Upgrade

A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers Trace a cure — an artificial intelligence implant called STEM that will enhance his body. Now able to walk, Grey finds that he also has superhuman strength and agility — skills he uses to seek revenge against the thugs who destroyed his life.
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Credits: TheMovieDb.

Film Cast:

  • Grey Trace: Logan Marshall-Green
  • Detective Cortez: Betty Gabriel
  • Eron Keen: Harrison Gilbertson
  • Asha Trace: Melanie Vallejo
  • Fisk: Benedict Hardie
  • Pamela: Linda Cropper
  • Stem (voice): Simon Maiden
  • Jeff Handley: Steve Danielsen
  • Serk: Richard Cawthorne
  • Tolan: Christopher Kirby
  • Kara (voice): Abby Craden
  • Wen: Richard Anastasios
  • Police Driver: Kenny Low
  • Nurse Henderson: Emily Havea
  • Dr. Diana Gordon: Ming-Zhu Hii
  • Technician: Stephanie Demkiw
  • Technician: Manjot Jassal
  • Technician: Esther Joseph
  • Dr. Bhatia: Sachin Joab
  • Homeless Man: Matt Davis
  • Manny: Clayton Jacobson
  • Old Bones Patron: Arthur Angel
  • Old Bones Heavy: Puven Pather
  • Old Bones Heavy: Ri-Jie Kwok
  • Old Bones Heavy: Dave Mondon
  • VR Guy: Rosco Campbell
  • Jamie: Kai Bradley
  • Vessel Guard: Michael M. Foster
  • Vessel Guard: Zia Kelly
  • Business Man: Mark Doggett
  • Militarised Police Officer (uncredited): James Ao
  • Old Bones Patron (uncredited): Kylie Azzopardi
  • Militarised Police Officer (uncredited): Thomas Banda
  • Detective (uncredited): Douglas Embry
  • Passerby (uncredited): Cat Franke
  • Refugee (uncredited): Savannah Gail
  • Tiana (uncredited): Renah Gallagher
  • Homeless Drifter (uncredited): Liam Howarth
  • Passerby (uncredited): David Lieu
  • Militarised Police Officer (uncredited): Yuki Nagashima
  • Passerby (uncredited): Lorie Raymundo

Film Crew:

  • Casting: Terri Taylor
  • Writer: Leigh Whannell
  • Casting: Nikki Barrett
  • Gaffer: Karl Engeler
  • Special Effects Supervisor: Angelo Sahin
  • Production Design: Felicity Abbott
  • Producer: Jason Blum
  • Sculptor: Steven Carroll
  • Music Editor: Brett Pierce
  • Executive Producer: Rosemary Blight
  • Executive Producer: Ben Grant
  • Executive Producer: Charles Layton
  • Producer: Brian Kavanaugh-Jones
  • Line Producer: Michelle Russell
  • Second Unit Director: Andy Canny
  • Producer: Kylie du Fresne
  • Director of Photography: Stefan Duscio
  • Foley Artist: Steve Baine
  • Prosthetic Designer: Larry Van Duynhoven
  • Sound Effects Editor: Chris Terhune
  • Assistant Editor: Ahmad Halimi
  • Supervising Sound Editor: Will Files
  • Visual Effects Producer: Edwina Hayes
  • Set Designer: Michael Bell
  • ADR & Dubbing: Polly McKinnon
  • Digital Compositor: Randy Vellacott
  • Co-Producer: Phillip Dawe
  • Still Photographer: Ben Timony
  • Sound Effects Editor: Emma Bortignon
  • Dialect Coach: Jenny Kent
  • Additional Hairstylist: Zeljka Stanin
  • Visual Effects Producer: David Van Dyke
  • Swing: Amanda Grillini
  • Sound Re-Recording Mixer: Joel Dougherty
  • Location Manager: Alistair Reilly
  • Stunt Coordinator: Chris Anderson
  • Makeup Designer: Chiara Tripodi
  • Greensman: Christopher Hand
  • Original Music Composer: Jed Palmer
  • Script Supervisor: Aria Harrison
  • Supervising Sound Editor: P.K. Hooker
  • Supervising Dialogue Editor: Ryan Cole
  • Co-Producer: Bailey Conway
  • Music Supervisor: Jemma Burns
  • Set Decoration: Katie Sharrock
  • Co-Producer: Beatriz Sequeira
  • Makeup & Hair: Rachelle O’Donnell
  • Casting Associate: Sarah Domeier Lindo
  • Costume Design: Maria Pattison
  • Armorer: Scott Warwick
  • Steadicam Operator: Andrew AJ Johnson
  • Sound Recordist: Andrew Ramage
  • Assistant Editor: Matthew Wigg
  • Art Direction: Mandi Bialek-Wester
  • First Assistant Camera: Andrew Jerram
  • Aerial Camera: Peter Beeh
  • Extras Casting: Andrew Thompson
  • Sound Effects Editor: Ken McGill
  • Digital Intermediate Colorist: Adrian Hauser
  • Foley Recordist: Peter Persaud
  • Prop Maker: Craig Fison
  • Still Photographer: Sarah Enticknap
  • Key Grip: Glenn Arrowsmith
  • Casting Assistant: Ally Conover
  • Production Coordinator: Mimi Davis
  • Second Unit Director of Photography: Shelley Farthing-Dawe
  • Fight Choreographer: Chris Weir
  • Boom Operator: Hiroyuki Igarashi
  • Visual Effects Editor: Ethan Vellacott
  • Sound Mix Technician: Tom Burns
  • Visual Effects Supervisor: Jonathan Dearing
  • Visual Effects Coordinator: Syna San
  • Online Editor: Jo Spillane
  • Production Accountant: Sandie Morris
  • Visual Effects Coordinator: Liam O’Kane
  • Colorist: Tom Reiser
  • Assistant Art Director: Phoebe Roberts
  • Grip: Justin Meinesz
  • Grip: Darryl Murphy
  • ADR Recordist: Brendan Croxon
  • Assistant Editor: Shannon Longville
  • Still Photographer: Lisa Tomasetti
  • Construction Foreman: Dean Norman
  • Foley: Gina Gyles
  • 3D Generalist: David Williams
  • Prosthetics Sculptor: Eden Small
  • Post Production Accountant: Kylie Muller
  • Digital Intermediate Colorist: Dwaine Hyde
  • Title Designer: Scott Geersen
  • Additional Hairstylist: Maggie Kolev
  • Additional Hairstylist: Dyan Gregoriou
  • Assistant Hairstylist: Leah Meurer
  • Makeup & Hair: Selena Pertzel
  • Art Department Coordinator: Manuel Caracciolo
  • Carpenter: Dylan Black
  • Carpenter: Tom St Jack
  • Carpenter: Avery Walker
  • Carpenter: Clint Wall
  • Construction Coordinator: Jessica Rogers
  • Construction Foreman: Dave Bartlett
  • Construction Manager: Ross Murdoch
  • Property Master: Pia McDowell
  • Swing: Craig Dermody
  • Swing: Mitchell Dickie
  • Swing: Todd Gingell
  • Swing: David Morris
  • Swing: Nick Pearson
  • Swing: Anastassia Poppenberg
  • Swing: Camilla Ruig
  • Swing: Harrison Trubie
  • Digital Imaging Technician: Tom Tcimpidis
  • Lighting Technician: Massimo Luongo
  • Second Assistant Camera: Jensen Cope
  • Second Assistant Camera: Jonathan Haynes
  • Second Assistant Camera: Karina Davies
  • Costume Assistant: Camilla McKewen
  • Costume Supervisor: Fiona MacKinnon
  • Costume Standby: Tami Holton
  • Armorer: Stephen Cunnington
  • Production Accountant: Gina Hallas
  • Production Assistant: Lauren Keely
  • Sound Effects Editor: Adam Baker
  • Compositor: Ryan Coates
  • Compositor: Darren Coombes
  • Compositor: Monique O’Halloran
  • Compositor: Ben Ying
  • Compositor: Antony Haberl
  • Digital Compositor: Nadia Ascione
  • Digital Compositor: Kate Bernauer
  • Digital Compositor: Mark Kwanten
  • Digital Compositor: Ross Macpherson
  • Digital Compositor: Garth O’Bryan
  • Digital Compositor: Tane Welham
  • Visual Effects: Glen Cone
  • Visual Effects: Egan Wesener
  • Visual Effects: Dobbie Jake
  • Visual Effects Editor: Chase Worland
  • Visual Effects Producer: Gabrielle Joosten
  • Special Effects Coordinator: Katerina Mitropoulos
  • Special Effects Technician: Herman Olguin
  • Special Effects Technician: Jessica Power
  • Special Effects Technician: Andrew Wallis
  • Additional Editor: Jonathan Keogh
  • First Assistant Director: Toby Pease
  • Foley Artist: Daniel Moctezuma
  • Best Boy Grip: John Regan
  • Concept Artist: Xavier Irvine
  • Second Assistant Director: Ian ‘Scooter’ Welbourn
  • Rigging Grip: Jayden Irving
  • Second Unit First Assistant Director: Damien M. Grant
  • Rigging Gaffer: Anthony Veith
  • Third Assistant Director: Tom Jecks
  • Rigging Grip: Mark Bradford
  • Production Secretary: Rachel Chakman

Movie Reviews:

  • Gimly: _We… Are Stenom…_

    Based on the trailer alone, I was pretty sure _Upgrade_ was gonna be a movie I enjoy. But after those last couple of minutes? Now? I’m pretty sure this is gonna be my favourite movie of the year.

    _Final rating:★★★★ – Very strong appeal. A personal favourite._

  • ausher8: Low budget, but well done sci-fi. It’s not overly cerebral; there’s a consistent amount of action throughout. Worth a watch.
  • Repo Jack: Upgrade is Blumhouse’s first entry into science fiction and it is outstanding. Disturbing twists, fast-paced action (on speed), cool sci-fi technology, and an outstanding performance by Logan Marshall-Green, the unlucky visitor on Prometheus and in The Invitation.
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