When teenager Ren and his family move from big-city Chicago to a small town in the West, he’s in for a real case of culture shock after discovering he’s living in a place where music and dancing are illegal.

Credits: TheMovieDb.

Film Cast:

• Ren McCormack: Kevin Bacon
• Ariel Moore: Lori Singer
• Reverend Shaw Moore: John Lithgow
• Vi Moore: Dianne Wiest
• Willard Hewitt: Chris Penn
• Rusty: Sarah Jessica Parker
• Chuck Cranston: Jim Youngs
• Woody: John Laughlin
• Wendy Jo: Elizabeth Gorcey
• Ethel McCormack: Frances Lee McCain
• Burlington Cranston: Douglas Dirkson
• Lulu Warnicker: Lynne Marta
• Wes Warnicker: Arthur Rosenberg
• Andy Beamis: Timothy Scott
• Coach Roger Dunbar: Alan Haufrect
• Eleanor Dunbar: Linda MacEwen
• Edna: Kim Jensen
• Travis: Michael Telmont
• Rich: Leo Geter
• Jeff: Ken Kemp
• Herb: Russ McGinn
• Mr. Gurntz: Sam Dalton
• Widdoes: H.E.D. Redford
• Harvey: Jay Bernard
• Team Member: David Valenza
• Sarah Warnicker: Meghan Broadhead
• Amy Warnicker: Mimi Broadhead
• Bernie: Gene Pack
• Virginia: Marcia Dangerfield
• Fat cowboy: John Perryman
• Mrs. Allyson: Mary Ethel Gregory
• Mr. Walsh: Oscar Rowland
• Mayor Dooley: J. Paul Broadhead
• Elvis: John Bishop
• Girl: Carmen Trevino
• Girl: Melissa Renee Graehl
• Girl: Monica M. Da Silva
• Girl: Terri Gay Ulmer
• Party Kid: Brandyn Cross
• Dancer: Kevin Denson
• Policeman: Michael Flynn
• Dancer: Deborah Frazier
• Bar Patron: Andrea Hays
• Dancer: Michele Laurita
• Nerdy DJ: Brian L. McCarty
• Cowgirl Bar Dancer: Alison Trouse
• Extra: Brian Wimmer
• Stunt Dancer: Peter Tramm

Film Crew:

• Casting: Jane Feinberg
• Editor: Paul Hirsch
• Costume Design: Gloria Gresham
• Director: Herbert Ross
• Producer: Craig Zadan
• Production Design: Ron Hobbs
• Producer: Lewis J. Rachmil
• Casting: Marci Liroff
• Screenplay: Dean Pitchford
• Director of Photography: Ric Waite
• Casting: Mike Fenton
• Set Decoration: Mary Swanson
• Casting: Margery Simkin
• Script Supervisor: Esther Vivante
• Music Supervisor: Becky Mancuso-Winding
• Choreographer: Lynne Taylor-Corbett
• Executive Producer: Daniel Melnick
• Unit Production Manager: Murray Schwartz
• First Assistant Director: L. Andrew Stone
• Second Assistant Director: Robert Engelman
• Property Master: C.J. Maguire
• Camera Operator: Eric D. Andersen
• Camera Operator: Richard Walden
• First Assistant Camera: Baird Steptoe
• Second Assistant Camera: Mako Koiwai
• Still Photographer: Richard R. Robinson
• First Assistant Camera: Donald E. Thorin Jr.
• Additional Second Assistant Director: Donald Hauer
• Stunt Coordinator: Max Kleven
• Assistant Editor: David Handman
• Assistant Editor: Peck Prior
• Supervising Sound Editor: Gordon Ecker
• Sound Effects Editor: Robert Bradshaw
• Sound Effects Editor: Randy Kelley
• Sound Effects Editor: Bob Newlan
• Sound Effects Editor: Wylie Stateman
• Music Editor: Jim Henrikson
• Music Editor: Nancy Fogarty
• Supervising ADR Editor: Stan Gilbert
• Sound Mixer: Al Overton Jr.
• Sound Re-Recording Mixer: David E. Campbell
• Sound Re-Recording Mixer: John T. Reitz
• Sound Re-Recording Mixer: Gregg Rudloff
• Makeup Artist: Daniel C. Striepeke
• Hairstylist: Barbara Lampson
• Gaffer: Carl Boles
• Key Grip: Harold Rabuse
• Location Manager: Frawley Becker
• Associate Choreographer: Spencer Henderson
• Special Effects: Wayne Beauchamp
• Transportation Coordinator: Sam Edelman
• Dolby Consultant: David W. Gray
• Title Designer: Wayne Fitzgerald
• Stunts: Wayne Brown
• Stunts: Robert Allen
• Stunts: J. Suzanne Fish
• Stunts: Donna Garrett
• Stunts: Norman Howell
• Stunts: Clair E. Leucart
• Stunts: Daniel K. Moore
• Stunts: Carol Rees
• Stunts: John-Clay Scott
• Songs: Kenny Loggins

Movie Reviews:

• Wuchak: “A time to mourn and a time to dance” – Ecclesiastes 3:4
• RELEASED IN 1984 and directed by Herbert Ross, “Footloose” chronicles events in the small Western town of Bomont where dancing and loud music have been outlawed because of an accident that killed some kids years earlier. Preacher’s daughter Ariel (Lori Singer) rebels against the legalistic measures while taking liking to a new student from Chicago, Ren (Kevin Bacon), whom her father (John Lithgow) disapproves of because he perceives Ren as a “troublemaker” who wants to change the town laws against dancing.
• Also on hand are Chris Penn as Ren’s “country boy” pal, Willard, and Sarah Jessica Parker as Ariel’s friend, Rusty. Penn’s character is real fun and Sarah was a real cutie back in ’84.
• I stayed away from this film because of Roger Ebert’s scathing review and the fact that I thought the story was about some big city fop moving to a small town and dancing on the tables of the local high school, etc. I was wrong (and so was Ebert). The protagonist, Ren, is no dandy; in fact, he can kick some arse if necessary. And you never see him dancing through the halls of the high school or whatever. He’s a professional-class gymnast and his dynamic solo work-out at the factory is simply a matter of blowing off steam, which is a form of healthy venting.
• Although I stayed away from “Footloose,” the film acquired a respectable following and this inspired me to finally view it. I now understand why it’s so popular. “Footloose” has that cinematic magic that pulls you in and gives you a good time. This is just a really entertaining movie with an exceptional soundtrack of songs made for the move with no less than six top 40 hits, like the title track by Kenny Loggins and “Holding Out for a Hero” performed by Bonnie Tyler, plus a couple of other significant ditties, e.g. “Bang Your Head” by Quiet Riot.
• Surprisingly, “Footloose” also has depth and is actually moving. We understand Rev. Shaw Moore’s grief, but his rigid law-ism isn’t doing his people or town any good. I like how Shaw isn’t made out to be the clichéd villain. This is a good man thinking he’s doing the right thing for his town, and in many ways he is, but the legalistic spirit he cops is sapping the life out of him, his family, his congregants and his town. Does he have the wisdom to see his error and re-route?
• BOTTOM LINE: Footloose is easily the best of the Big Three 80’s dance movies and actually made significantly more at the domestic box office than “Dirty Dancing” ($80 million compared to $65 million). It has heart, a great cast, a superb soundtrack, all-around entertainment and real-life mindfood. It’s also based on a true story that occurred in Elmore City, Oklahoma. Actually, there were similar towns with the same laws throughout America (and maybe still are).
• THE FILM RUNS 1 hour, 47 minutes and was shot in areas 30 minutes south of Salt Lake City, on the eastern side of Utah Lake. WRITER: Dean Pitchford.
• GRADE: A
• GenerationofSwine: It’s still one of my favorites and I could hardly walk when it first came out.
• And now it’s legend, so writing a real review is almost needless. Just about everyone has seen it. It’s still regarded as a classic.
• So I suppose the best thing to say is that it’s like the Karate Kid…only with dancing rather than martial arts.
• Single mother and son move into a new town. Son is an outsider that gets in trouble with the local bully. Son starts dating the local bully’s girlfriend. Son and bully fight and…resolution.
• However, it goes a bit deeper in that it references several cases of high school kids actually taking on town ordinances against dancing.
• And Kevin Bacon is the new kid in town, so he’s like the Karate Kid, but he also serves in the Pat Morita role as instructor.
• And the evil dojo is actually a church and the bad guy is actually a preacher and not a Karate trainer and has a very kind heart and cares a lot for his community. So the main villain isn’t really evil he just has a different point of view, and unlike movies today, he is allowed to have a different point of view, to really be wrong in his beliefs, and still be portrayed as a kind and caring person.
• So, it’s like the Karate Kid only with actual depth and much better soundtrack.