Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law.

Credits: TheMovieDb.

Film Cast:

• Jack Foley: George Clooney
• Karen Sisco: Jennifer Lopez
• Buddy Bragg: Ving Rhames
• Maurice ‘Snoopy’ Miller: Don Cheadle
• Glenn Michaels: Steve Zahn
• Marshall Sisco: Dennis Farina
• Adele Delisi: Catherine Keener
• Kenneth: Isaiah Washington
• Richard Ripley: Albert Brooks
• José ‘Chino’ Chirino: Luis Guzmán
• Moselle: Viola Davis
• Bank Employee: Jim Robinson
• Bank Customer: Mike Malone
• Bank Teller: Donna Frenzel
• Bank Cop: Manny Suárez
• Bank Cop: Keith Hudson
• Lulu: Paul Soileau
• Pup: Scott Allen
• Parking Lot Woman: Susan Hatfield
• White Boxer: Brad Martin
• Himey: James Black
• Daniel Burdon: Wendell B. Harris Jr.
• Library Guard: Chuck Castleberry
• Shock Lock FBI Man: Chic Daniel
• White Boy Bob: Keith Loneker
• Old Elevator Lady: Connie Sawyer
• Old Elevator Gent: Philip Perlman
• Raymond Cruz: Paul Calderon
• Officer Grant: Gregory Alpert
• Ripley Personnel: Mark Brown
• Ripley Receptionist: Sandra Ives
• Ripley Guard: Joe Hess
• Waitress: Betsy Monroe
• Philip: Wayne Pére
• Andy: Joe Chrest
• Third Ad Guy: Joe Coyle
• Midge: Nancy Allen
• Ray Nicolette (uncredited): Michael Keaton
• Hejirah Henry (uncredited): Samuel L. Jackson
• Federal Marshal: Stephen M. Horn
• Airport Patron (uncredited): Oscar A. Diaz
• Waitress (uncredited): Jennifer Dorogi
• Airport Passenger (uncredited): Deborah Smith Ford
• Xenon Light Guard (uncredited): Mike Gerzevitz
• Flight Attendant (uncredited): Thelma Gutiérrez
• Bank Manager (uncredited): Wayne V. Johnson
• Bank Patron (uncredited): Pati Lauren
• Shopper (uncredited): Sherrie Peterson
• Gas Station Attendant (uncredited): Ronnie Stutes

Film Crew:

• Director: Steven Soderbergh
• Producer: Danny DeVito
• Executive Producer: Barry Sonnenfeld
• Novel: Elmore Leonard
• Screenplay: Scott Frank
• Executive Producer: John Hardy
• Producer: Michael Shamberg
• Producer: Stacey Sher
• Original Music Composer: David Holmes
• Director of Photography: Elliot Davis
• Editor: Anne V. Coates
• Makeup Artist: Bill Corso
• Digital Compositor: Sean MacKenzie
• Second Assistant Director: Trey Batchelor
• First Assistant Director: Gregory Jacobs
• Second Second Assistant Director: Michael Risoli
• Supervising Sound Editor: Larry Blake
• Set Dresser: Mike Malone
• Casting: Kathy Driscoll-Mohler
• Casting: Francine Maisler
• Production Design: Gary Frutkoff
• Art Direction: Philip Messina
• Set Decoration: Maggie Martin
• Costume Design: Betsy Heimann
• Makeup Artist: Margot Boccia
• Key Hair Stylist: Bonnie Clevering
• Makeup Artist: Anita Gibson
• Key Makeup Artist: Katherine James
• Hairstylist: Deborah Mills-Whitlock
• Hairstylist: Waldo Sanchez
• Makeup Effects Designer: David LeRoy Anderson
• Hairstylist: Mary L. Mastro
• Makeup Artist: Mark Shostrom
• Unit Production Manager: Frederic W. Brost
• Production Supervisor: Pat Chapman
• Post Production Supervisor: Caitlin Maloney
• Production Supervisor: Mary Morgan
• Additional Second Assistant Director: David M. Bernstein
• Second Second Assistant Director: William D. Robinson
• Set Dresser: Shane L. Ashton
• Set Dresser: Tristan Paris Bourne
• Art Department Assistant: Andrea Brody
• Leadman: Jon J. Bush
• Set Designer: Lauren Cory
• Set Designer: Keith P. Cunningham
• Standby Painter: Chuck Eskridge
• Property Master: Emily Ferry
• Set Dresser: Harry Frierson
• Construction Foreman: Gary Gagliardo
• Paint Coordinator: Hank Giardina
• Construction Foreman: William Gideon
• Props: Brett Gollin
• Assistant Property Master: Otniel Gonzalez
• Set Dresser: L. David Gordon
• Props: Charles Guanci Jr.
• Art Department Coordinator: Blair Huizingh
• Set Dresser: James E. Hurd Jr.
• Paint Coordinator: Steven Kerlagon
• Set Dresser: Alexander Kirst
• Set Dresser: Chris Patterson
• Leadman: David C. Potter
• Set Designer: Mary Saisselin
• Construction Coordinator: Chris Snyder
• Assistant Property Master: Joy Taylor
• Painter: Mark Woodworth
• Carpenter: John Blanchard
• Set Dresser: Kurt Braun
• Painter: Tammy DeRuiter
• Greensman: Michael Hendrick
• Painter: Guy Hietala
• Set Designer: Al Hobbs
• Set Dresser: Michael A. Johnson
• Set Dresser: Patrick McGuire
• Set Designer: Harry E. Otto
• Set Dresser: Jeremy Alan Read
• Swing: Kathleen A. Runey
• Set Dresser: Fred Schwendel
• Utility Sound: Jimmy Armstrong
• Foley Mixer: David Betancourt
• Utility Sound: Gail Carroll-Coe
• Foley Recordist: Carrie Cashman
• Dialogue Editor: Mike Chock
• Foley Editor: John Dunn
• Foley Editor: Ezra Dweck
• Foley Artist: Dawn Fintor
• Sound Recordist: Eric Flickinger
• Sound Editor: Aaron Glascock
• Utility Sound: Mark C. Grech
• Production Sound Mixer: Paul Ledford
• Sound Re-Recording Mixer: Gerry Lentz
• Assistant Sound Editor: Oscar Mitt
• Utility Sound: Jerry Rose
• Utility Sound: Sam Sarkar
• Foley Artist: Alicia Stevenson
• Foley Artist: Paul Stevenson
• Dialogue Editor: Marvin Walowitz
• Boom Operator: Keenan Wyatt
• ADR Mixer: Detlef Halaski
• Special Effects: Ryan Arndt
• Special Effects: Craig Tex Barnett
• Special Effects: Derrick Crane
• Special Effects: Don Gray
• Special Effects: Don Hastings
• Special Effects: Scott Hastings
• Special Effects: Darrell Roberts
• Key Special Effects: Eric Roberts
• Special Effects: Mike Sasgen
• Special Effects: Larry M. Shorts
• Special Effects: Dieter Sturm
• Special Effects: Carol Wenger
• Special Effects: Cliff Wenger
• Special Effects Technician: Gunter Anderson
• Special Effects Technician: Michael Kelly
• Special Effects Technician: David K. Nami
• Special Effects: Creig Symons
• Rotoscoping Artist: Erin M. Cullen
• Visual Effects Producer: Chris Del Conte
• Rotoscoping Artist: Gilbert Gonzales
• Roto Supervisor: Karen Klein
• Visual Effects Supervisor: Brad Kuehn
• Digital Compositor: Will McCoy
• Animation: Allen Ruilova
• Visual Effects Technical Director: Brian Shows
• Stunt Coordinator: G. A. Aguilar
• Stunts: Robert Apisa
• Stunts: Bruce Paul Barbour
• Stunts: Jill Brown
• Stunts: Carl Ciarfalio
• Stunts: Douglas Crosby
• Stunts: Malcolm Ian Cross
• Stunts: Richard Drown
• Stunts: Ousaun Elam
• Stunts: Peter Epstein
• Stunt Double: Eddie J. Fernandez
• Stunts: Ramiro González
• Stunts: Dick Hancock
• Stunt Double: Chuck Jeffreys
• Stunts: Daniel Maldonado
• Stunts: Steve Martinez
• Stunts: Bennie Moore
• Stunts: Jim Palmer
• Stunts: Peewee Perez
• Stunts: Peewee Piemonte
• Stunts: Stephen A. Pope
• Stunts: Victor Prince
• Stunts: Thomas Rosales Jr.
• Stunts: Hashem Shaalan
• Stunts: Garfield Wedderburn
• Stunts: Brian J. Williams
• Stunts: Gene Williams
• Stunts: Blaise Corrigan
• Stunt Driver: Ned Corrigan
• Stunts: Alex Madison
• Stunt Double: Brad Martin
• Stunts: Eddie Perez
• Utility Stunts: Felipe Savahge
• Stunts: Al Whiting
• Script Supervisor: Wilma Garscadden-Gahret
• Music Supervisor: Anita Camarata
• Grip: David Jensen

Movie Reviews:

• CinemaSerf: George Clooney is always good as the debonaire crook. Right from the start, he has a certain panache as he casually robs a bank – though he ought to have bought a more reliable getaway car. In and out of prison, he (“Foley”) finds himself in possession of a US Marshall “Sisco” (Jennifer Lopez) whom he imprisons in the boot of her car after another of his robberies goes awry! His latest period of incarceration, however, introduces him to millionaire fraudster “Dick” (Albert Brooks) who is being ripped off for protection and in-prison luxuries by “Miller” (Don Cheadle). They vie, for a while, over this lucrative gent before deciding that the best plan is to join forces to relieve him of his reputed $5m in uncut diamonds hidden at one of his many properties. With the determined “Sisco” in pursuit, off they set on this quite entertaining quest with plenty of duplicity and the odd thwacking before an ending that is distinctly fishy. Of course there is some romance – “Sisco” and “Foley” certainly spark, and aside from the on-form Cheadle, Ving Rhames and the always slightly quirky Steve Zahn provide much added value as this otherwise procedural story moves along. It’s far too long. At over two hours, the film struggles to sustain itself for periods at the start; it takes it’s own sweet time to build up an head of steam, but once it gets going it has a genial charm to it and Clooney holds it together with a glint in his eye and his tongue in his cheek. Forgettable, but fun.
• JPV852: Not a favorite of mine amongst Soderbergh’s works (I’d rank Ocean’s Eleven and Traffic above this) but still highly entertaining crime-romance-comedy with Clooney and Lopez sharing some wonderful chemistry. This one does have Soderbergh’s trademark style with cool blues in the Detroit scenes and oversaturation for Florida. **4.0/5**