Though Kevin has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher, there remains one still submerged who is set to materialize and dominate all the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him — as well as everyone around him — as the walls between his compartments shatter apart.
- Kevin Wendell Crumb: James McAvoy
- Casey Cooke: Anya Taylor-Joy
- Karen Fletcher: Betty Buckley
- Claire Benoit: Haley Lu Richardson
- Marcia: Jessica Sula
- Uncle John: Brad William Henke
- Casey’s Father: Sebastian Arcelus
- Mr. Benoit: Neal Huff
- Hannah: Kim Director
- Academic Moderator: Lyne Renee
- Jai, Hooters Lover: M. Night Shyamalan
- Taxi Driver: Peter Patrikios
- Homeland Security Officer: Roy James Wilson
- Bar Patron: Robert Bizik
- Five-Year-Old Casey: Izzie Coffey
- Kevin’s Mother: Rosemary Howard
- Geraldo: Junnie Lopez
- Dan at Next Table: Steven Dennis
- Waiter: Matthew Nadu
- Diner Patron: Barbara Edwards
- Flower Kiosk Worker: Kash Goins
- Claire’s Party Guest: James Robinson Jr.
- Party Guest: Corinne Costa
- EMT: John Mitchell
- Traveler in the Station: Andrea Havens
- Train Conductor: Shawn Gonzalez
- Casey’s Mother: Kelly Werkheiser
- Pedestrian: Aleksandra Svetlichnaya
- Zoo Goer: Jalina Mercado
- Zoo Worker: Michael J. Kraycik
- Zoo Attendee: Michaela Bockarie
- Boy in Park: Colin Campbell
- Police Officer #2: Nakia Dillard
- Homeland Security: John Jillard Sr.
- Paramedic: Julie Potter
- News Anchor: Ukee Washington
- Older Worker: Christopher Lee Philips
- David Dunn (uncredited): Bruce Willis
- Detective (uncredited): Vincent Riviezzo
- Restaurant Patron (uncredited): Gary Ayash
- Police Officer (uncredited): Jeff Buckner
- Costume Design: Paco Delgado
- Stunt Coordinator: Manny Siverio
- Casting: Douglas Aibel
- Supervising Sound Editor: Skip Lievsay
- Writer: M. Night Shyamalan
- Local Casting: Diane Heery
- Art Direction: Jesse Rosenthal
- Sound Mixer: Tod A. Maitland
- Sound Recordist: Wyatt Sprague
- Location Scout: Joshua Clarke
- Producer: Jason Blum
- Storyboard Artist: Brick Mason
- Camera Operator: Kyle Rudolph
- Executive Producer: Kevin Scott Frakes
- Local Casting: Jason Loftus
- Music Supervisor: Susan Jacobs
- Director of Photography: Mike Gioulakis
- Makeup Department Head: Pamela Peitzman
- Dialogue Editor: Michael Feuser
- Assistant Director: John Rusk
- Production Design: Mara LePere-Schloop
- Executive Producer: Steven Schneider
- Executive Producer: Buddy Patrick
- Set Decoration: Jennifer Engel
- Executive Producer: Ashwin Rajan
- Visual Effects Producer: Jennifer Wessner
- Set Costumer: Angeline Zeigler
- Assistant Costume Designer: Teresa Binder Westby
- Compositors: Mark Lieberman
- Assistant Editor: Bryan Baker
- Title Designer: Aaron Becker
- Sound Designer: Steve F.B. Smith
- Executive In Charge Of Post Production: Phillip Dawe
- Hair Department Head: Diane Dixon
- Unit Production Manager: John Burton West
- Post Production Supervisor: Matthew Shapiro
- Casting Associate: Henry Russell Bergstein
- Sound Effects Editor: Lawrence Zipf
- First Assistant Camera: Michael Leonard
- Script Supervisor: Charles S. Rowe
- Costume Supervisor: Rita Squitiere
- Construction Coordinator: Paul Maiello
- Still Photographer: Linda Kallerus
- Original Music Composer: West Dylan Thordson
- Visual Effects Supervisor: Ed Mendez
- Art Department Coordinator: Dave Kellom
- Casting Associate: Colleen Kay
- Key Hair Stylist: Janice Innella
- VFX Editor: Rachel Ambelang
- Additional Camera: Andy Hensler
- Producer: Mark Bienstock
- Editor: Luke Ciarrocchi
- Set Decoration: Dennis Madigan
- Assistant Director: Nicole Agostino
- Assistant Director: Amy Lauritsen
- Set Designer: Nicole Reed LeFevre
- Property Master: Susannah McCarthy
- Assistant Property Master: Sharon Potts
- ADR & Dubbing: Alex Alcántara
- ADR & Dubbing: Toño Cubillo
- ADR & Dubbing: Rodrigo Díaz
- Supervising Dialogue Editor: Pepe Pleguezuelos
- Boom Operator: Jerry Yuen
- Special Effects Coordinator: Kurt Wunder
- Compositors: Anteneh Adamu
- VFX Artist: Richard Aponte
- Compositors: Tyler Lockard
- VFX Supervisor: Colton Miller
- Stunts: Stephen Izzi
- Electrician: Thomas Devine
- Lighting Technician: Ryan ‘Sparks’ Lynch
- Dolly Grip: Ken McCallum
- Grip: Daniel Rieser
- Key Grip: Jon Sibert
- Tailor: Kara Morasco
- Associate Producer: Dom Catanzarite
- Location Manager: Staci Hagenbaugh
- Assistant Editor: Kathryn Cates
- Compositors: Alejandro Monzon
- Makeup Artist: Ray Santoleri
- Still Photographer: John Baer
- Gimly: There has been much discussion about whether or not it is socially acceptable to watch Split. I’m gonna skip right over all of that and talk purely about the movie itself.
Anya Taylor-Joy is good, but McAvoy is what makes Split worthwhile. The heavily touted twist/reveal was all but a non-event, even to a M. Night alum like myself. Though it is certainly (in my opinion) the best work The Shamhammer has brought out since at least Signs, it’s hard to say that its successes rest on his shoulders. Again, it is for McAvoy that we really owe praise, who, with the exception of his role as the lead in Filth, gives his career best performance.
Final rating:★★★ – I personally recommend you give it a go.
- Jodie: Split was a movie that I was a bit weary to see, I had been bitten by M. Knight before and I wasn’t sure if this movie would be worth while. But the trailers looked great and I had always thought James McAvoy was a seriously underrated actor.
Split surprised me. I loved this movie. Ann Taylor-Joy was decent in the film and the Dr was great, but McAvoy knocked it out of the park. Being able to portray all these different personalities with no props such as wigs or makeup shows his talent. It was amazing how one personality made you feel uneasy and perplexed and the next had you smiling and feeling like you were really staring at a strange child. Bravo McAvoy.
The twist at the end made me love this movie even more. Though I’m not sure if you can really cal it a twist. A “reveal” might be the better word for what the audience learns. Whatever you want to cal it, the reveal at the end made me excited to see what’s next!
The only thing I didn’t like about this film was the unresolved conflict between Ann Taylor-Joy’s character at the end of the film.
Besides that, I loved it. Definitely worth watching.
- meekodev: **Didnt see the review section at first so,I posted on the forums**
Not a fan of The director since Unbreakable. It was slightly above average but no whee near the quality of The Sixth Sence. I don’t know why I keep watching his movies, probably hoping one will be the same extraordinary quality. With all the pre-release buzz I thought this was finally that movie.
I was so disappointed. I rated it slightly lower than Unbreakable. I don’t know exactly where it where it went off the rails, but it never held my attention (and I’m not ADHD- I sit though theee hours of a good bio pic.
A good part of this was the girls trying asinine ways to escape; at other time we see McAvoy play several personalities half heartily. After all the award talk I expected a much better and diverse McAvoy. Sadly, just like the majority of Night’s films he has his actors perform methodically. It actually felt McAlvoy was pushing his talents against the brick wall of what the director wanted.
He wasn’t the only actor who underplayed the role. So did the doctor and the three teenage girls. First, after all these late night calls for extra appointment why didn’t she get upset earlier or pull a personality up (which she has stated she can do) to discover the emergency instead of A casual bye–you-leave when another dominant personality shows up to the appointment.
I rate this in the same category of Nights’s films except the quality Sisth Sense and Devil, which he did not direct and only wrote the original story,
As for,the ending, I felt it was a cheap shot. If the point was they are in the same time, the message came across far too,strong. If it is a hitnt to an Unbreakable 2 I’ll pass and see another big screen feature.
- teix: I read some reviews and gave this movie a shot. I was very disappointed.
M. Night Shyamalan’s last good movie, in my opinion of course, was The Village, where he had control over his style.
In Split he tries to use the same formula, but it doesn’t work. There was no build up in reveling the plot, and then when we get to the end the feeling I got was : “Is that it ?”.
Sure all the actors were good, but that didn’t make the experience for me any better.
- Reno: **The 24th’s about to explode!**
The much needed break for the director Shyamalan. It has been over a decade since the last time he was lauded like this for his work. On the paper, it was a simple split personality disaster theme, but cinematically clicked so well. Firstly the performance of James McAvoy made this film a very success. I have seen his lots of films, but if I had to choose only one of his great, that’s would be easily this one. A straightforward story, no complication to understand, or needed to explain everything it revolves. Then suddenly the final act turned into a different mode. With a twist, all comes to end.
The three teenage girls have been kidnapped at the beginning. Following that, the victims do not know the situation, but makes a couple of bad moves, except one girl. As the film progress, many secrets revealed to us, particularly about the kidnapper. It all developed to lead in one direction where an unimaginable thing going to happen. How and what result it brings told in the following parts.
The perspective of the story was not really a thing in this. That means it does not take sides, but gives you the option to choose. And most of the viewers would root for the weird girl. It was Anya, and she’s having a wonderful career in early stage. Could becomes one of the best if she contributed all her performances in the same pace and intensity. The music was equally awesome. Created the perfect atmosphere along with the visuals. I could have not asked the better one. Best thriller of the year. You will be stupid to miss it out if you love films.
- MSB: If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂
James McAvoy plays Kevin, a man with a genetic disease which allows him to have multiple personalities. His trusted psychiatrist, Dr. Karen Fletcher (Betty Buckley), knows 23 of them, but there’s one hidden from everyone who desires to dominate over all the others. Compelled by one of his personalities, Kevin abducts three girls, where Casey Cooke (Anya Taylor-Joy) becomes their leader to try and escape the “crazy” man.
Is this the return to form by M. Night Shyamalan, who has been struggling for more than a decade to release a major success? Is Split the movie that brings him back to the spotlight?
Once again, Shyamalan’s storytelling is very original, unconventional and ultimately mind-blowing. Instead of establishing everything the audience needs to know about the characters right at the beginning, he gradually develops them, giving them haunting backstories and spreading parts of it throughout the runtime. That said, this film isn’t for everyone. The audience needs to trust Shyamalan and be patient. Really patient. Don’t start taking notes about something that you think it’s negative because once you reach the third act, everything changes and suddenly it all makes sense. The screenplay is not as twisty as Unbreakable, for example, but it demands absolute attention in order to catch up on all the things that matter (and the ones that don’t, as well).
The production and editing team have to be congratulated due to their seamless work. From the camera work to the extended one-take sequences, as well as the environment surrounding the characters, everything feels real and looks amazing. The soundtrack … Let me just say that this element is so, but so much relevant to the conclusion of this movie. I can’t really say anything else without spoiling the ending, so I’ll leave a note after my rating at the end of the review with a MAJOR SPOILER.
As for the cast, I’ll start with the man that I honestly think should have received an Oscar nomination: James McAvoy. You know, there’s a big difference in portraying a non-fiction character instead of a fiction one: concerning the former, you can’t really escape the true nature of the person you are playing, but with the latter, as an actor/actress, you have to deliver yourself 100% to the role for it to be believable … And God, does McAvoy deliver! He gives 200% in what could be his best performance to date. Do you think Andy Serkis had problems portraying both Gollum and Sméagol at the same time? Well, imagine 7 … or 8 characters. I lost the count. All in all, James McAvoy, sir, congratulations! You are superb!
Anya Taylor-Joy is also incredible as Casey! Her character has the most intriguing story of the three girls, and she’s the one who assumes the leadership of the group once the kidnap occurs. Her initially unknown past helps her through the traumatic situation, but it’s really her rather captivating backstory that grabbed my attention. It’s fundamental to the understanding of the ending and Anya does a terrific job. I also want to give a small praise to Betty Buckley for a beautiful and necessary interpretation of Dr. Fletcher, a character that offers the audience some knowledge of Kevin’s disease.
As for the other two kidnapped girls, well … They’re my main issue with the film since they don’t have a good reason to be there. Claire (Haley Lu Richardson) and Marcia (Jessica Sula) aren’t the main characters, and they don’t have that much screen time, but their dialogue still feels extremely forced and filled with a lot of nonsense. The ending of the story might not be as twisty as in other Shyamalan’s installments, but I hope that people don’t give up to false expectations. The classic Shyamalan’s twisty ending isn’t a necessary attribute of his movies, but the truth is that the twist is not the one you think it is. Once again, the note at the end of my review will clarify this.
In the end, Split is Shyamalan’s return to his old early 2000’s self. Brilliantly unconventional storytelling, a lot of suspense, some very captivating subplots and a fantastic editing and production team behind him. The soundtrack plays a huge role in this film, as well as James McAvoy, who delivers his career-best performance. Anya Taylor-Joy is also pretty extraordinary, something that can’t be said about her fellow friends who portrayed two bland characters. The ending brings the classic twist that makes everything more understandable, and I gotta say … I love this film, and it is one of 2017’s best!
MAJOR SPOILER BELOW
As I said above, the soundtrack plays a huge role in the ending twist. That’s because the soundtrack that plays right before the title of the movie appears on the screen, is the same one as in the third act of Unbreakable.
This is one of the many clues throughout the film that hint at the idea that Split belongs to Unbreakable’s universe. Naturally, after the title shows up, there’s a scene with David Dunn (Bruce Willis) that confirms this theory, but these are little details that make Shyamalan into a great director and screenwriter. Also, it’s a pity that I’ve only watched these movies after Shyamalan stating that they were part of an eventual trilogy. Not that I was not surprised at the end of Split, but it did remove that first impact of pure shock in knowing that two films separated by 17 years (in real life) are part of the same universe.
Both movies end up falling into the “superhero” genre. Unbreakable is the story of our “hero” who spent his whole life sad because he wasn’t doing “what he was supposed to do”, and Split is an origin story of our “villain”. If Glass delivers, this might be one of the best “superhero” trilogies ever.
- John Chard: You like to make fun of us, but we are more powerful than you think.
Split is written and directed by M. Night Shyamalan. It stars James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu-Richardson and Jessica Sula. Music is by West Dylan Thordson and cinematography by Mike Gioulakis.
Three girls are kidnapped by a man with a diagnosed 23 different personalities. They must try to escape before the apparent emergence of the 24th – known as The Beast…
We now know that Split is the second instalment of a trilogy by Shyamalan that began with Unbreakable and is ending with Glass (released 2019). Always proving to be a most divisive director/writer/actor, Shyamalan has returned to the sort of noticeable form that had him earmarked in his early days as a director to follow – with the proviso that inevitably this is going to still infuriate some for its handling of the subjects at hand.
The plot trajectory is simple enough, girls kidnapped by a patient suffering from multiple personality disorder, as the girls in fear try to escape, a number of his personalities put in an appearance. Which builds up to the finale, which explodes after following on from the suspense and dread atmospherics so beloved by the director. In the mix joining the mental health issue with our main protagonist is a good meaning doctor (naturally), and the spectre of child abuse rears its ugly head. So not a movie to be cheered up by then! While if looking for a detailed and attentive look at the mental health issues to hand you will be disappointed.
However, there is a style to the picture in how it draws you into the predicament of the main players, boosted no end by McAvoy on irresistible form. Given licence to chew every scene, he delivers his various characters with great relish and no little amount of skill. Props to for Taylor-Joy, who as the lead kidnappee has deftly blended youthful innocence with resourceful strength (aided by Shyamalan’s writing of course). Conversely, Shyamalan is guilty of just making a pic for entertainment purpose, which works as it’s a very good creepy thriller with its black humour moments, but the mental health plot devices ensure his gimmicks will not be welcomed by all. 7/10
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