When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers’s ‘mojo,’ Austin must return to the swingin’ ’60s himself – with the help of American agent, Felicity Shagwell – to stop the dastardly plan. Once there, Austin faces off against Dr. Evil’s army of minions to try to save the world in his own unbelievably groovy way.
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Credits: TheMovieDb.

Film Cast:

• Austin Powers / Dr. Evil / Fat Bastard: Mike Myers
• Felicity Shagwell: Heather Graham
• Basil Exposition: Michael York
• Number Two: Robert Wagner
• Young Number Two: Rob Lowe
• Scott Evil: Seth Green
• Frau Farbissina: Mindy Sterling
• Mini-Me: Verne Troyer
• Vanessa Kensington: Elizabeth Hurley
• Robin Spitz Swallows: Gia Carides
• Ivana Humpalot: Kristen Johnston
• Woman at Football Game: Jennifer Coolidge
• Mustafa: Will Ferrell
• British Colonel: Oliver Muirhead
• Chinese Teacher: George Cheung
• Klansman: Muse Watson
• Klansman’s Son – Bobby: Scott Cooper
• Man – Pecker: Douglas Fisher
• NORAD Colonel: Kevin Cooney
• Radar Operator Peters: Clint Howard
• Pilot: Brian Hooks
• Co-Pilot: David Koechner
• Umpire: Steve Eastin
• Soldier: Kirk Ward
• Cyclops: Jeff Garlin
• NATO Colonel: John Mahon
• NATO Soldier: Michael McDonald
• Scene Break Dancer: Faune Chambers
• Woody Harrelson: Woody Harrelson
• Gen. Hawk: Charles Napier
• Willie Nelson: Willie Nelson
• The President: Tim Robbins
• Rebecca Romijn: Rebecca Romijn
• Jerry Springer: Jerry Springer
• Mission Commander: Fred Willard
• Assassin: Kevin Durand
• Friendly Dad: Tim Bagley
• Circus Barker: Jack Kehler
• Vendor at Football Game: Mike Hagerty
• Teacher: Jeanette Miller
• Unibrau: Mary Jo Smith
• Himself: Burt Bacharach
• Himself: Elvis Costello
• Narrator (voice): Tony Jay
• Party Dancer #2: Alison Faulk
• Muscled Guy at Pool (uncredited): Brandon Molale
• Chinese Student: Jeffrey Meng
• Guitarist with Willie Nelson: Frank Clem
• Sergeant: Herb Mitchell
• Woman – Pecker: Jane Carr
• Chick #1 at Party: Melissa Justin
• Captain of the Guard: Nicholas Walker
• Guard at Jail Cell: Stephen Hibbert
• Private Army Soldier: Eric Winzenried
• Friendly Son: Colton James
• Fan: Rachel Wilson
• Felicity’s Dancer #1: Carrie Ann Inaba
• Felicity’s Dancer #2: Jennifer Hamilton
• Felicity’s Dancer #3: Ayesha Orange
• Felicity’s Dancer #4: Natalie Willes
• Party Dancer #1: John R. Corella
• Party Dancer #3: Michelle Elkin
• Party Dancer #4: Shealan Spencer
• Party Dancer #5: Tovaris Wilson
• Dancer #1: Bree Turner
• Dancer #2: Marisa Gilliam
• Dancer #3: Mark Meismer
• Dancer #4: Sal Vassalo
• Dancer #5: Jason Yribar
• Go-Go Dancer #1: Chekesha Van Putten
• Go-Go Dancer #2: Tara Mouri
• Go-Go Dancer #3: Giggi Yazicioglu
• Scene Break Dancer: Sarah Christine Smith
• Scene Break Dancer: Gabriel Paige
• Queen’s Guard: Jim Boensch
• Chief of Staff: Ron Ulstad
• Bill Clinton Look-a-Like: Timothy Watters
• Jerry Springer Bodyguard #1: Todd M. Schultz
• Jerry Springer Bodyguard #2: Steve Wilkos

Film Crew:

• Set Decoration: Sara Andrews
• Unit Production Manager: Eric McLeod
• Casting: Jeanne McCarthy
• Producer: Jennifer Todd
• Producer: Suzanne Todd
• Producer: John S. Lyons
• Producer: Demi Moore
• Executive Producer: Michael De Luca
• Makeup Department Head: Patty York
• Director of Photography: Ueli Steiger
• Director: Jay Roach
• Executive Producer: Erwin Stoff
• Art Direction: Alec Hammond
• Hair Designer: Toni-Ann Walker
• Original Music Composer: George S. Clinton
• Sound Re-Recording Mixer: John Ross
• Sound Effects Editor: Javier Bennassar
• Sound Effects Editor: Benjamin L. Cook
• Supervising Sound Editor: Frederick Howard
• Foley Mixer: Mary Erstad
• Foley Artist: Ossama Khuluki
• Foley Editor: Lucy Sustar
• Editor: Jon Poll
• Production Design: Rusty Smith
• Stunts: Patricia Tallman
• Producer: Mike Myers
• Editor: Debra Neil-Fisher
• Costume Design: Deena Appel
• Sound Effects Editor: Dorian Cheah
• Stunt Coordinator: Bud Davis
• Screenplay: Michael McCullers
• Makeup Artist: Michèle Burke
• Special Effects: Keith Marbory
• Visual Effects Supervisor: David D. Johnson
• Stunts: Clay Boss
• Casting: Juel Bestrop
• Sound Effects Editor: Roland N. Thai
• Executive In Charge Of Production: Carla Fry
• Executive Producer: Donna Langley
• Executive In Charge Of Post Production: Jody Levin
• Casting Associate: Blythe Cappello
• Visual Effects Editor: Patrick J. Don Vito
• Prosthetics: Gary Archer
• Makeup Artist: Steve Artmont
• Graphic Designer: Susan A. Burig
• Music Consultant: Chris Douridas
• “B” Camera Operator: Guy Norman Bee
• Second Unit Director of Photography: Sandi Sissel
• Second Assistant Director: Hal Olofsson
• Sound Re-Recording Mixer: Joe Barnett
• Foley Artist: David Lee Fein
• ADR Mixer: Alan Freedman
• Set Designer: Steve Cooper
• Set Designer: John D. Jefferies Sr.
• Transportation Coordinator: Bill M. Puluti
• Costume Supervisor: Tangi Crawford
• Property Master: Eugene McCarthy
• Foley Artist: Diane Marshall
• Art Department Coordinator: Carol Kiefer
• Construction Coordinator: Douglas Womack
• Sound Effects Editor: Kelly Vandever
• Sound Effects Editor: Lisle Engle
• Script Supervisor: Annie Welles
• Second Assistant “A” Camera: Gary L. Camp
• Hair Department Head: Candy L. Walken
• Key Set Costumer: Ann Miller
• Still Photographer: Mark Fellman
• Location Manager: Scott Allen Logan
• Sound Re-Recording Mixer: Mathew Waters
• Dialogue Editor: Jed M. Dodge
• Assistant Sound Editor: Robert Getty
• Unit Publicist: Alex L. Worman
• Dialect Coach: Jill McCullough
• Costumer: Christine L. Cantella
• Video Assist Operator: Michael J. Hogan
• “A” Camera Operator: Bill O’Drobinak
• Key Hair Stylist: Jeri Baker
• Hairstylist: Jennifer Bower O’Halloran
• Dialogue Editor: David Grant
• Special Effects Coordinator: Michael Meinardus
• Script Supervisor: Ronit Ravich-Boss
• Extras Casting: Sande Alessi
• Storyboard Artist: Gabriel Hardman
• ADR Supervisor: Susan Shin
• Dialogue Editor: Jason George
• Assistant Property Master: Chris Vail
• Sound Mixer: Ken McLaughlin
• Key Makeup Artist: Cheryl Ann Nick
• Post Production Supervisor: Diana Kaufman
• Color Timer: Bob McMillian
• Choreographer: Marguerite Pomerhn Derricks
• Craft Service: Raymond Bulinski
• First Assistant Editor: Curtis Croeni
• Assistant Costume Designer: Michelle Skoby
• Sound Re-Recording Mixer: William Smith
• Title Designer: Robert Dawson
• Set Designer: Andrew Reeder
• Rigging Grip: Gary Kangrga
• Still Photographer: Kimberly Wright
• Gaffer: Jim Grce
• Negative Cutter: Gary Burritt
• Foley Editor: Craig Jurkiewicz
• Key Grip: Anthony T. Marra II
• Grip: Michael A. Savage
• First Assistant Director: Gary Marcus
• Dolly Grip: Stephen Drinon
• Production Supervisor: Holly Hagy
• Dialogue Editor: Yuri Reese
• Assistant Sound Editor: Chato Hill
• Camera Loader: Jacquiline Compton
• Payroll Accountant: Edward Poveda
• Best Boy Grip: Michael James Fahey
• Production Coordinator: Kait Pickering
• Associate Producer: Emma Chasin
• Music Coordinator: Micki Stern
• Grip: James B. Walsh
• First Assistant “A” Camera: Joe Sanchez
• Foley Editor: Sarah Smith
• Grip: Tim Nash
• Foley Mixer: C.W. Jones

Movie Reviews:

• Filipe Manuel Dias Neto: **Despite Mike Myers’ efforts, the film is nothing new, has a stupid, poorly written story, and isn’t funny.**

  After a great success with the first film, the sequel became quite easy to predict. It was obvious that they were going to try to make a second movie that continued the story, and tried to raise some more money from the box office. I’m not a fan of this kind of humor, too scatological and sexual, but I think this movie was frankly worse than its immediate predecessor.

  The biggest problem with this film is not even the dirty, stupid jokes and zero sense of humor, but a poorly written script, without original ideas and quite tiring. The film’s story is very simple to summarize: Austin Powers, single and free again, finally realizes that Dr. Evil, years before, used a time machine to steal his manhood while he was frozen. For a man as perverted and quinky as Powers, being without what he calls a “mojo” is simply catastrophic. So he has to use another time machine, go back to the 60s and try to stop Dr. Evil in order to regain his masculinity. Sound really stupid? Maybe because it is! And I prefer not to mention the ending, where we have two versions of the main agent, and we came to the conclusion that it was never really necessary to recover his virility. In addition to being stupid, the movie is also pointless.

  Myers continues to assure the main characters of the film, that is, the protagonist, the great villain and a deformed criminal who is nothing more than a bunch of Scottish lard (do Scots feel offended by such a caricature?). He is a good actor, I have no doubt that he is committed to his work. However, the rest of the cast is uninteresting, tiresome and doesn’t seem to have any ideas or even try to add anything else to the production that can increase its quality. Heather Graham is beautiful, but not very good as an actress, and the film saved her from spending the rest of her career making adult films. Seth Green also tries to do something witty and interesting, but he’s short on time and quality material. Finally, a note of praise for Verne Troyer and Mindy Sterling.

  Technically, the film is quite weak. It plays a lot with the colorful and flashy look of the 60’s, and that’s the most beautiful and elegant aspect of the whole movie. I liked the costumes, the sets and the characterization, in particular Myers, chameleonic and skilled in the various characters he plays (in fact, the film was nominated for an Oscar in the Characterization category). The cinematography also seeks to take advantage of and emphasize the visual beauty that exists here, while the editing sought to give the film a rhythm that was not tiring. I can’t say that the efforts were in vain, the film would be unbearable if it were slower.