Following a grueling five-week shift at an Alaskan oil refinery, workers led by sharpshooter John Ottway, are flying home for a much-needed vacation. But a brutal storm causes their plane to crash in the frozen wilderness, and only eight men, including Ottway, survive. As they trek southward toward civilization and safety, Ottway and his companions must battle mortal injuries, the icy elements, and a pack of hungry wolves.
- Ottway: Liam Neeson
- Talget: Dermot Mulroney
- Diaz: Frank Grillo
- Henrick: Dallas Roberts
- Flannery: Joe Anderson
- Burke: Nonso Anozie
- Lewenden: James Badge Dale
- Ottway’s Wife: Anne Openshaw
- Ottway (5 Years Old): Jonathan James Bitonti
- Hernandez: Ben Hernandez Bray
- Company Clerk: Peter Girges
- Ottway’s Father: James Bitonti
- Talget’s Little Girl: Ella Kosor
- Cimoski: Jacob Blair
- Flight Attendant #1: Lani Gelera
- Flight Attendant #2: Larissa Stadnichuk
- Casting: John Papsidera
- Producer: Ridley Scott
- Executive Producer: Tony Scott
- Supervising Sound Editor: Mark Gingras
- Executive Producer: Bill Johnson
- Visual Effects Producer: Kristen Branan
- Supervising Sound Editor: David Evans
- Editor: Roger Barton
- Makeup Department Head: Gitte Axen
- Art Direction: Ross Dempster
- Hair Department Head: Roy Sidick
- Producer: Jules Daly
- Producer: Joe Carnahan
- Producer: Mickey Liddell
- Sound Designer: Warren Hendriks
- Sound Mixer: Michael T. Williamson
- Original Music Composer: Marc Streitenfeld
- Special Effects Key Makeup Artist: Gregory Nicotero
- Second Unit Director: Ben Hernandez Bray
- Unit Production Manager: Brian Leslie Parker
- Editor: Jason Hellmann
- Set Decoration: Peter Lando
- Executive Producer: Jim Seibel
- Hair Department Head: Noriko Watanabe
- Special Effects Key Makeup Artist: Howard Berger
- Sound Effects Editor: Steve Munro
- Supervising Dialogue Editor: Wayne Griffin
- Unit Production Manager: Ross T. Fanger
- Camera Operator: Masanobu Takayanagi
- Stunt Coordinator: Scott J. Ateah
- ADR Recordist: Greg Zimmerman
- Dialogue Editor: Alastair Gray
- Associate Producer: Leah Carnahan
- Short Story: Ian Mackenzie Jeffers
- First Assistant Director: James Bitonti
- Production Design: John Willett
- Additional Sound Re-Recording Mixer: Andy Koyama
- Executive Producer: Adi Shankar
- Executive Producer: Spencer Silna
- Co-Producer: Douglas Saylor Jr.
- Associate Producer: Lynn Givens
- Executive Producer: Jennifer Monroe
- Visual Effects Editor: Gian Ganziano
- Foley Artist: Steve Baine
- Costume Design: Courtney Daniel
- Property Master: Graham Coutts
- Construction Coordinator: Charles Leitrants
- Additional Sound Re-Recording Mixer: Craig Henighan
- Set Designer: Nancy Anna Brown
- Special Effects Coordinator: James Paradis
- Still Photographer: Kimberly French
- Music Editor: Joseph Bonn
- Music Editor: Kirsty Whalley
- Art Department Coordinator: Carie Wallis
- Sound Designer: Bob Kellough
- Script Supervisor: Susan Lambie
- Sound Effects Editor: Mark Shnuriwsky
- Sound Re-Recording Mixer: Keith Elliott
- Visual Effects Producer: Sophie Leclerc
- ADR Mixer: Greg Steele
- Sound Re-Recording Mixer: Mark Zsifkovits
- Camera Operator: Dean Heselden
- Visual Effects Producer: Julie Cardinal
- ADR Editor: Alison Fisher
- Digital Intermediate: Dave Muscat
- Visual Effects Supervisor: Gunnar Hansen
- First Assistant Editor: Brett Schlaman
- CG Supervisor: Christian Garcia
- CG Supervisor: Sebastien Proulx
- Animation Director: Stephane Stoll
- ADR Recordist: Ric Schnupp
- Foley Recordist: Peter Persaud
- Second Assistant Director: Dan Mansfield
- Per Gunnar Jonsson: I am amazed by how many people on IMDb that have given this movie 8, 9 and even 10 stars. It’s perhaps not the worst movie I’ve seen but it is in no way worth that kind of rating.
The good part of the movie is Liam Neeson who makes an enjoyable performance with the script that he was given. He is pretty much the reason that I gave it as much as 4 IMDb stars. The rest of the film is just plain wrong.
My first impression is, god this director likes film grain! Now this is a matter of taste of course but I don’t like when movies have artificially been made to look like they were filmed on old and crappy film. It has its places but it didn’t add anything here.
The film starts off with a plane crash which is not done very good. Neither in terms of special effects nor in terms of realism.
The lack of realism, unfortunately, continues throughout the movie. The behavior of the wolves is utterly unnatural and unrealistic. I can live with this if it’s a horror movie or some other fantasy movie but this is not supposed to be that. The actual footage of the wolves is rather mediocre as well.
Then there is this so called experienced hunter and “wolf expert”. Leaving the crash site is a dubious decision to say the least. Then we got the jumping of cliffs with a flimsy home made rope instead of just walking a bit further to get down not to mention making ammunition go off by poking wooden sticks at it, what the f…? In addition the guy knows nothing about wolves, or any other wild animal for that matter.
Just to add to this not so enjoyable experience, the film has an utterly lousy ending.
- Gimly: I can’t believe it took me so long to get around to watching _The Grey_.
What a ride. Don’t know that it’s realistic but damn it was good. Put me in that wolf pack. Would I be instantly dismembered? Sure, but you get that on the big jobs.
_Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._
- Wuchak: **_Go out fighting (and believing)_**
Liam Neeson stars as the quasi-leader of seven misfit Alaskan oil workers who survive a plane crash in the wilderness. As if this isn’t bad enough, a pack of territorial wolves want to take them out. Will they survive?
Released in January 2012, “The Grey” is a somber survival flick filled with primal reflections on death and faith. The trailer is misleading in that it advertises the movie as an action film, but that’s not the case at all. Although there is some action, this is a grave, dreary adventure with raw meditations about the will to live or die and more — God.
It’s not as good as 1997’s “The Edge,” “Flight of the Phoenix” or “Sands of the Kalahari,” the latter two from 1965, mainly because it’s so funereal and seemingly empty, but it’s unique and worthwhile.
Some complain that the story’s unbelievable, like the wolves and the jump from the cliff, but movies (or certain things in them) aren’t always meant to be taken literally and aren’t supposed to be realistic as filmmakers are more concerned with aesthetics, psychology, metaphors and conveying ideas; and that’s the case with “The Grey.” The survival story is merely a stage.
Which brings us to another common complaint, that the film’s ultimately pointless, which simply isn’t the case. Now you may not like the story or the points that it conveys, but it’s not pointless. See my interpretation below, if interested.
The film runs 1 hour, 57 minutes, and was shot in Smithers, British Columbia.
**MY INTERPRETATION** (Read only if you’ve seen the film)**:**
Ottway (Neeson) is in a horrible state of grief after the passing of his beloved wife as he protects oil workers by shooting wolves that get too close to the camp. Depressed, he decides to commit suicide but before he can pull the trigger a wolf howling in the distance strangely prevents him. I believe the howling wolf was the Creator’s way of speaking to Ottway and giving him a chance to go out fighting; and not just that, go out _believing_ as well, even if it’s belief in its rawest form.
The next day Ottway finds himself surviving a plane crash in the wilderness with six other men. In contrast to his near-suicide attempt, his survival instincts kick-in and he finds himself doing everything he can to survive, for himself and the others. Do you see the irony? The night before he desperately wanted to die and a mere day later he’s doing everything in his power to live and save others.
The topic of God and faith comes up at a campfire. A couple of the guys believe, but Diaz naturally mocks such things. Ottway says he doesn’t believe either, but wishes he could.
Later in the story, Ottway finds himself the sole survivor and at the end of his rope. Cursing, he passionately cries out to the Almighty for succor, but the heavens remain mysteriously silent. Regardless, he musters the strength to (try to) carry on. Shortly later, while reflecting on the men and their loved ones who died, he seems to clasp his hands in prayer and the Alpha wolf appears and challenges him. Unlike a few days ago when he was going to kill himself, he goes out fighting and, even more important, believing.
For those who argue that Ottway didn’t believe, remember that he was praying when he was crying out to God. Yes, it was a prayer of desperation and rage, but prayer nevertheless. Job did the same thing in the bible. The utterly humbling situation drove Ottway to his Creator and compelled him to go out fighting. It was God’s gift. The Almighty knew Ottway better than Ottway knew himself.