When he starts dating drop-dead gorgeous Molly, insecure airport security agent Kirk can’t believe it. As his friends and family share their doubts about the relationship lasting, Kirk does everything he can to avoid losing Molly forever.
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Credits: TheMovieDb.

Film Cast:

• Kirk Kettner: Jay Baruchel
• Molly McCleish: Alice Eve
• Jack: Mike Vogel
• Patty: Krysten Ritter
• Mrs. Kettner: Debra Jo Rupp
• Marnie: Lindsay Sloane
• Katie McCleish: Kim Shaw
• Cam: Geoff Stults
• Stainer: T. J. Miller
• Devon: Nate Torrence
• Dylan: Kyle Bornheimer
• Wendy: Jasika Nicole
• Mr. Kettner: Adam LeFevre
• Mr. Fuller: Andrew Daly
• Mr McCleish: Trevor Eve
• Mrs McCleish: Sharon Maughan
• Randy: Adam Tomei
• Tina Jordan: Robin Shorr
• Scotty Reece: Evan Alex Cole
• Karen: Yan Xi
• Plane Doctor: Rick Applegate
• Pilot: Chuck Aber
• Debbie: Jessica St. Clair
• Ron: Hayes MacArthur
• Bowler: Patrick Jordan
• Museum Director: Tom Stoviak
• Flight Attendant: Heather Morgan Leigh
• Restaurant Patron: Jason McCune
• Hockey Bartender: Joseph F. Eberle
• Hockey Player: Mike Gaffney
• Hockey Player: Jason C. Lewis
• Airshow Patron (uncredited): Robert R. Bell
• First Class Passenger (uncredited): Aaron Bernard
• Himself (uncredited): Sidney Crosby
• Stewardess (uncredited): Mandy Ekman
• Passenger (uncredited): Lorelei Mahoney
• Airport patron (uncredited): Christopher Mele
• Club Patron (uncredited): David Santiago
• Party Guest / Driver on Bridge (uncredited): Gaynelle W. Sloman
• …: Tiffany Sander McKenzie

Film Crew:

• Original Music Composer: Michael Andrews
• Supervising Sound Effects Editor: Michael Payne
• Director of Photography: Jim Denault
• Set Designer: James E. Tocci
• Publicist: Michael Klastorin
• Costume Design: Molly Maginnis
• Dolly Grip: Brian ‘Buzz’ Buzzelli
• Additional Editing: Brent White
• Casting: Allison Jones
• First Assistant Director: Richard L. Fox
• Production Design: Clayton Hartley
• Producer: David B. Householter
• Producer: Jimmy Miller
• Editor: Dan Schalk
• Unit Production Manager: Basil Grillo
• Screenplay: Sean Anders
• Casting Assistant: Greg Levine
• Steadicam Operator: Geoffrey Haley
• Set Decoration: Casey Hallenbeck
• Director: Jim Field Smith
• Stunts: Jason Silvis
• Screenplay: John Morris
• Camera Operator: John Pirozzi
• Key Hair Stylist: Karen Lovell
• Foley: James Moriana
• Production Sound Mixer: Whit Norris
• Foley: Jeffrey Wilhoit
• Stunts: Mam Smith
• Stunts: Roy T. Anderson
• Costume Design: Sophie de Rakoff
• Camera Operator: Rodney Taylor
• Executive Producer: George Gatins
• Sound Re-Recording Mixer: Andy Koyama
• Sound Editor: Kerry Ann Carmean
• Supervising Sound Editor: Andrew DeCristofaro
• Set Dresser: John W. Iwanonkiw
• Assistant Property Master: Paul Bucciarelli
• Sound Effects Editor: Nancy MacLeod
• Post Production Assistant: Matt Sweat
• Stunts: Jen Weissenberg
• Makeup Department Head: Scott H. Eddo
• Carpenter: Lance R. Walters
• Assistant Costume Designer: Marian Toy
• Key Costumer: Darcie Buterbaugh
• Casting: Donna M. Belajac
• Foley: Diane Marshall
• Supervising Dialogue Editor: Nancy Nugent
• Sound Effects Editor: Jon Title
• Music Editor: John Finklea
• Dialect Coach: Elizabeth Himelstein
• Post Production Supervisor: Jennifer Ames
• Dialogue Editor: John C. Stuver
• Visual Effects Supervisor: Ray McIntyre Jr.
• Aerial Director of Photography: David Norris
• Script Supervisor: Monika Petrillo
• Visual Effects Producer: Victor DiMichina
• Stunt Coordinator: John Copeman
• Sound Editor: Steve Nelson
• Production Coordinator: Janice F. Sperling
• Standby Painter: Vincent Borrelli
• Property Master: Thomas J. Garrigan
• Scenic Artist: Mary O’Brien
• Transportation Coordinator: Marc Scott
• Color Timer: Dale E. Grahn
• Sound Re-Recording Mixer: Chris Carpenter
• Still Photographer: Darren Michaels
• Sound Re-Recording Mixer: Oleg Kulchytskyi
• Unit Production Manager: David Blake Hartley
• Hair Department Head: Voni Hinkle
• Chief Lighting Technician: Louis DiCesare
• Music Supervisor: Deva Anderson
• Music Editor: Manish Raval
• Art Direction: Jim Gloster
• Art Department Coordinator: Anna Hawkins
• Orchestrator: Tom Calderaro
• Stunts: Nicole Callender
• Stunts: Shawnna Thibodeau
• Stunts: John Gilbert
• Art Department Assistant: Jenn Albaugh
• Construction Coordinator: Buster Pile
• Set Dresser: Justin Pelissero
• Grip: Steve Cohagan
• Stunts: Janet Paparazzo
• Pilot: Cherokee Walker
• Construction Foreman: Michael G. Richer
• Stunts: Norman Douglass
• Casting Assistant: Ben Harris
• Digital Compositors: David Geoghegan
• Epk Camera Operator: Dante Ludovici
• Electrician: Chris Muchow
• Negative Cutter: Gary Burritt
• First Assistant Editor: Jennifer Stellema
• Production Accountant: Alison Cannon
• Grip: Nick Zinobile
• Stunts: Keith Siglinger
• Boom Operator: C. Douglas Cameron
• Actor’s Assistant: Ellen J. Hornstein
• Driver: Frank Conforti
• Key Makeup Artist: Rachel Kick
• Actor’s Assistant: Sarah Babineau
• Stunts: Thomas Place
• Electrician: Jared Wellman
• Costume Supervisor: Tony Velasco
• Electrician: Adam Grant
• Grip: David Jose
• Grip: Pat Dames
• Best Boy Electrician: Brian Powers
• Driver: Greg Viglione
• Set Dresser: Paula Collins
• Stand In: Sean McGee
• Second Assistant Director: Emily McGovern
• Location Manager: Gerard Averill
• Stand In: Marissa Fiore
• Stand In: Jeffrey Jones
• Stand In: Brian Adam Kline
• Stand In: Jillian O’Neil
• Stunts: Paul Bucossi
• Stunts: Jodi Gage
• Transportation Captain: Dennis J. Braun
• Video Assist Operator: Doug Stanczak
• Thanks: Tom McMillian
• Thanks: Shawn M. Walleck
• Set Dresser: Jesse Iwanonkiw
• Set Dresser: Brett Kennedy
• Set Dresser: Rebecca Welsh
• Set Production Assistant: Luke Andrade
• Set Production Assistant: Alyssa Batchelor
• Set Production Assistant: Matthew Fortino
• Set Production Assistant: Donald Houck
• Score Engineer: Stephen Kaye
• Scenic Artist: Jolene Dames
• Rigging Grip: David Kann
• Production Illustrator: John Hinderliter
• Orchestrator: David Connor
• Set Dresser: Timothy Barnhill
• Production Office Assistant: Beverly Cole
• Production Office Assistant: Jonathan Curotola
• Set Medic: Douglas W. Croyle
• Set Medic: Andrea Fryer
• Location Scout: Eric Dilucente
• Leadman: Kenneth J. Kellers
• Pilot: Hendrik Albertus Juriaan Deblok
• Hairstylist: Linda Williams
• Grip: Stanley Karwoski
• Grip: Michael Scott
• Grip: John E. Tremba
• Loader: Colin Sheehy
• Electrician: W. Russell McCormack
• Electrician: Joe Tuite
• Electrician: Alexander ‘Lex’ Crow
• Electrician: Jon D. Morrison
• Electrician: Karen Michele Kelly
• Electrician: Michael J. McGough
• Driver: Mike Bearer
• Driver: Bob Szalinski
• Dolly Grip: John F. Cassidy
• Digital Compositors: Brad Moylan
• Craft Service: Lela Checco
• Costume Supervisor: Charlotte Jelinski
• Rigging Gaffer: John Alan Roush
• Casting Associate: Daryl Eisenberg
• Carpenter: Nicholas Spivak
• Carpenter: Daniel McGuinness
• Carpenter: Jim Heastings
• Actor’s Assistant: Erin Cappiccie
• Actor’s Assistant: Cristin Ertel
• Assistant Production Coordinator: Diane Sunderlin
• Assistant Editor: Melissa McCaffery

Movie Reviews:

• Wuchak: ***A really good romcom marred by profane crudeness***

  A TSA worker at the Pittsburgh Airport (Jay Baruchel) starts a relationship with a woman many consider to be a perfect 10 (Alice Eve), which surprises his friends and family. Can the relationship survive their pestering?

  “She’s Out of My League” (2010) is a surprisingly well-written, well-casted romcom that’s entertaining throughout, but it’s ruined for me by a little too much gross or profane (non)humor and I can’t in good conscience give it a higher grade. This is unfortunate because the flick didn’t need to stoop to that low-level.

  But if you can stomach the needlessly gross bodily fluid & raunchy ‘humor’ of “There’s Something about Mary” (1998), “The Girl Next Door” (2004) and “Forgetting Sarah Marshal” (2008) you might like it more than me.

  The film runs 1 hour, 44 minutes, and was shot in the Pittsburgh area.

  GRADE: C

• Peter McGinn: I enjoyed She’s Out of My League; let me get that out there at the outset. It is witty, mostly intelligent, and downright hilarious in places. Mind you, there were a few places that made me shake my head. There was some old fashioned gross-out humor, the sort I thought stopped being used in romantic comedies years ago. I particularly didn’t like the semen stain interlude, though I admit that Kirk’s friend’s advice later on how to explain it to Molly nearly saved it completely for me.

  I also thought that having every male within twenty yards of Molly being paralyzed and struck dumb by her beauty was a bit overdone, but I am willing to overlook small issues if the movie is intelligent enough otherwise.

  I liked most of the characters, especially Marnie, who says the stuff everybody wants to say. Even Cam is made into a nice guy rather than a jerk, as most movies would make the handsome rival of the dweeb for the lady fair. All in all a fair entry into the crowded romantic comedy genre.