Knight and Day

A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.
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Credits: TheMovieDb.

Film Cast:

  • Roy Miller: Tom Cruise
  • June Havens: Cameron Diaz
  • Fitzgerald: Peter Sarsgaard
  • CIA Director Isabel George: Viola Davis
  • Antonio Quintana: Jordi Mollà
  • Simon Feck: Paul Dano
  • April Havens: Maggie Grace
  • Rodney: Marc Blucas
  • Molly Knight: Celia Weston
  • Bernhard: Falk Hentschel
  • Braces: Lennie Loftin
  • Danny: Rich Manley
  • Frank Knight: Dale Dye
  • Naomi: Gal Gadot
  • Wilmer: Jack O’Connell
  • Eduardo: Trevor Loomis
  • Allison: Nilaja Sun
  • Gate Agent: Taylor Treadwell
  • Ticket Agent: Christian Finnegan
  • Kid at Airport: Nicholas Art
  • TSA Officer: Brian Dykstra
  • Scrap Yard Man: Brian Tarantina
  • Petra The Tailor: Natasha Paczkowski
  • Fireman Paul: Jerrell Lee Wesley
  • Passerby Agent: Matthew Lawler
  • Flight Attendant: Ronn Surels
  • 18 Wheeler Driver: Eric Robert Bradshaw Bennett
  • Newscaster: Scott Wahle
  • Newscaster #2: Sara Jean Underwood
  • Neighbor: Helen L. Welsh
  • Smuggler: Mark Wallace
  • Engineer: Michael Enright
  • Train Cook: Adam Gregor
  • Medivac EMT: Mitch E. Bowan
  • Doctor in Hallway: Gerald T. Carbajal
  • Gunman with Shotgun (uncredited): Arnold Chon

Film Crew:

  • Sound Effects Editor: Doug Jackson
  • Executive Producer: Arnon Milchan
  • Director: James Mangold
  • Producer: Cathy Konrad
  • Director of Photography: Phedon Papamichael
  • Editor: Michael McCusker
  • Casting: Lisa Beach
  • Casting: Sarah Katzman
  • Producer: Steve Pink
  • Production Design: Andrew Menzies
  • Set Decoration: Jay Hart
  • Stunt Coordinator: Charles Croughwell
  • Original Music Composer: John Powell
  • Producer: Todd Garner
  • Makeup Artist: Michèle Burke
  • Writer: Patrick O’Neill
  • Executive Producer: Joe Roth
  • Costume Design: Arianne Phillips
  • First Assistant Director: Nicholas Mastandrea
  • Production Supervisor: Kwame Parker
  • Unit Production Manager: E. Bennett Walsh
  • Sound Re-Recording Mixer: David Giammarco
  • Sound Re-Recording Mixer: Paul Massey
  • Sound Effects Editor: Derek Vanderhorst
  • Hair Department Head: Kathrine Gordon
  • Casting: Donna DeSeta
  • Production Manager: Jim Behnke
  • Gaffer: Rafael E. Sánchez
  • Thanks: Giorgio Armani
  • Sound Effects Editor: Steve Bissinger
  • Location Manager: Gregory Alpert
  • Leadman: Paul Richards
  • Line Producer: José Luis Escolar
  • Supervising Art Director: Greg Berry
  • Casting Associate: Jeremy Gordon
  • Casting Associate: Kyle Thomas Coker
  • Editor: Quincy Z. Gunderson
  • Set Designer: Stephen Christensen
  • Art Direction: Andrew L. Jones
  • Foley: Steve Baine
  • Makeup Department Head: Jane Galli
  • Costume Supervisor: Robert Q. Mathews
  • Foley: Dan O’Connell
  • ADR Editor: Nancy Nugent
  • Script Supervisor: Anna Rane
  • Construction Coordinator: Anthony Syracuse
  • Dialogue Editor: David V. Butler
  • Sound Effects Editor: Hamilton Sterling
  • Sound Effects Editor: Paul Pirola
  • Foley: John T. Cucci
  • Music Editor: Ted Caplan
  • Art Direction: Jeffrey Wisniewski
  • Camera Operator: David Luckenbach
  • Boom Operator: Jeffrey A. Humphreys
  • Still Photographer: Frank Masi
  • Camera Operator: Maurice K. McGuire
  • Art Department Coordinator: Wendy Means
  • Still Photographer: David James
  • ADR Editor: Daniel S. Irwin
  • Assistant Art Director: Jim Wallis
  • Set Designer: Andrew Birdzell
  • Second Unit Director of Photography: Josh Bleibtreu
  • Unit Publicist: Guy Adan
  • Animation Director: Regina Cachuela
  • Music Editor: Thomas A. Carlson
  • Picture Car Coordinator: Gary Duncan
  • Best Boy Electric: Frans Wetterings III
  • Armorer: Guillaume DeLouche
  • Dialogue Editor: Russell Farmarco
  • Supervising Sound Editor: Donald Sylvester
  • Visual Effects Coordinator: Ivy Agregan
  • Unit Production Manager: Robin Sweet
  • Stunt Coordinator: Gregg Smrz
  • Set Costumer: Tom Cummins
  • Set Costumer: Rosa J. Colón
  • Visual Effects Supervisor: Eric Durst
  • Leadman: Mark Weissenfluh
  • Best Boy Electric: Patrick Hoeschen
  • Special Effects Coordinator: Michael Meinardus
  • Conceptual Design: David Moreau
  • Key Hair Stylist: Kristen Barry
  • Casting Associate: Beth Lipari
  • Makeup Artist: Robin Fredriksz
  • First Assistant Camera: Philip Shanahan
  • Animation Director: Taylor Carrasco
  • Animation Supervisor: Chad Shattuck
  • Visual Effects Producer: Janet Muswell
  • Rigging Gaffer: Gary Dahlquist
  • First Assistant Camera: Trevor Loomis
  • Hairstylist: Lona Vigi
  • Property Master: Kris Peck
  • First Assistant Editor: Andrew Buckland
  • Special Effects Supervisor: Pau Costa
  • Production Sound Mixer: Lee Orloff
  • Construction Coordinator: John Stone
  • Production Coordinator: Lori Hornung
  • Assistant Art Director: Karen Teneyck
  • Associate Producer: Marsha L. Swinton
  • Storyboard: Giacomo Ghiazza
  • Set Decoration Buyer: Mick Cummings
  • Visual Effects Editor: Joseph Carson
  • Post Production Assistant: Ryan Ganimian
  • Post Production Assistant: Daniel Nussbaum
  • Assistant Costume Designer: Laura Morgan
  • Hairstylist: Carmen Butts
  • Location Manager: Jeff N. Maclean
  • Location Manager: Luke Ramsey
  • Production Coordinator: Steve Cainas
  • Thanks: Ralph Lauren
  • Second Assistant Director: Maria Mantia
  • Production Manager: Natalie Thompson
  • Digital Compositor: Christian Wood

Movie Reviews:

  • Andres Gomez: OMFG! I thought MIssion: Impossible 2 was the worst movie I would watch from Tom Cruise … I was wrong.

    There’s only one thing in Knight and Day that is not that bad as in MI2, and it is that the movie doesn’t take seriously itself, something that MI2 does.

    About the mixing of Spanish stereotypes and festivities in Seville … no comments 🙁

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