When governments fail to act on behalf of captive missionaries, ex-Green Beret John James Rambo sets aside his peaceful existence along the Salween River in a war-torn region of Thailand to take action. Although he’s still haunted by violent memories of his time as a U.S. soldier during the Vietnam War, Rambo can hardly turn his back on the aid workers who so desperately need his help.
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Credits: TheMovieDb.

Film Cast:

• John Rambo: Sylvester Stallone
• Sarah: Julie Benz
• School Boy: Matthew Marsden
• Lewis: Graham McTavish
• Diaz: Reynaldo Gallegos
• En-Joo: Tim Kang
• Reese: Jake La Botz
• Tint: Maung Maung Khin
• Michael Burnett: Paul Schulze
• Jeff: Cameron Pearson
• Dentist: Thomas Peterson
• Videographer: Tony Skarberg
• Preacher: James With
• Snake Hunter #2: Kasikorn Niyompattana
• Snake Hunter #1: Shaliew ‘Lek’ Bamrungbun
• Myint: Supakorn Kitsuwon
• Lt. Aye: Aung Aay Noi
• Arthur Marsh: Ken Howard
• Pirate Leader: Aung Theng
• Snake Village Owner: Pornpop ‘Tor’ Kampusiri
• Snake Village MC: Wasawat Panyarat
• Snake Village Young Charmer: Kammul Kawtep
• Tha: Sornram Patchimtasanakarn
• Karen Interpreter: Noa ‘Arunee Prijareonsuk’ Jei
• Karen Interpreter #2: Kjam Saen
• Burmese Hut Guard #1: Aun Lung Su
• Burmese Hut Guard #2: Pan Dokngam
• Burmese Hut Guard #3: Han Pik
• Burmese Gate Guard #2: Tip Tiya
• Burmese Gate Guard: Nee Lungjai
• Karen Begging Mother: Yupin Mu Pae
• Burmese Morning Guard #1: Moan Adisak
• Burmese Dancer Trooper #1: Somsak Wongsa
• Burmese Dancer Trooper #2: Surachai Muangdee
• Burmese Patrol Boat Captain: Mana Sen-Mi
• Burmese Sergeant: Toole Khan Kham
• Burmese Trooper – Lt. Aye’s Hut: Saiwan Lungta
• Burmese Young Boy: Watcharentr Sedtho
• Karen Young Naked Girl: Rapimpa Dibu
• Pirate Bar Hooker #1: May Kung
• Tay (archive footage) (uncredited): George Cheung
• Col. Samuel Trautman (archive footage) (uncredited): Richard Crenna
• BBC Reporter (uncredited): Matthew Wolf

Film Crew:

• Executive Producer: Bob Weinstein
• Executive Producer: Harvey Weinstein
• Original Music Composer: Brian Tyler
• Casting: Sheila Jaffe
• Executive Producer: Peter Block
• Director: Sylvester Stallone
• Producer: Kevin King Templeton
• Editor: Sean Albertson
• Production Design: Franco-Giacomo Carbone
• Executive Producer: Boaz Davidson
• Original Story: David Morrell
• Producer: Avi Lerner
• Executive Producer: George Furla
• Executive Producer: Randall Emmett
• Sound Re-Recording Mixer: Leslie Shatz
• Producer: John Thompson
• Director of Photography: Glen MacPherson
• Executive Producer: Trevor Short
• Executive Producer: Danny Dimbort
• Co-Producer: Josef Lautenschlager
• Executive Producer: Andreas Thiesmeyer
• Screenplay: Art Monterastelli
• Co-Producer: Joachim Sturmes
• Sound Effects Editor: Derek Vanderhorst
• Associate Producer: Christopher Petzel
• Executive Producer: Jon Feltheimer
• Additional Editor: Scott K. Wallace
• Co-Producer: Kevin Bernhardt
• Line Producer: Russell D. Markowitz
• Music Editor: Gary Krause
• Sound Re-Recording Mixer: Chris David
• Visual Effects Producer: Scott Coulter
• Casting: Phasiri Panya
• Costume Design: Lizz Wolf
• Line Producer: Matthew O’Toole
• Foley Mixer: Kyle Billingsley
• Orchestrator: Jeff Toyne
• Steadicam Operator: Gilles Corbeil
• Prosthetics: John Schoonraad
• Makeup Department Head: Scott H. Eddo
• Wardrobe Assistant: Preeyanan Suwannathada
• Property Master: Kent H. Johnson
• Sound Editor: Donald Flick
• Visual Effects Editor: Jordan Markov
• Music Editor: Joe Lisanti
• Visual Effects Supervisor: Wes C. Caefer
• Visual Effects Supervisor: Nikolay Gachev
• Supervising Sound Editor: Perry Robertson
• Assistant Costume Designer: Jaclyn Tamizato
• Supervising Sound Editor: Barney Cabral
• Digital Intermediate Producer: Allan Levine
• Art Direction: Suchartanun ‘Kai’ Kuladee
• Set Decoration: Witoon Suanyai
• Art Department Coordinator: Somm Suthinee Chantakarn
• Sound Recordist: Gabriel J. Serrano
• Visual Effects Art Director: Simeon Asenov
• First Assistant Camera: Richard Osborn Jr.
• Sound Effects Editor: Rickley W. Dumm
• Special Effects Supervisor: John K. Stirber
• ADR Editor: Michelle Pazer
• Video Assist Operator: Jimi Johnson
• Sound Re-Recording Mixer: Marshall Garlington
• Visual Effects Supervisor: Veselina Georgieva
• Assistant Editor: Evan Schiff
• First Assistant Editor: Craig W. Smith
• Color Timer: Harry Muller
• Supervising Dialogue Editor: Richard Dwan Jr.
• Visual Effects Editor: Migs Rustia
• Visual Effects Editor: Paul Stemmer
• Key Hair Stylist: Nicole Venables
• Digital Intermediate: David Graubard
• Gaffer: Michael Galbraith
• Rigging Gaffer: Tom Starnes
• Still Photographer: Karen Ballard
• Supervising Sound Editor: Scott Sanders
• Additional Photography: Vern Nobles
• Digital Intermediate Editor: Jon Pehlke
• Visual Effects Coordinator: Nick Peshunoff
• Script Supervisor: Navarutt Roongaroon
• Script Supervisor: Rebecca Poulos
• Art Department Coordinator: Brandi Hugo
• Camera Operator: Daniel Page McDonough
• Assistant Editor: Nona Khodai
• Assistant Hairstylist: Christy Wyatt
• Visual Effects Editor: Desislava Lazarova
• Orchestrator: Robert Elhai
• Casting Associate: Susan Paley Abramson
• Executive Producer: Florian Lechner
• Music Coordinator: Selena Arizanovic
• Visual Effects Supervisor: Danny S. Kim
• Camera Operator: Rittikorn Manonom
• Key Hair Stylist: Maneerath Vijob
• Makeup Artist: Watana Garum
• Digital Compositor: Petko Zhivkov
• Foley Supervisor: Nick Neutra
• First Assistant Sound Editor: Kevin Zimmerman
• Transportation Coordinator: Chidchanok Plodripu
• Visual Effects Supervisor: Stanislav Dragiev
• Boom Operator: Annop Jaikaew
• Armorer: Harry Lu
• Prosthetics: Vasit Suchitta
• Unit Publicist: Jeanmarie Murphy-Burke
• Special Effects Supervisor: Alexander Gunn
• Digital Compositor: Ivaylo Andonov
• Digital Compositor: Svilen Aynadzhiev
• Digital Compositor: Ivelina Dobreva
• Digital Compositor: Anton Donchev
• Digital Compositor: Kiril Gizdov
• Digital Compositor: Rosen Ivanov
• Digital Compositor: Momchil Kirov
• Digital Compositor: Diana Moneva
• Digital Compositor: Maria Popova
• Animation: Yakim Petrov
• Digital Compositor: Nikolay Mihailov
• Visual Effects Coordinator: Milena Peneva
• Digital Compositor: Julia Petrova
• Digital Intermediate Colorist: Paul Bronkar
• Digital Intermediate Producer: Chris Ward
• Sound Mixer: Greg Chapman
• Marine Coordinator: Daren Bailey
• Visual Effects Coordinator: Plamen Statev
• Boom Operator: Pat Cassin
• Pyrotechnician: Sawang Yodnen
• Foley Artist: James Bailey
• Extras Casting: Tanawat Punya
• ADR Mixer: Eric Thompson
• Assistant Property Master: Audrey A. Johnson
• Visual Effects Supervisor: Peter Tomov
• Assistant Art Director: Christine Reins
• On Set Dresser: Pipat Sripradoo
• On Set Dresser: Mark Brooks
• Assistant Camera: Kenny Groom
• Gaffer: Chesda ‘Pop’ Smithsuth
• Grip: Anusorn Poonsup
• Grip: Boonleang Thaisaman
• Key Grip: Michael E. Matteson
• Rigging Grip: Pat Liampetchakul
• Steadicam Operator: Ron Veto
• Assistant Hairstylist: Piyathida Phorung
• Assistant Makeup Artist: Makoree Waekaji
• Hairstylist: Sayun Santon
• Makeup Artist: Ngamta Somboon
• Casting Assistant: Matt Rubenstein
• Costume Supervisor: Sean Gundlach
• Marine Coordinator: Pawin Chantanimi
• Transportation Captain: Wanchai ‘Jockey’ Jaipongsai
• Digital Intermediate: David Walters
• Animation: Boyan Stoyanov
• Concept Artist: Lyubomir Grigorov
• Digital Compositor: Konstantin Dimitrov
• Digital Compositor: Denitsa Dimitrova
• Digital Compositor: Albena Ivanova
• Digital Compositor: Milan Stoyanov
• Digital Compositor: Dimitrina Torneva
• Digital Compositor: Desislava Valcheva
• Matte Painter: Elin Davidov
• Visual Effects Compositor: Momchil Koev
• Visual Effects Supervisor: Velichko Ivanov
• Pyrotechnician: Gerald McCrory
• Pyrotechnician: Tristan Schoonraad
• Special Effects Coordinator: Rangsun Rangsimaporn

Movie Reviews:

• JPV852: Kick-ass action all around and although the story is on the basic side and has minimal character development for Rambo himself, just a bloody, albeit too much of it CGI’d, entertaining especially an action-fest finale. Amazing, especially being the fourth entry into the series.
• Wuchak: _**Intense with more depth than you might think**_

  John Rambo (Sylvester Stallone) is alone, bitter and living hand-to-mouth in Thailand when a group of Christian missionaries enlist him to take them into Burma (aka Myanmar) to aid a village. Rambo discourages them in light of the political instability, which includes persecutions and mass slayings, but they insist. Weeks later he learns that the missionaries are missing so he goes back with a group of mercenaries.

  “Rambo” (2008) is the fourth installment in the franchise after “First Blood” (1982), “Rambo: First Blood Part II” (1985) and “Rambo III” (1988). I’m a huge fan of the first one, which I think is an action/adventure masterpiece, but the next two films are too comic-booky and the characters are cardboard, although Stallone never looked better and the locations are fabulous.

  This third sequel makes up for that because it’s not comic booky at all and there’s quite a bit of depth, albeit not much in dialogue form. It combines elements of “Apocalypse Now,” “The Killing Fields” & the first two Rambo films and is grim & intense from beginning to end, not to mention it’s one of the most violent films ever made. The picture powerfully illustrates the best and worst in humanity. The Christian missionaries are willing to risk everything to help the villagers, whereas the Myanmar militarists revel in slaughtering scores of unarmed people for “fun”; they’re also shown abusing/raping women and boys. Obviously they’ve given themselves wholly over to the darkside of their natures. Such reprobates are only worthy of one thing: Utter annihilation.

  Several important themes are addressed in the picture besides the main one:

  * BITTERNESS/DESPAIR AND DELIVERANCE. The beginning of the film shows Rambo in a state of utter bitterness: He’s just existing. He has no friends. He doesn’t talk much and, when he does, it’s few words laced with expletives. The male leader of the missionaries is completely unable to talk him into helping them. Two Biblical proverbs state “a gentle answer turns away wrath” and “a gentle tongue can break a bone.” The female missionary (Julie Benz) knows this and skillfully talks John into helping them. Yet there’s more going on here. This woman with a heart of gold is Rambo’s “golden connection” out of the rut of bitterness. Despite his gruff exterior, she sees something in him, something in his eyes – a good heart, even greatness, a genuine glimmer, however faint. Is Rambo helping the missionaries or is she the one helping him? John instinctively realizes the rope she’s throwing him and takes hold of it. There’s nothing sensual about their relationship, despite her attractiveness; it’s solely spiritual. She stirs in him the hope and faith he’s been longing for.

  * VIOLENCE IS NOT ALWAYS NECESSARY. Although this is a very violent film it skillfully shows when pacifism _is_ appropriate. Note the incident on Rambo’s riverboat when the lead mercenary continually insults John and tries to provoke him into a fight. Rambo just ignores him, not even saying a word. In other words, he refuses to allow someone to victimize him and draw him into a conflict that has no positive purpose. It takes true strength to do this and Rambo has this strength. Indeed, John treats the guy as if he’s a bothersome gnat. What do you do when a gnat bothers you? Do you break out a machine gun or merely ignore it? This is the “turn the cheek” principle.

  * TOTAL PACIFISM DOES NOT WORK. The New Testament does not support the idea of absolute pacifism, but rather limited pacifism (only resorting to violence when justified). For instance, Christ’s ministry team had a treasury box with loads of money and some of his workers carried swords for protection from thieves & murderers. Also, Romans 13 clearly states that the righteous laws of human governments are God-ordained for the purpose of punishing criminals, including the right to execute when appropriate. The vast majority of sane Christians realize this, but there are a few extremists who refuse to be BALANCED with the Scriptures on this topic and insist that conflict, and especially armed conflict, is never appropriate. The lead male missionary represents such a person, but perhaps he’ll learn the error of his ways. The simple fact is: Some people are so degenerate and evil that execution is the only just ultimate reaction (notice I said “ultimate”).

  * RAMBO’S SPIRITUAL REBIRTH. The first two sequels show Rambo searching for truth and flirting with religion and spirituality. In the second film he gets a Buddhist necklace off the Asian woman he befriends and at the beginning of “Rambo III” he is shown living & working at a Buddhist temple helping the priests; later, he meets and wins the hearts of moderate Islamic villagers and gives his necklace to a Muslim boy who helped him. In this movie the female missionary is key to John’s positive transformation; at one point she gently asks him whether or not he has any family in the USA. He mumbles that he might have a father, he wasn’t sure, and didn’t seem to care. Shortly later she gives him a cross necklace for helping them (he wouldn’t take money). Anyway, the end of the film shows Rambo walking to his family ranch in southern Arizona. Obviously John had a positive spiritual metamorphosis in the story that leads to a decade of peace & love before the next film, “Last Blood” (2019).

  “Rambo” was written & directed by Stallone and shot in Thailand (and Arizona). It’s short & sweet at 1 hour, 32 minutes.

  Grade: A

• CinemaSerf: Sylvester Stallone is in his element as the eponymous Vietnam veteran who has retreated to a rural community where he acts as a tourist guide for visitors on his ramshackle old PT boat. When he is approached by some human rights folks who want to charter his boat to seek out some missing Christian Aid missionaries up-river in strife-ridden Burma, he eventually acquiesces and they are soon in a world of pain at the hands of the brutally sadistic “Maj. Tint” (Muang Muang Khin). It’s an end-to-end action movie, pyrotechnics galore with some seriously graphic – thereby authentic – scenes of violence that have their roots in a plausible storyline based on well documented abuses from South East Asia in the 1970s. The dialogue is a bit gung-ho, but this is about characterisations and Stallone, Graham McTavish (“Lewis”) and Julie Benz (“Sarah”) help create a suspenseful drama that is light on message and heavy on delivery…