The Jungle Book

A man-cub named Mowgli fostered by wolves. After a threat from the tiger Shere Khan, Mowgli is forced to flee the jungle, by which he embarks on a journey of self discovery with the help of the panther, Bagheera and the free-spirited bear, Baloo.

Credits: TheMovieDb.

Film Cast:

  • Mowgli: Neel Sethi
  • Baloo (voice): Bill Murray
  • Bagheera (voice): Ben Kingsley
  • Shere Khan (voice): Idris Elba
  • Kaa (voice): Scarlett Johansson
  • King Louie (voice): Christopher Walken
  • Raksha (voice): Lupita Nyong’o
  • Akela (voice): Giancarlo Esposito
  • Ikki (voice): Garry Shandling
  • Pygmy Hog (voice): Jon Favreau
  • Giant Squirrel (voice): Sam Raimi
  • Rocky the Rhino (voice): Russell Peters
  • Gray (voice): Brighton Rose
  • Young Wolf #1 (voice): Emjay Anthony
  • Young Wolf #2 (voice): Max Favreau
  • Young Wolf #3 (voice): Chloe Hechter
  • Young Wolf #4 (voice): Asher Blinkoff
  • Young Wolf #5 (voice): Knox Gagnon
  • Young Wolf #6 (voice): Sasha Schreiber
  • Young Wolf #7 (voice): Kai Schreiber
  • Raquel the Rhino (voice): Madeleine Favreau
  • Infant Mowgli’s Father: Ritesh Rajan
  • Infant Mowgli: Kendrick Reyes
  • Neelgai Deer (voice): Sara Arrington
  • Animal Voices (voice): Artie Esposito
  • Animal Voices (voice): Allan Trautman
  • Animal Voices (voice): Dee Bradley Baker
  • Animal Voices (voice): Sean W. Johnson
  • Shere Kahn (mo-cap) (uncredited): Daz Crawford

Film Crew:

  • Songs: Scarlett Johansson
  • Music: John Debney
  • Casting Director: Sarah Halley Finn
  • Editor: Mark Livolsi
  • Songs: Richard M. Sherman
  • Songs: Robert B. Sherman
  • Director of Photography: Bill Pope
  • Costume Design: Laura Jean Shannon
  • Novel: Rudyard Kipling
  • Producer: Jon Favreau
  • Executive Producer: Peter M. Tobyansen
  • Orchestrator: Kevin Kaska
  • Screenplay: Justin Marks
  • First Assistant Director: David H. Venghaus Jr.
  • Visual Effects Supervisor: Adam Valdez
  • Art Direction: John Lord Booth III
  • Supervising Art Director: Andrew L. Jones
  • Executive Producer: Karen Gilchrist
  • Art Direction: Ravi Bansal
  • Set Decoration: Amanda Moss Serino
  • Executive Producer: Molly Allen
  • Visual Effects Supervisor: Dan Lemmon
  • Co-Producer: Joyce Cox
  • Visual Effects Supervisor: Robert Legato
  • Concept Artist: Jerad Marantz
  • Conceptual Design: Seth Engstrom
  • Visual Effects Editor: Mark S. Wright
  • Storyboard Artist: Phil Langone
  • Second Assistant Director: Gregory J. Pawlik Jr.
  • Special Effects Makeup Artist: Margie Kaklamanos
  • Hair Department Head: Marie Larkin
  • Production Design: Christopher Glass
  • Producer: Brigham Taylor
  • Unit Production Manager: David M. Bernstein
  • Co-Producer: John Bartnicki
  • Key Makeup Artist: George Black
  • Visual Effects Production Manager: Bruce Franklin
  • Assistant Production Coordinator: Sally Potters
  • Key Hair Stylist: Bryn E. Leetch

Movie Reviews:

  • Austin Singleton: A great movie for the whole family. Watch my full review here.

  • Reno: > The red flower adventure!

    The Rudyard Kipling’s famous children’s book was adapted numerous times for stage shows, television series, live-shot and animation films, and now here’s the modern version and also the first digital 3D version. The Disney done it again bring all the classics to a new life, but it is a great team work, especially the post-production was terrific.

    It is one of those stories never gets boring for repeat reading/listening/viewing. Of course, there were plenty of changes to the original source, but I would say it was upgraded so well. Jon Favreau did an awesome job as the director, definitely it is his one of the best films and will be remembered for very long. All the above he got the best screenplay with supportive production and crew.

    Neel Sethi was obviously a perfect choice for the man-cub, he had given his best and no one could doubt it was his first film. The entire film was shot in the studio settings and the whole time he had to act alone, because the remaining characters in the film are CGI. So in that viewpoint he actually did a breathtaking job being a very young.

    The CGI characters were really excellent, but the non-fur animals like elephant looked a bit fake. I mean anatomically and character performances were perfect, only visually the 3D models were out of the blend in the screen with others. These are very small things to notice, but for the todays technology, it was not bad, especially thinking the film is primarily targeted children.

    The story was simple, like half of the film was an introduction and almost all the important characters from the book were launched at a high profile. It was actually the story with a backdrop of red flower. So the narration moves different part of the jungle, lot like the levels in a game. Various adventures take place and well composed stunt sequences.

    I mentioned stunts right, but there were no violences, I mean nothing seriously to concern about as expected for a Disney film. Yet because of those actions, the film is very much suitable for adult viewing. So apart from the children and families, it can be watched by anyone. One of the top Disney films to do best at the box office worldwide by grabbing almost $1b.

    So aggressive, furious Shere Khan ever to portray. I think the little children may get scared for his unpleasant face look and the strong roar. By the way all the songs were amazing and the end credit was very interesting. Finally, I saw it after a long wait and anticipation, most importantly, I’m very happy how beautifully it was made.

    The film was not shot in India, but the locations were so resembling and gives the perfect Indian feel. Climbing a cliff by Baloo and fighting the monkeys, like that there were numerous jokes. Surely one of the grandly made children’s film at the recent time. I’ve heard the sequel is already on the progress, so bring it on, at least a trilogy before Neel turn to a big boy.


  • Gimly: I had only one true issue with Jon Favreau’s _Jungle Book_, and while it does seem like sort of an unfair one, it’s also a pretty huge one.

    For months before I got the chance to see this remake, I heard non-stop about what a great actor the kid playing Mowgli was, how photorealistic all the animals were, and how you would never be able to guess that the backgrounds were all actually sound stages that had been animated over. Well I just watched _The Jungle Book_, and I found all three of those compliments to be patently untrue. That might sound like three issues, but in reality they all boil down to the same one thing, suspension of disbelief. Or more accurately, the lack of it. From the word go, there wasn’t s moment that I found myself being continuously drawn out of the story because of one of those reasons (usually the look of the creatures). I was not once able to fully engage, and though I recognise that from a plot point of view, this version was even better than the 1967 one, I still found myself constantly aggravated by the harsh meshing of Mowgli against the world around him.

    _Final rating:★★½ – Not quite for me, but I definitely get the appeal._

  • Per Gunnar Jonsson: This is without a doubt a very good family movie. Many people seem to compare it unfavorably with the “original” animated movie from Walt Disney. To me these are quite different movies and should not really be compared. I have not read the book but I have a feeling that this movie follows the book more closely. It is a wee bit darker, more serious and incredibly beautiful to watch.

    I quite liked the original jungle book movie. It was one of my favorites when I was a kid. I am therefore quite happy that this was not just a “dumb” remake with modern CGI and that I quite liked this take of the classic story. This movie is, as I wrote, much more serious and a wee bit darker. It is less of a children’s movie than the original.

    The wolves are getting much more time in this movie which is good. Mowgli’s opponents are also much less comical and much more sinister. Kaa is a beastly snake with no remorse, King Louie is a huge, scheming, and tyrannical ape King and finally Shere Khan is a ruthless, human hating, tiger that kills anyone or anything that stands in his way.

    The CGI is top notch as far as I am concerned. The jungle scenery is absolutely stunning and it is really worth watching the movie just for the scenery. Combined with a classic adventure story that is not half bad makes for a really a good movie.
    I was definitely positively surprised by this movie. For me it is a big success.

  • Kamurai: Really good watch, would watch again, and can recommend.

    I’ll honestly go as far as to recommend this over the original 1967 version.

    I don’t think is quite as charming as the original, and it has a very different animation style, both with great quality of detail in it. From the individual strains of fur, to the types of animals included (I’ve done so much research on Indian wildlife today), you can really see the details of the cg effects. Just watch the end credit sequence alone, and it’ll prove it.

    There are 3 huge improvements to this versus others: Sher Khan’s face, King Louie, and the intensity of the animal fight scenes. The movie isn’t free of problems: I imagine someone will have issues with talking animals vs non-talking animals, that he’d have to learn the language (so how would he ever understand Sher Khan or Baloo?).

    If anything, I think the writing took a hit. Where the original had a subtle but strong fables sequencing to it (sort of modular moral stories with shifting focus on characters), this is structured much closer to how many video game stories are structured, serialized chapters with some level of power creep and shifting focus of environment and goals but all focused on Mowgli. And I don’t think the writing is bad, but this Jungle kid (never actually reveals his backstory, somewhat of a relief honestly) is performing clean engineering using vines and pulleys and armor (that wouldn’t work) with calculated positioning. I understand that some people just have talent for some things, but I had to question whether or not I could do the same thing. I could, but I’d have to do it different ways.

    And in all fairness some of the stupid /inconsistent things he gets up too, even though he’s a “take charge” Mowgli in this version really got to me: I was literally cheering for Sher Khan at certain points.

    Ultimately I had a good time with it, and I think most people and possibly their pets will too (my cats were interested for a while).

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