Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.

Credits: TheMovieDb.

Film Cast:

• Rose Morgan: Barbra Streisand
• Gregory Larkin: Jeff Bridges
• Hannah Morgan: Lauren Bacall
• Henry Fine: George Segal
• Claire: Mimi Rogers
• Alex: Pierce Brosnan
• Doris: Brenda Vaccaro
• Barry: Austin Pendleton
• Candy: Elle Macpherson
• First Girl Student: Ali Marsh
• Sara Myers: Leslie Stefanson
• Female Professor: Taina Elg
• Felicia: Lucy Avery Brooks
• Felicia (Video): Amber Smith
• Claire’s Masseur: David Kinzie
• Rabbi: Howard S. Herman
• Reverend: Thomas Hartman
• Trevor: Trevor Ristow
• Mike (Student): Brian Schwary
• Randy (Student): Randy Pearlstein
• Stacie (Student): Stacie Sumter
• Taxi Stealer: Cindy Guyer
• Taxi Driver: Thomas Saccio
• Waiter: Andrew Parks
• Jimmy the Waiter: Jimmy Baio
• Henry’s First Date: Emma Fann
• Henry’s Second Date: Laura Bailey
• Justice of the Peace: Mike Hodge
• Gloria: Anne O’Sullivan
• Female Student: Sandi Schroeder
• Female Student: Kiyoko M. Hairston
• Male Student: Ben Weber
• Male Student: Christopher Keyes
• Female Aerobic Instructor: Lisa Wheeler
• Male Aerobic Instructor: Kirk Moore
• Make-Up Artist: Regina Viotto
• Hair Colorist: Paul LaBreque
• Waiter: Rudy Ruggiero
• Mr. Jenkins: William Cain
• Doorman: Adam LeFevre
• Irate Woman: JoAn Mollison
• Opera Man: Carlo Scibelli
• Male Student: Eli Roth
• Girl in Commercial (uncredited): Milla Jovovich

Film Crew:

• Theme Song Performance: Barbra Streisand
• Screenplay: Richard LaGravenese
• Casting: Todd M. Thaler
• Production Design: Tom H. John
• Executive Producer: Cis Corman
• Casting: Bonnie Finnegan
• Editor: Jeff Werner
• Original Music Composer: Marvin Hamlisch
• Director of Photography: Dante Spinotti
• Costume Design: Theoni V. Aldredge
• Original Story: Gérard Oury
• Co-Executive Producer: Ronald L. Schwary
• Location Manager: Declan Baldwin
• First Assistant Director: Amy Sayres
• Director of Photography: Andrzej Bartkowiak
• Producer: Arnon Milchan
• Production Accountant: Tamara Bally
• Original Story: André Cayatte
• Hairstylist: Susan Germaine
• Makeup Artist: Randy Houston Mercer
• Chief Lighting Technician: William Ward
• Rigging Gaffer: James Malone
• Production Coordinator: Lori Johnson
• Camera Operator: Dick Mingalone
• Casting Assistant: Gayle Keller
• Sound Editor: Mark Larry
• Sound Editor: Steven Ticknor
• Sound Editor: John M. Colwell
• Assistant Costume Designer: Kevin Brainerd
• Actor’s Assistant: Renata Buser
• Sound Editor: Chuck Neely
• Unit Production Manager: Tony Mark
• Steadicam Operator: Gregory Lundsgaard
• Makeup Artist: Edouard F. Henriques
• Production Supervisor: Ray Quinlan
• Camera Operator: Patrick Capone
• Theme Song Performance: Bryan Adams
• Set Decoration: Alan Hicks
• Supervising Sound Editor: Charles L. Campbell
• Assistant Sound Editor: Jerry Edemann
• Assistant Editor: Marilyn Madderom
• Stunt Coordinator: Vince Deadrick Jr.
• Art Direction: Teresa Carriker-Thayer
• Script Supervisor: Karen Kelsall
• Production Sound Mixer: Tom Nelson
• Craft Service: Roger Poirier
• Supervising ADR Editor: Gail Clark Burch
• Assistant Property Master: Travis Wright
• Second Unit Director of Photography: Richard Quinlan
• Orchestrator: Jack Hayes
• Unit Publicist: Stanley Brossette
• Property Master: Thomas Saccio
• Transportation Co-Captain: Dennis Radesky
• Assistant Sound Editor: Keith Edemann
• Additional Editing: Alan Heim
• Foley: Alicia Stevenson
• Supervising Music Editor: Charles Martin Inouye
• Orchestrator: Torrie Zito
• Boom Operator: Daniel Rosenblum
• ADR Editor: Laura Graham
• Chief Lighting Technician: Jay Fortune
• Rigging Grip: Matthew Miller
• Sound Re-Recording Mixer: Kevin O’Connell
• Sound Editor: Ronald Eng
• Sound Editor: Harry Cheney
• Sound Editor: Richard C. Franklin
• Hairstylist: John Quaglia
• Sound Editor: Leonard T. Geschke
• Scenic Artist: Leslie Salter
• Camera Operator: Gary Jay
• First Assistant Camera: Steve Adcock
• Sound Editor: John H. Arrufat
• Foley: Marko Costanzo
• Still Photographer: David James
• Music Supervisor: Jay Landers
• Assistant Sound Editor: Philip J. Slattery
• Production Supervisor: Sue Jett
• Makeup Artist: Lynn Campbell
• Hairstylist: Lyndell Quiyou
• Assistant Property Master: Michael Saccio
• Transportation Captain: John Leonidas
• Scenic Artist: Richard A. Ventre
• Script Supervisor: Mary Bailey
• Wardrobe Supervisor: Virginia D. Patton
• Associate Producer: Ari Sloane
• Second Assistant Director: Christopher Swartout
• Wardrobe Supervisor: Tommy Boyer
• Dolly Grip: Brad Goss
• Sound Re-Recording Mixer: Greg P. Russell
• Key Grip: Billy Miller
• Assistant Editor: Richard Friedlander
• Supervising Sound Editor: Louis L. Edemann
• Assistant Editor: Michael J. Wechsler
• Editorial Production Assistant: Javier Reyna
• ADR Editor: Zack Davis
• Orchestrator: Brad Dechter
• ADR Voice Casting: Burton Sharp
• Public Relations: Ken Sunshine
• Color Timer: Bob Kaiser
• Assistant Editor: Sandra Grubb
• Negative Cutter: Mo Henry
• Construction Coordinator: Joseph S. Alfieri

Movie Reviews:

• CinemaSerf: It takes it’s time to get going this, but once we’ve met the characters and it gets into it’s swing, its quite an amiable showcase for the star. “Gregory” (Jeff Bridges) is a rather dry university professor who’s looking for a distinctly platonic form of female companionship. He places an add and amongst the responses is one from “Rose” (Barbra Streisand). Thing is, she didn’t volunteer for this – her recently married sister “Claire” (Mimi Rogers) nominated her… Anyway, the two meet and rather surprisingly they click. A few rather rushed escapades later and it’s clear that the two are falling in love – despite the obvious scepticism of her mother “Hannah” (Lauren Bacall) – and that “Rose” is now ready to takes things to a next level that “Gregory” is scared silly of… Meantime, her sister and husband “Alex” (Pierce Brosnan), upon whom “Rose” has always had a bit of a crush, are having difficulties and with “Gregory” playing his hand particularly badly, well – might “Rose” stray? The last forty minutes or so are well paced with some pithy dialogue and as “Rose” finds her true personality the characterisations begin to come alive a little better. There are a couple of fun scenes with the all too sparingly used Bacall and Streisand sabre-rattling and the rest of it, well I reckon there are some clear parallels with “What’s Up Doc?” (1972) as the story heads to an increasingly predicable denouement. It’s quite watchable, but you’ll probably never remember it or the duet with Bryan Adams at the end.