The Lone Ranger

The Texas Rangers chase down a gang of outlaws led by Butch Cavendish, but the gang ambushes the Rangers, seemingly killing them all. One survivor is found, however, by an American Indian named Tonto, who nurses him back to health. The Ranger, donning a mask and riding a white stallion named Silver, teams up with Tonto to bring the unscrupulous gang and others of that ilk to justice.
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Credits: TheMovieDb.

Film Cast:

  • Tonto: Johnny Depp
  • John Reid / The Lone Ranger: Armie Hammer
  • Latham Cole: Tom Wilkinson
  • Butch Cavendish: William Fichtner
  • Captain Jay Fuller: Barry Pepper
  • Red Harrington: Helena Bonham Carter
  • Dan Reid: James Badge Dale
  • Rebecca Reid: Ruth Wilson
  • Barret: James Frain
  • Will: Mason Cook
  • Skinny: Matt O’Leary
  • Collins: Leon Rippy
  • Frank: Harry Treadaway
  • Ray: Damon Herriman
  • Stache: W. Earl Brown
  • Red Knee: Gil Birmingham
  • Chief Big Bear: Saginaw Grant
  • Soldier #1: Stephen Brodie
  • Soldier #3: Matthew Page
  • Saloon Guy (uncredited): Nick W. Nicholson
  • Danny: Bryant Prince
  • Wendell: JD Cullum
  • Jesus: Joaquín Cosío
  • Fritz: Timothy V. Murphy
  • Blaine: Damon Carney
  • Clayton: Kevin Wiggins
  • Martin: Chad Brummett
  • Navarro: Robert Baker
  • Hollis: Lew Temple
  • Habberman: Stephen Root
  • Shareholder: Randy Oglesby
  • Shareholder: Brad Greenquist
  • Engineer: Rance Howard
  • Homer: Leonard Earl Howze
  • Young Cavendish: Travis Hammer
  • Young Cole: Steve Corona
  • Telegraph Operator: Jack Axelrod
  • Preacher: Christopher Hagen
  • Kai: Freda Foh Shen
  • Fat Lady: Margaret Bowman
  • Pilar: Luz P. Mendez
  • Rosalie: Laina Loucks
  • Dancer (Red’s): Devon J. Adams
  • Dancer (Red’s): Desirae Anslover
  • Dancer (Red’s): Charlotte Cormier
  • Dancer (Red’s): Megan Pribyl
  • Dancer (Red’s): Briana Van Schuyver
  • Dancer (Red’s): Julie Stracener
  • Pawing Drunk: Chad Randall
  • Mob Member: Jason E. Hill
  • Mob Member: Beth Bailey
  • Glenda: Joanne Camp
  • Stove Pipe: Bob Rumnock
  • Grizzled Soldier: Tait Fletcher
  • Soldier #4: Alex Knight
  • Farmer: Argos MacCallum
  • Band at Red’s: Pokey LaFarge
  • Band at Red’s: Joey Glynn
  • Band at Red’s: Adam Hoskins
  • Band at Red’s: Ryan Koenig
  • …: Joel Thingvall
  • Fairground Child (uncredited): Ava Wagenman
  • (uncredited): James P. Bennett
  • Fuller’s Native American Scout: David Midthunder

Film Crew:

  • Producer: Gore Verbinski
  • Producer: Jerry Bruckheimer
  • Executive Producer: Ted Elliott
  • Executive Producer: Terry Rossio
  • Executive Producer: Johnny Depp
  • Editor: Craig Wood
  • Original Music Composer: Hans Zimmer
  • Executive Producer: Mike Stenson
  • Executive Producer: Eric McLeod
  • Executive Producer: Chad Oman
  • Casting: Denise Chamian
  • Sound Re-Recording Mixer: Christopher Boyes
  • Sound Designer: Gary Rydstrom
  • Set Decoration: Cheryl Carasik
  • Costume Design: Penny Rose
  • Production Design: Jess Gonchor
  • Special Effects Supervisor: John Frazier
  • Editor: James Haygood
  • Director of Photography: Bojan Bazelli
  • Supervising Sound Editor: Shannon Mills
  • Supervising Art Director: Brad Ricker
  • Visual Effects Supervisor: Tim Alexander
  • Casting: Jo Edna Boldin
  • Screenplay: Justin Haythe
  • Orchestrator: Kevin Kaska
  • Makeup Department Head: Joel Harlow
  • Musician: Arturo Sandoval
  • Stunt Double: Dick Ziker
  • Executive Producer: Eric Ellenbogen
  • Costume Supervisor: Stacy Horn
  • Music Editor: Peter Oso Snell
  • Animation: Anthony Di Ninno
  • Supervising Sound Editor: Addison Teague
  • Visual Effects Supervisor: Gary Brozenich
  • Visual Effects Supervisor: Edson Williams
  • Visual Effects Editor: Mark Edward Wright
  • Hair Department Head: Gloria Pasqua Casny
  • Stunts: Craig Branham
  • Music Editor: Katie Greathouse
  • Sound mixer: Lee Orloff
  • Stunt Coordinator: Tad Griffith
  • Digital Compositor: Ben O’Brien
  • Storyboard Artist: Josh Hayes

Movie Reviews:

  • John Chard: Wrong Brother.

    The early signs were not good, tales of production problems galore and
    early critical notices wading in to kick the film before it had even
    had a run at the theatres. The Lone Ranger seemed destined to be a
    blockbuster stinker. Yet in spite of it noticeably alienating original
    Lone Ranger purists, and some Western lovers as well, for a rollicking
    action fun packed time then Gore Verbinski’s movie delivers in spades.

    It’s awash with the serial silliness of adventure films and TV shows of
    yore, pitching good guys against bad guys with buddy buddy shenanigans
    pulsing away at the core. The stunts are outrageously enjoyable, the
    landscape photography as beautiful as it is respectful in homage to
    past masters of the Western genre, while in Depp’s Tonto there’s a bona
    fide hero to root for just as much as he makes you laugh out loud.

    This is an origin story, a tale of how John Reid (Armie Hammer) became
    The Lone Ranger, and of course how the noble steed Silver and Indian
    side-kick Tonto became integral to his villain fighting ways. Tom
    Wilkinson and William Fitchner file in for polar opposite villain
    duties, the former is the weasel business man trying to mould the West
    in is own image, the latter a repugnant psychopath with a penchant for
    eating human hearts! Then Helena Bonham Carter wanders in from some
    Grindhouse movie for a couple of cameos that are resplendent with
    sexual energy.

    It’s all very wacky and wild, and rightly so, but this is not at the
    expense of very good story telling. Some parts of the narrative could
    have been trimmed, but as the bromance builds between our two heroes,
    and Silver gets up to all sorts of comedy horse escapades, there’s nary
    a dull moment here. Producer Jerry Bruckheimer and director Verbinski
    throw all the action staples into the pot. Chases, fights, swinging
    from ropes, shoot-outs, people dangling from speeding train (pic is
    bookended by awesome train sequences), grisly deaths and on it goes
    from start to end.

    There’s caustic asides to the machinations of organisations of the
    time, from railroad magnates to the cavalry, while the catchphrases and
    legends of The Lone Ranger TV series are deftly inserted into the tale.
    It was interesting to see Depp come out and defend the movie against
    those damning early critic reviews, it’s not something he does, being
    as he is very much a guy who sees acting as just a job. Bruckheimer,
    Hammer and Verbinski backed Depp up, stating that some reviews were
    written before the film had even been released, the big budget and
    production problems clearly making this a big stinker…

    Not so, it’s certainly not flawless, and those seriously into
    anachronisms are likely to have kittens. But if you haven’t seen it
    yet, if you was put off by the venomous early reviews, then give it a
    chance, you may just be surprised at just how entertaining it is. It
    also looks and sounds brilliant on Blu-ray, where repeat viewings even
    show Hammer to be better than first thought as that masked man. 8.5/10

  • Per Gunnar Jonsson: If this film would not have been called Lone Ranger and would not have pretended to tell the story the Lone Ranger then I would probably have considered it to be an okay movie. Maybe even a good one. However, this was supposed to be a Lone Ranger movie and that it is not!

    I put this movie in the same category as the very disappointing Green Hornet movie. It is a typical case of some dumbass Hollywood producer/director taking a known name and thinks he can do what the heck he wants with it. The Lone Ranger is supposed to be the only survivor of a group of rangers, a hero as well as intelligent and so is Tonto. In this movie the Lone Ranger is a bloody lawyer, he is naïve and generally a screw up. Tonto is, well, as looney as one could expect with Jonny Depp in the role.

    It is really said when you feel the best characters in the movie are the bad guys. I think Butch Cavendish is quite nicely portrayed by William Fichtner. Okay, the movie have its fun moments, a few laughs, some nice special effects and is not really poorly done as such. Unfortunately a lot of the time I phrases like “what and idiot”, “what the f…”, “this is not Lone Ranger” and so on, went through my head while watching it.

    If this is the first time you have heard about the Lone Ranger, or you do not really care if the movie has anything to do with the original Lone Ranger then you probably will find this an entertaining movie. I am afraid that I was hugely disappointed.

  • Gimly: (I wrote a very long and comprehensive review about this but I lost it in a browser crash so we’ll have to make do with just one paragraph).

    Watching _The Lone Ranger_, every now and then, I could genuinely see the spark of a good movie trying its darndest to shine through. With a lot of changes, (foremost amongst them, a change of cast in the two leads) this might have been something special, I really can see how it could have been. But that wasn’t the movie we got. We got this, and it is very disappointing.

    _Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._

  • r96sk: It loses its way a bit at around the midway point, but all in all ‘The Lone Ranger’ is a film I found entertainment in.

    No doubt helped by much of the people behind 2003’s ‘Pirates of the Caribbean: The Curse of the Black Pearl’ – my favourite film – reuniting for this. From Johnny Depp to Gore Verbinski to Jerry Bruckheimer to Ted Elliott & Terry Rossio. Therefore, I was bound to like it.

    Depp is enjoyable, as is usually the case. There are, of course, question marks as to whether he’s ‘right’ for the role. He claims he has Native American heritage, though you enter a real grey area with all that stuff. Anyway, judging by his acting, he’s fun. Armie Hammer is much better than I thought he’d be, while William Fichtner makes for a good villain. Nice to see Ruth Wilson and Helena Bonham Carter involved, also.

    I like the way the story is told, involving Depp and Mason Cook. It certainly adds a sense of intrigue to events. The end scenes are also enjoyable, at least visually – I don’t love the score all that much, to be honest. However, as noted at the top, the middle part of the film is less entertaining – though the finale helps pick things back up.

    I’ve, evidently, seen better from these lot. Still, it’s a very good film in my books; despite having issues.

  • CinemaSerf: Relegated to a fun-fair exhibit, “Tonto” (Johnny Depp) regales a young visitor with tales of his adventures with the eponymous, somewhat green and naive, lawyer “John Reid” (Armie Hammer). It all started when “Tonto” rescues “Reid” after he was ambushed by the nasty “Butch Cavendish” (William Fichtner). Together with his famed white horse they now set out to right this wrong and bring this evil man to justice. What now ensues just isn’t very good. It’s a sort of loosely hung together series of escapades with the easy enough on the eye Hammer just far too lightweight to bring even a modicum of charisma to the role. Depp is just recreating his “Jack Sparrow” characterisation – just with a white pained face; and the adventure elements are predictable and frankly rather dull. It has an almost slapstick nature to it; the dialogue tries to be pithy but in the end depends too much on the style of delivery from Depp – and I found that style repetitive and unimaginative. It culminates quite entertainingly, to be fair, but this film is just way too dependant on one single character and it just didn’t work well for me. At just shy of 2½ hours, it is far too long too. Maybe 45 minutes less with more emphasis on the action and a better screenplay might have helped, but as it is – this is a long, empty, watch that borders on the spoof. Fans of Depp may well disagree, but for the rest of us this is merely a vehicle for him – and not a very good one at that.
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