Untraceable

Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.

Credits: TheMovieDb.

Film Cast:

  • Agent Jennifer Marsh: Diane Lane
  • Eric Box: Billy Burke
  • Griffin Dowd: Colin Hanks
  • Owen Reilly: Joseph Cross
  • Stella Marsh: Mary Beth Hurt
  • Richard Brooks: Peter Gray Lewis
  • Annie Haskins: Perla Haney-Jardine
  • David Williams: Christopher Cousins
  • Arthur James Elmer: Jesse Tyler Ferguson
  • Mrs. Miller: Brynn Baron
  • Richard Weymouth: John Breen
  • Trey Restom: Dan Callahan
  • Tim Wilks: Tyrone Giordano
  • Melanie: Erin Carufel
  • Cop #1: Ryan Deal
  • Assistant: Betty Moyer
  • Portland Reporter #2: Katie O’Grady
  • Herbert Miller: Tim DeZarn
  • Female Cop #3: Trina Adams

Film Crew:

  • Editor: David Rosenbloom
  • Producer: Hawk Koch
  • Producer: Eric Reid
  • Screenplay: Robert Fyvolent
  • Producer: Steven Pearl
  • Production Design: Paul Eads
  • Producer: Andy Cohen
  • Director: Gregory Hoblit
  • Costume Design: Elisabetta Beraldo
  • Producer: Sarah Platt
  • Casting: Jennifer L. Smith
  • Producer: Tom Rosenberg
  • Producer: Richard S. Wright
  • Producer: Gary Lucchesi
  • Music: Christopher Young
  • Director of Photography: Anastas N. Michos
  • Casting: Deborah Aquila
  • Screenplay: Mark Brinker
  • Screenplay: Allison Burnett
  • Visual Effects Supervisor: James McQuaide
  • Casting: Tricia Wood
  • Art Direction: Michael L. Mayer
  • Makeup Department Head: Christina Smith
  • Set Decoration: Cindy Carr
  • Property Master: Tony Bonaventura
  • Casting: Lana Veenker
  • Hairstylist: Amanda Williams
  • Casting Associate: Lisa Zagoria
  • Makeup Artist: D. Garen Tolkin
  • Construction Coordinator: Randal R. Groves
  • Hairstylist: Barbara Lorenz
  • Hairstylist: Jennifer Strauss
  • Casting Associate: Lori Lewis
  • Hair Department Head: Trish Almeida
  • Makeup Artist: Molly Craytor
  • Art Department Coordinator: Jordan Paul
  • Casting Associate: Samantha Finkler
  • Rigging Gaffer: Bruce ‘Sarge’ Fleskes
  • Dialogue Editor: Glynna Grimala
  • First Assistant Director: Scott Robertson
  • Steadicam Operator: George Billinger III
  • Visual Effects Supervisor: Danny S. Kim
  • Key Grip: Bruce Lawson
  • Rigging Grip: Scott Watkins
  • Rigging Grip: Warren Yeck
  • Visual Effects Supervisor: Chad Schott
  • Digital Intermediate: Mike Chiado
  • Music Editor: Thomas Milano
  • Animal Wrangler: Roland Sonnenburg
  • Dolly Grip: Gary A. Williams
  • Digital Effects Supervisor: Justin Johnson
  • Animal Wrangler: Lauren Henry
  • Pilot: Cliff Fleming
  • Key Costumer: Jason M. Moore
  • Visual Effects Supervisor: Vincent Cirelli
  • Ager/Dyer: Linda Booher-Ciarimboli
  • Visual Effects Coordinator: James Notari
  • Special Effects Coordinator: Larz Anderson
  • Digital Intermediate: Jackie Lee
  • Sound Effects Editor: Ann Scibelli
  • Dialogue Editor: Daniel S. Irwin
  • 3D Artist: Justin van der Lek
  • Digital Intermediate: Nick Monton
  • Script Supervisor: Suzie Sax
  • Wardrobe Supervisor: Victoria DeKay
  • Camera Operator: Mitch Dubin
  • Camera Technician: Cary Cooper
  • Visual Effects Coordinator: Anna Fields
  • Foley: James Moriana
  • Techno Crane Operator: Andrew Gilmore
  • Techno Crane Operator: Steve Olsen
  • Camera Technician: Shawn Sundby
  • Digital Intermediate: Salvatore Catanzaro
  • Digital Intermediate: Stefan Sonnenfeld
  • Foley: Jeffrey Wilhoit
  • Dolly Grip: Brian C. Lawson
  • Rigging Grip: Ken Riddle
  • Visual Effects Editor: Paul Stemmer
  • Rigging Grip: Ronald ‘Krobar’ Lawler
  • Visual Effects Producer: Gary Oldroyd
  • Digital Intermediate: Siggy Ferstl
  • Supervising Sound Editor: Tom Bellfort
  • Seamstress: Tesa Diaz
  • Chief Lighting Technician: Bill O’Leary
  • Visual Effects Coordinator: Gabe Shedd
  • Visual Effects Producer: Jenny Foster
  • Visual Effects Supervisor: Jonathan Rothbart
  • First Assistant Editor: Kevin Lefler
  • Boom Operator: Gail Carroll-Coe
  • Sound Effects Editor: Harry Cohen
  • Sound Effects Editor: Hector C. Gika
  • 3D Artist: Paul Luna
  • Visual Effects Producer: Glenn Morris
  • Sound Re-Recording Mixer: Gary Summers
  • Sound Re-Recording Mixer: Daniel J. Leahy
  • Still Photographer: John Bramley
  • CG Supervisor: Pavel Pranevsky
  • Visual Effects Coordinator: Juan Melendez
  • Visual Effects Editor: Migs Rustia
  • Editor: Gregory Plotkin
  • Stunts: Heather Burton
  • Stunts: Chris Howell
  • Stunts: Deborah L. Mazor
  • Stunt Coordinator: Dale Gibson
  • Stunts: Tim W. Sullivan
  • Stunts: Gunter Simon
  • Storyboard Artist: Todd Harris

Movie Reviews:

  • John Chard: Nothing new and only proving that the horror genre in 2008 wasin need of reinvigoration.
  • Jennifer Marsh is a secret service agent, her speciality is crime across the internet. One day she comes across a site that is untraceable, the host of the site conducts painful killings to entertain the watching public. The kicker being that the more people who log on and observe, the quicker the death will be, and, well people being people…
  • There really isn’t much to recommend here, outside of a solid performance from Diane Lane as Marsh, and some newer ingenious deaths to woo the gorno crowd, it’s a buy the numbers horror thriller that seems to come along every three months. The villain is incredibly weak, the script is tepid and uninspiring, and the ending is as predictable as anything that has been done badly before. The premise promised so much as well, we are all here in an internet driven age, so what a perfect chance the makers had to play on users fears, sadly this fails in the same way that 2006s Stay Alive failed, thinking the premise alone will make a great genre piece.
  • If you liked Hostel 12 and Saw 37, chances are you will get something from this film, but the original Saw, Cube and My Little Eye seem a million miles away now, for at least they had originality and vitality in their favour, Untraceable just comes across as a big league cash cow milking the purses of gorno children who fail to see the blunt hammer hitting them over the head. 3/10 for Diane only.
  • Fixyf: A terrible movie that is full of cruelty. The problem of cyber crime is never relevant in our time. This cannot but scare. I am glad that I am using the Utopia P2P application, which allows me to keep my data safe.

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