A seven-mile-wide space rock is hurtling toward Earth, threatening to obliterate the planet. Now, it’s up to the president of the United States to save the world. He appoints a tough-as-nails veteran astronaut to lead a joint American-Russian crew into space to destroy the comet before impact. Meanwhile, an enterprising reporter uses her smarts to uncover the scoop of the century.
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Credits: TheMovieDb.

Film Cast:

• Capt. Spurgeon ‘Fish’ Tanner: Robert Duvall
• Jenny Lerner: Téa Leoni
• Leo Biederman: Elijah Wood
• Robin Lerner: Vanessa Redgrave
• President Tom Beck: Morgan Freeman
• Jason Lerner: Maximilian Schell
• Sarah Hotchner: Leelee Sobieski
• Alan Rittenhouse: James Cromwell
• Gus Partenza: Jon Favreau
• Beth Stanley: Laura Innes
• Andrea Baker: Mary McCormack
• Don Biederman: Richard Schiff
• Mark Simon: Blair Underwood
• Dr. Marcus Wolf (uncredited): Charles Martin Smith
• Marianne Duclos: Una Damon
• Eric Vennekor: Dougray Scott
• Theo Van Sertema: Derek de Lint
• Jenny’s Assistant: Suzy Nakamura
• Bobby Rhue: Alimi Ballard
• McCloud: W. Earl Brown
• Vicky Hotchner: Denise Crosby
• Jason: Jason Dohring
• Ivan Brodsky: Tucker Smallwood
• Mike Perry: Mike O’Malley
• Otis Hefter: Kurtwood Smith
• Oren Monash: Ron Eldard
• Sheila Bradley: Merrin Dungey
• Chuck Hotchner: Gary Werntz
• Stuart Caley: Bruce Weitz
• Ellen Biederman: Betsy Brantley
• Morten Entrekin: O’Neal Compton
• Chloe: Rya Kihlstedt
• Mikhail Tulchinsky: Aleksandr Baluev
• Caitlin Stanley: Caitlin Fein
• Caitlin Stanley: Amanda Fein
• Tim Urbanski: Mark Moses
• Jeff Worth: Charles Dumas
• Jane Biederman: Katie Hagan
• Holly Rittenhouse: Hannah Leder
• Wendy Mogel: Kimberly Huie
• Grey Man: William Fair
• Stofsky: Ellen Bry
• Reporter: Lisa Ann Grant
• Patricia Ruiz: Concetta Tomei
• David Baker: Charlie Hartsock
• Dwight Tanner: Don Handfield
• Pretty Woman: Cynthia Ettinger
• Mariette Monash: Jennifer Jostyn
• Brittany Baker: Stephanie Patton
• NASA Guy: Michael Winters
• Student (uncredited): Sommer Garcia
• Secret Service Agent #1 (uncredited): Mic Rodgers
• Refugee (uncredited): Thomas Rosales Jr.
• Refugee: Shannon Frank

Film Crew:

• Additional Camera: Don Burgess
• Executive Producer: Steven Spielberg
• Producer: Richard D. Zanuck
• Conductor: James Horner
• Executive Producer: Walter F. Parkes
• Screenplay: Bruce Joel Rubin
• Production Design: Leslie Dilley
• Producer: David Brown
• Stunts: Seth Arnett
• Art Direction: Andrew Neskoromny
• Editor: Paul Cichocki
• Stunt Coordinator: Charles Croughwell
• Art Direction: Thomas Valentine
• Post Production Supervisor: Bradley M. Goodman
• In Memory Of: Dietrich Lohmann
• Executive Producer: Joan Bradshaw
• Color Timer: Jim Passon
• Art Direction: Dennis Bradford
• Set Designer: Richard F. Mays
• Screenplay: Michael Tolkin
• Editor: David Rosenbloom
• Costume Design: Ruth Myers
• Art Direction: Gary Kosko
• Set Decoration: Peg Cummings
• Production Supervisor: Peter M. Tobyansen
• Casting: Allison Jones
• Director: Mimi Leder
• Second Unit Director: E. J. Foerster
• Second Unit Director: Mark Vargo
• Prosthetics: Gary Archer
• Hair Department Head: Waldo Sanchez
• Stunt Double: Danny Downey
• Second Assistant Director: Glen Trotiner
• Associate Producer: D. Scott Easton
• First Assistant Director: Robert Rooy
• Assistant Art Director: Paul Sonski
• ADR Editor: Kimberly Lowe Voigt
• Dialogue Editor: Mark L. Mangino
• Special Effects Coordinator: Michael Lantieri
• Steadicam Operator: Guy Norman Bee
• CG Supervisor: Michael Bauer
• Concept Artist: Derek Thompson
• Assistant Editor: Ken Blackwell
• Set Designer: Dean Wolcott
• Visual Effects Producer: Denise Ream
• Sound Effects Editor: Timothy A. Cleveland
• First Assistant Director: K.C. Colwell
• Stunts: Debbie Evans
• Casting Assistant: Wendy Washbrook
• Best Boy Grip: Mike Fay
• Makeup Department Head: John M. Elliott Jr.
• Property Master: Batia Grafka
• Casting: Judith Bouley
• Propmaker: Randy L. Childs
• Set Designer: Josh Lusby
• Sculptor: Cuitlahuac Morales Velazquez
• Storyboard Artist: Richard K. Buoen
• Greensman: Frank McEldowney
• Props: Gary Tuers
• Assistant Production Coordinator: John Latenser V
• Script Coordinator: Larry Leahy
• Construction Coordinator: John Villarino
• Visual Effects Supervisor: Scott Farrar
• Costumer: Anthony J. Lipin
• Sound Designer: John P. Fasal
• Still Photographer: Myles Aronowitz
• Set Designer: Suzan Torres
• Assistant Art Director: Masako Masuda
• Assistant Art Director: Eric Rosenberg
• Supervising Sound Editor: J. Paul Huntsman
• Foley Artist: Ginger Geary
• Dialogue Editor: Patrick J. Foley
• Dialogue Editor: John F. Reynolds
• ADR Editor: Andrew Somers
• Sound Effects Editor: Christopher S. Aud
• Sound Effects Editor: John Voss Bonds Jr.
• Sound Effects Editor: George Nemzer
• Sound Effects Editor: Jayme S. Parker
• Visual Effects Supervisor: Kenneth Jones
• Gaffer: Jack Coffen
• Camera Operator: Scott E. Steele
• Costume Supervisor: Michelle Kurpaska
• Set Costumer: Marsha Bozeman
• Set Costumer: Bob Moore Jr.
• Music Editor: Joe E. Rand
• Transportation Coordinator: Robert Neilson
• Script Supervisor: Faith Conroy
• Location Manager: George Herthel
• Music Producer: Simon Rhodes
• Second Assistant Sound: David Werntz
• Supervising Music Editor: Jim Henrikson
• Camera Technician: Steven J. Winslow
• Aerial Director of Photography: Phil Pastuhov
• Visual Effects Art Director: Alex Jaeger
• Digital Effects Supervisor: David Sosalla
• Utility Stunts: Scott Sproule
• Property Master: Tommy Tomlinson
• Greensman: Jeff Brown
• Chief Lighting Technician: Jon R. Tower
• Sound Assistant: Robb Wilson
• Foley Supervisor: Jeff Rosen
• Animation: Steve Nichols
• Production Coordinator: Eileen Godoy
• Supervising Sound Editor: Walter Newman
• Visual Effects Editor: Timothy Eaton
• ADR Supervisor: Joe Dorn
• Property Master: Scott Nifong
• First Assistant Editor: Scott Janush
• Best Boy Electric: Walter Bithell
• Art Department Production Assistant: Heather Kelton
• Key Production Assistant: Jennifer L. Pearlman
• Additional Second Assistant Director: Wainani Young-Tomich
• Storyboard Artist: Philip Keller
• Storyboard Artist: David Lowery
• Production Executive: Steven R. Molen
• Assistant Camera: John T. Connor
• Second Unit First Assistant Director: Cara Giallanza
• Animation: Jason Ivimey
• Assistant Property Master: Kris Peck
• Makeup Artist: Barbara Lacy
• Set Buyer: Carl Catanese
• Special Effects Assistant: Douglas Retzler
• Second Unit First Assistant Director: Michele Ziegler
• Key Grip: Tim Ryan
• Stunts: Jennifer Lamb
• Boom Operator: Raul A. Bruce
• Sound: Mark Hopkins McNabb
• Driver: Edward Cook
• Grip: Nico Bally
• Location Scout: Kathleen Beall
• Sound Recordist: Philip Rogers
• Digital Compositor: Gregory Oehler
• Projection: Timothy Greenwood
• Assistant Location Manager: Patrick Burn
• Second Second Assistant Director: Paula Case
• Production Accountant: Pam Kaye
• Visual Effects Coordinator: Adrienne Anderson
• Visual Effects Production Assistant: Paula Nederman
• Technical Supervisor: Patrick Phillips
• Title Designer: Phill Norman
• Additional Sound Re-Recording Mixer: David Raines
• Location Assistant: Brian Glazen
• First Assistant Camera: Andrew Priestley
• Animation: Philip Edward Alexy
• Construction Foreman: Robb W. Ward
• Leadman: Mark Sakamoto
• Set Dresser: Shannon Curfman
• Camera Loader: Cheli Clayton
• Systems Administrators & Support: Toby Gallo
• Transportation Captain: Maylon Houston
• Video Assist Operator: Roger Donegan
• Electrician: Eric S. Adamson
• Lighting Technician: James Frederick
• Rigging Grip: Jerry Kim
• Digital Compositors: Suzanne Mitus-Uribe
• Thanks: Alex Humphrey
• Stunts: Cinda-Lin James
• Assistant Property Master: Michael D. Harrell
• Set Dresser: Kristina Kilpe
• Assistant Property Master: César Díez Álava
• Foley Mixer: Eric Gotthelf
• Visual Effects Coordinator: Janet Lewin
• Extras Casting: Kimberly Skyrme
• Second Assistant Sound: Todd Harris
• Storyboard Artist: Raymond Prado
• Negative Cutter: Doug Jones
• Dolly Grip: Steve Robertson
• Payroll Accountant: Lori Ikeda
• Second Assistant Director: Alison C. Rosa
• Second Assistant Director: Lisa M. Rowe
• Colorist: Michael Healey
• Special Effects Technician: Thomas Brown
• Travel Coordinator: Kurt Zelnak
• Second Assistant Accountant: Jan Cosby
• Production Driver: Shaun Ryan
• Stunt Driver: Michael Alexander Collins
• Second Assistant Camera: Mindy Bee
• Assistant Accountant: Laura Tiz
• Production Assistant: Todd Carroll
• Production Secretary: Bob Merrick
• Technical Advisor: Bert Maatta
• Second Assistant Sound: Jeff Cranford
• Compositing Supervisor: Jeff Heusser
• Unit Publicist: Stuart Fink
• First Assistant Director: Dana J. Kuznetzkoff
• Sculptor: David French
• Storyboard Artist: Michael Anthony Jackson
• Set Dresser: David L. McGuire
• Second Assistant Sound: Jonathan Phillips
• Digital Compositor: Danny Mudgett

Movie Reviews:

• talisencrw: I was really disappointed, considering all of the great actors involved and since I love science fiction and the great disaster films of days gone by. I bought the DVD used and got my money’s worth–it’s a decent watch.

  I would recommend watching if you like disaster movies or any of the actors involved, maybe even renting or buying the DVD used or for a really good price new, say for 5 bucks, but anything more would be wasteful or being ripped off.

• Patrick E. Abe: A high school Astronomy club discovers a celestial anomaly, their advisor checks it, becomes alarmed at what he finds, and things shift gears.
  Not bad for a movie that made “E.L.E/Extinction Level Event” a popular phrase and made the naive public aware of The Danger From Space.

  From there, seemingly unrelated events come to the attention of a novice TV reporter, culminating in an Apollo-Soyuz level cooperative near space mission.
  The star-studded crew isn’t worked very hard, even as the people are divided into two groups by lottery.

  Nevertheless, Family is front and center, in many forms, from divided to nuclear to “baby makes three.”
  At least the audience wasn’t subjected to a barrage of macho chatter that characterized “Armageddon,” but a out-of-this-world reading of “Moby Dick.”

  Morgan Freeman’s “President Tom Beck” does his best “Abraham Lincoln” in this film, which is one reason I watch this film when it is broadcast, even though I have the DVD. 8/10;)