As the countdown to graduation begins, students at Osborne High are being stalked by a maniac intent on exposing their darkest secrets to the entire town, terrorizing victims while wearing a life-like mask of their own face. With a mysterious past of her own, Makani and her friends must discover the killer’s identity before they become victims themselves.
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Credits: TheMovieDb.
Film Cast:
- Makani Young: Sydney Park
- Oliver Larsson: Théodore Pellerin
- Alex Crisp: Asjha Cooper
- Zach Sandford: Dale Whibley
- Darby: Jesse LaTourette
- Rodrigo Doran: Diego Josef
- Caleb Greeley: Burkely Duffield
- Katie Koons: Sarah Dugdale
- Mr. Sandford: William MacDonald
- Deputy Larsson: Andrew Dunbar
- Jackson Pace: Markian Tarasiuk
- Macon Bewley: Zane Clifford
- Gam: B. J. Harrison
- Hailey: Emilija Baranac
- Stacy: Jade Falcon
- Randall Brice: William Edward
- Witt Bitonti: Anthony Timpano
- Hunter Humphreys: Aason Nadjiwan
- Sheriff Adkins: Adrian Hough
- Dave the Uber Driver: Ryan Beil
- Jasmine: Tally Rodin
- Olivia Grace: Kayla Heller
- Abigail: Tedra Rogers
- Lexi: Sarah Corrigan
- Brianna: Brittany Hobson
- Jackson’s Dad: David Lewis
- Jackson’s Mom: Tanya Champoux
- Jackson’s Sister: Anna Elizabeth Bitonti
- Kayla Lum: Ivy Matheson
- Gabrielle Cruz: Kiera Wallace
- Woman in Yellow: Terry O’Sullivan
- Woman: Tara Pratt
- Father Beck: David Bloom
- Puppeteer: Richard Darwin
- Puppeteer: Jamie Swettenham
Film Crew:
- Producer: James Wan
- Thanks: Julia Stiles
- Second Unit Director of Photography: Tobias A. Schliessler
- Producer: Shawn Levy
- Production Design: William Arnold
- Costume Design: Jori Woodman
- Second Unit Director of Photography: Brian Pearson
- Director of Photography: Jeff Cutter
- Makeup Department Head: Rosalina Da Silva
- Sound Re-Recording Mixer: Andy Hay
- Stunt Coordinator: Dan Shea
- First Assistant Director: James Bitonti
- Casting Director: Rich Delia
- Unit Production Manager: Brendan Ferguson
- Executive In Charge Of Production: Adam Folk
- Co-Producer: Henry Gayden
- Director: Patrick Brice
- Sound Mixer: Mark Noda
- Dialogue Editor: Paul Timothy Carden
- Main Title Designer: Aaron Becker
- Dialogue Editor: Michael Baird
- Sound Designer: Jeffrey A. Pitts
- Head Greensman: Rohan Lyal
- Sound Re-Recording Mixer: Gabriel J. Serrano
- Extras Casting: Sandra-Ken Freeman
- Second Unit Director: Ronald Hersey
- Visual Effects Supervisor: Jay Randall
- Visual Effects Supervisor: Justin Cornish
- Visual Effects Supervisor: Brooke Lyndon-Stanford
- Visual Effects Editor: Jody Fedele
- Editor: Michel Aller
- Special Effects Coordinator: Paul Benjamin
- ADR Mixer: Chris Navarro
- Additional Editor: Nicholas Monsour
- Music Supervisor: Maggie Phillips
- ADR Mixer: Michael Miller
- Stunt Double: Rochelle Okoye
- Production Manager: Nicole Oguchi
- ADR Voice Casting: Susan Boyajian
- Lighting Technician: Clyde Harrelson
- Hair Department Head: Jeannie Chow
- Stunt Double: Kirstyn König
- Still Photographer: David Bukach
- Musician: Sharon Van Etten
- Novel: Stephanie Perkins
- Producer: Dan Cohen
- Gaffer: James M. Jackson
- Location Manager: Michael Farias
- Sound Recordist: Caleb Hollenback
- Script Supervisor: Ana Oparnica Sebal
- Musician: Jamie Stewart
- Producer: Michael Clear
- Third Assistant Director: David Scott Thomson
- Production Coordinator: Terri Garbutt
- Props: Kate Farnan
- Location Scout: Prince Justin Atkinson
- Music Coordinator: Jody Friedman
- Stunts: Ali Dunn
- Key Grip: Troy James Sobotka
- Visual Effects Producer: Jimmy Uddo
- Special Effects: Colton Friesen
- Casting Associate: Mark Droter
- Musician: Carla Azar
- Visual Effects Producer: Maria Mira
- Compositor: Vishal Chauhan
- Stunt Double: Marie Marolle
- Assistant Property Master: Kevin Cockell
- Best Boy Grip: Leon Serginson
- Digital Compositor: Cleiton Wiggers Werncke
- Executive Producer: Judson Scott
- Graphic Designer: Mike Lilley
- Executive Producer: Emily Morris
- Music: Zachary Dawes
- Assistant Costume Designer: Sara Byblow
- Additional Music: Nick Sena
- Second Unit Director: Jonathan MacPherson
- Foley Mixer: Karina Rezhevska
- Compositor: Utkarsh Gupta
- Set Decoration: Rachel Robinson
- Stunt Double: Donavin Kuhl
- Construction Coordinator: Ronnie Werneburg
- Set Buyer: Stephanie Seidle
- Second Assistant Director: Benjamin Cairns
- Extras Casting: Alicia Scott
- Stunt Double: Maya Macatumpag
- Key Rigging Grip: Stephen Arnott
- Compositing Lead: Sarika Salian
- Visual Effects Supervisor: David Crawford
- Musician: Greg Edwards
- Costume Supervisor: Paula Negritto
- Rigging Grip: Daniel Pierce
- Digital Compositor: Kapil Prajapati
- VFX Artist: Pratik Redkar
- Art Direction: Eli Best
- Post Production Supervisor: Daphne Lambrinou
- Production Assistant: Alex Kokke
- On Set Dresser: Jonathan Peter Fill
- On Set Dresser: Matthew Gorman
- Digital Compositor: Yuting Chen
- Visual Effects: Jason Colthrust
- Digital Compositor: Jose Andres Romero
- Visual Effects Producer: Aude Vitrant
- Visual Effects Coordinator: Katherina Walpulski
- Stunt Double: Adiam Haddish Asrat
- Camera Trainee: Sergii Bogomolov
- Casting Assistant: Katherine McCown
- Casting Assistant: Stephanie Townsend
- Musician: Jay Bellerose
- Driver: Djordjije Nikolic
- First Assistant Production Coordinator: Sonja Olafsdottir
- Visual Effects Producer: Marie-Josee Paradis
- Production Manager: Nicole Shizuka Oguchi
- Stunt Coordinator: Lauralee Connery
- Assistant Art Director: Kacey McDougall
- Assistant Set Decoration: Jen Swanston
- Assistant Makeup Artist: Madison Mah
- Assistant Makeup Artist: Meghan Harkness
- Assistant Makeup Artist: Megan Lyons
- Special Effects Makeup Artist: Toby Lindola
Movie Reviews:
- furious_iz: Better than average modern slasher. It is derivative, because it is a slasher, by it’s very nature it kinda has to be derivative. But it’s smarter than it seems, even if it is basic towards the end. There’s some good acting and an actual plot for the main characters, even if the killer reveal is cheap, obvious and uninspired. Still, I found myself engrossed instead of just watching while playing on my phone.
It’s just a slasher, but if you are into horror check it out, Netflix don’t usually make good horrors, hopefully this is an indication that is changing.
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