Zane Ziminski is an astrophysicist who receives a message that seems to have extraterrestrial origins. Eerily soon after his discovery, Zane is fired. He then embarks on a search to determine the origins of the transmission that leads him into a Hitchcockian labyrinth of paranoia and intrigue.

Credits: TheMovieDb.

Film Cast:

• Zane Zaminski: Charlie Sheen
• Ilana Green: Lindsay Crouse
• Calvin: Richard Schiff
• Phil Gordian: Ron Silver
• Char: Teri Polo
• Mrs. Roosevelt: Phyllis Applegate
• Kiki: Tony T. Johnson
• Terraformer: Alan Coates
• DOD #1: Leon Rippy
• DOD #2: Buddy Joe Hooker
• Co-worker: Javier Morga
• Cabbie: David Villalpando
• Maid: María Luisa Coronel
• Reporter #1: Mónica Dionne
• Reporter #2: Alejandro Usigli
• Reporter #3: Jacqueline Voltaire
• Security Woman: Luisa Huertas
• JPL Official: Roger Cudney
• JPL Guard #1: Shane
• JPL Guard #2: Dave Galasso
• Computer Tech: Georg Lillitsch
• N.C.A.R. Woman: Catalina Botello
• Lance (uncredited): David Sherrill
• Skeleton Man: Ángel de la Peña

Film Crew:

• Director of Photography: Hiro Narita
• Casting: Mary Jo Slater
• Sound Designer: David Farmer
• Editor: Martin Hunter
• Casting Director: Claudia Becker
• Music Editor: Stephen A. Hope
• Foley: Dennie Thorpe
• Stunt Coordinator: Buddy Joe Hooker
• Executive Producer: Ted Field
• Art Department Coordinator: Marco Niro
• Animation Director: Raman Hui
• Costume Design: Mayes C. Rubeo
• Executive Producer: Robert W. Cort
• Producer: Thomas G. Smith
• Casting: Steve Brooksbank
• Art Direction: Héctor Romero
• Director: David Twohy
• Costume Supervisor: Wendy Range
• Camera Operator: Guillermo Rosas
• Assistant Editor: Carroll Timothy O’Meara
• Steadicam Operator: Checco Varese
• Set Dresser: Carlos Gutiérrez
• Set Dresser: Patrice Laure
• Original Music Composer: Arthur Kempel
• ADR Voice Casting: Mitch Carter
• Producer: Jim Steele
• Art Direction: Anthony R. Stabley
• Stunts: Alisa Christensen
• Second Unit Director of Photography: Isidore Mankofsky
• Associate Producer: Lorenzo O’Brien
• Visual Effects Producer: Charles L. Finance
• Visual Effects Supervisor: Robert Skotak
• Stunts: Jeff Jensen
• Visual Effects Supervisor: Rich Thorne
• Visual Effects Compositor: Bob White
• Camera Loader: Luis David Sansans
• First Assistant Director: René Villarreal
• Gaffer: Raman Rao
• Production Design: Michael Novotny
• Visual Effects Producer: Rodney Montague
• Aerial Camera: John M. Stephens
• Assistant Hairstylist: Regina Reyes
• Associate Producer: David Tripet
• Visual Effects Editor: Daniel Arkin
• Makeup Artist: Felicity Bowring
• Sound Re-Recording Mixer: Lora Hirschberg
• Set Decoration: Enrique Estévez Hermelindo
• Set Decoration: Melo Hinojosa
• Casting: Rogelio Rojas
• Casting: Laura Seidel
• Visual Effects Supervisor: Brian Jennings
• Draughtsman: Carlos Benassini
• Sound Effects Editor: Ethan van der Ryn
• Music Editor: Javier Gunther
• Still Photographer: Bob Marshak
• VFX Director of Photography: Mark A. Shelton
• Transportation Coordinator: Geno Hart
• Post Production Supervisor: Brad Arensman
• Visual Effects Editor: Amy Pawlowski
• Property Master: Gilberto Cortes
• Property Master: Steven Schalk
• Set Designer: Jaime Rivas Ruiz
• Construction Coordinator: Fernando Lau
• Supervising Sound Editor: Hugh Waddell
• Dialogue Editor: Dianna Stirpe
• Dolby Consultant: Daniel Sperry
• Special Effects Coordinator: Laurencio Cordero
• Visual Effects Supervisor: Jeff Burks
• Visual Effects Supervisor: David B. Sharp
• Visual Effects Supervisor: John T. Van Vliet
• Visual Effects Producer: Melissa Taylor
• Camera Operator: Eric Anderson
• Script Supervisor: Dea Cantu
• Publicist: Cirina Catania
• Studio Teachers: Helen Meidel
• Location Manager: John A. Johnston
• VFX Director of Photography: Richard Malzahn
• Stunt Double: Eddie Braun
• First Assistant Editor: Elaine C. Andrianos
• Stunts: Eddy Donno
• Extras Casting: Jorge Guerrero
• Second Assistant Camera: Juan Ayala
• Costume Assistant: Carlos Munguía
• Electrician: Eduardo Jesús Oviedo Vargas
• Key Hair Stylist: Marsha Lewis
• Key Makeup Artist: Gabriel Solana
• Key Grip: John T. Martin
• Gaffer: David Jarrell
• First Assistant Camera: Heriberto Gutiérrez
• Rigging Gaffer: John Matthews
• Assistant Editor: Harrison Gibbs
• Key Grip: Gustavo Covarrubias
• Makeup Artist: David LeRoy Anderson
• Assistant Makeup Artist: Greg T. Moon
• Stunts: Bennie Moore
• Assistant Hairstylist: Maxine Morris
• Draughtsman: Daniel Novotny
• Key Costumer: Jaime Ortiz
• Storyboard Artist: P.K. MacCarthy
• Digital Compositor: Marlo Pabon
• Lighting Supervisor: Jean M. Cunningham
• 3D Animator: Jongwoo Heo
• VFX Director of Photography: Les Bernstien
• Dolly Grip: Ricardo Covarrubias
• Swing: Brendan C. Fenton
• Camera Loader: Tamara Goldsworthy
• First Assistant Camera: Roberto ‘Tito’ Blasini
• Electrician: Enrique Lara
• Dolly Grip: Leo Behar
• Key Grip: Steve Iriguchi
• Stunts: Billy Hank Hooker
• Stunts: Rita Morena
• Draughtsman: Francisco García
• VFX Director of Photography: Russell j Lyster
• CG Animator: David Lauer
• Visual Effects Coordinator: Sharon Hollis
• Best Boy Grip: Shawn Whelan
• Script Supervisor: Dee Whitehurst
• Assistant Editor: Sam Citron
• Aerial Camera Technician: Scott Whitman
• Hairstylist: Kim Urgel
• Assistant Property Master: Campos Memo Granados
• Construction Foreman: Lawrence Lawson
• Draughtsman: Luis Amézquita
• Leadman: Francisco López
• Swing: Frederico Tellez
• Swing: Manuel Ordaz López
• Swing: Randolph W. Day
• Best Boy Electric: Fred White
• Camera Loader: Enrique Cervera
• Electrician: Carlos Sánchez
• Electrician: Juan J. Valencia
• First Assistant Camera: Pat Swovelin
• Second Assistant Camera: Forrest Thurman
• Assistant Costume Designer: Jeannie Johnson
• Costume Assistant: Thomas Flynn
• Tailor: David Jardon
• Extras Casting: Ray Schaaf
• Assistant Editor: Arleen Beaty
• Assistant Editor: Gary Simon
• Color Timer: Linda DeMarco

Movie Reviews:

• Gimly: Charlie Sheen channels his inner Kevin Smith in this unique take on the genre. Sure it’s a little X-Files-y, and a lot of the twists are either glaringly obvious or make zero sense, but by and large it’s pretty original. The climate-change message does beat you over the head a little, but only gently, which I can handle. Obviously it didn’t take anyway, considering we’re here twenty years later and the problem’s only gotten worse.
• _Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._