A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers Trace a cure — an artificial intelligence implant called STEM that will enhance his body. Now able to walk, Grey finds that he also has superhuman strength and agility — skills he uses to seek revenge against the thugs who destroyed his life.
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Credits: TheMovieDb.
Film Cast:
- Grey Trace: Logan Marshall-Green
- Detective Cortez: Betty Gabriel
- Eron Keen: Harrison Gilbertson
- Asha Trace: Melanie Vallejo
- Fisk: Benedict Hardie
- Pamela: Linda Cropper
- Stem (voice): Simon Maiden
- Jeff Handley: Steve Danielsen
- Serk: Richard Cawthorne
- Tolan: Christopher Kirby
- Kara (voice): Abby Craden
- Wen: Richard Anastasios
- Police Driver: Kenny Low
- Nurse Henderson: Emily Havea
- Dr. Diana Gordon: Ming-Zhu Hii
- Technician: Stephanie Demkiw
- Technician: Manjot Jassal
- Technician: Esther Joseph
- Dr. Bhatia: Sachin Joab
- Homeless Man: Matt Davis
- Manny: Clayton Jacobson
- Old Bones Patron: Arthur Angel
- Old Bones Heavy: Puven Pather
- Old Bones Heavy: Ri-Jie Kwok
- Old Bones Heavy: Dave Mondon
- VR Guy: Rosco Campbell
- Jamie: Kai Bradley
- Vessel Guard: Michael M. Foster
- Vessel Guard: Zia Kelly
- Business Man: Mark Doggett
- Militarised Police Officer (uncredited): James Ao
- Old Bones Patron (uncredited): Kylie Azzopardi
- Militarised Police Officer (uncredited): Thomas Banda
- Detective (uncredited): Douglas Embry
- Passerby (uncredited): Cat Franke
- Refugee (uncredited): Savannah Gail
- Tiana (uncredited): Renah Gallagher
- Homeless Drifter (uncredited): Liam Howarth
- Passerby (uncredited): David Lieu
- Militarised Police Officer (uncredited): Yuki Nagashima
- Passerby (uncredited): Lorie Raymundo
Film Crew:
- Casting: Terri Taylor
- Writer: Leigh Whannell
- Casting: Nikki Barrett
- Gaffer: Karl Engeler
- Special Effects Supervisor: Angelo Sahin
- Production Design: Felicity Abbott
- Producer: Jason Blum
- Sculptor: Steven Carroll
- Music Editor: Brett Pierce
- Executive Producer: Rosemary Blight
- Executive Producer: Ben Grant
- Executive Producer: Charles Layton
- Producer: Brian Kavanaugh-Jones
- Line Producer: Michelle Russell
- Second Unit Director: Andy Canny
- Producer: Kylie du Fresne
- Director of Photography: Stefan Duscio
- Foley Artist: Steve Baine
- Prosthetic Designer: Larry Van Duynhoven
- Sound Effects Editor: Chris Terhune
- Assistant Editor: Ahmad Halimi
- Supervising Sound Editor: Will Files
- Visual Effects Producer: Edwina Hayes
- Set Designer: Michael Bell
- ADR & Dubbing: Polly McKinnon
- Digital Compositor: Randy Vellacott
- Co-Producer: Phillip Dawe
- Still Photographer: Ben Timony
- Sound Effects Editor: Emma Bortignon
- Dialect Coach: Jenny Kent
- Additional Hairstylist: Zeljka Stanin
- Visual Effects Producer: David Van Dyke
- Swing: Amanda Grillini
- Sound Re-Recording Mixer: Joel Dougherty
- Location Manager: Alistair Reilly
- Stunt Coordinator: Chris Anderson
- Makeup Designer: Chiara Tripodi
- Greensman: Christopher Hand
- Original Music Composer: Jed Palmer
- Script Supervisor: Aria Harrison
- Supervising Sound Editor: P.K. Hooker
- Supervising Dialogue Editor: Ryan Cole
- Co-Producer: Bailey Conway
- Music Supervisor: Jemma Burns
- Set Decoration: Katie Sharrock
- Co-Producer: Beatriz Sequeira
- Makeup & Hair: Rachelle O’Donnell
- Casting Associate: Sarah Domeier Lindo
- Costume Design: Maria Pattison
- Armorer: Scott Warwick
- Steadicam Operator: Andrew AJ Johnson
- Sound Recordist: Andrew Ramage
- Assistant Editor: Matthew Wigg
- Art Direction: Mandi Bialek-Wester
- First Assistant Camera: Andrew Jerram
- Aerial Camera: Peter Beeh
- Extras Casting: Andrew Thompson
- Sound Effects Editor: Ken McGill
- Digital Intermediate Colorist: Adrian Hauser
- Foley Recordist: Peter Persaud
- Prop Maker: Craig Fison
- Still Photographer: Sarah Enticknap
- Key Grip: Glenn Arrowsmith
- Casting Assistant: Ally Conover
- Production Coordinator: Mimi Davis
- Second Unit Director of Photography: Shelley Farthing-Dawe
- Fight Choreographer: Chris Weir
- Boom Operator: Hiroyuki Igarashi
- Visual Effects Editor: Ethan Vellacott
- Sound Mix Technician: Tom Burns
- Visual Effects Supervisor: Jonathan Dearing
- Visual Effects Coordinator: Syna San
- Online Editor: Jo Spillane
- Production Accountant: Sandie Morris
- Visual Effects Coordinator: Liam O’Kane
- Colorist: Tom Reiser
- Assistant Art Director: Phoebe Roberts
- Grip: Justin Meinesz
- Grip: Darryl Murphy
- ADR Recordist: Brendan Croxon
- Assistant Editor: Shannon Longville
- Still Photographer: Lisa Tomasetti
- Construction Foreman: Dean Norman
- Foley: Gina Gyles
- 3D Generalist: David Williams
- Prosthetics Sculptor: Eden Small
- Post Production Accountant: Kylie Muller
- Digital Intermediate Colorist: Dwaine Hyde
- Title Designer: Scott Geersen
- Additional Hairstylist: Maggie Kolev
- Additional Hairstylist: Dyan Gregoriou
- Assistant Hairstylist: Leah Meurer
- Makeup & Hair: Selena Pertzel
- Art Department Coordinator: Manuel Caracciolo
- Carpenter: Dylan Black
- Carpenter: Tom St Jack
- Carpenter: Avery Walker
- Carpenter: Clint Wall
- Construction Coordinator: Jessica Rogers
- Construction Foreman: Dave Bartlett
- Construction Manager: Ross Murdoch
- Property Master: Pia McDowell
- Swing: Craig Dermody
- Swing: Mitchell Dickie
- Swing: Todd Gingell
- Swing: David Morris
- Swing: Nick Pearson
- Swing: Anastassia Poppenberg
- Swing: Camilla Ruig
- Swing: Harrison Trubie
- Digital Imaging Technician: Tom Tcimpidis
- Lighting Technician: Massimo Luongo
- Second Assistant Camera: Jensen Cope
- Second Assistant Camera: Jonathan Haynes
- Second Assistant Camera: Karina Davies
- Costume Assistant: Camilla McKewen
- Costume Supervisor: Fiona MacKinnon
- Costume Standby: Tami Holton
- Armorer: Stephen Cunnington
- Production Accountant: Gina Hallas
- Production Assistant: Lauren Keely
- Sound Effects Editor: Adam Baker
- Compositor: Ryan Coates
- Compositor: Darren Coombes
- Compositor: Monique O’Halloran
- Compositor: Ben Ying
- Compositor: Antony Haberl
- Digital Compositor: Nadia Ascione
- Digital Compositor: Kate Bernauer
- Digital Compositor: Mark Kwanten
- Digital Compositor: Ross Macpherson
- Digital Compositor: Garth O’Bryan
- Digital Compositor: Tane Welham
- Visual Effects: Glen Cone
- Visual Effects: Egan Wesener
- Visual Effects: Dobbie Jake
- Visual Effects Editor: Chase Worland
- Visual Effects Producer: Gabrielle Joosten
- Special Effects Coordinator: Katerina Mitropoulos
- Special Effects Technician: Herman Olguin
- Special Effects Technician: Jessica Power
- Special Effects Technician: Andrew Wallis
- Additional Editor: Jonathan Keogh
- First Assistant Director: Toby Pease
- Foley Artist: Daniel Moctezuma
- Best Boy Grip: John Regan
- Concept Artist: Xavier Irvine
- Second Assistant Director: Ian ‘Scooter’ Welbourn
- Rigging Grip: Jayden Irving
- Second Unit First Assistant Director: Damien M. Grant
- Rigging Gaffer: Anthony Veith
- Third Assistant Director: Tom Jecks
- Rigging Grip: Mark Bradford
- Production Secretary: Rachel Chakman
Movie Reviews:
- Gimly: _We… Are Stenom…_
Based on the trailer alone, I was pretty sure _Upgrade_ was gonna be a movie I enjoy. But after those last couple of minutes? Now? I’m pretty sure this is gonna be my favourite movie of the year.
_Final rating:★★★★ – Very strong appeal. A personal favourite._
- ausher8: Low budget, but well done sci-fi. It’s not overly cerebral; there’s a consistent amount of action throughout. Worth a watch.
- Repo Jack: Upgrade is Blumhouse’s first entry into science fiction and it is outstanding. Disturbing twists, fast-paced action (on speed), cool sci-fi technology, and an outstanding performance by Logan Marshall-Green, the unlucky visitor on Prometheus and in The Invitation.