Æon Flux

400 years into the future, disease has wiped out the majority of the world’s population, except one walled city, Bregna, ruled by a congress of scientists. When Æon Flux, the top operative in the underground ‘Monican’ rebellion, is sent on a mission to kill a government leader, she uncovers a world of secrets.
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Credits: TheMovieDb.

Film Cast:

  • Æon Flux: Charlize Theron
  • Trevor Goodchild: Marton Csokas
  • Oren Goodchild: Jonny Lee Miller
  • Sithandra: Sophie Okonedo
  • Handler: Frances McDormand
  • Keeper: Pete Postlethwaite
  • Una Flux: Amelia Warner
  • Freya: Caroline Chikezie
  • Giroux: Paterson Joseph
  • Claudius: Nikolai Kinski
  • Inari: Yangzom Brauen
  • Scientist: Aoibheann O’Hara
  • Scientist: Thomas Huber
  • Chemist: Maverick Quek
  • Gardener: Ralph Herforth
  • Weaver: Megan Gay
  • Commander Puhl: Rainer Will
  • Bregnan Police Captain: Ronald Marx
  • Policeman: Axel Schreiber
  • Man in Marketplace: Shaun Lawton
  • Monican Spy: Betty Okino
  • Sasha Prillo’s Father: Anatole Taubman
  • Sasha Prillo’s Mother: Lavinia Wilson
  • Sasha Prillo (Baby Una): Khira Lilli Pobanz
  • Guard: William Morts
  • Soldier: Phil Hay
  • Young Trevor: Nils Dommning
  • Young Oren: Bojan Heyn
  • Boy’s Mother: Marianne Sonneck
  • Crier: Joost Siedhoff
  • Pregnant Woman: Narges Rashidi
  • Doctor: Robin Gooch
  • Checkpoint Woman: Martha Fessehatzion
  • Monican Man: Milton Welsh
  • Monican Man: Mehmet Yilmaz
  • Monorail Passenger: Natacza Boon
  • Monorail Passenger: Lilja Loeffler
  • Monorail Passenger: Michael Pink
  • Armory Soldier: Bruno Bruni Jr.

Film Crew:

  • Executive Producer: Tom Rosenberg
  • Sound Mixer: Manfred Banach
  • Producer: Gale Anne Hurd
  • Costume Design: Beatrix Aruna Pasztor
  • Original Music Composer: Graeme Revell
  • Producer: Gary Lucchesi
  • Editor: Peter Honess
  • Director of Photography: Stuart Dryburgh
  • ADR Mixer: Doc Kane
  • Supervising Sound Editor: Richard Adrian
  • Second Unit Director: Charles Croughwell
  • Casting: Karen Lindsay-Stewart
  • Associate Producer: Henning Molfenter
  • Associate Producer: Charlie Woebcken
  • Art Direction: Marco Bittner Rosser
  • Art Direction: Sarah Horton
  • Stunts: Sascha Girndt
  • Stunts: Udo Harnach
  • Stunts: Armin Sauer
  • Stunts: Wolfgang Stegemann
  • Stunts: Andreas Tietz
  • Assistant Art Director: Stephan O. Gessler
  • Set Costumer: Dietke Brandt
  • Location Coordinator: Nina Hueskes
  • Production Manager: Miki Emmrich
  • Casting: Laura Rosenthal
  • Second Unit Director: Alexander Witt
  • Boom Operator: Hadon Install
  • Assistant Costume Designer: Alexis Scott
  • Production Design: Andrew McAlpine
  • Set Decoration: Bernhard Henrich
  • Art Direction: Andreas Olshausen
  • Casting Associate: Anja Dihrberg
  • Conductor: Tim Simonec
  • Characters: Peter Chung
  • Executive Producer: Van Toffler
  • Post Production Supervisor: Kiki Morris
  • Set Designer: Anja Müller
  • Supervising Art Director: John Frankish
  • Editor: Plummy Tucker
  • Director: Karyn Kusama
  • Screenplay: Phil Hay
  • Screenplay: Matt Manfredi
  • Producer: Martha Griffin
  • Visual Effects Coordinator: Bryce Brecheisen
  • VFX Artist: Andrew Edwards
  • Editor: Jeff Gullo
  • Visual Effects Supervisor: Syd Dutton
  • Stunts: Tabby Hanson
  • Producer: Gregory Goodman
  • Transportation Captain: Philipp Klausing
  • Stunts: Mark Ginther
  • First Assistant Director: Lisa C. Satriano
  • First Assistant Editor: Gershon Hinkson
  • Rigging Gaffer: Ron Rakowski
  • Stunts: Manny Chavez
  • Foley Artist: Robin Harlan
  • Stunts: Sean Graham
  • Foley Mixer: Randy Singer
  • Stand In: Claudine Biswas
  • First Assistant Camera: Christian Almesberger
  • Supervising Art Director: Gary Freeman
  • Music Editor: Tommy Lockett
  • Conceptual Design: Emmanuel Shiu
  • Steadicam Operator: Florian Emmerich
  • Script Supervisor: Trudy Ramirez
  • Orchestrator: Dominik Hauser
  • Temp Music Editor: Tom Trafalski
  • Makeup Designer: Denise Kum
  • Camera Operator: Sebastian Meuschel
  • Still Photographer: Jasin Boland
  • Dialect Coach: Howard Samuelsohn
  • Sound Effects Editor: Bill R. Dean
  • Supervising ADR Editor: Hugh Waddell
  • Production Coordinator: Wendy Cox
  • Supervising Dialogue Editor: Frank Smathers
  • Hairstylist: Björn Rehbein
  • Art Department Coordinator: Ingeborg Heinemann
  • Stunts: Scott Sproule
  • Aerial Director of Photography: John Trapman
  • Visual Effects Producer: Sarah Coatts
  • Digital Intermediate Assistant: Ryan Helsley
  • Lead Set Dresser: Christian Ehlert
  • Stunts: Mika Saito
  • Visual Effects Production Manager: Ryan Stafford
  • ADR Editor: Petra Bach
  • Dolby Consultant: Bryan Pennington
  • Assistant Editor: Ray Boniker
  • Costume Supervisor: Carola Raum
  • Unit Manager: Daniel Mattig
  • Dialogue Editor: Simon Coke
  • Hair Designer: Enzo Angileri
  • Key Grip: Dieter Bähr
  • Unit Production Manager: Michael Scheel
  • Assistant Sound Editor: Christopher Alba
  • CG Supervisor: Shadi Almassizadeh
  • Special Effects Supervisor: Gerd Nefzer
  • Third Assistant Director: Julie Cummings
  • Key Hair Stylist: Jane O’Kane
  • Senior Animator: Bernd Angerer
  • Wardrobe Assistant: Daniela Backes
  • Production Controller: Alex Matcham
  • Stunts: Vanessa Wieduwilt
  • Color Timer: Michael Hatzer
  • Stunts: Kevin Abercrombie
  • Assistant Camera: Johnny Feurer
  • Grip: Mario Grech
  • Storyboard Artist: Robin Richesson
  • Music Programmer: Boris Elkis
  • Stunts: Chase Penny
  • Propmaker: Gerold Bublak
  • Production Executive: Stephen Emery
  • Art Department Assistant: Sonja Bream-Winzenried
  • Property Master: Marcus Haendgen
  • Unit Publicist: Jeanmarie Murphy-Burke
  • Driver: Bobby Finn
  • Pre-Visualization Supervisor: Carsten Woithe
  • Dolly Grip: Jan Brun
  • Foley Editor: Valerie Davidson
  • Visual Effects Compositor: Adam Lisagor
  • Digital Effects Producer: Lisa Spence
  • Title Designer: Garson Yu
  • Producer: David Gale
  • Lead Animator: Gary Abrahamian
  • Best Boy Grip: Glenn König
  • Casting Assistant: Rori Bergman
  • Painter: Michael Finlay
  • Special Effects Technician: Thomas Friedrichs
  • Production Accountant: Christopher Abeyta
  • Digital Compositors: Michael Adkisson
  • Stunts: Alisa Hensley
  • Greensman: Friederike Beckert
  • Location Scout: Mathias Braun
  • Sculptor: Jeff Yagher
  • Standby Painter: Enzo Enzel
  • Makeup Artist: Anita Brolly
  • Seamstress: Natalie Weber
  • Carpenter: Robert Bunge
  • Camera Loader: Nadine Neuneier
  • Security: Diana K. Brandt
  • Set Production Assistant: Kathleen Rodriguez
  • Transportation Coordinator: Oliver Kueper-Grobecker
  • Visual Effects Editor: Carrie Cassada
  • Editorial Production Assistant: Bergit Angermeier
  • Best Boy Electric: Rene Frommholz
  • Electrician: Matthias Dippe
  • Gaffer: Martin Frank
  • Visual Effects: Lori Green
  • First Assistant Accountant: Michael Vasquez
  • Compositing Supervisor: Sonja Burchard
  • Assistant Production Coordinator: Silvia Lindner
  • ADR Recordist: Julie Altus
  • Rotoscoping Artist: Pallavi Devabhaktuni
  • CG Animator: Josh Kent
  • Stunts: Daniel T. O’Brien
  • Stunts: Petra Sprecher
  • Accountant: Lora Marie Taylor
  • Digital Colorist: N. Bantu Key
  • Assistant Accountant: Vladimir Fuentes
  • Construction Buyer: Steffi Kulse
  • Second Assistant Camera: Viviane Bendjus
  • Location Assistant: René Frotscher
  • Extras Casting: Marcel Dykiert
  • Second Second Assistant Director: Ralph Eisenmann
  • Textile Artist: Francine Lecoultre
  • Matchmove Supervisor: Tim Dobbert
  • Payroll Accountant: Angela Randazzo
  • Digital Intermediate Editor: J.W. Kompare
  • Costume Assistant: Gabriele Hans
  • Second Assistant Director: Lyda Blank
  • Special Props: Chris Kunzmann
  • Special Effects Assistant: Antje Blümel
  • Camera Trainee: Ole Thomas
  • Location Production Assistant: Philipp Abel
  • CG Artist: Paul A. Davies
  • Matte Painter: Caroleen Green
  • Production Assistant: Toni-Maria Anschütz
  • Production Driver: Stephan Arendt
  • Production Secretary: Ana Keil
  • Stunts: Vicki Phillips

Movie Reviews:

  • Andre Gonzales: Not really that good of a movie, but it’s action packed tho. Some of the fight scenes are pretty awesome.
  • Rob: I didn’t watch this movie before I bought it on its release day. But I’m a big Charlize Theron fan, so it was bound to be good. I’m a big sci-fi fan, so I was bound to like it. I like movies that are a little different, so it was bound to be worth watching. Oh man, when I’m wrong I’m WRONG!
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