A common thief joins a mythical god on a quest through Egypt.
- Horus: Nikolaj Coster-Waldau
- Bek: Brenton Thwaites
- Set: Gerard Butler
- Thoth: Chadwick Boseman
- Hathor: Élodie Yung
- Zaya: Courtney Eaton
- Ra: Geoffrey Rush
- Anat: Abbey Lee
- Osiris: Bryan Brown
- Nephthys: Emma Booth
- Anubis: Goran D. Kleut
- Isis: Rachael Blake
- Sphinx: Kenneth Ransom
- Urshu: Rufus Sewell
- Head Judge: Bruce Spence
- Astarte: Yaya Deng
- Mnevis: Alexander England
- Young Maidservant: Emily Wheaton
- Urshu Guard: Matt Ruscic
- Sharifa: Robyn Nevin
- Set Guard: Wassim Hawat
- High Priest (voice): Jeff Coopwood
- Priest: Jean-Pierre Yerma
- Musician: Ishak Issa
- Priest: Richard Mutschall
- Fussy Older Maidservant: Paula Arundell
- Young Human Soldier: Julian Maroun
- Heliopolis survivor: Marisa Lamonica
- NobleMan: Josh Farah
- Drummer: Garrett William Fountain
- Mortal: Sean Michael Perez
- Mortal Atmos: Premila Jennar
- Priest / MC: Michael-Anthony Taylor
- Young Maidservant #2: Alia Seror-O’Neill
- Wealthy Servant: Rachel Joseph
- Mortal Man 1: Alessandro Guerrera
- Mortal (uncredited): Rhavin Banda
- Soldier (uncredited): Kurt Goehner-Winter
- Army Warrior (uncredited): Gareth Hamilton-Foster
- Soldier (uncredited): Adam Roper
- Survivor (uncredited): Karim Zreika
- Casting: John Papsidera
- Music: Marco Beltrami
- Production Design: Owen Paterson
- Director of Photography: Peter Menzies Jr.
- Supervising Art Director: Ian Gracie
- Producer: Alex Proyas
- Costume Design: Liz Keogh
- Digital Intermediate: Paul Carlin
- Casting: Nikki Barrett
- Art Direction: Michael Turner
- Producer: Basil Iwanyk
- Digital Intermediate: Simon Alberry
- Supervising Sound Editor: Wayne Pashley
- Editor: Richard Learoyd
- Casting Associate: Deanna Brigidi
- Art Direction: Sophie Nash
- Stunt Double: Steven A. Davis
- Screenplay: Matt Sazama
- Screenplay: Burk Sharpless
- Set Decoration: Nicki Gardiner
- Stunts: Alex Jewson
- Foley: John Simpson
- Dialogue Editor: Mark Franken
- Stunts: Angela Moore
- Music Editor: Jim Schultz
- Dialogue Editor: Derryn Pasquill
- Camera Operator: Peter McCaffrey
- Supervising Sound Effects Editor: Fabian Sanjurjo
- Gaffer: Shaun Conway
- Camera Operator: Darrin Keough
- Key Hair Stylist: Anita Morgan
- Script Supervisor: Kira Bohn
- Digital Intermediate: Jolayne Crabbe
- Makeup Artist: Aline Joyce
- Rigging Gaffer: Mark Jefferies
- Concept Artist: Jerad Marantz
- Camera Operator: Richard Bradshaw
- Stunt Double: Olga Miller
- Animation Director: Jarrod Anderson
- Animation: Laura Anderson
- Animation: Jimmy Almeida
- Art Department Coordinator: Meredith Hussey
- Assistant Art Director: Kristen Anderson
- Script Supervisor: Karen Mansfield
- Sound Effects Editor: Mario Gabrieli
- Sound Re-Recording Mixer: Greg P. Fitzgerald
- Sound Re-Recording Mixer: Peter Purcell
- Assistant Art Director: Andrew Chan
- Stunt Double: Marlee Barber
- Sound Effects Editor: Rick Lisle
- CG Supervisor: Carlos-Christian Nickel
- Camera Operator: Andrew AJ Johnson
- Camera Operator: John Platt
- First Assistant Camera: Gerard Maher
- First Assistant Camera: David Elmes
- First Assistant Camera: Scott Dolan
- Sound Effects Editor: Nigel Christensen
- Sound Effects Editor: Jared Dwyer
- Sound Recordist: Peter Grace
- Animation Director: Joe Harkins
- Animation: Paul Lee
- CG Supervisor: Pawel Olas
- CG Supervisor: Steve Moncur
- CG Supervisor: Sylvain Theroux
- CG Supervisor: Martin Pelletier
- Makeup Effects: Alice Baueris
- Makeup Effects: Kala Harrison
- Makeup Effects: Emily Hayward
- Makeup Effects: Colin Ware
- Hairstylist: Yvonne Savage
- Hairstylist: Lara Jade Birch
- Prosthetic Supervisor: Damian Martin
- Digital Intermediate: Stephen F. Newnam
- First Assistant Editor: Matthew Wigg
- First Assistant Editor: Kaz Rassoulzadegan
- Stunt Double: Naomi Turvey
- Stunts: Jesse Rowles
- Stunts: Inge Sildnik
- Utility Stunts: Andrea Berchtold
- Stunts: Michael Matthews
- Stunts: Puven Pather
- Stunts: Bernadette Van Gyen
- Concept Artist: Maciej Kuciara
- Stunts: Talayna Moana Nikora
- Stunts: Desiree Rose Cheer
- Stunts: Jack Kingsley
- Reno: > A fight among the gods, for the Egyptian empire.
I like this director, but this is not his best work. I think the Hollywood fed up with Greek stuffs, now they’re looking at the ancient Egypt. Where’s the next stop? India? This film was not a bad idea. I liked the story, a mission based concept, but I did not like the CGI. Visually, it was okay, though those CGI characters felt like they’re from sci-fi. I think they inspired by the ancient Egyptian arts. Other than that, this film is enjoyable.
At least I knew about Greek deities, I learnt a few words and names about Egypt mythology through this. Gerard Butler in a negative shade was good and the other actors too decent. I was not interested in this film, but now somewhat I enjoyed it, that mean they should stop it here, no sequel please.
I had no issue with the casting, it is a marketing strategy. You can’t just put a new foreign face in front of the camera and make money out of it. Cinema itself means fake display. Age, skin, death, everything is fake. So people must learn to accept it similar to when a black, Malaysian or Indonesian man says he’s a mooslim, but genetically he’s not, just converted to.
Well composed stunt sequences, especially bloods with liquid gold, totally got the PG13. Least expected film of the year, but got entertained better. It got the mixed response and mostly negative feedback from the critics, but who knows you might have a good time like I did. So you could try it if you want in your free time, because it is not worth to spend your valuable time.
- Gimly: The illegitimate child of _Transformers: Revenge of the Fallen_ and _Marvel’s Thor_. One that probably should have been aborted.
I could see _Gods of Egypt_ working in the “dumb fun” kind of way, if it hadn’t been so bloated and overly long. As it stands, it has some very neat design choices… And that’s it. That’s all it has going for it. Not a single actor seems to care that they’re in this movie, the digital effects are hit and miss at best, and the story is sillier than it had to be, yet not as entertaining as it could have been.
But yes. Some great designs.
_Final rating:★★ – Had some things that appeal to me, but a poor finished product._
- CyrusPK: Fantasy is very difficult to get right in films. Audience resistance is quite high, especially when it involves characters with difficult-to-remember names or diverse place names. Relating to a fantasy world of beasts and magic is often tricky for audiences who may prefer grounded, realistic drama. There are exceptions though – the worlds of Star Wars and Lord of the Rings captured public imaginations and the complex mass of stories and themes in Game of Thrones also attracted an audience.
This fear of fantasy seems to have informed a slightly tentative approach in the writing and direction of Gods of Egypt. There are plenty of fantastic creatures present ranging from giant, vicious snake like creatures to Minotaurs in all but name, and an array of Egyptian gods. However, there has been avoidance of any of the cod Shakespearean dialogue that often permeates works of this type and an emphasis more upon realistic dialogue. This creates a needless tension between the intensity of the innovative visuals and the prosaic words dropping from the actors, a tension that is never resolved as the linear story progresses forwards but never upwards.
The pleasures with this film arise mostly from the intensity of the visual experience. Every environment has been precisely designed, full of colour and dimension, looking very different from the landscapes seen in past films based on myth and history. The benefit of this is that there is always something to attract the eye, from great sky barges to rainbow lit waterfalls and massive monuments. Like all Alex Proyas’ films the visual ideas add weight and substance that the scripting sometimes fails to.
It is however that narrative which brings the film down with a series of very deliberate events extrapolated in excessive detail, burdened by actors who at times look deathly uncomfortable in their roles. Only Geoffrey Rush, in a small but notable part, really excels with so many of the others not able to bring life to the dialogue as they intone in front of ever present green screens.
In the end it is a pity that such a wonderfully conceived world at the visual level could not have been combined with a compelling story and acting.
- Per Gunnar Jonsson: When the credits rolled after having watched this movie with my kids I was perplexed. I knew this movie had not received very great ratings and I had heard rumors that some people had even labelled it the worst movie of the year. However, I had liked watching the movie…a lot!
Sure, the script is predictable and certainly wont win any prices for best script anywhere. The acting is adequate but no more. But it is a fun fantasy adventure movie, a simple adventure / action fantasy roller-coaster. Plenty of fairly cool special effects. Some humor, some romance. It is also fairly devoid of politically correct preaching, whining, mentally unstable and self destructive “heroes” and all that crap. In short it is the kind of movie I like.
I actually looked up the movies page on Wikipedia and it was pretty much full of nonsense and whining about how the movie was not “ethnically correct”. What the f…? It is a bloody fantasy adventure movie for Christ sake! It is meant to entertain! Who the hell cares about whether the actors are native Egyptians or something else? Well, I guess Eskimos would look a bit funny in those roles but otherwise…
Yes it does take quite a few liberties with Egyptian mythology but again, it is a fantasy movie guys! And Egyptian mythology, like any other mythology, goods etc, is nothing but fantasy and story telling from the start so just live with it. To me they stayed true enough to the core of the mythology and I would actually give the director and script writers bonus points for actually depicting the earth as flat as was the predominant belief in those times. Those scenes with Ra dragging the sun and the flat Earth was quite beautiful actually.
The rating on IMDb is also on the low side but of those that took the effort to write a review most seems to be quite positive. The mostly negative ones are, of course, the so called “critics”. No surprise there.
It is sad to see how a, in my opinion a quite entertaining, movie can be so sabotaged by a bunch of, again in my opinion, loud mouthed, ignorant, intolerant, fanatical SJWs who seems to believe that a movie cannot be allowed to just entertain but has to carry a political message, their political message.
I would recommend anyone into fantasy and adventure movies to check this one out if you should stumble upon it. I certainly do not regret adding it to my collection.