Resident Evil

When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak.

Credits: TheMovieDb.

Film Cast:

  • Alice: Milla Jovovich
  • Rain Ocampo: Michelle Rodriguez
  • Matt Addison: Eric Mabius
  • Spence Parks: James Purefoy
  • Chad Kaplan: Martin Crewes
  • James “One” Shade: Colin Salmon
  • J.D. Salinas: Pasquale Aleardi
  • Dr. Lisa Addison: Heike Makatsch
  • Mr. Grey: Ryan McCluskey
  • Ms. Black: Indra Ové
  • Mr. Red: Oscar Pearce
  • Dr. Green: Anna Bolt
  • Dr. Blue: Joseph May
  • Dr. Brown: Robert Tannion
  • Clarence: Jaymes Butler
  • Mr. White: Stephen Billington
  • Ms. Gold: Fiona Glascott
  • Medic: Liz May Brice
  • Commando 1: Torsten Jerabek
  • Commando 2: Marc Logan-Black
  • Red Queen: Michaela Dicker
  • Dr. William Birkin (uncredited): Jason Isaacs

Film Crew:

  • Writer: Paul W. S. Anderson
  • Producer: Jeremy Bolt
  • Producer: Bernd Eichinger
  • Producer: Samuel Hadida
  • Camera Operator: David Johnson
  • ADR Editor: Matt Grimes
  • Casting: Robyn Ray
  • Production Design: Richard Bridgland
  • Casting: Suzanne Smith
  • Editor: Alexander Berner
  • Line Producer: Albert Botha
  • Associate Producer: Mike Gabrawy
  • Executive Producer: Victor Hadida
  • Executive Producer: Daniel S. Kletzky
  • Executive Producer: Robert Kulzer
  • Executive Producer: Yoshiki Okamoto
  • Co-Producer: Chris Symes
  • Original Music Composer: Marco Beltrami
  • Original Music Composer: Marilyn Manson
  • Art Direction: Jörg Baumgarten
  • Set Decoration: Penny Crawford
  • Hairstylist: Björn Rehbein
  • Hairstylist: Friderike Roessler
  • Hairstylist: Valeska Schitthelm
  • Makeup Artist: Christina Smith
  • Art Department Coordinator: Ingeborg Heinemann
  • Assistant Art Director: Anete Conrad
  • Animatronic and Prosthetic Effects: Pauline Fowler
  • Animatronic and Prosthetic Effects: Martin Gaskell
  • Supervising Art Director: Tony Reading
  • Construction Coordinator: Ulf Sturhann
  • Carpenter: Philipp Hübner
  • Location Scout: Marion Gerhardt
  • Production Illustrator: Ravi Bansal
  • Sculptor: Colin Jackman
  • First Assistant Camera: Adam Quinn
  • Steadicam Operator: Jörg Widmer
  • Still Photographer: Rolf Konow
  • Prosthetic Supervisor: Barrie Gower
  • Additional Music: Tom Holkenborg
  • Choreographer: Warnar Van Eeden
  • Driver: Susen Jarmuske
  • Makeup Effects: Andy Garner
  • Post Production Supervisor: Christine Jahn
  • Production Office Assistant: Mirjam Weber
  • Property Master: Danny Hunter
  • Set Medic: Frank Guhn
  • Special Effects Supervisor: Gerd Nefzer
  • Stunt Coordinator: Volkhart Buff
  • Stunts: René Bellmann
  • Technical Supervisor: John Kurlander
  • Unit Production Manager: Silvia Tollmann
  • Unit Publicist: Francois Frey
  • Visual Effects Editor: Paul Elman
  • Script Supervisor: Caroline Sax
  • Color Timer: Andreas Lautil
  • First Assistant Editor: Franziska Schmidt-Kärner
  • Best Boy Electric: Udo Kowalczyk
  • Electrician: David Reppen
  • Gaffer: Edgar Auell
  • Production Accountant: Helga Ploiner
  • Production Coordinator: Sammi Davis
  • Visual Effects Coordinator: Muriel Gérard
  • Researcher: Ian Frost
  • Boom Operator: Alois Unger
  • Music Supervisor: Liz Gallacher
  • Sound Designer: Marco Raab
  • Sound Editor: Frank Casaretto
  • Sound Mixer: Roland Winke
  • Sound Re-Recording Mixer: Michael Kranz
  • Supervising Sound Editor: Stefan Busch
  • 3D Supervisor: Phil Bignell
  • Visual Effects Producer: Richard Yuricich
  • Art Department Manager: Astrid Kühberger
  • Software Engineer: John Charles
  • Dolby Consultant: Norbert Zich
  • Unit Manager: Esther Fischer
  • Key Grip: Dieter Bähr
  • Key Makeup Artist: Hasso von Hugo
  • First Assistant Director: Jan Sebastian Ballhaus
  • ADR Supervisor: Bjørn Ole Schroeder
  • Draughtsman: Philip Elton
  • Grip: Glenn König
  • Animatronics Designer: Chris Coxon
  • Second Assistant Director: Simon Emanuel
  • Negative Cutter: Patricia Ferbeck
  • ADR Voice Casting: Louis Elman
  • Assistant Production Coordinator: Kerstin Biermann
  • Casting Assistant: Natasha Ockrent
  • Foley Editor: Noemi Hampel
  • Costume Assistant: Claudia Maria Braun
  • Costume Assistant: Elke Freitag
  • Costume Assistant: Sparka Lee Hall
  • Costume Assistant: Astrid Lafos
  • Costume Assistant: Anette Tirler
  • Negative Cutter: Renate Siegl
  • Negative Cutter: Sandra Stier
  • Animation: James Furlong
  • Animation: Vlad Holst
  • Animation: Peter McDonald
  • Animation: Nic Nicholas
  • Animation: Simon Payne
  • Senior Animator: Mark Hodgkins
  • Senior Animator: Penny Leyton
  • Senior Animator: Virgil Manning
  • Senior Animator: Dusan Strugar
  • Senior Animator: Rachel Ward
  • Compositing Artist: John Hardwick
  • Compositing Artist: Matt Kasmir
  • Compositing Artist: Scott Marriott
  • Compositing Artist: Steve Tizzard
  • Assistant Accountant: Sonja Mecke
  • Assistant Accountant: Hannes Patry
  • Assistant Accountant: Anna Schmigalla
  • Unit Publicist: Nicola zu Stolberg
  • Additional Wardrobe Assistant: Liza Brzonskalla
  • Assistant Makeup Artist: Almut Gramer
  • Contact Lens Technician: Jemma Scott-Knox-Gore
  • Second Unit Director: Bharat Nalluri
  • Dressing Prop: Ludolf Böhm
  • Storyboard Artist: Martin Asbury
  • Swing: Joao Gonzaga Silveira
  • ADR Mixer: Peter Gleaves
  • ADR Recordist: Matthew Skelding
  • Foley Artist: Joo Fürst
  • Foley Mixer: Philipp Sellier
  • Foley Supervisor: Lisa Geffcken-Reinhard
  • Special Effects Assistant: Sylvio Lienert
  • Special Effects Technician: Volker Lorig
  • Visual Effects Editor: Tabitha Dean
  • Assistant Electrician: Rainer Winkler
  • Clapper Loader: Stefan Grandinetti
  • Focus Puller: Christian Almesberger
  • Post Production Coordinator: Isabel Prochnow
  • Assistant Location Manager: David Bergendahl
  • Music Consultant: Georg Naschke
  • Dialogue Coach: Ernestine Kahn
  • Executive Assistant: Robin von der Leyen
  • Extras Casting: Iris Müller
  • Head of Production: Rachael Penfold
  • Playback Coordinator: Kris Wood
  • Production Driver: Joerg Kraft
  • Production Executive: Christine Rothe
  • Production Runner: Zulfiquar Rahman
  • Production Secretary: Susann Pataki
  • Set Runner: Toska Hartmann
  • Standby Rigger: Thomas Heyn
  • Stunts: Katrin Schrake
  • Stunts: Babette Schimanek
  • Stunts: Katja Richter
  • Stunts: Jana Herrmann
  • Stunts: Silke Böttcher
  • Third Assistant Director: Paul Goldsmith
  • Stunts: Katja Jerabek
  • Original Story: Shinji Mikami

Movie Reviews:

  • Repo Jack: I originally watched “Resident Evil” at a movie theater when it was first released in 2002. I hadn’t played the games. There was no Rotten Tomatoes and I didn’t read reviews back then so I went in blind. And I utterly enjoyed the movie: the story, the action sequences, the underground “Hive,” Mila Jovovich and Michelle Rodriguez kicking serious ass, and more.
  • Panned by critics (36% RT) but liked by users (67% RT), Resident Evil was one of the first examples of how mainstream critics just don’t “get” horror. Movies that try to be artsy get great reviews even as key elements fall flat for the rest of us. The recent “Beach House” is a perfect example of this — it was loved by critics (81% RT) and panned by users (28%).
  • Unfortunately, the rest of the “Resident Evil” sequels except for a few moments, rarely captured that first movie’s originality and allure. Instead, check out the writer/director’s excellent previous outing “Event Horizon.”
  • JPV852: Been several years since I last watched this one and I guess it’s passable but not very scary (I personally don’t find zombies all that frightening) and the CGI creatures, while okay for its time, didn’t add to the tension either. At least some of the action was alright and not bad following around Milla Jovovich. **2.75/5**
  • Kamurai: Great watch, will likely watch again, and do recommend.
  • I understand that zombies have been done to death by the time I wrote this, but I’ve always enjoyed them, and I understand that, as a movie franchise, “Resident Evil” is fairly laughed at, but the first movie was somewhat promising, even if it didn’t REALLY have anything to do with the video game.
  • If nothing else, Milla Jojovich and Michelle Rodriguez are quality actors and carry the movie very well, though I honestly think the cast does well.
  • I’m all for unique movies, and, at the time, this felt like one. It is well remembered for a particular death scene.
  • If you like zombies, then you should like this one. It just has this evil corporation trope looming in the background.
  • It does a great job of slowly escalating the situation, if in a slightly absurd way.
  • The Movie Mob: **While not a perfect movie, Resident Evil stands above many other entries in the zombie and video game genres.**
  • The first of a 6-movie series, Resident Evil stays grounded in its horror roots more than the rest. This movie takes every opportunity to keep the audience tense and on edge with zombies, monsters, deadly lasers, and jump scares. When most video game adaptations result in embarrassing movies that should have gone straight to streaming, Resident Evil put together a solid storyline with great action, fun characters, gross zombies, and entertaining horror.
  • Andre Gonzales: Good movie brought the video game game to life. Could have been better. I was glad to see this movie made though. Always thought this would be good for a movie series.

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