: TheMovieDb.
Film Cast:
- Robin Longstride: Russell Crowe
- Marion Loxley: Cate Blanchett
- Sir Walter Loxley: Max von Sydow
- William Marshal: William Hurt
- Godfrey: Mark Strong
- Prince John: Oscar Isaac
- King Richard the Lionheart: Danny Huston
- Eleanor of Aquitaine: Eileen Atkins
- Friar Tuck: Mark Addy
- Sheriff of Nottingham: Matthew Macfadyen
- Little John: Kevin Durand
- Will Scarlet: Scott Grimes
- Allan A’Dayle: Alan Doyle
- Sir Robert Loxley: Douglas Hodge
- Isabella of Angoulême: Léa Seydoux
- King Philip of France: Jonathan Zaccaï
- Baron Baldwin: Robert Pugh
- Baron Fitzrobert: Gerard McSorley
- Belvedere: Velibor Topic
- Loop: Ciaran Flynn
- Father Tancred: Simon McBurney
- Village Mother: Denise Gough
- Farmer Paul: John Nicholas
- Captain of the Royal Barge: Thomas Arnold
- Royal Equerry: Pip Carter
- Stone Mason Longstride: Mark Lewis Jones
- Jimoen: Bronson Webb
- Adhemar: Denis Ménochet
- Church Deacon: Jamie Beamish
- Exchequer: John Atterbury
- Sheriff’s Thug: Luke Evans
- Gaffer Tom: Roy Holder
- Baron Baldwin’s Grandson: Mark Ryder
- Margaret Walter’s Maid: Ruby Bentall
- Sentinel: Ned Dennehy
- Slovenly French Cook: Nicolas Simon
- Walter’s Cook: Lisa Millett
- Messenger: Stuart Martin
- Princess Isabel of Gloucester: Jessica Raine
- Ragged Messenger: Steve Evets
- Ruffian: Eric Rulliat
- King Philip’s Aide: Abraham Belaga
- Young Robin: Jack Downham
- Sentry: Richard Riddell
- French Captain: David Bertrand
- Groom: Arthur Darvill
- Lady-in-Waiting: Giannina Facio
- Woman at Bog: Hannah Barrie
- Soldier Boy: Lee Battle
- Soldier Two: Nicky Bell
- Little John’s Wench: Andrea Ware
- Tom the Pig Man: John O’Toole
- Northerner: Ralph Ineson
- French Informant: Zuriel de Peslouan
- Distinctive Man: Jake Curran
- French Flagship Captain: Samuel Dupuy
- Justiciar: Nick Lucas
- Cardinal Roger: Alan Charlesworth
- French Boy: Lothaire Gerard
- Laughing French Soldier: Mat Laroche
- Equerry: Chris Jared
- Feral Child: Joseph Hamilton
- Feral Child: James Hamilton
- Feral Child: James Burrows
- Feral Child: Danny Clarke
- Feral Child: Tom Blyth
- Archer (uncredited): Lee Nicholas Harris
- Tax Collector (uncredited): Michael Koltes
- Archer (uncredited): Umit Ulgen
- English Pikeman (uncredited): Robert J. Fraser
- French Soldier (uncredited): Ryan Stuart
- Village boy (uncredited): Harvey Walsh
- Feral Boy (uncredited): Will Richardson
Film Crew:
- Producer: Brian Grazer
- Casting: Jina Jay
- Producer: Ridley Scott
- Producer: Russell Crowe
- Director of Photography: John Mathieson
- Costume Design: Janty Yates
- Production Design: Arthur Max
- Editor: Pietro Scalia
- Story: Brian Helgeland
- Production Executive: Karen Kehela Sherwood
- Camera Operator: Martin Hume
- Stunts: Tina Maskell
- Makeup Designer: Paul Engelen
- Art Direction: Adam O’Neill
- Stunts: Lucy Allen
- Concept Artist: Peter Popken
- Still Photographer: David Appleby
- Supervising Sound Editor: Mark P. Stoeckinger
- Set Decoration: Sonja Klaus
- Supervising Art Director: John King
- Second Unit Director of Photography: Alexander Witt
- Art Direction: Karen Wakefield
- Hairstylist: Nikita Rae
- Makeup Artist: Suzanne Jansen
- Concept Artist: Simon McGuire
- Executive Producer: Michael Costigan
- Production Executive: Jim Whitaker
- Executive Producer: Ryan Kavanaugh
- Sound Re-Recording Mixer: David Giammarco
- Sound Re-Recording Mixer: Paul Massey
- Story: Ethan Reiff
- Dialect Coach: Judy Dickerson
- Original Music Composer: Marc Streitenfeld
- First Assistant Camera: Julian Bucknall
- Standby Art Director: Ben Munro
- Story: Cyrus Voris
- Unit Production Manager: Charles J.D. Schlissel
- Art Direction: David Allday
- Grip: Tony Rowland
- Steadicam Operator: Paul Edwards
- Props: Nick Milner
- Script Supervisor: Elizabeth West
- Dialect Coach: Andrew Jack
- Production Executive: Dylan Clark
- Set Designer: Dean Clegg
- Art Direction: Mike Stallion
- Additional Editing: Billy Rich
- Co-Executive Producer: Michael Ellenberg
- Stunts: Nina Armstrong
- Music Editor: Del Spiva
- Art Direction: Ray Chan
- Casting Associate: Dixie Chassay
- Assistant Art Director: Sarah Stuart
- Visual Effects Supervisor: Johnny Lockwood
- Second Assistant Camera: Joe Alexander
- Associate Producer: Keith Rodger
- Assistant Art Director: Thomas Brown
- Standby Art Director: Jordan Crockett
- Art Direction: Mark Swain
- Costume Supervisor: Annie Crawford
- Art Direction: Alex Cameron
- Art Direction: Marc Homes
- Props: Thomas Jones
- Art Department Coordinator: Katie Gabriel
- Property Master: Terry Wells
- Assistant Art Director: Tom Whitehead
- Sculptor: Jody King
- Supervising Sound Editor: Wylie Stateman
- Draughtsman: Will Coubrough
- Music Editor: Joseph Bonn
- Visual Effects Supervisor: Richard Stammers
- Art Direction: Anthony Caron-Delion
- Assistant Art Director: Jim Barr
- Draughtsman: Oliver Goodier
- Art Direction: Matthew Robinson
- First Assistant Camera: John Gamble
- Camera Operator: Julian Morson
- Camera Operator: Gary Spratling
- Set Supervisor: Calandra Meredith
- Wardrobe Assistant: Russell Barnett
- Assistant Art Director: Tom Weaving
- Visual Effects Supervisor: Dick Edwards
- Visual Effects Producer: Allen Maris
- Camera Operator: Graham Hall
- Visual Effects Producer: Les Hunter
- Camera Operator: Clive Jackson
- Art Direction: Tom Still
- Visual Effects Supervisor: Steve Street
- Electrician: Wayne King
- Camera Operator: Peter Taylor
- Assistant Art Director: Guy Bradley
- Costume Assistant: Philip Goldsworthy
- Visual Effects Producer: Thomas Nittmann
- Visual Effects Supervisor: Edson Williams
- Gaffer: Alan Martin
- Compositing Supervisor: Dan Levitan
- Greensman: Ian Whiteford
- Art Department Coordinator: Heather Noble
- Wigmaker: Alex Rouse
- Camera Operator: Chris Plevin
- Visual Effects Editor: Jody Rogers
- Underwater Camera: Mike Valentine
- Electrician: Chris Dowling
- Post Production Supervisor: Teresa Kelly
- Aerial Director of Photography: John Marzano
- Script Supervisor: Jo Beckett
- Unit Publicist: Stacy Mann
- Dressing Prop: Gary Dawson
- Greensman: Blake Maslin
- Greensman: Craig Whiteford
- Camera Operator: Pete Cavaciuti
- Camera Operator: Roberto W. Contreras D.
- Visual Effects Producer: Liz Roberts
- Hair Supervisor: Wendy Kemp Forbes
- Makeup Artist: Rebecca Lafford
- Props: Scott Keery
- Visual Effects Production Manager: Tim Pounds-Cornish
- Draughtsman: Anna Bregman
- Hair Designer: Kevin Alexander
- Electrician: Sean Davis
- Visual Effects Supervisor: Brooke Lyndon-Stanford
- Hairstylist: Nuria Mbomio
- Stunts: Helen Steinway Bailey
- Visual Effects Editor: Chris Coupland
- Visual Effects Producer: Standish Millennas
- Scenic Artist: David Packard
- Concept Artist: Hayley Easton Street
- Set Costumer: Peter K. Christopher
- Hairstylist: Amy Byrne
- Makeup Artist: Clare Ramsey
- Visual Effects Supervisor: Michael T. Kennedy
- Visual Effects Coordinator: Bastian Hopfgarten
- Makeup Artist: Melissa Lackersteen
- Compositing Supervisor: Asregadoo Arundi
- Digital Effects Supervisor: Jessica Norman
- Costumer: Amanda Trewin
- Greensman: Paul Dennis
- Art Department Assistant: Sophie Worley
- Art Direction: Remo Tozzi
- Art Department Assistant: Claire Fleming
- Assistant Costume Designer: Sharon Long
- Second Assistant Camera: Russell Kennedy
- First Assistant Director: Max Keene
- Dialect Coach: Benjamin Mathes
- Costumer: Michael Castellano
- Visual Effects Coordinator: Ross Johnson
- Armorer: John Nixon
- Wigmaker: Bob Kretschmer
- Production Coordinator: Miranda Marks
- Carpenter: John Whitby
- Electrician: Paul Sharp
- Visual Effects Production Assistant: Victoria Albanese
- Carpenter: Eddie Murphy
- Production Assistant: Samantha Dark
- Armorer: Steve Cummings
- Costumer: Simone Knight
- Visual Effects Coordinator: Edward Randolph
- Post Production Accountant: Jim Hajicosta
- Makeup Artist: Laura Lilley
- Hairstylist: Sophie Slotover
- Concept Artist: Oliver Carroll
- Pilot: Marc Wolff
- Carpenter: Darren Hayward
- Co-Producer: Nik Korda
- Prosthetics: Maria Cork
- Set Dresser: Dicken Warner
- Painter: Larry Gooch
- Second Assistant Camera: Ben Plant
- Production Accountant: Richard Castro
- Props: Jon Meakins
- First Assistant Camera: Basil Smith
- Prosthetic Designer: David White
- Stunts: Sarah Franzl
- Visual Effects Coordinator: Paula Nederman
- Makeup Artist: Rita Fekete
- Concept Artist: Eva Kuntz
- Set Designer: Hideki Arichi
- Production Controller: Nicole Furia
- Grip: Andy Hopkins
- CG Supervisor: Max Wood
- First Assistant Camera: Jem Rayner
- Electrician: Paul Cronin
- Key Grip: Malcolm Huse
- Production Accountant: Sarah Trowse
- Dressing Prop: Steve Payne
- Visual Effects Coordinator: Toby Langley
- Compositor: Daniel Mellitz
- Choreographer: Diana Scrivener
- Art Department Assistant: Sarah Ginn
- Hairstylist: Sophia Knight
- Russian Arm Operator: Toby Plaskitt
- Makeup Supervisor: Gemma Richards
- Hairdresser: Candice Banks
- Key Grip: Gary Hymns
- Carpenter: Tony Marks
- Costume Assistant: Lucy Bowring
- Dolly Grip: Paul Hymns
- Best Boy Electric: Andy Bell
- First Assistant Camera: Rene Adefarasin
- Wardrobe Assistant: Samantha Keeble
- Production Coordinator: Jonathan Scott
- Costume Assistant: Sophie Bugeaud
- Visual Effects Producer: Fiona Foster
- First Assistant Camera: Simon Hume
- Second Assistant Camera: Lewis Hume
- First Assistant Camera: Alexandra Brixy
- Key Costumer: Anthony Brookman
- Marine Coordinator: Daren Bailey
- Assistant Set Decoration: Rob Cameron
- First Assistant Camera: Eamonn O’Keeffe
- Gaffer: Tony Wilcock
- Carpenter: Scott Elms
- Visual Effects Coordinator: Alex Carr
- Focus Puller: Ashley Bond
- Draughtsman: Jane Harwood
- Electrician: James Nesbitt
- Stunts: Stephanie Lelievre
- Visual Effects Production Assistant: Michelle Teefey-Lee
- Armory Coordinator: Caroline Wilson
- Makeup Artist: Lesley Hamon
- Script Coordinator: Charlotte Keating
- Marine Coordinator: Ian Creed
- Clapper Loader: David Wright
- Second Assistant Director: Matt Baker
- Grip: Sam Phillips
- Production Coordinator: Rohit Sharma
- Costume Assistant: Emily-Rose Yiaxis
- Supervising Armorer: Alan Hausmann
- Armorer: Roy Stratford
- Visual Effects Coordinator: James Purdy
- Lighting Technician: Andrew Purdy
- Hairdresser: Catherine Davies
- Construction Coordinator: Laura Davison
- Costumer: Linda Lashley
- Compositor: Brad Floyd
- Assistant Production Coordinator: Lebo “Boo” Motjuoadi
- Camera Loader: Sam Rawlings
- Carpenter: Lee Biggs
- Concept Artist: Dan Walker
- Carpenter: Daniel Rogers
- Compositor: Santosh Choudhary
- First Assistant Camera: Kenny Groom
- Props: Robert Stannage
- Carpenter: Andrew Betts
- Second Assistant Camera: Chris Clarke
- Visual Effects Production Manager: Katherine Smith
- Compositor: Chris Ingersoll
- Set Production Assistant: Nicole Chapman
- Grip: Malcolm McGilchrist
- Art Department Assistant: Caroline Pool
- Production Secretary: Glenn Diot
- Production Assistant: Kevin Baulcomb
- Animation: Alex Hislop
- Stunts: Maxine Whittaker
- Compositor: Marco Fiorani Parenzi
- Second Assistant Camera: David Churchyard
- Costume Assistant: Tommy Blunkell
- Floor Runner: Tamara King
- Camera Trainee: Kat Spencer
- Camera Trainee: Alex Kruszelnicki
- Compositor: Henning Glabbart
- Grip: David Draper
- Art Department Assistant: Bethan Jones
- Art Department Assistant: Richard Usher
- Assistant Art Director: Patricia Johnson
- Carpenter: Joe Cassar
- Carpenter: Matt Handford
- Carpenter: Darren Philpott
- Carpenter: Daniel Thompson
- Conceptual Illustrator: Paul Anthony McGill
- Construction Manager: Leigh Gilbert
- Draughtsman: Elizabeth Loach
- Draughtsman: Annushka Russell
- Dressing Prop: Shane Harford
- Dressing Prop: Julian Wilson
- Dressing Prop: Paul Bufton
- Dressing Prop: Kelvin Cook
- Dressing Prop: Steve Westley
- Scenic Artist: Satarupa Bradley
- Storyboard Artist: Giles Asbury
- Storyboard Artist: Jonathan Millward
- Hairstylist: Jane Logan
- Makeup & Hair: Anna Cash
- Best Boy Grip: Gary Smith
- Electrician: Chris Knoll
- Electrician: Matthew Martin
- Electrician: Colin Price
- Electrician: Phil Reader
- First Assistant Camera: Keith McNamara
- Second Assistant Camera: Tobias Marshall
- Second Assistant Camera: Ross McNamara
- Second Assistant Camera: Francesco Ferrari
- Costume Assistant: Emma Bevan
- Costume Assistant: Sally Davis
- Costume Assistant: Louise Roach
- Costume Assistant: Caroline McCall
- Costume Supervisor: Mike Skorepa
- Textile Artist: Jessica Scott-Reed
- Wardrobe Assistant: Henry Christopher
- Animation: Mike Gilbert
- Animation: Cristian A. Kong
- Animation: Kristina Krebs
- Animation: Soumyashree Mohapatra
- Animation: Aniket Shelgikar
- Animation: Chris Bending
- Compositor: Markus Bergqvist
- Compositor: Justin Jones
- Compositor: David Sjodin
- Compositor: Yatin Bhave
- Compositor: Helen Johnson
- Compositor: Landon Bootsma
- Compositor: Gianfranco Sgura
- Matchmove Supervisor: Jigesh Gajjar
- Matte Painter: Lee Matthews
- Matte Painter: Robert Olsson
- Visual Effects Coordinator: Craig Skerry
- Visual Effects Producer: Michael D’Sa
- Visual Effects Production Assistant: Abigail Mendoza
- Assistant Accountant: Karen Bicknell
- Assistant Accountant: Matthew Bovington
- Assistant Accountant: Kay Di Rezze
- Assistant Accountant: Ben Rackley
- Assistant Accountant: Tanya Ruby
- First Assistant Accountant: Bonnie Haner
- First Assistant Accountant: Rachel Welch
- Floor Runner: Jhonny Zurita
- Floor Runner: Chris Judd
- Floor Runner: Paul Hayes
- Health and Safety: Barry May-Leybourne
- Marine Coordinator: Gary Humphrey
- Payroll Accountant: Nichola Kerr
- Payroll Accountant: Ciaran Moran
- Post Production Accountant: Missy Eustermann
- Production Assistant: Amy Coats
- Production Assistant: Alex Molden
- Production Assistant: Mark Scammell
- Production Assistant: Alex Scott
- Production Assistant: Samuel Andrew Smith
- Production Coordinator: Nion Hazell
- Security: Ben Maloney
- Security: John Maloney
- Set Production Assistant: Clare Collingridge
- Set Production Assistant: Sonic
- Set Production Assistant: Erin Lander
- Stand In: Philip Ball
- Stand In: Joshua Thomas Gallegos
- Stunts: Kelly Dent
Movie Reviews:
- ohlalipop: It wasn’t really what I expected. I thought I’d be bored in my ass. I wasn’t really. Ok. Maybe just a little. I didn’t want to watch this because, come on, we all know Robin Hood’s story. But then while watching it, I tell myself, this isn’t the Robin Hood that I know. It’s a different take on Robin Hood. Although I can’t help but tell mayi that the movie could’ve been a lot better if Gerard Butler played Robin. But Russell Crowe delivered too. I’m just not a super big fan of his. And then Cate Blanchett, was intimidating as always. I mean not in a bad way. I think she’s the celebrity that I’m most intimidated with. Her characters were always great. The movie was nice. Although I wouldn’t rate it as super nice. It had its boring parts wherein I just want to close my eyes for a little. And then it felt like it was too long for me. I wasn’t really into it that much although I was entertained.
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